Invitation to Mrs V. Horn to a reception given by the Mayoress of St Kilda, Mrs G.A.R. Manning, at St Kilda Town Hall on 29 October 1970.White card, discoloured with age, printed in blueName of invitee handwritten in blue: Mrs. V. Hornst kilda mayoral function

The steamer "JCD" , built in 1888 by prominent district businessman man Johan Christian Dahlsen, served the Gippsland Lakes until 1934, carrying passengers and freight.boating, steamers, transport, leisure, gippsland, jcd

Photograph of SEC Geelong, No 28 on the depot fan, 21/8/1955. Tram showing the destination of "City". Has depot buildings and power station walls in the background. See item 8879 for a colour version. Keith Kings No. P(e)(4)Black and White photograph contained with Reg. Item 1902 - Photo Album from Keith Kings to Les Denmead 1970. Stamp in top left hand corner and handwritten number with "K.S. Kings No. P(e)(4) Copyright reserved". In blue ink "Geelong / No. 28 / Ex-Melbourne car, as altered for "one-man" operation / Depot / 21/8/55".trams, tramways, geelong, depot, tram 28

Black and white photograph and PostcardTyped below photograph: "Mr A.T. Miles taking photograph of His Residence Quambee 1915." Image shows a man taking a photograph of a rural scene with house in background. Rear of Postcard addressed to Hobart, Tasmania with stamp and Ringwood postmark.

Robert Lawson Tait (1845-1899) was a Scottish doctor and surgeon instrumental in the development of gynaecology as a field during the 19th century. Tait has been credited "with introducing a number of gynecologic surgeries, or surgeries related to women’s reproductive health. Those included procedures for treating abscesses, removing ovaries, and fallopian tubes, and treatment of the gallbladder." He also "argued for strict cleanliness during surgery as well as a more specific focus on performing surgeries to treat diseases of the female reproductive system. Tait’s surgical techniques and advocacy not only aided in the development of hygiene in surgery, increasing patient survival, but also helped develop the field of gynecology, which contributed to a centralized focus on the health of the female reproductive system." (Arizona State University, Embryo Project Encyclopedia)Black and white reproduction of a portrait photograph. Photograph is of a man in a dark coloured three-piece suit, with a white shirt and striped tie. The man has mutton chop sideburns and long, dark hair, which is parted about his right eye. The man is looking to camera right. The image is in an oval cutout on a white background. Handwritten reproduction of signature beneath the photograph reads 'Lawson Tait/1891'. The photograph is mounted in white card and housed in a black wooden frame. There is an old object label attached to the back of the object. A sticker noting the framer of the image (Jarman the Picture Framer) is attached to the back of the work at upper centre. A wire and two hooks have been attached to the back of the frame for hanging.

Part of a collection of photographs of the Iredale family, descendants of James Iredale (arrived Greensborough c1858) and his son George (arrived 1873). The man in this photograph has not been identified. Note: The (new looking) Rechabite Hall Roof in the background. In the 1906 Sands Directory, listed as the caretaker as being Arthur Iredale. The Iredales lived between the Rechabite Hall and The Farmers Arms Hotel. On 26/7/2018 Ian Gilbert identified 'the man' as Thomas Iredale; son of George.Digital copy of black and white photograph.iredale family

An off duty nurse helped save the life of an elderly man after he suffered a cardiac arrest during a spin class at Greensborough's WaterMarc swim centre.News article 1 page, black text, colour imagegreensborough, watermarc, jenna boglis, swimming pools

Studio photograph of unidentified man and woman. The Photo is taken at Yeoman Co, Bourke Street East, opposite the Eastern Market, they advertisements can be found during 1888.Digital copy of black and white studio photograph.

Grampians Halls Gap & Stoney Creek dredge. circa 1909 . 2nd man from right is Alfred D'/alton; 4th from right is James OliverPhoto shows eight men seated, two standing. 3 tents in background.Grampians Hallls Gap & Stoney Creek dredge circa 1909 written on backpeople, d'alton, water supplies, channels

Photo of a man in uniform. It is presumed to be a Legatee on Anzac Day. Name is not known. Was found in an envelope marked "For Melbourne Legacy. Anzac Day Parade featuring Legacy Lads.'A record of Legatees marching on Anzac Day.Photo of a legatee in uniform on Anzac Day.anzac day, march

The badge features a MAN Melbourne bus in The Met colours. This type of bus was used by the MMTB and The Met from 1971 to 1993. Not known who made or produced the item.Demonstrates an item made for wearing on a jacket or cap.Badge - metal cut into the shape of a bus and painted. Has a pin clip on the rear with a retention or secure style clip.trams, tramways, the met, badges, man buses

Laurie Eager, author of "Our man Arty: in praise of a practical gardener," 1994 Staff 1959-60. Cert of Competency in Hort 1931. M Strickland 1931Black and white photograph. 3 students seated on the lawn. 1922-23. "Laurie Eager" kneeling between "Mary Strickland and Chisolm"students, burnley, laurie eager, chisholm, mary strickland

"Jack Lockett" was a local identity who lived to 111 years and was one of the last surviving WW1 Veteran. At his death he was the oldest man ever in Australia.Landscape photo of Jack Lockett in March 1999, at the age of 108, viewing the Presentation of his medal. He was at the time one of few surviving WW1 Veterans. Photo is in colour and stuck to a green backboard. Within a brown wooden frame. Also a large label is stuck below the photo.Label on front: "Jack Lockett, March 1999, Age 108 years, viewing the presentation of his medal."jack lockett, framed photo, medal presentation

raising funds for Skyshow at the Rotunda Esplanade Lakes Entrance VictoriaAlso a colour photograph of two male policemen and another man drawing raffle at same event 04765.1Colour photograph showing Cynthia Robinson, Leanne and Brian Bolding prior to the drawing of the prize winner of a boat raffle function

The magazine was started in 1933 by Frank Packer as a weekly publication. The first editor was George Warnecke and the initial dummy was laid out by WEP (William Edwin Pidgeon) who went on to do many famous covers over the next 25 years. It is the most widely read magazine in the history of Australian publishing. During wartime despite printing restrictions, and it began publishing coloured photographic covers.This is an example of anAustralian women's magazine published during WW11.It gives practical advice on needlework / knitting and evidences the widespread interest in contemporary fashion. In doing so it shows what were the fashionable, but broadly affordable, women's and children's clothing styles of their day. These magazines also reflect women's interests.A 32 pp magazine, titled The Australian Women's Weekly. On the front cover is a coloured drawing of a man and a woman sitting under a tree. The woman is pouring tea from a billy into the tin cup held by the man. A tethered horse is grazing to their right and a small brown and white dog is in the foreground. This illustration is signed WEP (William Edwin Pidgeon). The magazine contains advertisements, stories and recipes.The special 4 page peace supplement is missing from the centre.In handrwitten pencil on the front cover - Gibbs.australian-women's-weekly magazine-ww11

This is a camp of survey workers surveying the railway line . They were camped at Mossiface in 1907. It has been sent as a postcard - "Dear Miss Ross, Just a card, hoping you are well etc, trust you have not forgotten our trip. I forgot to get the name of the street in Hobart of Mr Benjamin or Temple?????? Sufficient. Yours sincerely H.R. Gordon". It has been dated September 30th 1907. There had been men surveying in East Gippsland from the late 19th century. Railway surveyors advocated two lines beyond Bairnsdale – one via Bruthen and the Tambo Valley to Omeo, the other via Swan Reach and Colquhoun to Orbost, then on to Bendoc and the border. With all the argument and feuding between the warring factions, by the end of 1891, the Parliamentary Railways Standing Committee gave up in despair of trying to reach any agreement and abandoned the idea altogether. Finally, with all problems solved, the first sod was turned at Mossiface on 9.1.1912, the government sticking to the original route in the 1890 survey .This is a pictorial record of a surveyors' camp in the early 20th century. The Bairnsdale to Orbost Railway was a significant contributor to the economy of Orbost until it closed.A black / white photograph / postcard of a group of men at a campsite. In the background is a row of tents. on the right side is a clothes line with several sheets hung over it. Two men are studying a map or chart; one man is sitting with a cloth around his shoulders while another is standing behind him cutting his hair; one man is washing cloth in a tin tub; another appears to be stirring a pot; others are sitting reading or just observing.on front - handwritten is " R.L.Y.S. SURVEY CAMP MOSSIFACE 27.7.07" on back is a letter - "Dear Miss Ross.............yours sincerely ????? Gordon"surveying-railway east-gippsland-railway mossiface-survey-camp

Photograph taken in the Celia Little Room at Mission to Seafarers Melbourne. The Celia Little Room was named in honour of the aunt of one of the serving (and resident) chaplains. The room is a multi-function room, being used at times for banquets or, as the photograph shows, for relaxation, by visiting seafarers.The age of the photograph consolidates the history of the Mission to seafarers. The people in the photograph are drinking hot beverages, sitting and chatting in a relaxed environment which is significant to the services provided by the Mission.Black and white photograph of two men and one woman seated in the Celia Little Room at the Mission to Seafarers.The man on the far left is wearing a light coloured sports coat and trousers, holding a cup and saucer. The man in the middle is wearing a dark suit, holding a cup and saucer. The woman is on the right and also seated, wearing a dress. Pin holes have been placed in the top corners of the photograph. Dated between late 1950s and early 1960s."8940" faded stamp on back of photograph.dress, suit, 1950s, 1960s, victorian-seamens-mission, cup-and-saucer, sports-coat, armchairs, seamen's mission, mission to seafarers, seamen, seafarers, sailors, lhlg, flying angel, celia little room, flinders street, melbourne, men, woman, social

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Photograph of Frank Wright .1) Black and white photograph of a man dressed in a suit and hat and standing on what appears to be the deck of a boat with a sail above. The vessel is a short distance from the shore. In the distance is a field and a town nestled at the base of rolling hills. The man is Frank Wright. .2) Black and white photograph of 4 men on the deck of the 'Rangatina', Lyttelton, New Zealand. The men are Bill Stevenson, Frank Wright, John Osborne and Charlie Patchett.frank wright, conductor, brass band, rangatina, bill stevenson, john osborne, charlie patchett

Black and white image mounted on cream board : image shows group of men, women and children, picnicking in bushland. People are standing, sitting in front of a rectangular white tablecloth on which are placed four bottles of champagne, some with bush cuttings in them. One man is pouring a glass of beer ? For another man . Appears to be same group as in 3801. Picnic at Ravenswood ? Stamped on back of board ' W.H. Robinson, photography, Mundy St., Bendigo.W.H. Robinson, Bendigocottage, miners, bendigo, bush picnic, ravenswood. photographer, w. h. robinson, photography, mundy street, bendigo.

black and white photograph, mounted on brown board. Young man seated, young woman standing. Young man wearing 3 piece suit, chain and albert. Young woman wearing mid calf length pale dress with dark belt and buckle, dark stockings and boots. Very large bow at back of hair. Printed at angle BL corner 'Edgar Evans/Royal Studio/Eaglehawk' On back in lead pencil 'Mr''Edgar Evans'person, family, husband and wife

Nine pinned handwritten documents dating from 1918 -22 pertaining to the Central Red White and Blue mining co. Written upon reverse of printed letterhead 'Sandhurst Eucalypti Distillery, Bendigo' notepaper. Signature of L D Jones [probable tributor] appears on each note. Unknown donor. Names included on these sheets. L. D. Jones, Mannings Shaft, Wm. Manning, Henke, Hogan, Balmer, Tatchell, Roberts, Mumford, Stanfield.bendigo, gold mining, l d jones

Photograph of 2 men inside the factory. The young man on the left is loading what may be oranges into a machine that crushes them, he is wearing a dust coat. The older man on the right is wearing a hat glasses and bib and brace overalls. By his feet is a large wooden box nearly full of the pulp (waste?). On the back is written in pencil ML45/.1 , there is also a purple stamp from the Australian news and Information Bureau requesting that the photo be acknowledgedAustralian News and Information Bureau.organization, business, factory workers, cohn brothers .

Diggers & Mining. Diggers and miners. Or this alluvial mine (i.e., deep lead mine) at Ballarat (1859). Slide shows men at work at the deep lead mine at Ballarat, mine flag flying. Horse walking in circles at the puddler, a man appears to be seated on what looks like a swing at the puddler. In the foreground a man sawing timber, several piles of timber are close by. A building in background.- - - Markings: 27 994:LIF I. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Black and white photo of the rear view of a man in a hat standing under a tree on a hill looking across the Yarra River (unseen) towards Melbourne. The exhibition building and the spires of St Patrick’s Cathedral can be seen on the skyline. The man may be Orlando Henry Beater Christian. If all the spires are intact it must postdate 1939 when work begun in the early 1930s on the spires began. He may be standing on the edge of the Yarra Boulevard.melbourne skyline - 1930s, yarra boulevard -- kew (vic.), christian-washfold collection

This photograph shows spectators watching the Orbost Races on the flat in 1899. Some of the earliest horse races were held on a course in a paddock belonging to Mr James Cowell at Jarrahmond. For a long time horse races were part of the Marlo Picnic Races. Bellagoogan on Majors Creek near Orbost was the site of the first race courseThis item is a pictorial record depicting the popularity of horse racing in Orbost in the late 19th century.A black / white photograph on a grey buff card. It is of a man on a horse holding a whip in his right hand. A horse with jockey is approaching. Spectators are standing on the right hand side under the trees.on front - "Finish Orbost Cup 1899: on back - "Mr Edlington"horse-racing-orbost sport recreation

Display book contains letters written to Ian A. Lyons by students of Eaglehawk State School describing his flyover of the school. Congratulatory letters and telegrams related to his Imperial Award are also included. Part of Flight Lieutenant Ian A. 'Joe' Lyons MBE Collection. See Catalogue No. 5374P for details of his service record.Green covered display book with 30 pages. Album contains a collection of handwritten letters and envelopes. Telegrams also included. Black and white photograph of a man in RAAF uniform on page one.Title on page 1: ' Flight Lieutenant Ian A. Lyons, 77 Squadron RAAF'ian a. 'joe' lyons, letters, telegrams, eaglehawk state school