Colour postcard divided back, featuring three images of Melbourne Trams, produced by Kangaroo Gifts of Melbourne with Photography by Wayne Zerbe Collectors Range. Has space for name and address, stamp and a message. features: 1 - decorated tram St Kilda Road, tram 682, see Reg item 671 - by Merrin Eirth. 2 - W6 923 in Swanston St 3 - Z8 Elizabeth St in the "Libraries are for everyone" all over advertising livery - 1/12/1989 - accessed from Vicsig site - 15/12/17 - http://vicsig.net/index.php?page=trams&article=adtrams 2nd copy added 15/9/2020.trams, tramways, postcards, transporting art, swanston st, elizabeth st, advertising trams, tram 682, tram 923, tram 8

Presentation folder of five stamp collector cards printed to celebrate the launch of series of "Australian Historic Tramways" 11 October 1989 by Australia Post. Features each of the stamps on a detachable card within a plastic envelope. On the rear is a note on the tramcars, with a "first day of issue stamp". Five stamps, Adelaide Horse Tram Sydney Steam Tram Melbourne Cable Tram Hobart electric Tram Brisbane Electric Tram. See also Reg Items 470 to 474 for other examples and associated materials and 510 for a Poster. Second set of cards added 20-11-2017 from collection of Ron Scholten - not with a presentation folder, that is loose.trams, tramways, stamps, australia post, cable trams, horse trams

This ash tray is a souvenir of the Olympic Games held in Melbourne in 1956. This was an important event in post World War Two Australia and the first time the Olympic Games had been held in the Southern Hemisphere. The Opening and Closing Ceremonies, the athletics events and some other events were held at the Melbourne Cricket Ground. These were the first televised Olympic Games. To mark the occasion many souvenir items were produced for tourists and collectors.This item is kept as a memento of the 1956 Melbourne Olympic Games, an event that interested and affected all Australians as it made Melbourne and Australia via press and television coverage etc. the centre of attention in the world at the time. It is also a memento that would no longer be made or sold today as cigarette smoking in general is no longer socially and medically acceptable. It will be useful for display.This is a plastic circular ash tray. It has a blue base with a multi-coloured image in the centre of the base of a map of Australia, an Olympic Games torch and the Olympic Games ring motifs. The printing is in white and the name of the maker is embossed on the back of the tray. There are three indents around the base for stubbing out the cigarettes. ‘Olympic Games Melbourne Australia 22 Nov. - 8 Dec. 1956’ ‘British Plastics Pty Ltd Melbourne Reg. Des.’ olympic games melbourne, 1956 olympics

This tin of gramophone needles was produced to be used in conjunction with a Decca Gramophone. The Decca company was founded in 1914 by Barnett Samuel and Sons and their gramophone as patented as the world’s first portable gramophone. The company became known as the Decca Gramophone Company in 1928. Portable gramophones became very popular, especially with the soldiers in World War One. Today the gramophone is largely a collector’s item and has been replaced by more sophisticated sound systems. These needles and their box are of interest as an example of a recreation product in the past. Gramophones were found extensively in homes up to the 1950s. This is a small rectangular-shaped tin with rounded edges. It has a hinged lid painted green on the top. The top has printed material in green, black and white lettering. Inside the tin is black paper lining and inside the lining are about 50 gramophone steel needles. This is not a full tin. The needles are in good condition but the tin is a little rusty‘Decca Soft Gramophone Needles Finest Sheffield Steel Use Once Only’ gramophones, history of warrnambool

Item purchased on eBay 2016. Belonged to Terry Pepperell (dec 2013), an avid school badge collector and an expert in school memorabilia. This pendant was possibly designed by Terry. Terry was a past President of the Numismatic Association of Victoria and a medal designer in his own right. His significant private collection of school memorabilia was auctioned after his death. This piece was purchased by James McLachlan-Troup and sold to the school via eBay. No particular significance to the school apart from its creative use of school memorabilia. Small enamel Ballarat College crest on a Stokes pendant backing with linkterry-pepperell

The collection of artefacts formely belonged to the writers father, J.M. Marshall of Sturt Street. He was born and lived in Ballarat most of his life, and was interested in the Ballarat School of Mines Museum during the era of Professor Alfred Mica Smith. The response to this letter foreshadows the closure of the Ballarat School of Mines Museum. Alan Sonsee of the Ballarat Teachers' College was a Field Naturalist and collector of Aboriginal artefacts, and may have been associated with the decision. Handwritten letter from Jessie Marshall of Adelaide offering a collection of Australian "Native Weapons and Curios" to the Ballarat School of Mines Museum. The writer describes the collection as "not a large collection but a very good one - there are also some lovely shells." Ballarat School of Mines Registrar, F.E. Ferguson, declined the offer on behalf of the School Council, suggesting the Ballarat Teachers' College (Dana Street) would like to have the weapons, etc.C/- Collison & Co 32 Waymouth St Adelaide 11/2/54 Sear Sir A am writing this to offer a collection of Native Weapons and Curious - Australian - the Islands and S. Africa - the the Museum as a gift - they originally belonged to my father J.M. Marshall - formerly of Sturt Stree - who was born and lived in Ballarat most of his life and who was always interested i nthe Museum and School of Mines back in Prof. Mica Smith's time. This is not a large collection but a very good one - there are also some lovely shells. They have beenin stroage since his death and I feel he would have liked them to be of some use + give pleasure to someone + I can think of no better plance than your museum. Would you be goodenough to put this offer to your Committee + let me know if that are interested. I am yours Jessie Marshall PS I've made enquiries + there is plenty of motor transport available J.M.ballarat school of mines, aboriginal artefacts, ballarat school of mines museum, jessie marshall, i.m. marshall, ballarat teachers' college, f.e. ferguson, museum closure, alan sonsee, ballarat teachers college, museum, shells, j.m. marshall

Collector says: Cream and blue panel blankets were the first style of domestic blankets I started collecting and both of these ones were found in Geelong op shops. Pairs of blankets were regularly advertised as ideal wedding gifts and 'The Bride' label is one of my favourite labels of all time. This is the only one I've ever seen but hopefully there are lots more out there being handed down the generations.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Double sized cream blanket with blue stripesWarrnambool/The Bride/All Wool ---Deluxe/Made in Australiawool, blanket, blanket fever, warrnambool, bride

Badge Day is held during Legacy Week, traditionally in September, when collectors sell badges on the streets to raise funds for Legacy. These photos show volunteers and legatees in Legacy House during the day. Many have collection tins. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of past Badge Days.Colour slide x 4 of Badge Day activity in Legacy House in 1959 in cream Anscochrome mounts.The mounts are imprinted with 'SEP59' by the manufacturer, plus individual slide numbers (3, 4, 5, 6, 8, 9, 10, 11, 12, 13) other numbers may be found later.badge day, fundraising

Badge Day is held during Legacy Week, traditionally in September, when collectors sell badges on the streets to raise funds for Legacy. These photos show volunteers and legatees in Legacy House during the day. Many have collection tins. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of past Badge Days.Colour slide x 2 of Badge Day activity in Legacy House in 1959 in cream Anscochrome mounts.The mounts are imprinted with 'SEP59' by the manufacturer, plus individual slide numbers (3, 4, 5, 6, 8, 9, 10, 11, 12, 13) other numbers may be found later.badge day, fundraising

Badge Day is held during Legacy Week, traditionally in September, when collectors sell badges on the streets to raise funds for Legacy. These photos show volunteers and legatees in Legacy House during the day. Many have collection tins. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of past Badge Days.Colour slide x 4 of Badge Day activity in Legacy House in 1959 in cream Anscochrome mounts.The mounts are imprinted with 'SEP59' by the manufacturer, plus individual slide numbers (3, 4, 5, 6, 8, 9, 10, 11, 12, 13) other numbers may be found later.badge day, fundraising

This handmade basket is typical of baskets used for domestic purposes for many years in the early to mid 20th century. It was produced in Australia by Graf's. Wicker baskets were popular at this time as they were light but durable. They were made in a wide range of shapes and sizes, including laundry baskets, storage items in the home, in shops and by travelling hawkers. Wicker was also a common material used for furniture. Vintage baskets by Graf's are still in demand by collectors.This item is significant as it is representative of basketry items popular throughout Australia in the 1960s. This basket was hand-made in Australia and used by a resident of the Wodonga district.A woven cane shopping basket with a wooden base and single bamboo handle. The basket is made from mixed weaving of cane and light-blue strips. Underneath basket: Original GRAF'S Basket Hand made in AUSTRALIA On metal attached to handle: GRAF’S HANDLE BINDING, PAT.PEND vintage cane wear, vintage basket