A dickey is a type of false shirt-front that was originally intended to be worn with a tuxedo. Women made their own lace dickeys as a way to spice up their wardrobe. It was designed to be worn at the front, so that the lace decoration showed underneath another garment. This dickey is small and was worn by Marjorie Burton as a child. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. She came from a middle-class working church-going family. Her mother was a milliner who made most of Marjorie’s clothes, hats and outfits. This item is an example of a handcrafted item and reflects the handcraft skills of women in the early twentieth century.A small lace cream / white dickie. It is hand-made and double layered. There are two tapes sewn at both side at the bottom and there are 3 press studs for closing at the back. dickey women's-clothing accessory burton-marjorie

This item was made by Mrs Whiteman and worn by her daughter Marjorie Burton. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who made manyof Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11. This item is an example of a home-made item of clothing and reflects the needlework skills of women in the first half of the twentieth century.A short white linen petticoat opening at the back with 2 metal hooks and eyes. The waist has threaded elastic. Sewn to the top are two long tapes fastened with safety pins - probably for hanging. The bottom panel is double with a scalloped hem.petticoat women's-clothing underwear burton-marjorie

HMS Nelson was a 126-gun ship of the line of the Royal Navy. Launched on 4 July 1814 at Woolwich Dockyard she was later converted into a screw ship in 1860, and was cut down to a two-decker and fitted with an engine of 2,102 indicated horsepower. In 1865, HMVS Nelson was given to the colony of Victoria as a training ship. She was outfitted and rigged for £42,000 and sailed for Australia in October 1867. Travelling via the Cape of Good Hope, she arrived in February 1868. She was the first ship to dock in the newly constructed Alfred Graving Dock in Williamstown, Victoria.Possibly the first training ship of the Victorian Navy which had a base in Swan Island in Queenscliffe.A black and white photograph of the sailing ship HMS later HMVS Nelson docked at the Alfred Graving Dock, Williamstown, 1872"Nelson" in Alfred Graving Dock Williamstown, Victoria 1872hms nelson, hmvs nelson, alfred graving dock, williamstown

Item used to simulate or play being a tram conductor, about 15 tickets from each block have been used or removed. Received with a "conductors" badge and cardboard cut out coins. See items 8604 and 8605. Wording and parts of the layout on the ticket typical of a Melbourne tram ticket. Manufacturer not known or the date, possibly mid 1950's based on the cardboard coins. The donor, who lived in Melbourne, recalls that they were part of an outfit which consisted of these items, a conductors cap and bag, similar to a Melbourne conductor's bag. Demonstrates a toy or item used by children to simulate or play being a tram conductor. Heavy cardboard folded to form a tram ticket wallet containing four blocks of tickets, individually numbered. Secured with staples. Values of 1d, 3d, 6d and 1/- stapled into wallet. tickets, toys, conductors, tramways

This is a small souvenir or promotional book for Herbert Stores in Orbost and Cann River. Lancelot Herbert came to Orbost in 1886, taking up a partnership with local store-owner George Temple. After Mr Temple’s death in 1891, Lancelot took over the store and progressively developed Herberts Snowy River Stores which grew into a department store of several shops along Nicholson St. He also had small shops at Cann River, Noorinbee and Genoa which were run by members of his family, as well as a carrying business and fuel outlets. Lancelot died on 2/6/1911 and his wife Martha [died 1945] are buried in a joint grave in Orbost Cemetery. (info. Noreen and Lindsay Thomson. More from "In Times Gone By' by Deborah Hall)Associated with a well-known Orbost business which started in 1888 and finally closed in c.1970. A small book with a white/cream cover and black printing. It has three cardboard pages inside which are blank. A pencil holder is attached to the back cover. On front cover: SNOWY RIVER STORES AND BAKERY. Established 1886, AND CANN RIVER. Lancelot Herbert, Wholesale and Retail DRAPER, OUTFITTER, Grocer & Ironmonger, MILLINERY A SPECIALTY. BAKERY, SMALLGOODS FRESH DAILY. Tobacco & Cigars of the Best Brands. AGENT FOR: Age, Leader, Every Saturday, Argus, Australasian, Melbourne Punch, and Sydney Morning Bulletin. WINES AND SPIRITS.souvenir herbert-stores

Two Cards with thread wound around middle:- 1851.1 Thread 1851.2 Mending lisle. Third Card "Rite Tone for hosiery darning. Box (empty) for Hose Mending1851.1 Barbour's Lisburn N.Ireland Trade Mark Flax Linen Thread 15 Yards|1851.2 Della Darn Mending List Fashion Shades For Hosiery 3. Darning. Rite Tone Made in Australiaa. specially prepared for Hosiery/Darning Etc. 4. Box - The Handbag Silk Hose Mending Outfit 12 Fashionable Shades with needle Made in England.handcrafts, needlework

The photograph, captured around 1900, depicts a large group of minors located in Beechworth. Importantly, this photograph can provide information into the clothing and fashion of minors during this period of history. These men wear loose fitting shirts which are mostly a pale white colour, several wear vests and/or jackets and loose fitting trousers with boots. The majority of men wear wide brimmed hats to protect their skin and eyes from the sunlight. One man has a wooden pipe in his mouth and a few have ties/neckerchief's tied around their necks. The outfits of these miners has the potential to provide insight into their social status, these men are all dressed equally which provides the notion that they are of equal societal standing. The outfits of these miners dating to the 1900s is not dissimilar to photographs of those captured in the 1880s. The location of this photograph is not easy to interpret, but the photograph is recorded to have been taken in the Beechworth region. Displayed in this image is some wild shrubbery and grass where the men are standing/sitting and behind the group is a tin wall or even tin building. At the end of 1899, companies were continuing to search for gold in Beechworth and the surrounds but these attempts were not overly successful. In the early 1900's Quartz mining was occurring but this was done by individuals or smaller parties. It is unclear if these men are mining for gold or for quartz.The search for gold is ingrained into the history of Victoria and therefore, the study of images like this one which portrays some of the miners who worked behind-the-scenes for these discoveries has the potential to reveal important information regarding society, fashion etc. The date when the photograph was taken is vague but it allows us to form a timeline of mining activities in the North East. This image is of important historical significance for its ability to convey information about society at the time, regarding fashion (which can potentially reveal social status) and mining in Beechworth in 1900. Black and white rectangular photograph printed on matte photographic paper mounted on board.Reverse: BMM 8032/ Group(?) Beechworth Mines about 1900/ 80quartz, north east gold, sluicing, gold sluicing, hydraulic sluicing, mining, gold mining, north-east victoria, beechworth, burke museum, 1900, group, miners, hats, vests, ties, wild shrubs, tin, quartz mining

Black and white image mounted on cream board. Group of 35 men, 4 rows, standing in a tiered arrangement in front of a brick building. Building has dark (red ? ) bricks, archway, with cream brick surround, over entrance, with wooden infill, doors. Men are wearing three piece suits, hats, one man on Right hand side of front row is wearing a Scottish outfit. Men have a ribbon attached to their lapels. Could be a Lodge ? Early 1900 ? Stamped on back of board ' W.H. Robinson, Photographer, Mundy St., Bendigo'W.H. Robinson, Bendigoperson, group, lodge ?, bendigo, males. photographer , w. h. robinson, mu8ndy street, bendigo.

Account page from the Northern Seed Supply Co., 315 Hargreaves St., Bendigo. Printed in dark blue with decoration around the name. On the left side are the name of the companies they are distributors for. They are: F H Brunning Pty Ltd, Destruxol Sprays, Manning's Cattle and Poultry Spice, Wolseley and 'Climax' Cream Separators, Ruddock's Stock Medicines, Freezing Works Manures, Floraphos, Ransome's Motor & Electric Lawn Mowers, Dunlop Perdriau Garden and Spray Hose, Donaghy's Binder Twine, Fowler's Bottling Outfits, Charters' Incubators, Elephant and Blue-Bell Sprays, and Brunnings.business, printers, cambridge press, cambridge press collection, the northern seed supply co, c k hyett, f h brunning pty ltd, destruxol sprays, manning's cattle and poultry spice, wolseley and 'climax' cream separators, ruddock's stock medicines, freezing works manures, floraphos, ransome's motor & electric lawn mowers, dunlop perdriau garden and spray hose, donaghy's binder twine, fowler's bottling outfits, charters' incubators, elephant and blue-bell sprays, brunnings

Four-piece wedding outfit comprising bodice, belt, skirt and separate train all made of cream figured wool. The bodice has a centre front ruched panel, stand collar and a fitted two-piece sleeve with full gathered head. It is trimmed with cream-coloured beading with pearl drops. The bodice has seven interior bones and is fastened with metal hooks and hand sewn eyelets which are concealed under the front panel. A separate pleated belt fastens centre back. Plain gored skirt with separate train that ties around the waist.wedding dress, 1890s fashion

Sydney Myer was born in Russia in 1878 and came to Australia in 1896. He was initially a travelling salesman before opening a drapery store in Bendigo in 1900. In 1908 he opened a second store in Bendigo. In 1911 he purchased Wright and Neil Drapery in Bourke Street. This led to the formation of the Myers Emporium that became the largest chain of department stores with branches in all states and territories.Myer's Invoice: Cream paper with black print. Registered Office : Pall Mall, Bendigo. Pall Mall and Williamson Street. Bendigo 3/2/198 (sic) Phone 1500, 3 lines. Bought of Myer's (Bendigo) Pty Ltd. Drapers and Outfitters. Wholesale and Retail Grocers. Ironmongery, Crockery, Glassware. Wine and Spirit Merchants Carpet and Furniture Warehouse. Sold By 14. Lamson Paragon Limited. Exd By. Purchased was: 1 Swimsuit at 17/9. Amount Tendered 170 Invoice no. 31. Purple stamp with paid on. Small tear. Box 625business, retail, myer's store, myer's bendigo

Printed form on off white paper titled "Weekly Record of Conductors Ticket Outfit", form 3/137, Jan 1978 - training or sample form as has starting or commencing numbers for ticketing printed onto the sheet. Set up for a six day week, closing numbers for each day, tickets from 10c to $1.20 day trip, conductors name, depot, person who extended or completed the sheet and checked it. Enabled the revenue clerks to tally the amount that should have been paid in by a conductor against the actual amount.trams, tramways, mmtb, conductors, forms, pay in forms, tickets, accounting

The library committee had already commissioned a portrait of Sir Redmond Barry when they purchased this bust of Barry along with that of Justice Fellows. The library still holds the receipt for this purchase of 24 pounds. The purchases were probably part of the program of outfitting the library interiors and may have been purchased for the niches, that were later covered with the portraits, ironically one of these was of Barry. Redmond Barry is an important figure in colonial Victorian history, responsible for the establishment of key cultural institutions as well as a Supreme Court Judge for nearly 30 years, presiding over both the Eureka trials and the trial of Ned Kelly.The bust of Redmond Barry is of some interest as part of the original furnishings of the library. It represents one of a number of bust portraits of Barry and is of some significance as it portrays Barry, an important figure in Victorian history. The bust is also of interest as a work of James Scurry, most well known for his architectural sculpture.Plaster bust of Justice Redmond Barry. The bust itself is painted white. The pedestal has been painted for a red and black marble effect. Barry's name appears in gold lettering. The Bust is larger than life size. The head is finely detailed with Barry in contemporary clothing with a bow tie and his orders on his chest.Sir Redmond Barry

This Item is part of an outfit owned, worn and donated by Annie McIntyre. Worn in 1986 it was part of a major collection designed by Vivienne Westwood. The V&A includes information about the minicrini collection that Westwood launched in Spring/Summer 1985 which "...marked what Westwood described as a "cardinal change" – a shift towards tailoring and "things that fitted" – and a more deliberate focus on reworking ideas taken from historical dress. The stand-out garment of Mini-Crini was Westwood's short, bell-shaped skirt – another cheekily sexual garment that combined the outline of a child's party frock with an abbreviated version of the Victorian crinoline."The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Navy blue woollen twin set designed by Vivienne Westwood. The twin set was worn with a wool minicrini by the same designer.A note written by Dione McIntyre accompanying the item describes its relevance and use: "Vivienne Westwood 3-piece ensemble purchased in London in the 1980s - consisting of navy 'twin set' and balloon skirt - worn with long white socks and dark flat shoes. Donated by Annie McIntyre."mcintyre collection, womens clothing, international fashion - london - 1980s, annie mcintyre, vivienne westwood, minicrini

This Item is part of an outfit owned, worn and donated by Annie McIntyre. Worn in 1986 it was part of a major collection designed by Vivienne Westwood. The V&A includes information about the minicrini collection that Westwood launched in Spring/Summer 1985 which "...marked what Westwood described as a "cardinal change" – a shift towards tailoring and "things that fitted" – and a more deliberate focus on reworking ideas taken from historical dress. The stand-out garment of Mini-Crini was Westwood's short, bell-shaped skirt – another cheekily sexual garment that combined the outline of a child's party frock with an abbreviated version of the Victorian crinoline."The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Blue woollen 'minicrini' by the British designer Vivienne Westwood.A note written by Dione McIntyre accompanying the item describes its relevance and use: "Vivienne Westwood 3-piece ensemble purchased in London in the 1980s - consisting of navy 'twin set' and balloon skirt - worn with long white socks and dark flat shoes. Donated by Annie McIntyre."mcintyre collection, womens clothing, international fashion - 1980s, vivienne westwood, annie mcintyre

The khaki shirt has District and Scout Membership badges and length-of-service badges, the Australian Scout Badge and a Red Cross First Aid badge. The leather belt has a collection of Jamboree souvenir metal badges attached. A ‘lemon squeezer’ felt hat completes the outfit. The hat badge and plume was coloured to indicate to which Section the wearer belonged, purple indicating the Commissioner Section. To keep the brim flat, the hat was sometimes kept in a timber frame when not being worn. This uniform was worn by Desley Reid as Assistant District Commissioner of Kew District between 1993 and 1995.The scouting movement has a rich history on Kew. The Kew Historical Society has attempted to build this section of the collection in recognition of its importance. The uniform was donated by an office bearer of the Society who, as a women, held a key role in the district.Short-sleeved, collarless fabric shirt of khaki color, with embroidered badges. Also fabric neck scarf, with braid and vinyl holdfast (woggle) and a leather belt with metal clasp with Scout impression. Various Scout badgesunforms, scouts -- kew, scouts - kew district, badges of office

Tilly Aston sits in this studio portrait, her outfit obscured by the oval framing of the image. Her hair has been tied back and around her crown, as per her adulthood. A collared top with long sleeves which have a band around the cuff. She looks to have rosettes on her shoulders, a pin with 'V (crown symbol) R' under her chin, and fuchsias draped around her neck. The image could have been taken around 1897, when Queen Victoria celebrated her jubilee and various ornaments were produced to symbolise the occasion.Young adult female in studio portrait wearing collared, long sleeved dress with fuchsia necklacetilly aston, association for the blind

Envelope for collecting expired or about to be expired Scholars' Concession Tickets from students. Listed the number of tickets collected, the number sections the ticket was valid for, Conductor, Outfit Number and Date. It would appear that in the 1950's and perhaps earlier, that conductors had to collect if possible the concession passes from school children on the last day of term. In the collection (Reg Item 937), is a Scholar's Concession Ticket for the First term of 1956, which expired on 11-5-1956. On the outside cover are the words "This ticket must be returned when purchasing a Concession Ticket or upon the Date of Expiry".Shows an example of the methods the MMTB used to collected expired Scholar tickets by Conductors.Envelope - brown paper - titled Scholars' Concession Tickets Collected - Form 3/433, Aug 1950. Two copies held.trams, tramways, schollar concessions, school tickets, schools, tickets, mmtb, stationery

This beaded dress collar is of a style from the mid 20th century - possibly even as early as the 1930's. It is designed to be easily removed and worn with different outfits - e.g. a dress, knitted top or blouse. Articles from Australian newspapers (particularly the Women's fashion pages) in the decades from the 1930's through to the 1950's often mentioned society ladies wearing "beaded collars" when describing their fashions and in the 1950's "beaded collars" were being made and imported from Japan however this particular collar appears to have been handmade. Unfortunately the maker of this collar is unknown.This item is an example of how women in the mid 20th century used their needlework skills to personalise and embellish an item of clothing (a collar) designed in a practical way to be able to be used with different items of clothing. Lady's beaded collar with a decorative floral design of flowers made with blue beads, outlined with bronze beads on a white beaded background. Bronze beads have also been used to "draw" leaf shapes and tendrils and outline a border all around the collar. A hook and eye are attached to a fine cotton bias band at the top of the collar and the beading is sewn onto a fine net lining.flagstaff hill maritime museum and village, warrnambool, great ocean road, fashion, beaded collar, beading, decorative fashion, collar, lady's fashion

This item was worn by Marjorie Burton during summer holidays in Croyde,a village on the west-facing coastline of North Devon, England. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from middle-class working church-going family. Her mother was a milliner who made mostl of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11. Also called a vintage romper today, the playsuit was a cover-up worn outdoors – either at the beach, in the backyard to catch some sun or for sportswear, generally over swimsuits at the beach or pool, They were so comfortable women often wore them at home too, without swimsuits. Playsuits were usually made of cotton, although they could also be found in rayon. They were brightly colored, in reds, greens, yellows and blues. Floral and Hawaiian prints were popular towards the end of the decade. This item is an example of an item of women's clothing popular in the mid 20th century. A two piece lady's playsuit. It is yellow with black patterns - stylised flowers . The top is a bra top with a hook and eye closing. The shorts have a zip at the back and close with a hook and eye, There is a white band at the top.playsuit women's-clothing burton-marjorie

This item was worn by Marjorie Burton during summer holidays in Croyde,a village on the west-facing coastline of North Devon, England. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from middle-class working church-going family. Her mother was a milliner who made many of Marjorie’s clothes, hats and outfits. Marjorie married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. This item is an example of a handcrafted item and reflects the handcraft skills of women during the mid 20th century.A pale hand-stitched torquoise coloured cotton bikini set. The bottoms are briefs and elasticated at the front. They have high rise leg openings . The top is a bra style with a strap pinned at the centre of the back with a gold safety pin and stitched at the shoulders to loop over. There are 2 hooks and eyes for closure.women's-clothing swimwear burton-marjorie

This item was made and worn by Marjorie Burton. This item was wornduring summer holidays in Croyde,a village on the west-facing coastline of North Devon, England. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from middle-class working church-going family. Her mother was a milliner who mademanyof Marjorie’s clothes, hats and outfits. Marjorie married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11This item is an example of ahome-madepiece of clothing and reflects the needlework skills of women in the mid twentieth century.A pair of lime green cotton bloomers - home-made. They faste with a zip on the right-hand side. They are probably part of a set meant to wear with a bikini bra top.bloomers women's-clothing swimwear burton-marjorie

The bag is probably not connected to the contents. The feathers would have been used by Marjorie Burton to decorate or trim hats. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from middle-class working church-going family. Her mother was a milliner who made many of Marjorie’s clothes, hats and outfits. Marjorie married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11. This item is an example of the materials used in handcrafting women's hats and reflects the skills of women women necessary during WW11 when clothing became scarce. Clothes rationing began on June 1, 1941, two years after food rationing started. Clothes rationing ended on 15 March 1949.A brown paper bag containing feathers for hat trimming. Some are loose and others are attached to covered wire mounts. the feathers are dark brown.LYONS - diagonally across paper bag in black print. There are addresses of U.K.shops on either side .feathers millinery accessories burton-marjorie

This shawl may have been used for Marjorie Burton or earlier. It has been passed down fcrom the Whiteman family through the Burton family. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who made many of Marjorie’s clothes, hats and outfits. Marjorie was married in 1938 to a salesman who later became a mechanic in the R.A.F. This item is an example of a handmade item of clothing and reflects the needlework skills of women in the first half of the twentieth century.A square crocheted silk shawl with a lacy pattern. It is cream coloured and has rounded corners.crochet handcraft shawl burton-marjorie

The box used by SEC Ballarat and Bendigo tram crews for holding their ticket outfits and making returns to the Revenue Clerks. Fitted with a padlock - see Reg. Item 3673. .Issued to a crew member with Traffic No. 62 - Roy Courtney. Each crew member was issued with a series of tins, A, B, and C which allowed for the various days and weekends to enable Revenue Clerks to accept returns and restock the tins with new tickets etc. Known to crews as "Two bottle boxes" - could fit two bottles of ale into them. The actual manufacturer is not known - could have been SEC workshops. See item 8917 for an MMTB tin.Has a strong association with tram crews and the ticket / revenue collection system. Tram crews used them to contain their tickets and to undertake their returns. Also used to "hide" bottles of ale., Has a strong association with tram crews and the ticket / revenue collection system. Tram crews used them to contain their tickets and to undertake their returns. Also used to "hide" bottles of ale.Metal box formed from four sheets of metal, spot welded together with a formed lid, hinged to box and fitted with a hasp and staple. Box painted black and lettered "62A". trams, tramways, crews, tickets, revenue journal

The box used by the SECV Ballarat and Bendigo tram crews for holding their ticket outfits and making returns to the Revenue Clerks. Able to be fitted with a padlock - see Reg. Item 3673. Issued to a crew member with Traffic Nos. 17 and 44. Each crew member was issued with a series of tins, A, B, and C which allowed for the various days and weekends to enable Revenue Clerks to accept returns and restock the tins with new tickets etc. Known to crews as "Two bottle boxes" - could fit two bottles of ale into them. The actual manufacturer is not known - could have been SEC workshops. See item 8917 for an MMTB tin.Has a strong association with tram crews and the ticket / revenue collection system. Tram crews used them to contain their tickets and to undertake their returns. Also used to "hide" bottles of ale.Set of two metal boxes formed from four sheets of metal, spot welded together with a formed lid, hinged to box and fitted with a hasp and staple. Box painted black and lettered "17A" and "44B"trams, tramways, crews, tickets, revenue journal

A copy of "The Loddon Valley Courier and Farmers' Advocate" dated February 27, 1920. the paper has 4 pages and it was inside the book catalogue number 1572.127. on the back page there is an article that connect the paper to the book. The article is titled: Farewell to Mr. and Mrs. J. Waugh and family and it describe an evening at the Laanecoorie hall where the family was presented with gifts from the Laanercoorie for the standing in the community. Mr. John Waugh received a gold chain with an inscribed medal, Mrs. Waugh received a coffee service, miss Nora Waugh received a gold pendant and Tom Waugh a shaving outfit.newspaper

Bacchus Marsh Express of 7 November 1874 reports that this building was designed and erected by Mr Jeremiah Ryan for Mr H. G. Salter, draper. Mr Salter gave the name of "Hall of Commerce" to the building, a term in common usage at the time. The building was of a substantial size. In the Express of January 4 1879 Messrs Basham and Bradley advertised a wide variety of goods including drapery, millinery, ready-made clothing, boots and shoes and furniture. At the front of the building was the first pavement in the township. This photo forms a contrast with the photograph (also taken by Stevenson & McNicoll in 1883) of Timmons Clothier and Draper, but depicting an older building from 1857. This business was on the verge of closure, Mr Timmons conducting his business as a travelling salesman, taking his goods by horse and cart to outlying districts. The image provides an example of the growing scale of retail development in Bacchus Marsh in the late nineteenth century.This photograph is a record of a prominent commercial building that has undergone substantial change. The image shows the original upper floor which was destroyed by fire in 1928.The building retains its usage as a commercial premises.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. Photograph of a two storey brick building with a front verandah. Various signage on second storey front and side, and on verandah, including: Hall of Commerce. Boots & Shoes. Men and Boy's Clothing. Furniture and Bedding. J. Carter Outfitter. Basham & Bradley. Milliners and Dressmakers. General Drapers. General Drapery. Warehouse. Latter signage obscures earlier signage. The photographer has captured a young girl sitting on a bench at the front of the store.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. Handwritten: Hall of Commerce. Cr. Main + Graham Sts built 1874 by Jeremiah Ryan. Destroyed by fire 1928. Courtesy Mrs. Jeremeas. Photo 1883.stevenson and mcnicoll 1883 photographs of bacchus marsh and district, shops bacchus marsh vic., bacchus marsh hall of commerce

Series of three Black & White Photographs of a postcards made by the TMSV Sales of: .1 - Bourke St, looking east with the GPO in Elizabeth St in the view, along with many vehicular traffic - has the Myer building. c1920? .2 - Bourke St looking west from Swanston St prior to the construction of the Myer building. c1910. Has a number of horse drawn vehicles in the view and one motor car. Coles Book arcade on the south side. .3 - Similar to .1, but c1910 - has L Cohen & Co, Tailors and Outfitters. in the view. All views have cable trams in the view.trams, tramways, bourke st, elizabeth st, gpo, cable trams

A set of five forms prepared at the conductor's Training School during July 1980 to show trainees the forms and how they were to be filled in. "Application for ticket refund" - single sheet with two cancelled 60c tickets stapled onto the set of forms "Supplementary Running Journal" single sheet "Conductor's Pay In slip" - single sheet "Conductor's Running Journal" - single sheet "Weekly Record of Conductor's Ticket Outfit" - single sheet Forms have been filled in with pencil and made out for Carolyn Dean, No. 3804 and Malvern Depot. See Reg Item 5806 for a PTC example.trams, tramways, mmtb, conductors, tickets, training, operations, instructions, forms