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National Vietnam Veterans Museum (NVVM)
Book, Reed, Alan AO, Invited to a War, 2020
Family circumstances dictated that Alan Reed leave school before his sixteenth birthday. He was employed in a Chartered Accountants office until 'called up' for National Service Training in the RAAF. Becoming airborne for the first time in a Dakota DC3 changed his life forever and he applied for and was accepted by the RAAF as a Trainee Pilot. Graduating as a Sergeant in 1954 he progressed through the ranks completing his career as an Air Vice Marshall leading RAAF Support Command, an organisation of more that twelve thousand people: one of Australia's largest institutions at the time.Family circumstances dictated that Alan Reed leave school before his sixteenth birthday. He was employed in a Chartered Accountants office until 'called up' for National Service Training in the RAAF. Becoming airborne for the first time in a Dakota DC3 changed his life forever and he applied for and was accepted by the RAAF as a Trainee Pilot. Graduating as a Sergeant in 1954 he progressed through the ranks completing his career as an Air Vice Marshall leading RAAF Support Command, an organisation of more that twelve thousand people: one of Australia's largest institutions at the time.alan reed, australia. royal australian air force – veterans, australia. royal australian air force - history -
National Vietnam Veterans Museum (NVVM)
Book, Horner, D. M, Australian Higher Command in the Vietnam War, 1986
The Vietnam War presented the Australian higher commanders with a variety of new challenges. In Canberra, the Chairman of the Chiefs of Staff Committee found himself responsible for the operations of the joint Force in Vietnam but without the authority to exercise command.The Vietnam War presented the Australian higher commanders with a variety of new challenges. In Canberra, the Chairman of the Chiefs of Staff Committee found himself responsible for the operations of the joint Force in Vietnam but without the authority to exercise command.vietnamese conflict, 1961-1975 - participation, australian, vietnamese conflict , 1961-1975., australia - armed forces - organisation -
Moorabbin Air Museum
Magazine - International Civil Aviation Organisation Magazine, ICAO
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National Vietnam Veterans Museum (NVVM)
Book, Pigot, John, Leather Bred Heroes: The Vietnam Veteran's Motorcycle Club (Copy 1)
One percent Motorcycle Clubs are contentious organisations that have challenged the rules of mainstream society since they were first formed in America during the late 1940s. Their image has been well-defined in popular culture - so much so that the sound of massed Harley Davidsons continues to send a wave of panic through the community.One percent Motorcycle Clubs are contentious organisations that have challenged the rules of mainstream society since they were first formed in America during the late 1940s. Their image has been well-defined in popular culture - so much so that the sound of massed Harley Davidsons continues to send a wave of panic through the community.vietnam veterans' motorcycle club, vietnamese conflict, 1961-1975 - veterans - australia -
National Vietnam Veterans Museum (NVVM)
Book, Pigot, John, Leather Bred Heroes: The Vietnam Veterans' Motorcycle Club (Copy 2)
One percent Motorcycle Clubs are contentious organisations that have challenged the rules of mainstream society since they were first formed in America during the late 1940s. Their image has been well-defined in popular culture - so much so that the sound of massed Harley Davidsons continues to send a wave of panic through the community.One percent Motorcycle Clubs are contentious organisations that have challenged the rules of mainstream society since they were first formed in America during the late 1940s. Their image has been well-defined in popular culture - so much so that the sound of massed Harley Davidsons continues to send a wave of panic through the community. vietnam veterans' motorcycle club, vietnamese conflict, 1961-1975 - veterans - australia -
National Vietnam Veterans Museum (NVVM)
Book, Guide for meetings and organisations: Vol. 1
meetings -- booklets, manuals, etc -
National Vietnam Veterans Museum (NVVM)
Book, Cairns, Jim, Silence Kills: Events Leading up to the Vietnam Moratorium on 8 May (Copy 2)
One percent Motorcycle Clubs are contentious organisations that have challenged the rules of mainstream society since they were first formed in America during the late 1940s. Their image has been well-defined in popular culture - so much so that the sound of massed Harley Davidsons continues to send a wave of panic through the community.One percent Motorcycle Clubs are contentious organisations that have challenged the rules of mainstream society since they were first formed in America during the late 1940s. Their image has been well-defined in popular culture - so much so that the sound of massed Harley Davidsons continues to send a wave of panic through the community.vietnam war, 1961-1975, demonstrations - australia -
Wangaratta RSL Sub Branch
Honour Board, Wangaratta Sub Branch Life Members
List of Wangaratta Sub Branch Life Members who have been awarded Life Membership of the Returned & Services League of Australia.The elevation of a Service Member to Life Membership of the Returned & Services League of Australia is an honour that may only be approved by the National Executive on the recommendation of a State Branch. Great care must be displayed when considering nominating a Service Member for the honour of Life Membership of the League. Life Membership of any organisation is a single honour of great importance and any nomination must qualify the nominated member beyond all doubt as to their outstanding service to the League.Brown laminate five sided honour board with RSL crest and 12 names in gold coloured paintWangaratta Sub-Branch Life Membersrsl, wangaratta sub branch, life members -
Wangaratta RSL Sub Branch
Honour Board, Signware, Legion of Ex-Servicemen & Women
Legion of ex Servicemen and Women - Wangaratta Branch Honour Board containing names of Office Bearers from 1985 to 2002.The Australian Legion of Ex-Servicemen and Women (Vic) Ltd (The Legion) is an ex-service based not for profit association. Formed in December 1944 from a number of existing organisations, membership of the legion is open to all ex-service personnel, including British Commonwealth and Allied personnel, and former members of the peace-time Australian regular and reserve forces, their families, relatives and other persons who abide by and are accepted in accordance with the Constitution.Solid piece of wood with gold writing, has five columns listing the year President, Vice-President Secretary, Treasurer, dating from 1985 to 2002.Legion of ex-servicemen & women, Wangaratta Branch, 1985 - 2002. Signware 5721 2430. wangaratta, legion, ex-servicemen & women -
Wangaratta RSL Sub Branch
Plaque - Shield, Women's Auxiliary
Women’s Auxiliaries were formed by mothers, wives, widows, sisters, daughters and aunts of men who served in the First World War. In May1918 a small band of women from the "Friendly Union" organised themselves,under the leadership of Mrs F C Purbrick, into a Women's Auxiliary of the Wangaratta Returned Soldiers Association (RSA). Their first task was to furnish club rooms for the RSA and this was achieved by seeking donations and raising money by selling jams, jellies and posies of violets by selected girls wearing special badges in the street. Over the years funds have been raised through raffles, competitions, street stalls and catering at numerous events to assist the aims of the Returned Services League. In 2018 the Wangaratta RSL Women's Auxiliary celebrated its centenary. Women have played a central role in sustaining the activities of ex-service organisations. Women's auxiliaries are dedicated to fundraising, supporting the activities of their local RSL, and caring for veterans in their wider community. Today, there are more than 1200 auxiliary members in Victoria.Red timber shield mounted on brown laminated base of particle board in a larger shield shape with metal emblem. Women's Auxillary RSL on metal logo with Crown and Australian Flag mounted on red shieldwomen's auxiliary, wangaratta rsl -
Clunes Museum
Accessory - OFFICE STAMP
Metal stamp "Clunes Mechanics Institute", with wooden handleNiloffice stamp, organisation id -
Wangaratta RSL Sub Branch
Badge
The badge was produce to raise funds for the Australian Air League (AAL) which was founded in 1934 and its objective is to encourage the spirit of aviation and air-mindedness in the youth of Australia. The Australian Air League (AAL) is a not-for-profit, civilian operated aviation youth organisation in Australia.Round blue badge with white writing above and below picture of wings. Pin attached to back.Australian Air League To Defend To Developaustralian air league, badge -
Tatura Irrigation & Wartime Camps Museum
Document, Department of the Army - Military Board, 24 April 1941
More or less duplication obtained from ASIO, obtained by Arthur and Lurline Knee, from the Military Board Chief of the General Staff Army Headquarters, Victoria Barracks, Melbourne 24 April 1941. Marked SECRET. no action considered necessary.Clear plastic folder, the 14 page translation of extracts from the record of the German Internment camps in Australia - confiscated from F. Hoenemann 22 February 1941.Found in a Sydney Hotel.f. hoenemann, department of the army, early internment organisation -
Wheen Bee Foundation
Publication, Federation nationale des organisations sanitaires apicoles departementales, La sante de l'abeille (Federation nationale des organisations sanitaires apicoles departementales), Paris, 1971, 1971
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Wheen Bee Foundation
Publication, Federation nationale des organisations sanitaires apicoles departementales, La sante de l'abeille (Federation nationale des organisations sanitaires apicoles departementales), Paris, 1971, 1971
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Wheen Bee Foundation
Publication, Federation nationale des organisations sanitaires apicoles departementales, La sante de l'abeille (Federation nationale des organisations sanitaires apicoles departementales), Paris, 1971, 1971
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Tatura Irrigation & Wartime Camps Museum
Photograph, 2001
camp 1a, camp organisation, dunera, lists -
Tatura Irrigation & Wartime Camps Museum
Folio, Chronicle of the German Internment Camps in Australia, Part 2, 1940 (original)
The original document was written by two German internees from Camp 1, and was found left in the London Club Hotel, Sydney. The document was handed in to the authorities where it was translated and copies forwarded to all Australian Army CommandsRed plastic two ring folder containing 23 photocopied type written sheets.camp 1 organisation, books, history, local -
Uniting Church Archives - Synod of Victoria
Pamphlet - Methodist Order of Knights Province of Queensland, Join the Order of Knights
The pamphlet explains the MOK Degrees and ages, a brief history of the order, its aims, what the MOK can offer boys, dress uniform requirements, Court activities and details of how to join the organisation.Four-fold paper pamphlet which is light blue on one side and white on the inside. The print is blue. There is a MOK symbol on the front and five black and white photographs on the inside.. non-fictionThe pamphlet explains the MOK Degrees and ages, a brief history of the order, its aims, what the MOK can offer boys, dress uniform requirements, Court activities and details of how to join the organisation.methodist order of knights province of queensland -
Robin Boyd Foundation
Book, Geoffrey Blainey, Odd Fellows: A History of IOOF Australia, 1991
Softcover"To Patricia and John, Kindest regards, Geoffrey Blainey"australian history, independent order of odd fellows of australia, fraternal organisations, walsh st library -
Victorian Aboriginal Corporation for Languages
Video, Mungabareena Aboriginal Corporation et al, Managing in two worlds : governance competencies for boards of management of Aboriginal and Torres Strait Islander Organisations
videocassetteindigenous business enterprises -
Hume City Civic Collection
Photograph
This building built as the Mechanics Institute in 1885 and taken over by the Shire of Bulla in 1922 to be remodelled as the Soldiers Memorial Hall.A black and white photo of a brick building in a tree-lined street with a car parked out the front with a man at the steering wheel. There are large pine trees in the background. The building is the Soldiers Memorial Hall.memorial hall, shire of bulla, soldiers memorial hall, exservice organisations, george evans collection -
Ruyton Girls' School
Programme, Ruyton Girls' School, Ruyton Athletic Sports, 26 April 1950
The pamphlet documents the agenda for the Ruyton Girls' School athletics sports carnival hosted at Glenferrie Oval on Wednesday, 26 April 1950. The program outlines a series of activities to be undertaken by junior and senior school students (including day girls and boarders), including crossball, potato sack race, hockey dribbling, egg and spoon race, relays, baseball throwing, and obstacle courses. Each sport is divided into age brackets including under 14, under 16, and 16 and over. The pamphlet also acts as a scorecard, featuring columns for recording results, points scored, progress points and times. Ruyton Girls' School has an exceptional reputation in school sport. The School is a member school of Girls' Sport Victoria (GSV), a large sporting association involving 24 independent girls’ schools in Melbourne. Girls in the Senior School have the opportunity to compete in a range of sports over the four terms and at three major carnivals; Swimming and Diving, Cross Country and Track and Field. Ruyton also has a very successful Rowing program and participates in the Victorian Interschools Snowsports Championships.The record has strong historic significance as it gives insight into the House system at Ruyton Girls' School; in particular, how the House system is used in a sports context. In the early 1920s, Ruyton was settling into its new home at Selbourne Road, Kew. At the time, students were arranged by their form (or year level) for lessons and other school activities. A collection of eight emblems and mottoes for each form group was published in the Ruytonian December 1922, although the genesis of each were left unexplained. With enrolments continually growing, Principal Miss Hilda Daniell felt a new basis of organisation would benefit students, giving them a broader outlook and something bigger to work for. She took inspiration from tradition and implemented a House system. The House system was adopted at Ruyton in September 1924 to "provide a new kind of co-operation and competition among the girls, especially in Sport." There were four houses, three of which were named after early Principals: Anderson, Bromby and Lascelles. There was also the School House, initially for boarders only. Some time after the publication of the Ruytonian in April 1928, the School House was renamed Daniell House, and had opened up to day girls. The account published by the newly formed Daniell House in the Ruytonian December 1928 reads, "we are rather bashful in presenting this account of our doings, for we are conscious of our newness. Our house has now the honour of being known as Daniell House." Four of the original eight form emblems were adopted by the new Houses, while the others were discarded. According to former teacher and author of the centenary history of Ruyton, Ms Majorie Theobald, the House system "gave a new focus for all competitive sport, which had previously been organised on a rather inequitable basis." The colours chosen for the Houses were cherry red for Anderson, royal blue for Bromby, gold for Lascelles, and pale blue for School (later Daniell). New students starting at Ruyton from Prep onwards are allocated to one of the following Houses with consideration to family connections and balance of numbers. The record's significance is further enhanced by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection of a former notable student.Pamphlet printed on cream coloured paper with navy blue ink. Two pages, folded in half.Obverse: tenns allowed 2 flat 3 teas 1 relay / 1 noveltie / 3 every thing entered in. / move for heats / Lanes 5 - 2 / First Page: under 15 50 yds. / 2. / 3 under 15 75 yds. / 4 / 5 / 6. Junior Crossball. / 7 / 8 / Second Page: 9 / 10 under 15. / 11 / 12 / 13 / 14 under 15 / 15 / 16. / Reverse: 21 Diamond Throwing open / 22 / 23 under 15 / 24 / 25 / 26 / 27 / Diamond / 28 / 29 / 30 / 31 / 32 / Junior under 15 1st July 1 Junior relay (?) / under 15 / Two sprints and potato go for championships /ruyton girls' school, students, school, ruyton, victoria, high school, senior school, day school, letter, old ruytonians association, kew, sport, school sport, girls' sport victoria, house, anderson, lascelles, bromby, daniell, athletics, glenferrie -
Ruyton Girls' School
Photograph, Ruyton Girls' School, 1951
Depicted are four students who were the 1951 House Captains at Ruyton Girls' School. The photo is an official school portrait, taken outdoors in front of Henty House (formerly Tarring). In the background, we can see two bicycles. The girls are dressed in their school uniforms, comprising a knee-length check-print skirt, dark jumper, light-coloured collared buttoned blouse with a dark tie, wool blazer, stockings, and dark-coloured lace-up shoes. Two of the girls are standing, while the other two are seated on a small concrete plinth. The students have been identified, from left to right, as A. Dickinson (Lascelles), C. Kent (Anderson, H. Cole (Bromby), and E. Duff (Daniell). Student leadership commenced at Ruyton Girls' School in 1906 with the introduction of the prefect system. Prefects had numerous responsibilities—gate duty, grounds duty, classroom marking, assembly door watch, uniform monitoring, and even supervising student detention. In 1947, a dedicated Prefects Room was erected on the east side of the Ruyton Girls' School Assembly Room in Henty House. The prefects system was revised in 1968 with a new leadership structure: there would be a permanent School Captain, Vice Captain and School Sports Captain; six permanent prefects would be elected, and the rest of the Matriculation class would form committees. These included Library, Social Services, S.C.M., Editorial, and Music. In this way, it was thought "that each Matric girl would have a certain amount of responsibility." With this revised structure came a brand new Prefects' Study, located in a former classroom next to the Domestic Science building. Each prefect was allocated one book locker, one clothing locker, "a small share in the heater", plus a new shared lounge. The prefect system was updated again in 1974. All sixth formers would become prefects, or "school officials." This saw the sixth form divided into two halves: one group would be prefects for the first half of the year, then the second group would take the reigns in the latter half of the year. In October 2023, Ruyton announced a new collaborative leadership structure for captains, prefects and house leaders, which would see two students in each leadership role.The record has strong historic significance as it gives insight into the House system at Ruyton Girls' School. In the early 1920s, Ruyton was settling into its new home at Selbourne Road, Kew. At the time, students were arranged by their form (or year level) for lessons and other school activities. A collection of eight emblems and mottoes for each form group was published in the Ruytonian December 1922, although the genesis of each were left unexplained. With enrolments continually growing, Principal Miss Hilda Daniell felt a new basis of organisation would benefit students, giving them a broader outlook and something bigger to work for. She took inspiration from tradition and implemented a House system. The House system was adopted at Ruyton in September 1924 to "provide a new kind of co-operation and competition among the girls, especially in Sport." There were four houses, three of which were named after early Principals: Anderson, Bromby and Lascelles. There was also the School House, initially for boarders only. Some time after the publication of the Ruytonian in April 1928, the School House was renamed Daniell House, and had opened up to day girls. The account published by the newly formed Daniell House in the Ruytonian December 1928 reads, "we are rather bashful in presenting this account of our doings, for we are conscious of our newness. Our house has now the honour of being known as Daniell House." Four of the original eight form emblems were adopted by the new Houses, while the others were discarded. According to former teacher and author of the centenary history of Ruyton, Ms Majorie Theobald, the House system "gave a new focus for all competitive sport, which had previously been organised on a rather inequitable basis." The colours chosen for the Houses were cherry red for Anderson, royal blue for Bromby, gold for Lascelles, and pale blue for School (later Daniell). New students starting at Ruyton from Prep onwards are allocated to one of the Houses with consideration to family connections and balance of numbers. The record's significance is further enhanced by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection of a former notable student.Black and white rectangular photograph printed on matte photographic paper.Reverse: Caroline Kent / Mary Murray. / 11.12.51. / Ann Dickinson / RGS011/1951/0003ruyton girls' school, ruyton, students, school, senior school, girls school, kew, melbourne, school uniform, prefects, photograph, henry henty, henty house, marion henty, tarring -
Clunes Museum
Book, BERRY ANDERSON & CO. PTY. LTD BALLARAT, CLUNES 1839 - 1972, ITS HISTORY AND ITS ORGANISATIONS, 1972
CLUNES HISTORY AND IT'S ORGANISATIONS FROM 1839-1972TWO PAPERBACK, BOUND COPIES OF THIS BOOK. WHITE COVER WITH A COLOURED PHOTOGRAPH OF CLUNES TAKEN BY REV. I W LITTLER. BLACK AND WHITE PHOTOGRAPHS THROUGHOUT TAKEN BY F.C. WEICKHARDTnon-fictionCLUNES HISTORY AND IT'S ORGANISATIONS FROM 1839-1972local history, document, history -
Clunes Museum
Book, THE FLORENCE NIGHTINGALE COMMITTEE, VICTORIAN BRANCH. et al, ALL CARE AND RESPONSIBILITY - A HISTORY OF NURSING IN VICTORIA 1850-1934, 1955
COMMENCING WITH THE RUDIMENTARY NURSING ARRANGEMENTS OF MID 19TH CENTURY VICTORIA. ALL CARE AND RESPONSIBILITY EXAMINES THE GRADUAL INTRODUCTION INTO THE COLONY OF NEW CONCEPTS OF NURSING THE SICK AND REVOLUNIONARY APPROACHES TO THE ORGANISATION OF THE MASCENT PROFESSION.BOOK WITH DUSTCOVER, BOOK COVER IS MAROON COLOUR, IMAGE ON DUSTCOVER IS OF FOUR FRAMED WOMEN IN VARIOUS NURSING UNIFORMS. RICHARD TREMBATH AND DONNA HELLIER ON THE HISTORY OF NURSING IN VICTORIA 1850 - 1934non-fictionCOMMENCING WITH THE RUDIMENTARY NURSING ARRANGEMENTS OF MID 19TH CENTURY VICTORIA. ALL CARE AND RESPONSIBILITY EXAMINES THE GRADUAL INTRODUCTION INTO THE COLONY OF NEW CONCEPTS OF NURSING THE SICK AND REVOLUNIONARY APPROACHES TO THE ORGANISATION OF THE MASCENT PROFESSION.local history, book, hellier, trembath -
Peterborough History Group
Document - District families and organisations
Local families' history, school, post officephotocopies, mapspeterborough history, croft family, thomas croft, peterborough post office, wallaby hill school, peterborough school -
Nillumbik Shire Council
Print (drypoint): Rick AMOR (b.1948 Melbourne, AUS), Rick Amor, 'The Ruin' from 'The Baldessin & Friends' commemorative folio, 2016
Painter, printmaker and sculptor Rick Amor is one of Australia's most distinguished senior artists. He was a good friend of the late George Baldessin and three times Archibald Prize winner Clifton Pugh, having lived and worked at Pugh's property, Dunmoochin in Cottles Bridge, Nillumbik during the 1980s and 90s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'The Ruin' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. Rick Amor has been an ardent supporter of the Baldessin Press & Studio and a great patron of living artists. In 2014 the Press partnered with Amor and the State Library of Victoria to create The Amor Residency at The Baldessin Press & Studio, which is part of the Library's annual fellowship program. 'The Ruin' was based on a plein air painting done by Rick Amor on a trip to Broken Hill in 2001 and reflects on death and the passing of time so eloquently portrayed by the industrial ruins of NSW. In the tradition of a Piranesi, the work emphasises the transience of life and the triumph of time. Black and white drypoint etching in which a small figure, a traveller; located bottom left, points to a large crumbling edifice (building), a stage like space in the background. Ed.14/25baldessin, print, drypoint, amor, 2018 ekphrasis, ruin, etching, ekphrasis2018 -
Nillumbik Shire Council
Print (etching & acquatint): George BALDESSIN (b.1939 ITA – d.1978 AUS), George Baldessin, ‘Portrait II’ from 'The Baldessin & Friends' commemorative folio, 1966 (printed 2017)
George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. This work chosen for the folio is from an incomplete edition from 1966. It has been printed on Baldessin's original 1974 cast aluminium Enjay press (designed and made in collaboration with Neil Jeffreys) and restored specifically for this project by Dan Jones. In addition Deanna Hitti has used Baldessin's original Japanese Torinoko paper, stored safely in his studio for over forty years. ‘Portrait II’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. This print is a fine example of Baldessin's primary interest of the figure, which displays great sensitivity to and observation of the human condition. Distortion, exaggeration and fragmentation were employed by Baldessin as tools to animate and scrutinize the displaced, dispossessed and alienated figure, flattened against the picture plane. Black and white distorted and exaggerated figure (head and shoulders), with hands raised to the face and the figure's right eye. acquatint, etching, baldessin, ekphrasis2018, figure -
Nillumbik Shire Council
Print (etching, acquatint, stencil): Jock CLUTTERBUCK (b.1945), Jock Clutterbuck, ‘Frosty Night Cartouche’ from 'The Baldessin & Friends' commemorative folio, 2016
Jock Clutterbuck is a sculptor and printmaker of national significance, known for his sophisticated abstract forms with underlying esoteric mysticism. Clutterbuck overlapped with Baldessin when he studied sculpture and printmaking at the Royal Melbourne Institute of Technology, RMIT (1965-66). He taught at RMIT from (1969-73) before lecturing in sculpture at the Victorian College of the Arts (1974-2000). He is represented in many national and international public art collections and is a recipient of many National prizes and awards. George Baldessin (1939-1978) was a printmaker and sculptor who built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.‘Frosty Night Cartouche’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Following a visit to the Press in 2015, Clutterbuck was reminded of a suite of paintings he had produced some thirty years earlier inspired by plein-air drawings of the night sky. This print attempts to capture something of the enchantment, mystery and drama of a frosty rural property where Clutterbuck spent many years. It is a frost dreaming; a subtle personal homage to Baldessin, embodying the reverence of a fellow artist towards an old friend. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Frosty Night Cartouche' (title); right 'Jock Clutterbuck' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)ekphrasis2018, symbols