Bakelite crockery became inexpensive and popular c 1930 and was used for a variety of goods because of its almost unbreakable quality. . Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin. Bakelite became affordable and plentiful so it was used in many homes like Gladys Reed in City of Moorabbin c1960 Green bakelite cup, saucer, egg cup c1930bakelite, crockery, clothing, manufactured lace, dressmaking, blouses, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy

Minute book from Victorian Women's Basketball Association (later Netball Victoria) meetings from July 1934 to March 1938. This book documents the developments of netball in Australia during the 1930's, including rule changes and national championships. The item is significant to the collection due to its explanation of key developments of netball in Australia. The book records results from annual state and national championships and also rule changes and adjustments.Black book with handwriting on lined pages.Victoria Women's Basketball Association Minute Book July 1934 - March 1938 on spine of book.netball, netball victoria, netball australia, women's basketball, vwbba, aawbba

Bob Pratt played for the Mitcham Football Club in the late 1920's, following his father who played for Mitcham in about 1914. In 1930 Bob Pratt began his long and successful career with the South Melbourne Football Club.Black and white photograph of Bob Pratt and father, Harold Pratt, at Thelma Pratt's weddingpratt, bob snr., harold, thelma, mitcham football club, south melbourne football club, football clubs

The ceramic plate commemorates the 150th anniversary of the State of Victoria, with an original painting of the Royal Exhibiton Building in Melbourne on the front, by the Victorian artist Charles McCubbin (1930-2010). Charles McCubbin was the grandson of the Australian painter Frederick McCubbin (1855-1917). The ceramic plate commemorating the 150th anniversary of the State of Victoria has state and national signifcance as one of 5000 plates worldwide released by the Moliver Collection. It also has artistic signifcance as there is an original painting of the Royal Exhibition Building in Melbourne on the front, by the well known Victorian artist Charles McCubbin, who was the grandson of the renowned Australian painter Frederick McCubbin.Blue and pink toned circular ceramic plate commemorating the 150th anniversary of Victoria in 1984-5. Front: An original painting of the Royal Exhibition Building in Melbourne, signed by the artist Charles McCubbin, with an inscription around the top and bottom edges. Chip in the edge of the ceramic below the date 1984-5. Back: Text about the plate commemorating the 150th anniversay of Victoria with an original painting by Charles McCubbin and his signature, as well as the Plate No. 0404 and trade marks of the Moliver Collection, Westminster Fine China, Australia and Victoria 150.Front: "To Commemorate the 150th Anniversary / of Victoria 1984-5" - around the top and bottom edges of the plate. "Charles / McCubbin" signature above the date 1984-5. Back: "The Official Plate Commemorating / Victoria's 150th Anniversary. / Officially endorsed by the Victorian Government / and the 150th Anniversary Board. This plate is one / of a limited edition of 5,000 plates worldwide released / by The Moliver Collection / Original painting by Charles McCubbin." - on the upper part of the back of the plate. "THE MOLIVER / Victoria 150 Years / COLLECTION" - on the centre of the back of the plate. "M / THE MOLIVER COLLECTION - on the proper left side of the back of the plate. "Charles McCubbin" - signature in the central part of the back of the plate. "FINE CHINA / Westminster / AUSTRALIA" - on the proper right side of the back of the plate. "Plate No. 0404" - on the lower proper left side of the bakc of the plate "VICTORIA 150 / GROWING TOGETHER 1984-5" - on the lower central part of the back of the plate.victoria 150 years, charles mccubbin, commemorative ceramics, royal exhibition building, the moliver collection, westminster fine china, victoria 150

Each negative is a copy of a selected photograph from the album of Mr Martin Brown. The photographs include sheep being loaded onto the SS Woolgar at Portland, Barunah Plans and Wingeel stations. Photographs were taken during the 1930's.Three strips of medium format black and white negatives, including thirty two frames in total. Negatives are copies of photographs in an album.SHEET 1 SHEET 2 SHEET 3pastoral industry - history sheep stations sheep sales sheep pastures, brown, mr martin, barunah, wingeel, pastoral industry - history, sheep stations, sheep sales, sheep pastures

This article of clothing is specifically an undergarment to be worn under a skirt or a dress. The petticoat is a separate garment hanging from the waist. In the late 1920s, chiffon dresses with several sheer petticoats became fashionable. With the Great Depression in the 1930s, narrow skirts returned and petticoats again were unpopular until the end of the decade when revived for some evening, prom, and wedding gowns. World War II, with its rationing and general shortage of materials, brought an end to petticoats. Petticoats were revived by Christian Dior in his full-skirted "New Look" of 1947 and tiered, ruffled, stiffened petticoats remained extremely popular during the 1950. Most of the petticoats were netlike crinoline, Worn by Marjorie Burton. It may have been worn underneath dresses with full skirts or may have been designed for a short style wedding dress. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who mademany of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. This item is an example of ahome-made item of clothing and reflects the needlework skills of women in the first half of the twentieth century.A coarse, net, white starched petticoat. It is short and has no bodice. It is home-made, machine stitched and fastens at the waist with metal hooks and eyes. It has four panelspetticoat women's-clothing burton-marjorie

This article of clothing is specifically an undergarment to be worn under a skirt or a dress. The petticoat is a separate garment hanging from the waist. In the late 1920s, chiffon dresses with several sheer petticoats became fashionable. With the Great Depression in the 1930s, narrow skirts returned and petticoats again were unpopular until the end of the decade when revived for some evening, prom, and wedding gowns. World War II, with its rationing and general shortage of materials, brought an end to petticoats. Petticoats were revived by Christian Dior in his full-skirted "New Look" of 1947 and tiered, ruffled, stiffened petticoats remained extremely popular during the 1950. Most of the petticoats were netlike crinoline, Worn by Marjorie Burton. It may have been worn underneath dresses with full skirts or may have been designed for a short style wedding dress. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who mademany of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. This item is an example of a home-made item of clothing and reflects the needlework skills of women in the first half of the twentieth century.A coarse, net, white starched petticoat. It is short and has no bodice. It is home-made, machine stitched and fastens at the waist with metal hooks and eyes. It has four panelspetticoat women's-clothing burton-marjorie

During the 1930s Depression with money and goods in short supply, many people had to learn to adapt and improvise with whatever they could find. This tin mug is an example of the resourcefulness and creativity that emerges in times of adversity. This item is a good example of the self-reliance of early families before the availability of mass produced domestic items.A tin mug with a tin handle. It is made from a recycled tin container and the handle has been soldered on to the side.tin-mug handmade container tin

Children used slates to practise writing letters and numbers. They sometimes used their slates to play games when not learning their lessons Early models of small, hand-held chalkboards were slates encased in a wood frame to keep the slate from breaking. Pencil and paper were available but paper was very expensive. Using a small, hand-held slate meant that a child could practise writing, erase and write again without having to consume expensive paper.This item is an example of early educational equipment and can be compared to modern school equipment.A double-sided rectangular-shaped school slate with a wooden frame.Chalk markings - number sentences. On frame-Made in Portugalschool-slate education writing educational-equipment

A shoehorn or shoe horn is a tool that lets the user put on a shoe more easily. It does so by keeping the shoe open and by providing a smooth surface for the foot and the heel to move, without crushing the shoe's counter (the vertical portion of the shoe that wraps around the back of the foot), in this way acting as a first class lever. (ref Wikipedia). This shoehorn was an advertising item for Jenkin Shoe Stores of Sydney, New South Wales.Shoehorns were commonly used in the 1930's- 1950's. A silver coloured metal spoon shaped shoe horn with a hole in the handle. It advertises Jenkin Shoe Stores, Sydney. Two leaves on either side of some small flowers are engraved on it.JENKIN SHOE STORES SYDNEYjenkin-shoe-store shoehorn advertising commerce

This postal note was purchased at Hobart West Post Office but was not cashed in. Postal notes (or postal orders) were introduced as a means of transmitting smaller amounts of currency within a country. They were sanctioned by the Universal Postal Union and upon joining this body, each colony was required to issue them. Money orders were later introduced for larger sums. The post office became responsible for postal notes in 1890. Postal notes were a way of sending money through the post. They were replaced by money orders. Duplicate money orders were issued as replacements.This item is an example of a form of currency which has been superseded by postal and money orders. Postal orders are not legal tender, but a type of promissory note, similar to a cheque.A postal note -black print on green background. The amount is 2/- and it is dated Feb 9 1942 , Number 337582currency postal-note

The tennis racquet belonged to John Phillips who used it in the late 1950s / early 1960s. It was not a new racquet when Ihe started using it, but a pass-me-down from his father. He purchased his first new racquet in the mid 60s and gave this racquet to the Orbost Museum to go in the racquet press so that people would have an idea of what the item (press) was used for - to stop wooden framed racquets with gut strings from warping. John played tennis at Orbost Tennis Club from 1969-1981 - vice president 1971-77, president 1977-81, secretary of Orbost & District Tennis Association 1975-81. He is a Life Member of the Orbost Tennis Club (1980). John is also a Life Member of the Orbost & District Historical Society.This item is an example of an early piece of sports' equipment which was manufactured using different materials.A wooden tennis racquet with a reinforced cane handle. The handle has a black leather grip. The frame is wooden ash with gut strings.ALL ENGLAND Genuine Weather Proof SLAZENGER Reinforced Cane Sealed finishtennis-raquet sport recreation phillips-john orbost-tennis-club

Beecham’s Pills became one of the most popular ‘over the counter’ patent medicines after their introduction in the 1840s. Developed by Thomas Beecham, Beecham’s Pills were a standard family medicine for many generations. (Ref sciencemuseum.org)This item reflects changes in public health medical practice and research over the last century. Beecham pills were a commonly purchased home remedy.Small, round wooden container for Beecham's Pills. Still has original label and two pills inside.medicine beecham pharmacy

Medicine came in bottles bought at the a chemist. The shape of bottles changed as did the stopper used to seal it. History of Bonnington's Irish Moss.Historical: Change of bottles - shape, glass, embossing, use Aesthetic: Display showing embossing & shapeBonnington's Irish Moss. Small clear glass bottle used for medicine. Rectangular shape with heavy embossing at the front. Narrower sides taper to the lip at the opening.Embossing on the front side: 'Bonnington's / Irish Moss / Coughs & Coldsbonnington's irish moss bottle

This milk bottle takes its name from the Tooram property near Allansford but the exact decade when this milk bottle was used has not been established. Tooram was established by John Allan when he came to the Allansford area in 1839/1840 with his brother William who established the property of Allandale in the same area. John Allan held the property of Tooram until the early 1860s, with several owners from that date on including John Orlebar, Thomas Palmer and the Owen family. The property was sub-divided in 1897 with the Uebergang family owning Tooram Park from 1912 to 1992. The Torram property was well-known in the late 19th and early 20th century for its cheese production.This bottle is of great interest as one connected with Tooram, a dairying property that was one of the earliest farm properties in the Warrnambool area, being established in the Allansford area in 1839/1840, before the town of Warrnambool was settled. This is a glass bottle with a moulded base and a metal and china stopper. There is lettering etched into one side of the bottle. ‘Tooram Milk Imperial Quart’tooram, allansford, dairying in the warrnambool district

This laundry box would have been used by a woman who was travelling to hang up in a bedroom small items of clothing that had been laundered. Different types of laundry sets have been available for travellers for many years and sets of a more modern nature are in use today. This laundry set is retained as an example of a woman’s laundry set from the past. This is a mottled blue container made of Bakelite. The box contains eight small wooden pegs. This set is incomplete as originally there would have been ten pegs and some string to use as a small clothesline. The box also has a slip of paper with printed material indicating the use and value of the laundry set. The top of the container has had some cloth material pasted on but this is largely worn off. ‘Ladies travelling laundry set. This practical little outfit solves the problem of drying light lingerie when travelling, as such articles can easily be hung up in the boudoir. Indispensable for drying silk stockings and similar articles.’ women’s accessories, history of warrnambool

Refer Cat No 2502Photo, framed, colour enhanced, portrait of a soldier with peak cap, re W A BRIGHAM. Framed in wood, ornate with gold, black & wood staining.photography-photographs, frame accessories

Item belonged to Maxwell Lennox MATHESON 418447 RAAF. Refer Cat No1959 for his service history. The two items were put together to make a home made Theodolite.Metal, glass construction consisting of an eye piece from a bomb sight eye piece with several adjustments fitted to an ASTRO Compass MKII and rotates on a base"AM ASTRO Compass MKII Ref 6A/1174 3.C"surveying-terrestrial, compass

A collection of 5 photographs donated by Pam Toom. Property of her mother Winifred Lade nee Tinkler. The collection was originally sent to Wonthaggi & District Historical Society as Pam thought they were of Wonthaggi. Passed on to PI & D Historical Society as they related to Phillip Island.Photograph 226-01. Black & White photograph of a koala on a branch. Photograph 226-02. Black & White photograph of The Nobbies. Photograph 226-03. Black & White photograph of Seal Rocks taken from boat. Photograph 226-04. Black & White photograph of seals on Seal Rocks taken from boat. Photograph 226-05. Black & White photograph of a parade of people in fancy dress on The Esplanade, Cowes with the pier and Bandstand in the background. wildlife - koala, the nobbies phillip island, seal rocks phillip island, wildlife - seals, seals on seal rocks phillip island, fancy dress parade cowes phillip island, pam toom, winifred lade

As a wedding photograph, this photograph shows the fashions of the time, which can be traced back to the 1930s, based on the length and style of the dress. This photograph shows one of the many uses of the Mission.This photograph shows one of many weddings held at the Mission to Seafarers. The image is relevant to the Mission and the services of the affiliated Anglican Church.This is a copy of a black and white photograph of wedding party in the courtyard at Mission to Seafarers. The bride is wearing an ankle length gown with peep toe shoes and a floral headpiece with veil. The groom is in full naval uniform.Pin hole through the top centre of the photograph.hat, coat, uniform, veil, wedding, dress, suit, courtyard, mission to seafarers, seamen's mission, mission to seamen, wedding dress, flinders street, melbourne

Photograph of "Marble Hall", Greensborough. The Marble Hotel, Greensborough was located at the corner of Main Street and Para Road. The first licensed hotel in Greensborough and one of the earliest brick buildings was built by James Chapman in the early 1850s as a hotel and lodging house to cater for wood carters and those trying their luck at the gold fields but served many functions over the years including post office, general store, public hall, butchers, bakers, surgery, private dwelling and baby health care centre. It got its name due to its white washed exterior. This photo is from the Lorraine Coates Collection.Photograph of early Greensborough building, now demolished.Digital copy of black and white photograph.marble hotel greensborough, james chapman, marble hall greensborough

Photograph of old bluestone bridge over the Plenty River in Greensborough. This photo is from the Lorraine Coates Collection.Digital copy of black and white photograph.plenty river greensborough, bluestone bridge greensborough

Photograph of Greensborough Railway Station, early 20th century, showing train and group of young people on platform. A car parked outside the Roy House on Main Street Greensborough [opposite the future entrance to the Greensborough Plaza] This photo is from the Lorraine Coates Collection.An early photograph of Greensborough Station.Digital copy of black and white photograph.greensborough station

Photographs of Greensborough Station and Main Street homes. Possibly Lines children. Photos from the Lorraine Coates Collection.Copy of black and white photographs, printed on A4 paper.a k lines, main street greensborough, greensborough station, lorraine coates

This cigarette or pipe lighter was in use in the mid 1900's when the majority of users were men. Ladies did smoke but mainly not in "public" The activity was still regarded as a male activity. Middle to Upper "Class" of women nearly always had a gentleman "at hand" that would "light up" her cigarette. This was seen as a "social" activity only but later in the mid 1900's onward it was quite acceptable for both sexes to "smoke" at anytime.This type of lighter was male orientated due to the degree of lighting the flint with the horizontal movement required a strong thumb action across the lighting wheel. It is significant to rural areas such as the Kiewa Valley as the majority of men (especially during and after World War II) regarded smoking as a way to ease off the "tension" of hard work. The socio-economics of the Australian work place changed after the emancipation of women in the "workforce" after the World War II depleted the male workforce for the duration of the War and changed the Australian ethics of women in all aspects of both city and rural working "so called" male only occupations.This Polo Swift lift arm cigarette/pipe lighter has a chrome plated shell and is fueled by petrol. To operate this lighter you lift the "snuffer" arm exposing the wick, then scrape the flint wheel to create a spark from the adjacent flint(resting on the brass ignition wheel).At the bottom of the lift arm station "POLO". Each side of the lighter are "Art Deco line running from the top of the lighter to the bottom. Between these is a rectangular box with "diamond crossed lines"early hand lighters, smoking in the 1930's, cigarette lighter, tobacco, cigerettes, lighter