Showing 13040 items
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Bendigo Historical Society Inc.
Book - Golden Square High School
Sixteen pages yearbook of Golden Square High school for 1977. A rectangular frame is draw on the brown cover in golden colour, very faded at the top, with a flower design on the four corners. The title "Golden Square High School 1977" in gold letters in the middle. The book has punch holes, and the pages are tied together with a piece of rope.golden square high school, 1977 -
Tennis Australia
Racquet, Circa 1938
A wooden racquet with concave throat, plastic whipping, and leather handle grip. Decal across throat on both sides features the inscription: JC HIGGINS/OUR OWN TRADE MARK/WHIZ. Incorporated into the logo is a speeding tennis ball design. Materials: Wood, Nylon, Glue, Lacquer, Metal, Ink, Adhesive tape, Cloth tapetennis -
Tennis Australia
Racquet, Circa 1940
A wooden racquet with concave throat, plastic whipping, and cloth tape handle grip. Decal across throat on both sides features the inscription: JC HIGGINS/OUR OWN TRADE MARK/WHIZ. Incorporated into the logo is a speeding tennis ball design. Materials: Wood, Nylon, Glue, Lacquer, Metal, Ink, Cloth tape, Plastic, Painttennis -
Kew Historical Society Inc
Photograph - Railway level crossing in Glenferrie Road, Glenferrie, E.J. Dower, 1912-13
One of a series of photographs, taken by Edgar James Dower in the second decade of the twentieth century. Born and raised in Olinda, his family later moved to Surrey Hills. He worked as an adult as a clerk in the city office of the Metropolitan Gas Company, and in his role as a 'collector', he was able to photograph scenes including the construction of tramlines and associated buildings in Kew, Hawthorn, Camberwell and Surrey Hills. Later he established a real estate agency with his brother - the E.J. Dower Real Estate Agency, Dandenong Office.The image is an historically significant record of the development of transport infrastructure which was used to connect Victorians in the first two decades of the twentieth century. This development resulted from increases in population and the consequent extension of Melbourne's suburbs. The photographs, both individually and collectively, richly detail the labour of workers and the tools and machinery used to create and extend Melbourne's public transport network in the years preceding and during World War 1.Digital copy of an original mounted photograph showing the old railway crossing in Glenferrie Road, Hawthorn. The removal of the train level crossing and the elevation of the rail line above the road was designed to enable the laying of tram tracks along Glenferrie Road. The buildings to the right of the photo were being demolished to allow for this. "The Don Store" is immediately behind the crossing.Annotated verso: "1912 / Demolishing shops near Glenferrie Railway Station, just prior to the regrading of line to camberwell / Taken by E.J. Dower 1912"theme --- travelling by tram, theme -- connecting victorians by transport and communications, glenferrie railway station, glenferrie road -- hawthorn (vic.), railways -- hawthorn -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Maritana, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Badge - Fundraising Button, Discharged Soldiers’ Fund for Returned Soldiers, 1918-1919
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Small circular pressed tinplate badge featuring a gold-bordered art nouveau style heart within a green wreath, surmounted by a yellow seven-pointed star, all on a brown background. The words ‘Discharged Soldiers’ Fund For Our Returned Soldiers’ feature within the heart, on a buff background. A gold and white border encloses the whole design.first world war (1914-18), patriotic buttons, badges -
Friends of Westgarthtown
Set, decorative
4 matching object set. Object 1:Tea cup, object 2: saucer, object 3:plate, object 4: milk jug. Off white china tea set with moulded ribbed pattern. Floral painted design on all items in black and deep red. All items have gold leaf trim on edges.On object 4, milk jug: Rd64638 stamped on bottom and 2339 written in gold paint also on bottom.domestic items, food & drink consumption, tea set, milk jug, cup, saucer, plate, floral design, set, matching. -
Clunes Museum
Textile - DOLLS CLOTHES, 1932
.1 Hand-sewn pale green hat, pink and grey flowers as trim .2 Hand-sewn Apron, white with mauve binding, hand drawn design .3 Hand-sewn neck to knee swimsuit, lisle material, pink and brown .4 Hand-sewn flannelette night dress, hand embroidered flower on frontNilbrusaschi, dolls clothes, 1932, hand-sewn -
Maldon Vintage Machinery Museum Inc
Programmable Calculator, 1978
.1) Hehlett Packard 1978 design programmable calculator. Cream plastic case. Keyboard layout similar to modern computers. .2) Loose leaf file containing operating instructions and two programmable cartridges. .3) & .4) Quick reference guide books, spiral bound. .5) Calculator 9825A system test booklet bound with staples.On small plate on top of projecting power socket "9825A" serial No.trades, drafting -
Brighton Historical Society
Textile - Needle book
This item is from the "Barone" Collection. "Barone" (also known as "Seaview") was a stately Brighton home built at 9 Moule Avenue prior to 1855 and demolished in 1986. The house's residents included Edward Elgin Browne (during 1859-72), a Melbourne tea merchant, and the family and descendants of retired Scottish Army captain Archibald Black (during the period 1880-1970). Its neighbors included “St Ninians” owned by the Ward- Cole family, “Seacombe” owned by the Moule family, and the home of James Grahame and his family. The items in the "Barone" collection were largely donated by two of the house's later owners, Mrs Doris Halkyard and Mrs Brian Brandt.A hand painted and hand embroidered cream silk needle book. Date unknown. This cushion features a delicate hand painted floral design, enhanced with highlight embroidery. It also features a silk rope binding around its edges and a cream silk bow. It appears to have enclosed something as it has a button and loop to secure it in half.cushion, barone, seaview, brighton -
University of Melbourne, Burnley Campus Archives
Plan, Jacqueline Fraser, The Chivers House 34 Finlayson Street Malvern East, 1991
(1) Jacqueline Fraser - Site Inventory and Analysis dated 5.11.91, Conceptual Design dated 1.11.91, Planting Plan and Section Elevation dated 8.11.91. Scale 1:100. (2) Troy Watchorn - Site Analysis and Inventory, Concept Plan, Planting Plan, Section Elevation, dated 14.11.1991. Scale 1:100. (15 sheets)jacqueline fraser, troy watchorn, landscape design, malvern -
University of Melbourne, Burnley Campus Archives
Photograph - Colour prints, Photograph Collection of Potential Careers
Photographs mounted on heavy cardboard for a display. (1) Nursery with 2 men, "Nursery Trade" handwritten on reverse. (2) Nursery with man and child, "Nursery Trade" handwritten on reverse. (3) Construction site with 1 man, "Landscape Design" handwritten on reverse. (4) Park with 3 men, "Parks and Gardens" handwritten on reverse. (5) Private gardennursery, men, children, parks, gardens -
University of Melbourne, Burnley Campus Archives
Photograph - Colour print, Staff 1987, 1987
Strip of 5 colour photographs. (1) - (4) Group of 29 staff members seated on chairs and standing, in front of thew Student Amenities Building. (5) Jim Pleasance (Bus Driver/Maintenance, James Davis and John Patrick (Visiting Lecturer in Landscape Design) standing in front of the Science Laboratory. Identified by Peter Esdale as 1987. staff, jim pleasance, bus driver, maintenance, james davis, john patrick, visiting lecturer, landscape design, staff group 1987 -
Mont De Lancey
Book, Ruth Lynn et al, Penfold. A Story of the Flower Mission, C 1880
A Children's religious fiction book about a father whose daughter ran away with a young man and the troubles fraught by this as she bears a child and leaves it at a workhouse door.Blue hardcover book, Penfold. A Story of the Flower Mission, by Ruth Lynn. Has black floral design all over covers and spine, with gold lettering for title on front and spine. Black and white illustrations throughout. Black and white decorative illuminated style lettering is at the beginning of each chapter. Gold lettering for title on caver and spine.fictionA Children's religious fiction book about a father whose daughter ran away with a young man and the troubles fraught by this as she bears a child and leaves it at a workhouse door.children's fiction, religious fiction, family fiction -
Mont De Lancey
Functional object - Riding Spur, Unknown
One brass and leather riding spur with a brass rounded or blunt end which has three sharp points attached. It has a rusted buckle on the side of the strap to adjust it to fit the rider's boot. It is designed to be worn in pairs on the heels of riding boots for the purpose of directing the horse to move forward or laterally while riding. They usually are worn in pairs.horses, horse riding equipment, spurs, horse accessories -
Wodonga & District Historical Society Inc
Domestic object - Haeusler Collection Teapot
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This teapot is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. The ingenious repair to the teapot's handle reflects the resourcefulness and thriftiness of the Haeusler family during the economic hardships of the 1930s Great Depression. The teapot was manufactured in England, likely dating from the early twentieth-century. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. A glazed ceramic teapot with a printed design depicting two deer and a hunter in a woodland on one side, and two deer by a stream in a woodland on the other. The broken handle of the teapot has been replaced with wire. The teapot handle was repaired by Alfred Haeusler (b.1922, d.1997) and holds remarkable balance, perfectly retaining its function. Faded, circular makers mark on the base of teapot, illegible/"ENGLAND"teapot, teaware, tableware, ceramic, domestic, social history -
Wodonga & District Historical Society Inc
Postcard - Haeusler Collection Postcards and Greeting Card c. Mid-Century
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Three postcards and one greeting card. The postcards depict a photograph of a city with text reading "Board of Works" overlaid; a man posing with an early 1900s airplane; and an illustrated cartoon man and woman walking on a road in a rural area in Europe. The greeting card has text that reads "Loving Greetings" and a raised floral bouquet design made of plastic.haeusler collection, wodonga, postcards, postcard, post, mail, airplane, greeting cards -
Melbourne Tram Museum
Sign, Melbourne & Metropolitan Tramways Board (MMTB), "Designed and Manufactured at the Tramways Board Workshops Preston", 1920's
Builders Plate, sign - cast brass with raised letters within two raised lines and four screw holes in each corner. Black painted background. "Designed and Manufactured at the Tramways Board Workshops Preston" 2nd copy added 13/8/2020 ex Keith Kings. See Reg Item 5041 for replica plate.Has on the rear in black text pen "239"trams, tramways, signs, tramcars, tramcar bodies, mmtb, new trams, w2 class -
Melbourne Tram Museum
Functional object - Container, JSM?, "Moving Melbourne", early 2000's
Container or Cup or mug - plastic with removable lid, silver outside, black inside, designed to be used on a vehicle with a non-slip material on the base. Printed with a M> Tram or M>Train logo, with the words "Moving Melbourne" under the logo. On the inside of the lid, has the words "Hand Wash Only / Do not put cup in Microwave" and at the base "JSM47"trams, tramways, crockery, national express, m>tram, m>train -
Melbourne Tram Museum
Letter, "Scrubber Car", 1931
Letters - comprising 9 sheets, between April and June 1931 titled "Scrubber Cars" - correspondence concerning the design of a new type of scrubber tram (would have been No. 5, and then later on No. 8) between the MMTB and MTT Adelaide. Considers block access, operation, motor sizes, refers to drawings which at the time of cataloguing are yet to be scanned.trams, tramways, scrubber tram, tramcar design, new trams, work trams, mtt, adelaide -
Clunes Museum
Domestic object - MANCHESTER
.1 Knitted pillow sham, cream coloured, peaked border, centre area consists of five knitted panels separated by six lace effect panels .2 Hand worked snowflake design on netting, larger netting worked on the centre and four smaller ones in corners. Outside edge is manufactured lace handsewn onto the fabric of the shamNilpillow sham, hand sewn -
Moorabbin Air Museum
Clothing (Item) - RAF/SOE Escape Button Compass
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University of Melbourne, Burnley Campus Archives
Map, Kororoit Creek Proposed ..... [words obscured], 1998
Composite photocopy so title partly obscured, by Thompson Berrill Landscape Design DWC No KC 13 Sheet 13 of 14 dated March 1998. Scale 1:200. Legend includes: Vegetation, Drainage and Flood Management Issues and Action, Water Quality, Stream System V? Issues, Primary Objectives (partially obscured).thompson berrill, landscape design, kororoit creek, water quality, vegetation -
Port Melbourne Historical & Preservation Society
Audio - PMHPS Meeting,Changes to the character of Port Melbourne, Jim Holdsworth, Glen Stuart, 28 Jan 2002
Recording of PMHPS Meeting on 28.01.2002. Recording done by Glen Stuart at Port Town Hall. Speaker was Jim Holdsworth, urban design and architectural manager, City of port Phillip, Clark St Resident. Discussing changes to the character of Port Melbourne, including those to come, which will double the population by 2004. Recording duration 57:15.built environment, statistics, jim holdsworth -
Phillip Island and District Historical Society Inc.
Tool, Chicory Devil, Late 19th Century
One of Phillip Islands earliest industries was chicory farming. The first kiln was constructed in 1870. The chicory devil, with its unique shape and design, was a tool specifically developed to dig out chicory roots. It was originally designed by Duncan McGregor. This chicory devil was handmade by Dinney Justice in the late 1800's.Handmade wrought iron chicory devil.phillip island, tool, chicory, kiln, chicory devil, wrought iron -
Moorabbin Air Museum
Machine - Microturbo Cougar 022 Turbojet
Historical Details: . Description: The Microturbo Cougar 022 Jet was used in Turana target drones which were in turn developed from the Ikara missile. The Turana was designed to use the same lunch system as the Ikara and built to survive 10 flights. The engine was designed for 20 missions. Level of Importance: State -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, circa 1878
This table spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This table spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored table spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 40% of spoon is concreted with sediment and 20% of original plate is visible.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating, table spoon, spoon -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, The First Designer Honoured, c. 1964
Discusses the work, design techniques and career of first recipient of the Essington Lewis Award (for Industrial Design) - Frederick Ward. Ward's work introduced all the essential principles of the best Australian furniture: functional form; use of Australian materials; respect for the nature of all materials; suspicion of ornament and a sense of purposeful proportions.Review of Fred Ward’s Award by the Industrial Design Council.Typewritten (c copy), quarto, 2 pagesfrederick ward, industrial design, australian furniture, function, form, australian materials, essington lewis award, robin boyd, manuscript -
Moorabbin Air Museum
Machine - Auster J1B Aiglet VH-ACY
Historical Details: . Description: The Auster was designed in England by C.G. Taylor, who had originally worked in the United States with Piper Aircraft and had been responsible for the design of the popular Piper Cub. The Auster came into its own during World War 2 when it was used ext. Level of Importance: Regional -
Ballarat Diocesan Historical Commission
Boxed Rosary, Rosary beads in presentation box
Boxed rosary presented to Bishop O'Collins for his Jubilee in 1972 with presentation card from Sr St Charles (Sr of Nazareth) enclosed. Crucifix and junction cast in sterling silver by Alex Mitchel & Co. Ltd, Dublin. Crucifix designed by Louis de Brocquy, RMA & junction designed by Anne Crawcour.rosary, mitchel, crawcour, crucifix, beads. o'collins.