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Nillumbik Historical Society Incorporated
Book - Softcover book, Tarcoola Press, A Diary of James Thomas Donaldson of Kangaroo Ground and Ivanhoe Victoria, 1998
on an 1889 visit to England and Scotland & Family Letters of the 1850'sCover is parchment coloured card 300gsm with white paper pages 100gsm - 50 pagesnon-fictionon an 1889 visit to England and Scotland & Family Letters of the 1850'sdonaldson james t 1832-1916, great britain - description & travel, kangaroo ground, heidelberg -
Nillumbik Historical Society Incorporated
Photograph - Black & white photograph, St John's Church of England Diamond Creek c1920's-1930's
... Diamond Creek c1920's-1930's Photograph Black & white photograph ...Black & white photographnillumbik, chute street, post office, diamond creek -
Clunes Museum
Medal - NURSING SERVICE BADGE, P. J. KING
BADGE BELONGED TO S/NURSE D. COUNDON OF THE AUSTRALIAN NURSING SERVICE A.I.F. 1914 - 1918 WAR; AN AUNT OF MISS MARY COUNDON OF CLUNES.BADGE, ROUND, GOLD WITH ROYAL BLUE, RED AND WHITE ENAMELLED DESIGN.ON REVERSE SIDE:- P.J. KING 695 9CT. AUSTRALIA'S APPRECIATIONlocal history, numismatic, badges, medals & badges -
Clunes Museum
Medal - RETURNED SERVICES BADGE, W. BISHOP
BADGE BELONGED TO D. COUNDON, RETURNED S/NURSE OF THE AUSTRALIAN NURSING SERVICE A.I.F 1914-1918 WAR; AN AUNT OF MISS MARY COUNDON OF CLUNES.BADGE, SHIELD SHAPED, TWO SOLDIERS IN CENTRE, SURROUND IN RED, WHITE AND BLUE, WITH CROWN.1920 RETURNED SAILORS & SOLDIERS IMPERIAL LEAGUE AUSTRALIA. ON REVERSE SIDE:COPYRIGHT B8156 W. BISHOPlocal history, numismatic, badges, medals & badges -
Clunes Museum
Photograph - PHOTOGRAPH PHOTOCOPY, C1940
... events and celebrations LIGAR ST. CLUNES (1940'S?) .1 BLACK ...PHOTOGRAPH ORIGINALLY TAKEN IN LIGAR STREET, CLUNES.1 BLACK AND WHITE PHOTOCOPY OF YOUNG WOMEN AND GIRLS TAKING PART IN A PARADE TAKEN LIGAR ST. CLUNES C 1940 .2 LARGE VERSION OF ABOVE .3 LETTER FROM ROSEANNE PEART - SUPPLEMENTARY FILE LIGAR ST. CLUNES (1940'S?)local history, photography, events and celebrations -
Clunes Museum
Memorabilia - BAG AND APRON
MASONIC APRON IN ITS CASE - WORN BY FREEMASON - BROTHER S. McLENNAN..1 SQUARE BLACK LEATHER CASE WITH METAL CLIP, KEY ATTACHED .2 BLUE AND WHITE MASONIC APRON. BRO. S. McLENNAN - CLUNES WRITTEN INSIDE OF CASElocal history, societies, freemasons, mclennan -
Clunes Museum
Photograph
THIS PHOTOGRAPH WAS FOUND IN THE FORMER HOME OF THE LATE LAURA HUDSON IN LOWER FRASER STREET, CLUNES (NOW BLACKMORE ROAD) The daughters of Alex and Florence Clark. May referred to is the second wife of Alex. BLACK AND WHITE PHOTOGRAPH OF TWO CHILDREN - ALISON AND ADELE (CLARK). Circa early 1960'sTO FATHER AND MAY FROM ALISON AND ADELE.local history, photography, photographs, hudson - laura -
Clunes Museum
Photograph
BESSIE WAS A DAUGHTER OF HARRY AND ELIZABETH ROBBINS. ELIZABETH (NEE McINTOSH) EMIGRATED FROM INVERNESS, SCOTLAND IN 1849 WITH HER BROTHER THOMAS AND THEIR COUSIN DONALD CAMERON. HARRY ROBBINS EMIGRATED FROM SOMERSET, ENGLAND IN LATE 1840'SBLACK AND WHITE COPY OF A PHOTOGRAPH OF BESSIE PICKFORD NEE ROBBINSlocal history, photography, photographs, mcintosh, robbins, pickford, donald cameron -
Clunes Museum
Photograph, COPIES BY PURCELL, ROGER BALLARAT, COPIES 1996
GEORGE PERRY'S GENERAL STORE WAS SITUATED IN CRESWICK ROAD. CLUNES, PRESENT SITE OF THE LATE BRENDA TREMBATH 'S HOUSE..1 ORIGINAL SEPIA POSTCARD PHOTOGRAPH OF GEORGE PERRY'S GENERAL PRODUCE STORE IN CRESWICK ROAD, CLUNES POSTAGE STAMP AFFIXED, ONE PENNY .2.3 BLACK AND WHITE COPIES OF THE ABOVE PHOTOGRAPH PRINTED ON GLOSS PHOTOGRAPHIC PAPER .4.5.6 BLACK AND WHITE COPIES OF THE ABOVE PHOTOGRAPH PRINTED ON MATTE PHOTOGRAPHIC PAPER .7 Supplementary FileAddressed to; Mrs. Perry Creswick Road, Clunes Postmarked Jan 15 1907 Handwritten date 12/1/07 "Dear Grandma, I am sending you a post card view of your shop that Dada took. I hope you will like it and trust you are well, Muriel" (Written in black ink) local history, photography, photographs, shops george perry's general store, buildings -
Clunes Museum
Photograph
MISS JAMES , A FORMER CLUNES RESIDENT TAUGHT AT STONEY CREEK SCHOOL 1906 - 1912. THE SCHOOL NESTLED IN THE BUSHLAND MISS JAMES TAUGHT AT CLUNES TILL 1930'S IN THE STONEY CREEK SCHOOL YARD, MISS JAMES AND STUDENTS LAID ROCKS IN THE SHAPE OF AUSTRALIA WHICH PROBABLY STILL REMAINS..1 BLACK AND WHITE PHOTOGRAPH SCHOOL STUDENTS AT STONEY CREEK SCHOOL IN THEIR GARDEN WITH TWO ADULTS IN BACKGROUND SCHOOL CLOSED IN 1916 .2 Envelope with provenance of the Stoney Creek School provided with the donation of the photographSAT PAPER ON REVERSE SIDElocal history, photography, photographs, schools, stoney creek -
Clunes Museum
Photograph, 1859
.1.2 BLACK AND WHITE PHOTOGRAPH OF PORT PHILLIP HILL TAKEN CIRCA 1859. .1 HANDWRITTEN ON BACK: PORT PHILLIP MINE AND HILL TAKEN CIRCA 1859 PORT PHILLIP MINE SOUTH SHAFT CLUNES HOTEL IN MIDDLE OF P.P. PADDOCK CLUNES UNITED MINE CRITERIAN MINE CRITERIAN BRIDGE WOOSTERS BALLARAT RESTAURANT, DOES NOT SHOW IN LATER PICTURES PORT PHILLIP MINE FIRST BATTERY PORT PHILLIP HOTEL OPENED IN 1859, CONTINUED UNTIL LATE 1890'S CRITERION HOTEL, FIRST MASONIC MEET UP, BURNT JAN 1871 NEGATIVE OF THIS PHOTO IS AT LATROPE LIBRARY MELBOURNE SIGNED: J CONRAD WEICKHARDT .2 HANDWRITTEN ON BACK: PHOTO OF PORT PHILLIP MINE AND HILL TAKEN ABOUR 1859 OR 1860 THE NEGATIVE OF THIS PICTURE IS AT LATROBE LIBRARY MELBOURNE FROM CAMP PARADE photography, mining, port phillip hill, port phillip -
Clunes Museum
Photograph
MIXED CHURCHES CHOIR WERE THE TOP CHOIR IN THE STATE. THEY WON AT SOUTH STREET AND ALSO WENT TO TASMANIABLACK AND WHITE PHOTOGRAPH POSTCARD OF THE MIXED CHURCHES CHOIR MR. LE MARSHALL WAS THE CHOIRMASTER. DURING THE EARLY 1900'S THE CHOIR WON AT SOUTH STREET AND THEY COMPETED IN TASMANIAlocal history, photograph, choirs, church -
Clunes Museum
Photograph - PHOTOGRAPH FOOTBALL 1951, THORNTON - RICHARDS & CO. PHOTOGRAPHER, 1951
BLACLK AND WHITE MOUNTED PHOTOGRAPH OF THE 1951 CLUNES SENIORS FOOTBALL CLUB TEAM PREMIERS 1951PRINTED ON REVERSE IN BLACK INK; D DAVIES, A FEATHERSON, L BRUSASCHI, R FEATHERSTON (DELEGATE), F TOWNSING, S BRUSASCHI, R ANDERSON G MCLENNAN, H TOOLE (VICE PRES.), J LEISHMAN (PRES), G W JONES (SEC), K ROBINSON (COMMITEE) K VORBACK, R MULLER J HIGGINS (TRAINER) J HUDSON, L TOOSE, T FLETCHER, J MCLENNAN (VICE-CAPT), F ATCHISON (CAPT.) V MCRUM, T WICKHAM, G HAWKINS, P MCGRACH SITTING, W INGRAMphotographs, football, premiers 1951 -
Clunes Museum
Photograph
SHOPS INCLUDE W. BARKELL LIVERY STABLES, S. OWEN, ROBERT BUTCHER, FAR RIGHT TELEGRAPH HOTEL.1 .2 BLACK AND WHITE COPY OF PHOTOGRAPH OF SHOPS AND BUILDINGS IN UPPER FRASER STREET, CLUNES. INCLUDING BARKELL LIVERY STABLESUPPER FRASER ST CLUNESlocal history, photography, photographs, shops- w.barkell livery stablels, s. owen, roberts butcher, buildings -
Clunes Museum
Photograph, 1931
LAMINATED BLACK AND WHITE PHOTOGRAPH OF CLUNES HIGHER ELEMENTARY SCHOOL 1931. Back Row; Colin Kerr, Len Teague, Standon Nelson, John Hill Second Row; Jean Annear (Porta), Lucy Pascoe, Isobel Sparks, S. Oliver, Mavis Talbot (Williams), Ida Pickford (Leishman) Middle Row; Isabel Nicholson, Leila Sparks, Amy Dunn (Vinecombe), Amy Cottrell, Aver Aberhard, Dorothy Carter, Enid Davidson, Melba Hutchins (Harvey) Front; Harry Toole, Dave Richards, Tom Kerr, Justice Eberhard, Garland Hancock Absent; Leila McDonald, Brenda Trembatch, Eilliam (Bill) Birch, Jim Sanderslocal history, photography, photographs, schools - higher elementary., 1931 -
Clunes Museum
Photograph, 1901
PHOTOGRAPH CLUNES IN MELBOURNE COMMITTEE 1901 A.E. KEMPSON, S. NIGHTINGALE, T. KENT, H. McDONALD, E.W. THOMPSON, C.P. WEICKHARDT, G. STEWART, AJ. HARVEY H. KING, O. BORSUM, J.J. DENTON, J.F. DEEGAN, J.H. TAYLOR, W. DENTON, P. KNUCKEY.1 BLACK AND WHITE PHOTOGRAPH CLUNES IN MELBOURNE COMMITTEE MOUNTED ON CARDBOARD, NAMES AT BOTTOM .2 PHOTOCOPY OF PHOTOGRAPH(BACK ROW) A E KEMPSON ESQ; S NIGHTINGALE ESQ; T KENT ESQ. (MIDDLE ROW) H MCDONALD ESQ; E W THOMPSON ESQ; C P WEICKHARDT ESQ; G STEWART ESQ; A J HARVEY ESQ;H KING ESQ. (FRONT ROW) O BORSUM ESQ; J J DENTON ESQ; J F DEEGAN ESQ (M L A & PRESIDENT) ; J H TAYLOR ESQ (VICE PRESIDENT); W DENTON ESQ; P KNUCKEY ESQ.local history, photography, photographs, clunes in melbourne club -
Clunes Museum
Photograph - PHOTOGRAPH AT MT BECKWORTH, S. CLARK. PHOTOGRAPHER, C 1912
.1 PHOTOGRAPH, SEPIA, GROUP OF MEN AND WOMEN AT MOUNT BECKWORTH. MOUNTED ON CREAM COLOURED MAT BOARD AND DEFINED BY SILVER OUTLINE .2 Black and white reproduction of the above photographS. CLARK, PHOTOlocal history, group photograph at mt beckworth -
Clunes Museum
Photograph, C 1960
VIEW OF FRASER STREET CLUNES TAKEN 1960'SBLACK AND WHITE PHOTOGRAPH OF CLUNES STREET SCENE TAKEN FROM LOWER END OF FRASER STREET - HORSES, SHOPS AND MANY TREES.local history, photography, photographs, clunes township -
Clunes Museum
Photograph, C 1920
FRASER STREET,CLUNES, PROBABLY TAKEN ABOUT 1920'S. NOTE SHINGLES ON A ROOF.BLACK AND WHITE PHOTOGRAPH OF PART OF FRASER STREET, CLUNES. SCHOOL ON HILL IN BACKGROUND.TAKEN ABOUT 1920'S MAYBE MUCH EARLIER. NOTE SHINGLE ROOF.local history, photography, photographs, clunes township. -
Clunes Museum
Photograph
BLACK & WHITE PHOTOGRAPH-MOUNTED-GENERAL VIEW OF CLUNES IN THE EARLY 1860'S , LOOKING TO TWO MILE HILL.local history, photography, photographs, clunes landscape -
Clunes Museum
Photograph - CLUNES JUNIOR FOOTBALL PREMIERS 1932, THORNTON - RICHARDS & CO. PHOTOGRAPHER, 1932
PHOTOGRAPH KEPT AT CLUNES FOOTBALL CLUB.1 Black and white photograph mounted on buff coloured cardboard of players and officials of the Clunes Junior Football Club .2 & .3 Black and white copies of the above photograph .4 PHOTOGRAPH OF .1 On Front; Printed in black ink "Clunes Junior Football Club Premiers, Season 1932" Names of players and officials printed in black ink; Back - T Nelson, A Jones, S Duncan, W Jones, J Williams, R Steart, H Annear Centre - J Puniard, F Sampson, K Strain, M Mitchell, E Carter, S Thomas, J Hannan, J Heffernan, J Pascoe Front - B Nelson, G Whitnall, G Rickard, H Carter, W Fawcell, L Thomas, C Drife, C Carter Sitting - T Annear, H Rickard, H Annear photographs, football, football club 1930 -
Clunes Museum
Photograph
HARRY ROBBINS CAME FROM YOEVILL, ENGLAND TO CLUNES IN THE LATE 1840'S. HIS DAUGHTER, GINNY, WAS THE FIRST WHITE CHILD BORN IN CLUNES.HE TOOK THE FIRST CONSIGMENT OF GOLD FROM CLUNES TO BALLARAT. HE MARRIED ELIZABETH McINTOSH, COUSIN OF DONALD CAMERON.PHOTOGRAPH OF HARRY ROBBINS WITH BULLOCK WAGON.Label affixed to the front of the photograph: " Harry Robbins came from Yeovil, England to Clunes in Late 1840's. His daughter, Ginny was the first white child born in Clunes. He took the first consignment of gold from Clunes to Ballarat. He married Elizabeth McIntosh, cousin of Donald Cameron.early citizens, robbins, cameron, mcintosh -
Clunes Museum
Photograph, BEAUCHAMP, PHOTO. 104 STURT STREET, BALLARAT, CIRCA 1888 - 1890
UPPER STOREY OF THE HOSPITAL WAS REMOVED DURING THE 1930'S THE BUILDING WAS DESTROYED IN A BUSHFIRE IN JANUARY 1944. PHOTOGRAPH OF THE OLD CLUNES HOSPITAL, BUILD IN 1873. WRITTEN IN INK UNDER PICTURE POINTS OF INTEREST .1 SEPIA PHOTOGRAPH MOUNTED ON MATT BOARD .2 PHOTO PRINT OF ABOVE PHOTO - BLACK AND WHITE .3 PHOTOCOPY ON PHOTO PAPER - BLACK AND WHITE .4 SEPIA PHOTOGRAPH MOUNTED ON MATT BOARD .5 COPY OF SEPIA PHOTOGRAPH MOUNTED ON MASONITETHE HOSPITAL. BEAUCHAMP PHOTO 104 STURT ST BALLARATlocal history, photography, photographs, hospital [old] -
Clunes Museum
Book, FENTON CHARLES, TOURELLO 1836 - 1993, 1993
DEDICATED TO THE PEOPLE OF TOURELL, FROM THE PASTORALISTS OF THE 1850'S AND THE EARLIEST SETTLERS OF THE 1850'S FHROUGH ONE HUNDRED AND FIFTY YEARS OF HARSHIP, PROSPERITY, LAUGHTER AND TEARS TO THE PRESENT DAY. THROUGH IT ALL A STABILITY OF PURPOSE WHICH SURELY AUGERS WELL FOR THE FUTURE...CREAM COVER BOOK DEDICATED TO THE PEOPLE OF TOURELLO, FROM THE PASTORALISTS OF THE 1840'S AND THE EARLIEST SETTLERS OF 1850'Snon-fictionDEDICATED TO THE PEOPLE OF TOURELL, FROM THE PASTORALISTS OF THE 1850'S AND THE EARLIEST SETTLERS OF THE 1850'S FHROUGH ONE HUNDRED AND FIFTY YEARS OF HARSHIP, PROSPERITY, LAUGHTER AND TEARS TO THE PRESENT DAY. THROUGH IT ALL A STABILITY OF PURPOSE WHICH SURELY AUGERS WELL FOR THE FUTURE...local history, document, book, tourello history, charles fenton, cr. reg kinnsersly -
Clunes Museum
Photograph, CIRCA 1896
BOROUGH OF CLUNES 1896, PHOTOGRAPH OF MR. S. COOPER TAKEN FROM A FRAMED COLLAGE OF PHOTOGRAPHS. LOCATION OF COLLAGE 06.03.1 SEPIA PHOTOGRAPH OF MR. SAMUEL JAMES COOPER - COUNCILLOR - AND MAYOR FROM AUGUST 1896 TO JULY 1897 .2.3.4 BLACK AND WHITE COPY OF THE ABOVE PRINTED ON PHOTOGRAPHIC PAPERS. COOPERlocal history, photography, photographs, councillors & officers -
Stawell Historical Society Inc
Photograph, On the Binder, c 1930's
Mick Wlash's Father on the binder taken during the 1930's.Copy of a B/W Photograph showing a Man and a Youg Girl on a machine being towed by horses'35" on a white sticker on the lower left conerfarming -
Nillumbik Shire Council
Print (lithograph) Peter WEGNER (b.1954 NZ - a.1958 AUS), Peter Wegner, Mandarin on Kitchen Table, 1983
This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. This lithograph comes from a series of still life by Wegner from the early 80's; a subject matter in which he has not returned to. Wegner is well known for his drawings and enjoys the immediate and directness of the process. He sees the drawn image as an experience of observation, with the content revealing the process of its making. Lithographic print - still life in black and white. Details several kitchen/household items: spoon, tea pot, egg holder, cup and saucer, bowl, chop sticks and mandarin.Lower far left: 'A/P'; Low centre: 'Mandarin on Kitchen Table'; Lower far right: 'PW 83'wegner, lithograph, still life, black and white, utensils, table, fruit, print -
Nillumbik Shire Council
Painting: Adriane Strampp (b.1960 Wisconsin, USA), Adriane Strampp, Into the Night, 1987
Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp -
Nillumbik Shire Council
Drawing (charcoal) Peter WEGNER (b.1954 NZ - a.1958 AUS), Peter Wegner, Portrait Of Danny Moynihan, 1999
This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. This drawing has a link to another of Wegner's work in the Collection, the lithograph 'Mandarin on a Kitchen Table'. This portrait is of Danny Moynihan, one time lecturer at Phillip Institute of Technology (now RMIT - Bundoora campus) who taught Wegner printmaking (lithography) when he was a student at the institute in the 80's. Wegner is well known for his drawings and enjoys the immediate and directness of the process. He sees the drawn image as an experience of observation, with the content revealing the process of its making. He is inspired by English artist Leon Kossoffs' drawings where the likeness of the subject is secondary and separate from the credibility of the drawing itself. Black and white charcoal portrait drawing on paper of artist/teacher Danny Moynihan.Hand written (signature) in charcoal - lower right - 'Peter Wegner'wegner, drawing, charcoal, black and white, moynihan, artist, teacher -
National Wool Museum
Tarndwarncoort Sheep Coats, 1975-2013
Used at Tarndwarncoort by Wendy Dennis and family. Small blue Lambs coat made in Australia, Yellow and white coats made in Australia by ?Goblin? Company in Australia about 35 years ago with rheem material polypropylene. Both Green coats are large sizes (Korean Made) Current Coats used now by Tarndwarncoort are made in China from Nylon material. These coats were decorated by year 12 students at Colac High School for Fashions on the field (no sign of this is visible on the coats. The coats come along with several articles written by Wendy Dennis about her methods of producing coloured wool and growing sheep. A series of photographs are also provided which add to the provenance and significance of the items. Used by the Dennis Family at Tarndwarncoort. Prominent woll growing pastoralist and settler family at the historic Tarndwarncoort homestead. These types of coats are used to protect fine grade and high quality wool while still on the sheep's back. These coats were made in Australia, and while these types of coats are still used, they are now made in China and Korea. 5 small sized lamb coats. shaped to fit a sheep with leg straps or holes in the rear, and joins, shashes and ties at the front. Light Green Dark Green White Yellow Grey letter from Wndy dennis of Tarndwarncoort Article titled 'Breeding Coloured Sheep and using Coloured wool' by Mrs. W. S. Dennis. Article Titled 'Coloured Sheep and Wool: Exploring Their Beauty and Function' by Mrs. W. S. Dennis. Article Describing the Tarndwarncoort property and its history. A4 Black and white photograph of Tarndwarncoort sheep wearing coats such as the ones in this collection