Coloured oil portrait on canvas of T.Langdon. MP. 1902. Prominent Bendigo MP. Gilt - embossed frame. Deframedunreadableperson, individual, bendigo mp. t. langdon.

Watercolour - Along the River Bank by John.B.Perry showing open style hay shed, log rail fence & native australian trees. Markings: Along the River Bank. Campaspe river. Barnadown water colour by John. B.Perry.John.B.Perryplace, land, riverbank site

Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Watercolour of a dirt road, tall trees on both sides and a mountain in the background. Untitled. William Delecca collectionThe signature of the artist at bottom rightlandscape, william delecca

Crayon artwork. Art shows poppet head with chimney and brick and timber engine house. Written on bottom ' Constellation Gold Mine, Eaglehawk. A.A. Perry 1958' Two punch holes on LH side. Written on back in pencil: This mine was west of the Victortia St railway gates on N side. I used to read the electricity meter here about 1918 - 20. This drawing was done from memory in 1958 when I was getting over a sickness'.eaglehawk, mining, constellation mine

Watercolour and black pen. Weighbridge, Eaglehawk. Art shows small weatherboard building alongside weighing platform. On bottom 'Eaglehawk, A.A. Perry' Two punch holes on LH side.eaglehawk, commercial, weighbridge

A print from a water colour by Robert Alexander Hillingford called ' Emigrants to south Australia '. Original is from The Rex Nan Kivell collection, National Library of Australia.Robert Alexander Hillingfordprint, watercolour, australian landscape, watercolour paintings, early colonial life. emigrants, south australia

Print of small child wearing a blue and white striped dress, white bonnet and holding a ball, in a wooden frame under glass.artwork, print, child

Religious print of white flowers and fern, framed in a cream wooden frame with brass adornments in corners, under glass with wording, for this God is our God for ever and ever, Psa 48.14artwork, print, religious

Artwork, Historic Bindi Station, by artist David Williams '96. Building is on the property. On back of item is written: 'These come from E.G.H.S. Collection at Bairnsdale taken by former member in the 1930's. Thought they would be of interest to your collection, Cheers Tim Gibson.'David Williams '96artwork, print, building

Nine prints in cardboard folders titled 'Pictures From Pickwick' copyright Richard Wyman & Co London. Number 10 print missing from folder. Images depict rural and city English scenes in the mid 1850's. [1] Sam Weller and Mr Smauker. [21] Mr Weller chastises Stiggins. [3] Skating at Dingley Dell. [4] Bardell v Pickwick. [5] Mr Winkle Rides to Dingley Dell. [6] Chasing the Runaways. [8] The Start from the 'Bull' at Rochester. [9] Mr Winkle Partridge Shooting. [10] Mr Tupman on Richmond Hill, missing from folder.artwork, print, mr picwick

Magazine and newspaper articles on sculpture and sculptors. Sources include 'The Illustrated London News,' 'The Age,' 'Look and Learn and 'The Bendigo Advertiser.' Included are 'Bendigo Advertiser' cuttings relating to Ola Cohn (1965). 1940 - 1965.artwork, sculpture, sculptor, lydia chancellor collection, collection, ola cohn, sculpture, sculptor, artwork, art, female, person, recreation

Card with coloured illustration showing a group of loggers chopping trees and sawing timber titled Clearing The Forest.unknownartwork, print, group

Card, part of series, with coloured illustration showing a group of Teamsters making camp with horses drinking in background, titled Teamsters Rest.unknownartwork, print, landscape

Card with coloured illustration showing a mining scene with group of miners in front of a tent signed F.Tofield. Jeweller, Horse Shoes Made, Gold Bought, titled A Pannikin Of Gold.unknownartwork, print, landscape

Washing Tailings No 9. Coloured illustration of Chinese gold miners , panning, cradling, whim in background.Unknownartwork, print, mining

Card with coloured illustration of Aboriginals hunting Possums.unknownartwork, print, landscape

Artwork No 7 of series. On bottom of card ' Throwing the Boomerang' Aboriginal throwing boomerang at Kangaroos.unknownartwork, print, landscape

Small print of a man with pipe and a woman carrying a jug, both dressed in Dutch costume, standing on a jetty with ships in the back ground, black frame.artwork, print, group, u5747 old cat ref

Small print of a child with a doll in a pull along cart standing in the garden of a thatched roofed cottage.artwork, print, landscape, u5749 old cat ref

Artwork. Norman Penrose collection: (A) Crayon or pencil (coloured) drawing of a building and fence. A man is walking in an archway in the distance. The buildings are yellow and orange. The picture illustrates perspective. (B) Coloured crayon drawing of a one legged man carrying a parrot on his arm, walking along the cliff top beside the sea. A sailing ship is on the water. (C) Coloured crayon drawing of a green fire breathing dragon above the waves of the sea. The moon and stars are shining in a dark sky. The drawing has a blue paint wash. (D) Coloured crayon drawing of Robinson Crusoe. He is on the beach and has a large trunk open. He is looking in it. A number of coconuts and bowls are around the trunk. It is beside a palm tree. A ship with two masts is just off the shore.(C) N. Penrosedrawing, crayon, norman penrose collection, artwork, crayon drawings

Artwork. Norman Penrose collection: various colour and black and white pictures of women's fashion taken from magazines, etc and pasted onto cardboard. Some blue and white illustrations of methods of drawing figures and clothing.artwork, norman penrose collection, artwork, women's fashion

Tin panel hand painted with oil paint depicting fruits and blossom, edges curled over and signed C Timms bottom left corner. Enclosed note from donor Mrs.E.Young. 18 Bateman St Hampton 3188 stating artist was wife of Bendigo miner & was painted over 100 years ago.C.Timmsperson, bendigo, c timms, tin painting, c timms

Artwork. Norman Penrose collection: (1) Coloured pencil drawing of a homestead on a hill. Two people in front of the house. In front of the house is a bucket sitting on a box or a well. The house has another building beside it. They both look like log construction. Drawn on grey paper. (2) Tan drawing on light blue paper with a two story building in the background. A man on a ladder is working at the window. Two people are at the other window. There is a tall tree beside the building. In front of the building is a motor car. Three people are having a picnic on the grass beside the car.drawing, pencil, bushmans homestead, norman penrose collection, bushman's homestead

Clinton Naina’s earliest memory is attending Collingwood football matches at Victoria Park with his father and uncles. His dad was an avid Collingwood supporter and Naina proudly wore his football colours. Lining up to enter the grounds at the big old black-and-white painted wooden doors gave Naina the feeling of entering into another world. 'Rule 30' is a comment on race relations in sport. The artwork is made from the original doors located at the front entrance of the Collingwood Football Club’s grounds at Victoria Park. When the club was refurbished the door was gifted to Naina by a friend—an ex-Collingwood football player—for use in his art practice. The work depicts a big red target painted on the existing Black and white stripes—Collingwood colours—of the door. Naina placed a fabric number ‘30’ on top of the target—created from material used for numbers on the back of players’ football vests. This represents the individuals who have been racially vilified while playing football over many years. The red represents the colour of human blood, while the Blak and white Collingwood colours already painted on the wood are a very fitting comment on race relations. The door itself becomes a potent metaphor for “overcoming barriers, making change, breaking down doors and moving forth into a new era of respect for people”. Rule 30 in the AFL was the first racial vilification code in Australian sport. It prohibited conduct between players, clubs and other AFL officials, which threatened, disparaged, vilified or insulted another person on the basis of that person’s race, religion, colour, descent or ethnic origin. In 2013, ‘Rule 30’ was amended to ‘Rule 35’ to combat other forms of discrimination including disability, appearance and sexuality.The number '30' cut out of fabric placed on top of a painted red target at the centre of an existing black and white wooden door.Accompanying labelracism, sport, football, afl

Born: Yorkshire, England 1850; Arrived Australia: before 1874; Died: 1908RealismLedger Gift, 1975Rural landscape setting with horse, dogs and a figure heading towards a house. Gold brushed grey painted frame.Recto: Signed “J A Turner / 1889” in black paint l.l.c of composition; Not titledlandscape, figure, animals, house, colonial, trees, australian art

Born: Casterton, Victoria, Australia 1887; Died: 1935TonalismGift of an anonymous donor, 1978Seaside landscape with trees, grass and rocks. Old gold coloured timber frame.Recto: Signed “C Beckett” in brown paint l.l.c of composition; Not dated; Not titledseascape, landscape, trees, water, australian art

Born: Enmore, New South Wales, Australia 1883; Died:1937ImpressionismLedger Gift, 1980Seaside landscape with sailing boats and lighthouse. Gold painted timber frame.Recto: Signed “CHARLES BRYANT.” in brown paint l.l.c of composition; Not dated; Not titledseascape, boats, building, marine, sunset, australian art

Born: St Petersburg, Russia 1873; Arrived Australia 1887; Died: 1930InterwarLedger Gift, 1980Garden setting with seated figures and a standing figure depicting a nurse. Bronze brushed gesso frame.Recto: Signed “G.W. LAMBERT.” in black paint l.r.c of composition; Not dated; Not titledgarden, figures, shrubs, chairs, australian art