Photo1967, pts, bbh

Penelope Aitken lives and works in Melbourne, Australia. She makes paintings and installations about relationships: between people, between things and between people and things. Recurring subjects include friendship, genealogy, romantic liaisons, and cross-cultural exchange as well as gardening, craft and landscape design. 'I am interested in the social, psychological and aesthetic motives behind organisation, belonging and displacement and I often make work that investigates such arrangements.' She has held regular solo exhibitions since 1995 and has been represented in group exhibitions since 1989. These have included shows in public and commercial galleries, artist run spaces, outdoor projects and festivals in Melbourne, Sydney, Perth, Brisbane, Bundaberg, Kuala Lumpur, Taipei, Tokyo and Famagusta, Northern Cyprus. Aitken has previously worked at the Australian Centre for Contemporary Art and at Asialink at the University of Melbourne. From 2006 - 2009 she was a board member of the Melbourne artist run gallery, West Space and she has also curated and coordinated numerous exhibitions and written and edited catalogues, articles and essays. She holds a Bachelor of Arts and a Bachelor of Education (Visual Arts) both from The University of Melbourne and completed her Masters of Fine Art at the Victorian College of the Arts in 2004. In 1997 Aitken was selected to be a studio artist for two years at Gertrude Contemporary Art Spaces, Melbourne and in 2000 she undertook an Australia Council Studio at the Taipei National University of the Arts, Taiwan. More recently she spent two months in 2007 at the Laughing Waters Residency, Birrarung, in Eltham, Victoria. There she began her current interest in the rocks used in the landscape designs of Gordon Ford. Paintings of Ford's rocks made since 2007 as well as glacial erratics, meteors, and other natural and displaced rocks were exhibited in March 2011 at the Light Factory Gallery in Eltham in a show called My History of here, and Second Nature, one work from this exhibition, was awarded first prize at Eltham Masterworks 2011. Other work made about rocks in nature and culture include: the project, A dark archive, as well as in two installations: You seem so settled for one that doesn't belong held at West Space in 2009 and Gathering these things to remind me of home shown in 2010 at the Bundaberg Regional Art Gallery, Queensland. In July and August 2007 Aitken undertook an arts recidency at Birrarung, a house and garden designed by Gordon Ford and managed as the Laughing Waters Artist in Residence Program by the Shire of Nillumbik Victoria. The rocks depicted in the painting 'Mapping Mass & Void 10' are all taken from the garden at Birrarung. Aitken has made reference to those rocks and the way in which Ford thought of the rocks as individuals that need to be handled and placed with consideration to show off their best aspects.oil and acrylic on linen ek prac 2015

Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio

Nillumbik Prize finalist (2018, 2016, 2015, 2014). The artist lives and works in Nillumbik. Abstract sculpture inspired by the artist attending a local ceremony in Nillumbik to harvest tubers of the Murnong (yam daisy), a traditional staple of the Wurundjeri people. Wirth was also inspired by the writing of Bruce Pascoe. Wirth works intuitively with awareness that meaning may be deciphered through the combination of material/mediums/techniques that she uses randomly. Through the process of experimentation and automatism Wirth allows her work to evolve organically. Wirth is represented in public art collections including: Victorian College of the Arts, Victorian Performing Arts Centre and Ararat Regional Gallery. She also completed a residency at Laughing Waters in 2012. Yellow abstract sculpture woven into a vessel with long tentacles using cotton yarn. N/Afinalist, nillumbik prize, abstract, textile, yellow, vessel, yam

Representative of Ukrainian folk music in the 1960sVinyl record housed in record covervinyl record, volodymyr luciv, tenor, 1967

A history of three La Trobe University student union activists in the early 1970s - Brian Pola, Barry York and Fergus Robinson - who disobeyed the University's order to stay off campus. They were subsequently imprisoned at Pentridge Prison for several months although no criminal charges were made known. The account of on-campus student politics is fascinating and complex in comparison to contemporary student unionism. At the time of their release and to date, the University has not apologised to the "La Trobe Three" for what happened. The book is written by Barry York who was one of the "La Trobe Three"; it was published in the year of La Trobe University's 25th anniversary. Relevant to student unionism in the 1970s and contemporary to Australia's participation in the Vietnam War. Issues relating to university culture, social justice and activism.Paperback; 184 pages. Front cover: black and white; title and author's name; black and white photo of student activists. Back cover: black and white; black and white photo of student activists and police at La Trobe University.btlc, ballarat trades hall, ballarat trades and labour council, pola, brian, york, barry, robinson, fergus, unions - student, universities, prisons - pentridge, la trobe university, la trobe university - student representative council, student activism, social justice, maoism, vietnam war, vice chancellors - david myers, premiers - bolte

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Significant historically in being a document given to new employees in 1967 (when Ray Hall commenced) work for them. Shows the nature of "induction" into SEC.Folded sheet of paper, printed both sides titled "Safety Information for New Employees", as part of the engagement of new employees within the SEC generally, not tramway specific. Addresses various issues of safety on the job, committees, first aid services, reporting and instructions. Printed and distributed unfolded. Copy 2 - from Ray Hall - added 28-07-2006trams, tramways, secv, instructions, safety

Beret light khakiheadgear, 1967, army

The Lifeboat Queenscliffe was built in Adelaide and commenced service at Queenscliff in 1926. She was taken out of service in 1976 by the Marine Board of Victoria and subsequently offered to the Borough of Queenscliffe for care and display.A framed monochrome photograph of the lifeboat 'Queenscliffe' underway at sea with crew members on board.lifeboat, 'queenscliffe'

1967, 106, city of heidelberg repertory group, heidelberg theatre company inc, director holly langford

1967, 105, city of heidelberg repertory group, heidelberg theatre company inc, director michael walker

1967, 107, city of heidelberg repertory group, heidelberg theatre company inc, director elaine robinson, victorian womens graduates association -peninsular branch special event

1967, 108, city of heidelberg repertory group, heidelberg theatre company inc, director eric donnison

1967, 109, city of heidelberg repertory group, heidelberg theatre company inc, director bill cherrey, royal south street competitions (ballarat) 1967 adjuciation, royal south street competitions (ballarat) 1967 winner

1967, 110, city of heidelberg repertory group, heidelberg theatre company inc, director marcel cugola, workshop on stage movement

1967, 111, city of heidelberg repertory group, heidelberg theatre company inc, director alice o'donnell, vdl moomba one act play festival second prize, vdl award to lois connor - best actress, vdl award to alice o'donnell - best producer

1967, 112, city of heidelberg repertory group, heidelberg theatre company inc, director lois connor

The Marion Boothby Ward in the 'MDNS After Care Home' opened in 1930 and was named in honour of Mrs Noel (Marion) Boothby, Life Governor and generous supporter of the Melbourne District Nursing Society who passed away in 1929. The photograph portrays a Trained nurse (Sister) holding a young child viewing the newly completed mural by Miss Jessie Traill. Two young children in a cane wicker trolley look on.Miss Jessie Traill 29/7/1881 - 15/5/1967 is today considered one of Australia's most remarkable printmakers. She studied painting and drawing at the National Gallery of Victoria. She spent over 3 years as a VAD nurse based in Rouen, France during World War 1. https://nga.gov.au/Traill/Chronology2.cfm The Melbourne District Nursing The Society (MDNS) were pioneers in recognizing the need for premises where patients too ill to be in their own home, but not ill enough to go to hospital, was needed. The MDNS had purchased its first premises, 'Floriston' at 39 Victoria Parade, Collingwood in 1914 and were able to purchase land next to No. 39, where the Society built the After-Care Home, it became No. 45 Victoria Parade, for these patients, and for patients from Hospitals. It was opened in July 1926 and the name of the Society then became ‘Melbourne District Nursing Society and After-Care Home’ (‘Hospital’ from 1934), Many children were nursed there, some long term during the Polio epidemic and two School Teachers were employed. The Society now ran two divisions, the After-Care with its own Sisters and nurses, and the District division which only employed Sisters. Black and white digital image of a Trained nurse (Sister) and 3 children in the Marion Boothby Ward in the Melbourne District Nursing Society After Care Home. The photograph portrays a Sister in her white uniform and white veil over her short curled hair. She is holding a young boy who has short dark hair, in her arms. He has a blanket around him. They are viewing the newly completed mural on the wall by Miss Jessie Traill. Two young girls, one with dark straight hair and the other with lighter coloured curled hair are sitting up together in a cane wicker trolley look up at the mural. The mural depicts flowers and children.melbourne district nursing society, after-care home, mdns, mrs noel (marion) boothby, miss jessie traill

This portrait photograph of Dame Mary Herring is a visual record of her taken during the time she was offering advice to Melbourne District Nursing Society After-Care Home (later Hospital)' as a member of their Committee from 1931. She was a Vice-president from 1943-1957 and acted as President in 1953. As a Medical practitioner she was involved with the formation of the MDNS After-Care Ante-Natal clinic in 1930 and the establishment of the Women's Welfare Clinic at the MDNS After-Care in 1934. Dame Mary Herring was born in Carlton on the 31st of March 1895. She graduated as a Bachelor of Medicine and Surgery (MB. BS) at the University of Melbourne in March 1921. During her training she went out with the Melbourne District Nursing Society (MDNS), where she visited many in poor circumstances and through this decided she wanted to improve the lives of women and children. She married Edmund Herring on the 6th of April 1922 and he supported her to continue her Medical career. She established an Ante-Natal Clinic at the Prahran Health Centre in 1926 and assisted MDNS After-Care Home in the establishment of its Ante-Natal clinic in September 1930. In 1931, as Dr. Mary Herring she became a member of the Committee of the now named ‘Melbourne District Nursing Society After-Care Home’ (later Hospital), and as Lady Herring became a Vice-president from 1943 until 1957 and acted as President in 1953. In 1934, along with Dr. George Simpson and Dr. Victor Wallace, she established the Women’s Welfare Clinic at the MDNS After-Care Hospital for patients of the Society; the first of its kind in Melbourne. After its opening in October 1934 she was the Hon Secretary of the Welfare Clinic, which operated from a room in the Ante-Natal Clinic of the After-Care. Dr. Herring pioneered family planning services. The clinic ran until 1940 when women could now obtain this advice from other establishments. In 1953, as Acting President, Lady Herring was involved with the discussions of the District Division of MDNS relocating to ‘Airlie’, 452 St. Kilda Road, Melbourne and the separation of Melbourne District Nursing Society and After Care Hospital, with the District Division now a separate entity, known as Melbourne District Nursing Service with its Headquarters at 452 St. Kilda Road, Melbourne. In 1966 with Royal patronage, this became the Royal District Nursing Service (RDNS). Though asked to be President of the Hospital division of the MDNS Society, she declined due to her many activities. In 1940 Dr. Mary Herring was a founder of the A.I.F Women’s Association and served on the Women’s Welfare Subcommittee to assist the families of soldiers and now as Lady Herring, she became President from 1943-1946. She was a a founding member and first president of the Victorian Council of Social Service 1946, chairman of the Vera Scantlebury Brown Memorial Trust 1946-1979, Deputy-president of Victorian division of the Australian Red Cross 1944-1963, and of the Victoria League 1945-1972 and the Australian council of the Save the Children Fund from 1962-1967. Lady Herring was a tireless worker for many charities particularly charities for children. On the 10th of July 1953 she was made Commander of the Order of St. John in recognition of her charity work and on the 11th of June 1960 was made Dame Commander of the Order of the British Empire for “services to nursing in Victoria” In 1949 the Argus Newspaper (https://trove.nla.gov.au/newspaper/article/22776603) described her as “one of the finest examples of Australian women in our State, with a record of selfless devotion to the service of others. Calm, kindly, clear-minded, and intensely logical”,..... “she has taken all this in her stride without once stopping out of her aura of cool, unruffled efficiency, an efficiency which is tempered by her warmth and understanding, her approachability, and her human sympathy.” Dame Mary Ranken Herring died in Camberwell on the 26th of October 1981. This black and white photograph is a portrait view of Dame Mary Herring. She has curled light coloured hair. Only a portion of her scooped neck dark coloured frock which falls in soft folds can be seen. There is a light colour brooch attached on the left hand side of her frock near the shoulder. She is wearing a string of pearls around her neck. A curtain can be seen in the background of the photograph.Stuart Tompkin Studiomelbourne district nursing society, ante-natal clinic, women's welfare clinic, rdns, royal district nursing service, dame mary herring

This photograph is a visual record of Lady Coles who was on the Melbourne District Nursing Service (MDNS) Management Committee when, in the early 1960s, MDNS set up four regional Centres, one of which she allowed to be run from her home in Frankston.Lady Coles had a long standing interest in Melbourne District Nursing Society, and in 1957 following the separation of the Melbourne District Nursing Society and After-Care Hospital, she was elected as a member of the First Committee of Management of the now Melbourne District Nursing Service (MDNS). In the early 1960s MDNS set up four Centres where cases could be reported for District Nursing action. One of these Centres covered four districts and was situated at Lady Coles home in Frankston. She was on the committee when MDNS was granted its Royal patronage and became the Royal District Nursing Service (RDNS) in 1966. In 1967 a major fund raising appeal, with Lady Coles as chairman of the Women's Committee, took place and her energy helped raise a substantial sum for RDNS Three years later, after 40 years of actively working for District, Lady Coles resigned from the Committee of Management.Black and white photograph of Lady Coles who is smiling; has curled dark hair and is wearing a black round neck frock with a white flower corsage attached on the left hand side.The material of the frock appears to be velvet. She has a two row string of pearls around her neck. She is sitting in front of a window with a striped curtain to the right of it.mdns, after-care hospital, melbourne district nursing service, royal district nursing service, rdns, lady coles, melbourne district nursing society

Dame Ivy Evelyn Annie Wedgwood, as Senator in the Federal Government, presented the Senate with Statistics of visits done by Melbourne District Nursing Society (MDNS) Trained nurses (Sisters) showing their visits increased threefold in the four years from 1952-1956. She was Honorary Treasurer of the now named Royal District Nursing Service (RDNS) for many years. Dame Ivy Evelyn Annie Wedgwood trained as an Accountant and worked as a Secretary before joining the Australian Women's National League which led her to be a founding member of the Liberal Party, and the Victorian Liberal Party's women's section. She became the first Victorian woman Senator in the Federal Government in December 1949 and served until mid 1971. She presented the Senate with Statistics of visits done by Melbourne District Nursing Society Sisters showing their visits increased threefold in the four years from 1952-1956, and stating that many patients would have been hospitalized without the visits from the Society. She strongly supported the Home Nursing Subsidy Bill in Parliament which was passed in 1956, and continued to work for health, welfare and disability issues as well as being an advocate for women's interests, including equal pay for equal work, during her time in Parliament. Over the years she was a specialist magistrate to the Children's Court of Victoria, a Justice of the Peace, served on the National Council of Women, and was president of the Women's Justice Association, as well as Honorary Treasurer of the now named Royal District Nursing Service (RDNS) for many years and the first President of the Australian Council of Domiciliary Nursing. In June 1967 she was appointed Dame Commander of the Order of the British Empire for 'distinguished services to Parliament and the community' and RDNS holds this award in its Archives. Following her retirement from Parliament she became President of the After-Care Hospital in 1972, and on the 24th of July 1975 after chairing a Board meeting she felt unwell and returned to her home in Toorak where she died, aged 78 years, later that evening.Black and white photograph showing Dame Ivy Wedgwood, who has short wavy dark hair; is wearing glasses and has a single string of pearls around her neck. She and is sitting in a light coloured covered chair and part of a cushion is seen. She is wearing a floral dress with mid length sleeves and is sitting in front of a filled bookcase. A smaller filled bookcase is seen to her left as well as some stacked books.melbourne district nursing society, mdns, after- care hospital, royal district nursing service, rdns, dame evelyn annie wedgwood

This photograph is a visual record of Mr. Ken Mason who was appointed to the Committee of the Royal District Nursing Service (RDNS) In March 1975 and held the position of Honorary Treasurer from August 1975 until October 1979 when he was appointed President of the Board of Directors, a position he held until 1993. Women held the role as President of the Melbourne District Nursing Society (MDNS) from its founding in 1885 for the next 94 years. Mrs. John Simson was President from 1885 until late 1888. For these first three years Mr. T. Harlin was Honorary Secretary of the Society and Mr. McKinnon the Honorary Treasurer; from then these roles were held by women. The other formal positions, and the vast majority of members of the Committee, were women, with up to four Reverend gentlemen being on the Committee each year over the next years. Throughout this time the Society expanded in the areas it serviced, commencing in inner Melbourne and expanding throughout the Melbourne suburbs. It began with their two Trained nurses (Nurses) living in their own home close to the area (district) in which they carried out their nursing care walking the streets of inner Melbourne. From 1891 the Society rented several premises for use as a Nurses Home and for administrative purposes and where the bicycles the MDNS purchased for use by their Nurses in 1903 could be housed. In 1914 the Society purchased their own premises at 39 Victoria Parade, Collingwood and in 1919 there first four cars were purchased. The Society underwent further expansion with the building of the After-Care Home (later Hospital) next to their Nurses Home in Victoria Parade which meant the running of two Divisions – the After-Care and the District Nursing Division. The one Committee ran the two Divisions until the time of the separation of the Society and After-Care in 1957. In late 1888 Lady Janet Clarke became President and held this role until her death in 1908, except for extended times when she was overseas when Lady O'Loughlen held the role. Mrs. Hood was President from 1909-1911, Mrs. F.A. Lang from 1912-1914, Mrs. F. Tatham from 1915-1923, Mrs. G.G. Henderson from 1924-1947, Mrs. F. E. Shillabeer from 1948-1949, Lady Lowe from 1950-1951 and Mrs. George Simpson from 1952-1957. When the Society and After-Care separated in 1957 the District Nursing Division became the Melbourne District Nursing Service with its own Committee. Mrs. J.P. Major, formerly Miss Beatrice Mary Williams who was a Sister with the Society, and became its Matron before marrying Dr. Major, became the first President in 1957 until her death in 1958 when Mrs. George Simpson became President. She held this role until 1964, then Mrs. E.G. Wilson held the role from October 1964 to mid 1967. During this time MDNS was granted Royal patronage and the name changed to Royal District Nursing Service (RDNS) in 1966. Mrs. D. Hallenstein held the role of President from 1967 to 1974 and during this time RDNS was granted a Coat of Arms. Mrs. J.L. Frew M.B., B.S. was appointed President in October 1974 and held the position until October 1979 when Mr. K.W.G. Mason took over the role. During these years, the RDNS service continued to expanded with more Centres built throughout the Metropolitan area, more Trained Nurses employed and the RDNS now had an increased fleet of vehicles. Black and white head and shoulder photograph of Mr. Ken Mason who has thinning white hair and is wearing glasses. He is dressed in a grey self striped suit and is wearing a white shirt and a light grey tie which has black and white stripes.rdns, royal district nursing service, rdns president, melbourne district nursing society, mdns, mr k.w.g. mason

Biography of Stephen Siivagni Carlton Players whose father Sergio and son Jack as at 2019 also played for Carlton.Nickname(s) SOS Date of birth 31 May 1967 (age 52) Place of birth Melbourne, Victoria, Australia Original team(s) Marcellin College Height 194 cm (6 ft 4 in) Weight 95 kg (209 lb) Years Club Games (Goals) 1985–2001 Carlton 312 (202) Carlton Best and Fairest: 1990, 1996 Carlton Life Member: 1992 Carlton Vice-Captain: 1998–2001 Carlton Hall of Fame: inducted 1996 Carlton Premiership Teams 1987,1995 Carlton Hall of Fame Legend: inducted 1997 All-Australian: 1994, 1995, 1996, 1997, 1999 Australian Football Hall of Fame: inducted 2005 AFL Team of the Century (fullback) Mark of the Year: 1988 AFL Life Member: 1999 International Rules 1998, 1999 Carlton Team of the Century (fullback) Jim Stynes Medal 1998 VFL/AFL Italian Team of the Century (fullback)

John Goold double Premiership PlayerA scrap Book dedicated to twice Premiership Player 1968 - 1970 John Goold Career : 1963 - 1970 Debut : Round 7, 1963 vs Footscray, aged 21 years, 338 days Carlton Player No. 754 Games : 108 Goals : 3 Last Game : Grand Final, 1970 vs Collingwood, aged 29 years, 90 days Guernsey No. 11 Height : 184 cm (6 ft ½ in.) Weight : 76 kg (12 stone, 0 lbs.) DOB : June 27, 1941 Premiership Player 1968, 1970 Carlton Hall of Fame All Australian 1966 A brilliant, flamboyant, two-time Premiership player for Carlton during the Barassi years in the ‘swingin’ sixties,’ John William Crosbie Goold became almost as famous for his dapper appearance off the field, as for his exploits on it. At the height of his football career, he was also a prominent ladies fashion designer – which led to him being dubbed ‘Mr Elegance’ by leading football commentator Lou Richards. Supporters and team-mates however, called him ‘Rags’ or ‘Ragsy,’ because of his involvement in the clothing, or ‘rag’ trade. Goold first came under notice as an outstanding junior athlete at Melbourne Grammar School. A true all-round sportsman, he shone at tennis, athletics, football and cricket. He was also a keen horseman who loved the game of polo and the rough and tumble of fox hunting. While at school he was a fervent Melbourne supporter, but strangely, never had much confidence in his football ability. “If I thought I was good enough, I would certainly have gone to Melbourne,” he said many years later. “But I honestly didn’t think I would ever amount to anything in this game. Cricket and tennis were the games that really interested me.’ However, after graduating from MGS, Goold went home to Healesville to star in the Bloods’ 1962 Yarra Valley Football Association Premiership team – an achievement that brought tempting offers from more than one VFL club. “Incentives were offered elsewhere,” he recalled, “but I gravitated to Carlton – partly because the deep blue of their guernsey attracted me, but mostly because of the good advice I got from people who even then were longsighted enough to predict that big things were ahead for this club.” The Blues were confident enough in Goold’s potential to offer him the guernsey number 11 previously worn with distinction by the likes of Jack Hale, Jim Knight, Ron Hines and Laurie Kerr, and his first senior game came in round 7, 1963 against Footscray at the Western Oval. He played on a half-forward flank alongside Brownlow Medallists Gordon Collis and John James on that Saturday afternoon, and kicked his first career goal in an 8-point win. Little did he know though, that it would be another six seasons before he would again experience the thrill of sending a football spinning between the big posts, because his future lay in defence. By his own admission, Goold struggled to find his feet in VFL football during his first two seasons, until the shock appointment of Ron Barassi as captain-coach of Carlton in 1965 began steering his career back on track. “I think you could say that 1965 was my first year of League football,” he said, “That’s the way I felt - that’s the way I reacted to Barassi.” Under Barassi, Goold rapidly developed into a superb running half-back flanker. Tenacious, and an often freakish high mark, he was unmistakable on the field thanks to his mane of dark hair, his loping running style and somewhat awkward kicking action. Furthermore, he had boundless courage. There is no doubt that he would have played many more games had he not been regularly pole-axed under the high ball – a fact he later freely admitted. “I was always getting knocked out,” he said, “and spent half my bloody time in hospital.” In the second half of 1965, an injury to centre half-back Gordon Collis forced Barassi to use Goold in the key defensive post. While it curtailed his rebounding instincts somewhat, ‘Ragsy’ rose to the challenge and rarely lowered his colours. Testament to his improvement, he finished third behind John Nicholls and Sergio Silvagni in Carlton’s 1965 Best and Fairest award, and followed up by being selected in the Victorian team for the 1966 Hobart Carnival. There, he had a superb series in which he was runner-up to West Australian Barry Cable in voting for the Tassie Medal, and capped it off by being named on a half-back flank in the All Australian team. Barassi’s influence at Carlton bore fruit in his third year, when the Blues returned to finals football at last. Richmond, Carlton, Geelong and Collingwood fought out the 1967 Premiership, and Ragsy Goold won the hearts of the Carlton faithful with two lion-hearted performances. Although Carlton was knocked out of contention by successive losses to Richmond and Geelong, Goold was tireless throughout both games, and it was obvious that he thrived on the added pressure of finals football. Precisely twelve months later, the bitter taste of those defeats was washed away when Barassi’s Blues edged out Essendon by 3 points in the 1968 Grand Final, and ended 21 years of despair at Princes Park. To win Carlton’s ninth VFL flag, the Blues had had to defeat the minor premier Bombers twice during the finals – and did so, thanks to a watertight defence led by Goold, and a dominant ruck division headed by John Nicholls. In round 5, 1969, Carlton hosted South Melbourne at Princes Park in a match significant for a number of reasons. As he regularly did, Ron Barassi swung his team around prior to the opening bounce, and Goold found himself in the unaccustomed role of ruck-rover. While the Blues set about establishing a good break on the scoreboard, Ragsy relished the freedom to kick two first half goals - his first majors for 78 games. Just before half-time however, he was flattened in a pack, concussed again, and replaced during the long break by Barry Gill. Alex Jesaulenko was substituted at the same time – by a shy, ambitious youngster named Bruce Doull, making his senior debut for Carlton in guernsey number 4. In September, 1969 the Navy Blues began their third straight finals campaign with an impressive 6-goal Semi Final win over Collingwood in front of more than 108,000 fans at the MCG. A fortnight later, Richmond stunned the flag favourites with a withering last quarter in the Grand Final, and knocked Carlton out of the Premiership race again at the last hurdle. Half-way through the year, Carlton's club doctor discovered that Goold had been playing with shin splints in both of his lower legs. The pain they caused was considerable, but Ragsy soldiered on and held down centre half-back throughout the season. John Goold’s VFL career at Carlton culminated in the fabled 1970 Grand Final triumph over Collingwood. What is not so well known is that Ragsy was only cleared to play in that game on the morning of the match. After narrowly losing to Collingwood in the second Semi Final, the Navy Blues destroyed St Kilda by 62 points in the Preliminary Final, and earned another shot at the Magpies in the decider. But one of Carlton’s problems was that Goold had been kicked on a shin against St Kilda, causing a burst blood vessel and serious swelling. Despite the best efforts of the club medical staff, Ragsy had only a slim chance of playing in the Grand Final right up until game day, when his worried coach reluctantly allowed him to take his place in the side. Later, Barassi justified his decision by saying that in his opinion, a less than fully fit Goold was still worth his place in the team. By half time in the Grand Final however, he was probably questioning that judgement - because Carlton had been totally outplayed, and trailed an impressive, cohesive Collingwood by 44 points. Therefore, Carlton’s magnificent comeback – orchestrated by Barassi, and sparked by the fairytale exploits of 19th man Ted Hopkins – is one of the greatest of all football stories. Against enormous odds, the Navy Blues fought their way back into the contest, and eventually, rolled over the top of the frantic Magpies to snatch victory by 10 points in the last few minutes of the match. Hopkins ended up with four goals, Barassi was hailed a genius, and Ragsy Goold was carted off to hospital immediately after the game to have further urgent treatment. While there, he decided that there was no better time to end his VFL career – especially because his burgeoning business interests were demanding more and more of his time. In the years after his football career ended, John Goold created a remarkably successful business empire. In 1971 he sold his fashion label and took up farming at Mortlake in western Victoria, where he coached the local football team for three seasons. Later, he formed a diversified pastoral company, and purchased a magnificent complex called Ballangeich Run at nearby Ellerslie. While his passion for farming and livestock grew, he began breeding top quality polo ponies, and represented Australia in international competition. During the 1997 and 1998 seasons, John's son Ed Goold played reserve grade football for Carlton. MEMORIES.... Ragsy Goold; the name stirs memories form my long ago childhood. Ragsy, with his unique kicking style, where he'd hold the ball (always a drop punt - in a time when the drop kick and the torpedo punt still reigned supreme) at the point of the ball, elbows bent and he'd lavishly drop the ball, his right arm then flinging back and up dramatically. That was the thing about Ragsy (so named because he worked in the clothing, or 'rag' trade), he was always dramatic. He always ensured his ankle guards and wrist guard were glowing white to match the great white CFC monogram he wore proudly on his chest, and with his long flowing locks, cut a dynamic figure through a young boy's mind. Ragsy was my idol. I loved his dashes from half back, his long accurate drop punts, most of all I loved his flair for the game. Ragsy played the game as an entertainer as well as a sportsman - he leapt high to punch or mark, and always seemed to have a bit of the thoroughbred about him - which is probably why after he retired, he took up fox chasing, polo, and riding his beloved thoroughbreds across the paddocks and over the fences of his property, I think he may have even represented Australia at the sport – really, that’s sort of how he played as a footballer. All sinewy muscle, long legs and famous leaps for the saving punch. Ragsy was part of the great backline that helped revive Carlton's fortunes. Legendary players Wes Lofts, Ian Collins, Kevin 'Racehorse' Hall, Vinnie Waite among them. All great teams have a great defence and the defence that Ragsy was an integral part of was no different. Where others provided the biffo, the muscle or the defensive pressure, Ragsy provided the dash, the flair, the sense of adventure that all great backlines must have. AND MORE.... I have had many favourite players while following the Blues, but there will always be a special spot for Ragsy Goold - running the lines, all long hair and flashing white guards. As a young man I moved to Carlton and began acting in a place called one-c-one. One night after a play, I was walking home. It was winter, and I was wearing my favouritte overcoat, a genuine ankle length tweed affair I had picked up in an Op Shop in Oakleigh for three dollars. As I strutted across Lygon Street, a deep male voice behind me called, 'hey laddie, how much for the overcoat?' I turned, and there was my childhood idol, Ragsy Goold, two beautiful women in tow, smiling and waiting for my answer. I loved that coat too much to part with it, even to Ragsy, so I shook my head - and he smiled, then walked off. I stood for a moment in the middle of the street shaking my head in disbelief. Ragsy bloody Goold had just offered to buy my overcoat! I knew at that point, as a young man of about twenty three, that life was going to be full of surprises and very entertaining - a bit like John ‘Ragsy’ Goold. ONE MORE.... A cold, wet day in the mid 1960's at the MCG and Victoria were playing South Australia (?) The ball that day was like a piece of soap, with players finding it impossible to mark. Just before half time a long kick sailed toward the mud heap that was the centre of the ground, and the pack rose to meet it. From this group of players an arm shot straight up, and the ball instantly came to a dead stop. The footy stuck in the player's palm as if the hand was coated in Tarzan's Grip. After all these years, it's the only recollection I have of that match, and that player was 'Mr. Elegance' John Goold. HUMOROUS HUNGRY.... Former opponent Richmond's Kevin Bartlett on Radio SEN in 2012 received a phone call from John. After the call Kevin told his listeners how "Mr Elegance" would always be dressed in a nice suit, shirt-tie and highly polished shoes. He then cracked a joke saying something like; "You know, John was so 'posh' that he used to play football wearing a cravat!" Milestones 50 Games: Round 15, 1967 vs Melbourne 100 Games: Round 13, 1970 vs Geelong Career Highlights 1965 - Percy Bentley Trophy - 3rd Best & Fairest 1966 - 5th Best & Fairest 1967 - Maurie Sankey Memorial Trophy - 4th Best & Fairest (on count back) 1968 - Premiership Player 1970 - 7th Best & Fairest 1970 - Premiership PlayerFoolscap Scrap Book

Two Pictures of 1972 Premiership Player John O'ConnellCareer : 1970 - 1976 Debut : Round 3, 1970 vs Richmond, aged 18 years, 361 days Carlton Player No. 818 Games : 111 Goals : 0 Guernsey Nos. 50 (1970-71) and No. 19 (1972-76) Last Game : Preliminary Final, 1976 vs North Melbourne, aged 25 years, 149 days Height : 183 cm (6 ft. 0 in.) Weight : 82 kg (12 stone, 13 lbs.) DOB : April 22, 1951 Premiership Player 1972 After starting his career at Carlton as a centreman or ruck-rover at Under-19 and Reserves level, John Michael “Jack” O’Connell found his niche in defence for the Blues and was a creative back pocket in Carlton’s record-breaking 1972 Grand Final victory over Richmond. A dasher who loved to take off on bouncing runs, Jack spent much of his career alongside champion full-back Geoff Southby, with either Vin Waite or David McKay in the opposite pocket. Together, they created a full-back line regarded as among the best in club history. O’Connell’s journey to Premiership glory began during his school days at St Mark’s in Melbourne’s outer north, then at Glenroy YCW and Fawkner. In 1967, aged 17, he joined Carlton’s Under-19s, and by midway through 1969 he was playing Reserves football in guernsey number 50. Early in the following year, a couple of strong showings saw him banging on the door of senior selection, and he was duly rewarded by being named on the bench for his senior debut against Richmond at the MCG in round 3, 1970. For the Blues and their supporters, the game was a forgettable one, because Carlton surrendered a big half-time lead to be beaten by 13 points, and O’Connell wasn’t called on until the dying minutes. Sent back to the Reserves after that one brief taste if the big time, Jack honed his skills and bided his time - for more than a year – while Carlton went on to win the 1970 Premiership. Eventually, he earned a recall midway through 1971, but with a bevy of stars standing in his way, he was a regular reserve until late in the year, when coach John Nicholls – aware that incumbent Ian Collins intended to retire – offered O’Connell a chance in the back pocket. Jack grasped his opportunity with both hands. At 183 cm and 82 kg he was bigger than the average specialist back-pocket of that era, but he gave nothing away in agility. An excellent mark and an accurate kick off either foot, he had settled in beside Southby by the end of that season, playing the last ten games straight. As season 1972 dawned and Collins retired, O'Connell inherited the Blues’ number 19 guernsey and began marking his mark in the Carlton defence. Inspired by Southby’s creativity and Waite’s aggression, Jack was soon a headache for every opposition club. An ankle injury sustained in round 5, 1972 against Collingwood cost him five matches, but he was back to top form by finals time, when Carlton finished the regular season on top of the ladder. In their first final together – the Second Semi Final - O’Connell, Southby and Waite were resolute in a thrilling draw. Richmond won the replay, then Carlton conquered St Kilda in the Preliminary Final to earn another crack at the Tigers in the Grand Final. Opting for a strategy of all-out attack in the flag decider, the Blues blasted off the blocks to kick 8 goals in the first quarter, 10 in the second and 7 in the third to put the game right out of Richmond’s grasp with a full quarter remaining. After coasting to the final siren, the Blues collected their eleventh VFL Premiership by 27 points. Waite was missing from the match, having been injured in the Preliminary Final, but David McKay was a more than adequate replacement, and all three defenders on the last line completed an excellent final series. On the way to another consistent season in 1973, O’Connell strained a thigh in Carlton’s surprise loss to Fitzroy at the Junction Oval in round 16, and wasn’t recalled to the senior side until the Grand Final, when Carlton and Richmond met once more in the 48th match of Jack’s career. A few days beforehand, Barry Armstrong had been ruled out when he was hit by appendicitis, so O’Connell took over Armstrong’s assigned role of negating the Tigers’ star centreman Ian Stewart. Jack stuck to his task all match, but neither he nor his team could hold back a ferocious Richmond side that crashed and bashed its way to victory. O’Connell went on to play in two more finals campaigns in 1975 and ’76 but was denied the joy of another September victory. He brought up game number 100 at Princes Park in June 1976, when Carlton ended a five-game losing sequence to beat Essendon, before calling time on his VFL career after the Blues suffered a heart-breaking 1-point loss to North Melbourne in that season’s Preliminary Final. In 1977 O'Connell was cleared to WAFL club Subiaco. Later he came back to Victoria and coached Diamond Creek to a Premiership in the Diamond Valley League. Then in 1987, the football world was rocked by the news that Jack had been diagnosed with a virulent form of cancer. He fought hard for 18 months, but tragically passed away on the 5th November, 1989 aged just 38. Career Highlights 1971 - 3rd Reserves Best & Fairest 1971 - Reserves Most Improved Player 1972 - Premiership Player Milestones 50 Games : Round 2, 1974 vs Geelong 100 Games :Round 13, 1976 vs Essendon Footnotes Off the field, O’Connell was a quiet, reserved character who, by 1973 had struck a warm friendship with another man of few words in his champion team-mate Bruce Doull. The pair could often be seen together sharing a beer after Sunday morning recovery sessions, and club folklore has it that the only regular conversation to be heard between them was, “it’s your shout.” In 1997, John's son Luke O'Connell joined Carlton, playing eight Reserves games and kicking three goals.2 x Black & White PhotosThe Sun Articles pasted on back of each photo