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Flagstaff Hill Maritime Museum and Village
Book, The Legendary Ballads of England and Scotland
This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853, a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November 1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half-yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fundraising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however, it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former courthouse in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much-loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historical books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historical Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed artworks and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Legendary Ballads of England and Scotland Compiled and Edited by John S Roberts Publisher: Frederick Warne & Co Edition: The Chandos ClassicsThe label on spine cover has typed text PAT 821.08 ROB Pastedown front endpaper has a sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Service Flyleaf has a stamp from Warrnambool Mechanics Institute flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, the legendary ballads of england and scotland, john s roberts -
Melbourne Tram Museum
Pamphlet, Jim Baillie of South Melbourne Depot, "Connies", 6/04/1988 12:00:00 AM
Pamphlet, letter or notice - duplicate on a single A4 sheet - dated 6/4/1988 by Jim Baillie of South Melbourne Depot advising of his views on The Met's actions regarding Connies who had been sacked, the union's actions, stop work meeting, jobs, future of conductors and other reactions. Notes various names in the item. Recruitment of conductors. See Reg Item 602 for an actual ticket and date.trams, tramways, conductors, the met, unions, south melbourne depot -
Bendigo Military Museum
Photograph - Visit by General to the Army Survey Regiment, Fortuna, Bendigo, c1991
These photographs were most likely taken circa 1991 during an Australian Army General’s visit to the Army Survey Regiment, Fortuna, Bendigo. As there are no annotations on the photos, the names of the General and the aide de camp officer are unknown.This is a set of four photographs taken on the occasion of an Australian Army General’s visit to the Army Survey Regiment, Bendigo circa 1991. Colour photographs are on 35mm negative film and scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1991. L to R: WO2 Rob Bogumil, Litho OC MAJ Bob Coote, unidentified visiting General, 2IC MAJ Duncan Burns, CO LTCOL Rene van den Tol. .2) - Photo, black & white, c1991. L to R: Litho OC MAJ Bob Coote, unidentified visiting General, WO2 Rob Bogumil, CO LTCOL Rene van den Tol, WO2 Jeff Willey, unidentified aide de camp officer, CPL Lance Strudwick on top of Speedmaster printing press. .3) - Photo, black & white, c1991. L to R: unidentified aide de camp officer, CO LTCOL Rene van den Tol, unidentified visiting General take in views of Fortuna’s surrounds and Bendigo. .4) - Photo, black & white, c1991. L to R: unidentified visiting General, CO LTCOL Rene van den Tol, unidentified aide de camp officer on Fortuna’s 1st floor balcony..1P to .4P – There are no annotations.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: PETER ELLIS FUNERAL PROGRAM, 27th March, 1946
Peter Ellis funeral program. Peter Nicolaus Ellis. 27th March 1946 - 18th May 2015. Service for thanksgiving. Mulqueen Family Chapel Bendigo. Monday 25th May 2015. Celebrant: Mr Ian Hendry. Coffin Bearers Brian Edelbohle, John Cockfield, Doug Colt, Rick Bambridge, Ryan Hearps, Garry Lovejoy. Entrance Music: Live from The Emu Creek Bush Band. Welcome. Condolences. Celebrant's comments. Tributes: Brian Edelbohle, John Williams, Rob Willis, Rob Moors, Ryan Hearps. A time of reflection. Announcements. Celebrant's comments. Committal. Recessional Music: Live from The Emu Creek Band. You are invited to join Peter's family and friends for light refreshments at the One Tree Hill Hotel from about 12.30 this afternoon. Peter's family and extended family sincerely thank you for your attendance here today and for your love and support during this difficult time. Thank you. Leave memorial messages at www.heavenaddress.com @heaven address. Mulqueen family funeral directors Bridge street, Bendigo 03 5443 4455. Copyright Agency Limited Licensed Copy. Photo of Peter Ellis on front. Boy with dog fishing inside left. Photo of Peter Family and another of Mulqueen Funeral Home.person, individual, peter ellis oam -
Ringwood and District Historical Society
Newspaper, Scrapbook Clipping, Library Collection, Ringwood, Victoria
Newspaper Clipping from the ""Mail", 7-9-1993". P13. "Lending a hand"Pupils at Mullum Primary School who lost all their belongings in a school fire were presented with pencil cases by the Commonwealth Bank last week. Principal Rob Bloye said the presentation was another example of the community supporting the school after a disaster. Pictured are Commonwealth Bank manager Peter Cotton presenting Mullum Primary school pupil Sonja with a pencil case. Picture by CHRIS ROSTRON -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: Arts & Culture in Banyule, Darebin, Manningham, Nillumbik & Whittlesea; Vol. 4, No. 6, Nov-Dec 1999, 1999
Vol. 4, No. 6, Nov-Dec 1999 CONTENTS ALBERT TUCKER AO 29.12.1914- 23.10.1999 3 MIETTA'S Eating and Drinking in Melbourne 4 MIRKA MORA 'Where angels fear to tread' 6 THEATRE Normie & Tuan Finding the River 7 CD REVIEWS 8, 9 MR MOON IS DEAD The new face of Luna Park 10 PUBLIC ART OR DECORATION Mark Henry 12 ELTHAM FESTIVAL 14 OPEN STUDIOS PROGRAMME 15 LOCAL BLUES/ROCK CULTURE Rob Harwood 27 INTERVIEW Kim Tarpey 22 SHORT STORY 24 ARTS SPONSORSHIP 29 BOOK REVIEW 27 ARTIN' ABOUT 28 OPERA Dialogue with the Song of Songs 22 WINING AND DINING 30 ARTISTS SERVICES 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, clare kurth, alicia clark, albert tucker, carlucci's, mietta's, adams of north riding, plenty views golf park, mirka mora, alan marshall short story award, james shaw, thanh vuu nguyen, victorian artists supplies, miriam hyde, lisa young, bluehouse, debbie morrow, clive dickson, luna park, montsalvat, dymocks booksellers, public art, mark henry, spectators sports bar, fleur de feliss florist, eltham festival, sebastian jorgensen, nillumbik artists' open studios, eltham pottery studio, muddy waters studio, studio 30, peter accadia, piers bateman, jenneke kortweg, janet boddy, dave bradley, melita jansen, jules christian burns, damian fitzgerald, jill forest, ona henderson, syd tunn, veronica holland, sally nihill, michael skewes, elizabeth vercoe, annie keil-taggart, alan martin, jenni mitchell, grace mitchell, mervyn hannan, peter oyston, chris pittard, mary lou pittard, jane viola, john hewish, nel ten wolde, rob harwood, st andrews hotel, kim tarpey, recherche, jessie howard, artspeak studio gallery, la trobe university art museum, willy wonka's ice cream gourmet food, arts sponsorship, john fry, winsome mccaughey, bostik, lucy sussex, alice's bookshop, were street cafe, thomsons pharmacy, know & grow, volumes -
Ballarat Heritage Services
Ephemera - Program, Victoria Theatre Program, 1980s
The original Victoria Theatre opened on 16 February 1856 with a season by Lola Montez. She performed several farces and her famous spider dance, delighted the diggers and enraged the sensibilities of respectable people, with Henry Seekamp in the famous "whipping" incident with Montez in Ballarat. The program consisted of popular melodramas, farces and hits such as Rob Roy, The Lady of Lyons and the Count of Monte Cristo. The nautical drama Black-Eyed Susan was also very popular. This production "The Piper and Red riding Hood" was performed by The Mid-Night Players (Janet Low, Fay Jones, Natalie Jones, Fiona Hanrahan, Elizabeth Dale, Mark Jones, Bruce Roberts, Geoff Wallis, Matthew Brooks, Andrew Dark and Tom Rendall) at the replica Victoria Theatre at Sovereign Hill, Ballarat.A5 booklet with black ink printing on white card and paper.VICTORIA THEATRE THE PIPER AND RED RIDING HOOD THE MID-NIGHT PLAYERS ballarat, drama, melodrama, the piper and red riding hood, teh mid-night players, janet low, fay jones, natalie jones, fiona hanrahan, elizabeth dale, mark jones, bruce roberts, geoff wallis, matthew brooks, andrew dark, tom rendall, victorian theatre, sovereign hill -
Falls Creek Historical Society
Photograph - Falls Creek Ski Patrol
The first ski patroller in Falls Creek was Brian Caddy with two casual ski patrollers Rob Sarroff and David Crooke in the 1960s. In 1972 the “official” Falls Creek Ski Patrol was created under the advisement of Dr Rodney Moss with the support of the Management Committee. By 1977 there were six or seven patrollers, and currently there are around 40 patrollers on the team with 13-14 rostered on each day during peak season. In 1974 the Australian Ski Patrol Association (ASPA) was formed. On the 14th March 1975, the Falls Creek Tourist Area Management Committee applied for membership to ASPA. At that time, Falls Creek Ski Patrol was known as Falls Creek Ski Rescue. From that time, Falls Creek patrollers began wearing the recommended uniform of a white cross on a red parka.This photo is significant because it depicts members of Falls Creek Ski Patrol, a vital service in the Falls Creek Tourist Area.A framed coloured photo of a group of Ski Patrollers in front of the Medical Centre, Falls Creek.Below image: Falls Creek Ski Patrol 1977falls creek ski patrol, falls creek, services falls creek -
Falls Creek Historical Society
Sign - Falls Creek Ski Patrol
The first ski patroller in Falls Creek was Brian Caddy with two casual ski patrollers Rob Sarroff and David Crooke in the 1960s. In 1972 the “official” Falls Creek Ski Patrol was created under the advisement of Dr Rodney Moss with the support of the Management Committee. By 1977 there were six or seven patrollers, and currently there are around 40 patrollers on the team with 13-14 rostered on each day during peak season. In 1974 the Australian Ski Patrol Association (ASPA) was formed. On the 14th March 1975, the Falls Creek Tourist Area Management Committee applied for membership to ASPA. At that time, Falls Creek Ski Patrol was known as Falls Creek Ski Rescue. From that time, Falls Creek patrollers began wearing the recommended uniform of a white cross on a red parka.These signs are significant as they are representative of the work carried out by Falls Creek Ski Patrol to keep skiers safe.A variety of signs used by Falls Creek Ski Patrol to alert tourists to conditions on the mountains in the area.A range of words and symbols including:- AREA CLOSED CAUTION MOST DIFFICULT TRAILS MERGE - CAUTION CAUTION TRAIL STEEPENS AND NARROWS AHEAD SKI AREA BOUNDARY SKI PATROL OUT OF BOUNDS / AREA NOT PATROLLED / NO ACCESS TO SKI LIFTS / PROCEED AT OWN RISKfalls creek ski patrol, skiing safety -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION: ROCHESTER
A folder containing newspaper cuttings of the visit in 1952 by The Mayor and Mayoress of Rochester in the U.K. to Bendigo and Rochester. Sources are 'The Sun,' 'The Bendigo Advertiser' and 'Melbourne.' Also included is a black and white photo ( see accompanying news clipping ) of The Mayor of Bendigo (Cr. G.A. Pethard) and the Mayor of Rochester - both wearing Mayoral Robes . (U.K.)On the back is written -Visit of mayor and mayoress of Rochester England to 'Rob Roy ' home of Mr & Mrs McGlyn Rochester Vic Australia .The photo shows them holding a certificate with the words' City of Rochester' at the top' Another photo dated 9.8.1952 appears to show both Mayoresses -one is examining the other's Mayoral chainVisit to Bendigo Mayor and Mayoress of Rochester (U.K.).bendigo, tourism, rochester, lydia chancellor, collection, rochester (victoria), rochester (u.k.), bendigo, cr. g.a. pethard -
Federation University Historical Collection
Photograph - Photographs - Colour, Renaming of the Wimmera Campus Library to Werrunangita larr Wimmerata, 2019, 11/2019
The dual-naming of the Wimmera Library took place in November 2019, and includes a name in local Wergaia language. The Horsham Campus is now known as “Werrunangity larr Wimmerata” (pronounced: Wherroon narn kitch – larr – wimmerartar) meaning “a quiet place in the Wimmera.” The official naming took place in the presence of Professor Helen Bartlett (Vice Chancellor who was joined by Aunty Jennifer Beer, Uncle Rob Fry, Geoff Lord (Horsham Campus Director) , Sue Owen (Library Director), Jasmine Graham (Manager of the Aboriginal Education Centre), Keith Caldwell (Facilities), Katrina Beer and artist Tanisha Lovett. This naming was the result of extensive teamwork and community consultation between local Aboriginal Elders, land councils, our Aboriginal Education Centre, as well as library and campus leadership. It is just one of the ways in which we are progressing our University’s Reconciliation Action Plan. Federation University librarians stand new artwork and signs for Werrunangita larr Wimmeratawerrunangita larr wimmerata, horsham campus, library, librarians, ann jardine, women -
Merri-bek City Council
Work on paper - letterpress print, Commoners Press, Untitled, 2022
This image of Coburg Olympic Swimming Pool represents my connection to Merri-bek / Moreland. Being brought up around water, swimming has played a key role in my family and I feel a sense of the community when swimming in a public pool. The gum trees and the proximity of this pool to the river reminds me of my home town, Albury. For me, a public pool is a gathering place, a place of leisure and play, somewhere to learn and grow, spend time and let go.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Merri-bek City Council
Work on paper - letterpress print, Commoners Press, Ancestral Bouquet, 2022
Ancestral Bouquet is a visual homage to the different plant species each migrant community brought with them to the lands of Merri-bek. It is a celebration of these plant communities and those (elderly migrants) who still know and practice traditional forms of food harvest and preparation. I was born and raised in unceded Wurundjeri Willum Country, in Coburg. My Father lived in the Southern Suburbs of Naarm as a refugee from Palestine, and eventually found Coburg as a place he could fit in as a migrant. My arts practice varies in modalities, and always comes back to the story of displaced cultures, my folklore, and my connection to Coburg and the Merri Creek.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Merri-bek City Council
Work on paper - letterpress print, Commoners Press, Bin Chicken Island Campground, 2022
With two young kids, I often find myself at Coburg Lake on a weekend, playing amongst the natural beauty of the park area, rugged embankments, local birdlife, and... ‘Bin Chicken Island’. Bin Chicken Island has become a running joke in the community, known for its wafting stench and as an environmental eyesore (never go to the park on a warm day with an easterly breeze). So much so that someone added a campground listing on the island to Google Maps. Whenever I drive past the lake, I always keep an eye out for disgruntled backpackers who have realised that the only camping to be had is by the Bin Chickens themselves. I am a local graphic designer who lives in Pascoe Vale and works in Brunswick. I head up the design studio, Atticus Design.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Merri-bek City Council
Work on paper - letterpress print, Commoners Press, Chatting with Locals - Sound Lines of the Red Wattlebird, 2022
My work is dedicated to the animal residents that cohabit with us in the suburbs. I focused on the Red Wattlebird, as it is always a welcome visitor across the gardens and parks of Merri-bek. The frayed edges of the page from my notebook are reminiscent of the act of note taking and how we remember and observe things in our daily lives. I am a local artist and writer living in Naarm with a studio in Coburg as part of Schoolhouse Studios.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Merri-bek City Council
Work on paper - letterpress print, Commoners Press, Streets with no Beats, 2022
The image is based on a 3D component of one of my recent series of jewellery artworks. The heart metaphorically alludes to two locations of Merri-bek. One is Moreland Road, the other is Wallace Street in Brunswick. These locations pinpoint a time of collective trauma and communal experiential reflection. I was born in Brunswick in 1984 and have lived and worked there since. Brunswick for me is filled with stories of family, community, growth, tragedy and history experienced across a Greek Diasporic framework.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Merri-bek City Council
Work on paper - letterpress print, Commoners Press, Hard Rubbish, 2022
Merri-bek’s bi-annual collection and the communities’ tendency to dump rubbish makes these temporal sculptures part of the visual landscape of walking in Merri-bek. The collections of personal items, untold stories and connections which we all piece together whilst on an afternoon stroll. Over the years trends in pet ownership and technology advances can be documented in discarded items, also commenting on wealth and material value of objects. I have been living, parenting, working and volunteering in Merri-bek for the last 9 years. As time passes the community and landscape shift and change as does my connection to it. A once dedicated art practice is now tumbled around with life and family. Photography, video, drawing and painting are used to explore ideas around the everyday and meaning we attach to small moments of time.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Merri-bek City Council
Work on paper - letterpress print, Commoners Press, Clay Pits of Brunswick, 2022
When I visit Merri-bek I wonder, when I step on the tarmac of the Barkly Square carpark, what was here before? In fact, at this spot and across Brunswick there were clay pits, which would feed the pottery workshops in Brunswick that produced the pottery, gargoyles and decorative items for Marvellous Melbourne homes and suburbs. Marvellous for those who had profited from gold, property and finance, not so for those working in the clay pits. My print is a contemplation on what is beneath our feet and our relationship to the ground. I am a design academic working at RMIT University and began my print and design practice on a Golding foot-treadle Letterpress machine.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Merri-bek City Council
Work on paper - letterpress print, Commoners Press, As Sorted, 2022
Time is an abstraction, a filing system used to arrange events and memories into a logical system of cause and effect. This new print was created with images arranged from drawings made while sitting by paths near nature, creeks and overlapping streets. I am a local artist and illustrator with a history of drawing, painting and printmaking.10Press brings together a diverse group of creatives who were invited to make a new artwork inspired by the theme of ‘Moreland: its creative future, its past or other hidden stories’. Artists were invited to respond to the prompt ‘Moreland’, using only one or two colours. This body of work was created in 2022 during a significant time in local history, which saw Council’s name change from ‘Moreland’ to ‘Merri-bek’. The printed bellyband of the folio highlights this transition, with the word ‘Moreland’ crossed out and replaced with Woiwurrung language name ‘Merri-bek’. Commoners Press is a Coburg-based print studio that works with artists and designers in Australia and abroad on short run projects. Established by Jan Brueggemeier, Rob Eales and Neal Haslem in 2017, Commoners Press focus on projects that are community-centred, experimental and sustainable. Donated by Commoners Press Letterpress print -
Melbourne Legacy
Album - Photo album, A record of comradeship activities, 1970s-1980s
This album of Comradeship activities was compiled by Legatee Fred Holdsworth. It contains photographs, newspaper cuttings and ephemera relating to various “Comradeship” activities (social gatherings) held throughout the 1970s and early 1980s. Items included various events legatees participated in. First few pages had photos from a gathering at Cruden Farm on 15 May 1977. Cruden Farm was owned by Elisabeth Murdoch, the mother-in-law of Legatee Geoff Handbury. It appears there was a kite flying contest. Names are not listed. Three photos were from Queensland where Legatee Wal Escott had retired at Mundoona apartments, Noosa Heads, one photo shows him with Lorna Grimwade on 6/10/1979. There is a black and white photo of Max Armstrong, Rex Hall, Harry Burton, Warren Hardy riding horses in the Anzac Day march. The year is not known but an accompanying newspaper article mentions that they had been riding every year for 13 years on horses loaned by the police mounted branch. The newspaper clipping shows another photo of the four. A photo of seven legatees including David Carter were at the Numurkah Annual meeting in 1978. There are 8 photos of a gathering of Legatees and their wives at Stanhope in 1979. A photo of a Christmas party at Chaucers in 1979 was missing from the page, it has shown Choirmaster Reg Thomson and Choristers; Rob Allison, Bruce Hall, Les Patch, Bill Seager, David Syme and Ron Austin; with the M.C. being Fred Holdsworth. There was a trip to a trout farm in Alexandra Yea area in February 1978. At a comradeship evening there a photos showed the Comradeship committee of Harold Berg, John Cooper and Fred Holdsworth. Also photos from Anzac Night in 1980 and 1981. Plus other gathering at people's homes. A black and white photo of men in formal black tie, is from a night at the Windsor Hotel to farewell Sit Thomas White to become Australia's High Commissioner in London. Left to right are Sir Archie Michaelis, Sir John Latham, Sir Thomas White, Lt Col Donovan Joynt and Sir Stanley Savige. At the 1981 comradeship Christmas party, the held a 'this is your life' tribute to President Ken Green.The Comradeship photo album was put together by the Comradeship committee and records events that Legatees did and places they lived or visited. Some appear to be trips to visit other Legatees living overseas and social occasions held in different places. It shows the bond that Legatees have with each other.Brown vinyl photo album. The front cover is embellished with a double gold border. The album contains thirty pages bearing both colour and black and white photographs as well as newspaper clippings from various “Comradeship” events during the 1970s and 1980s.Inside cover - “A record of Comradeship activities / Fred Holdsworth” ? First page - “AT CRUDEN PARK / 15 May 1977” Third page - “CHAMP THE KITE MAN” Fourth page - “THE SHRINE 1977” / “THE CHAMP” / “REX” Fifth page - “Lorna Grimwade/ + Wal Escott/ at Noosa Heads, Q. / 6/10/79” Sixth page - “Max Armstrong, Rex Hall, Harry Burton, Warren Hardy” Seventh page - “Numurkah Annual 1978” / “ANZAC Night 1973” Eighth page - “STANHOPE 1979” Ninth page - “THE CHRISTMAS CHORISTERS at CHAUCERS CANTERBURY 1979.” / “FEARLESS FREDS FAMOUS FOLLIES. CHOIRMASTER. Reg Thomson. CHORISTERS. Rob Allison. Bruce Hall. Les Patch. Bill Seager. David Syme. Ron Austin. / M.C. Fred Holdsworth.” Tenth page - “ALEXANDRA YEA / ~ / FEBRUARY 1978” Eleventh page - “COMRADESHIP HIERARCHY 1979 / HAROLD BERG / DEP CHAIRMAN / JOHN COOPER / CHAIRMAN / FRED HOLDSWORTH / TREASURER” Twelfth page - “ANZAC NIGHT / ~ / 1980” Eighteenth page - “ANZAC NIGHT - 1981” Nineteenth page - “ANZAC NIGHT -1981” Twenty Second - “THIS IS YOUR LIFE / 1981 comradeship/ christmas party” comradeship, events, legatee event -
Bendigo Military Museum
Photograph - Photo Troop, Lithographic Squadron - Army Survey Regiment, Bendigo, 1989
This is a photograph of Photo Troop, Lithographic Squadron; one of the Army Survey Regiment’s four squadrons, at Fortuna, Bendigo, December 1989. The main tasks undertaken by Photo Troop’s technicians were most likely photographic enlargements, reductions and duplication of map reproduction material, and processing of aerial photography.This is a photograph of Photo Troop Lithographic Squadron, Army Survey Regiment at Fortuna, Bendigo, 1989. The colour photograph was printed on photographic paper and is part of the Army Survey Regiment’s Collection. The photograph was scanned at 300 dpi. Back Row L to R: Rob Bogumil, Kevin ‘Chuck’ Berry, Andrew ‘Morrie’ Morrison-Evans, unidentified, Greg Howell, unidentified, Damien Cole, unidentified, Warren ‘Waldo’ Shirley, Steve Burke, Paul Baker, Bob Garritty, Frank Lenane, Bill Jones. Front Row L to R: John Bragg, Ken Peters, Gavin Craggs, Michelle Withers, Penny Knott, Di Chalmers, Geoff Webb, unidentified, Darren ‘Barney’ Maher, Kim Reynolds. No personnel are identified. Annotated on back with ‘Photo Troop Dec 1989’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: BIG BRASS
Bendigo Advertiser "The way we were" from Saturday, July 17, 2004. Big brass: the Eaglehawk bandat Echuca showgrounds, 1937-38. Back row left to right: Stan Croshan, Suna Tab, Alex Hunter, Whistler Christy, Stan Finch, Snowy Holingshead, Frank Sullivan, Ted Taylor, drum major George Miller, band master Ted ?, Les Gray, Tommy Broman, Harry Truscott, Stan Jackson. Front row: Bob Henderson, Frank Davey, Alf ?, Tom Brown, Arthur Sullivan, drummer, Unknown, Mick Morton, George Porter, Arthur Morton, Eric Hawkins, Harold Pithie, Albert Miller and Rob Porter.newspaper, bendigo advertiser, the way we were -
Vision Australia
Administrative record - Text, Association for the Blind of Victoria 'Kelaston' 38th Annual Report 1995, 1995
Annual report on activities and financial performance of Kelaston, including the transition in funding model, launch of the Centenary Appeal to raise $1M to rebuild Kelaston, a staff team won the Ekiden Relay around Lake Wendouree, new service opened in Warracknabeal, long time committee member David Baird received an OAM, four residents enjoyed a holiday to Tye Estate at Romsey, two residents sailed on the tall ship 'Alma Doepel, two bantam hens and one rooster to the existing Cam and Sam cats as pet therapy, National Centre for Ageing and Sensory Loss chose Kelaston to be the location for it's training video, development of a attendant button when in the lounge of an evening when there is less staff, companion visiting program has begun, a Kelaston team won the Victorian A Grade Blind Bias Bowls in regional and state finals, and 'Keloca' Day centre in Avoca officially opened by Hon Rob Knowles, Minister for Aged care and Housing.1 printed volume with illustrationskelaston home (ballarat), association for the blind, corporation records -
Federation University Art Collection
Ceramic, Robert Wynne, 'Vessel' by Robert Wynne, c1979
Robert WYNNE (1959- ) Born Yarram, Victoria Robert Wynne studied a Diploma of Visual Arts at the Gippsland Institute of Advanced Education (now Federation University) from 1977 to 1979, and a Graduate Diploma of Visual Arts in 1981 majoring in Ceramics. During his final year he met visiting glass artist, Nick Mount, who had recently established a studio within Monash University. Robert was captivated by glass blowing and worked with Mount in those heady, pioneering days and carries with him many of the lessons he learned from Nick. Rob Wynne completed a Masters Degree in Glass at the California State University and visited private glass studios in the USA. In 1991 he established his own studio, Denizen Glass Design at Manly, New South Wales, where he produces a range of hand-blown glass including smaller production work and large, one-off sculptural pieces. Hand thrown and paddled form vessel featuring salt glaze.john edye, ceramics, jan feder memorial ceramics collection, gippsland, alumni -
Federation University Historical Collection
Photograph, Yallourn Technical School, 1935
The original class at Narracan Avenue Cottages, Yallourn Technical School. Back left to right: Lindsay Beulke, Lindsay Murray, Hugh Evans, Ron Rudge, Daniel Graham, Jim Riles, Laurie Baker, Dave Irvine, Les Neal, Dudley Beulke, Rob Morton, Norm Taylor, Alan Hawken, Jack McGuimess Middle left to right: Les Pritchett, Trevor Dawson, Don Benson, Noel Morley, Warwick Sagar, Hayden Davey, Terry Salisbury, Gordon Brown, Geoff Williams, Bill Kerr, Ross Berwick, Stan Comber, Bruce Jones , Vic Greer Front left to right: Staff members - Jack Lundy, George Peake, Charles Beanland, Alex Miller, Edwin Scott, ? Bawdengippsland campus collection, yallourn technical school, lindsay beulke, lindsay murray, hugh evans, ron rudge, daniel graham, jim riles, laurie baker, dave irvine, les neal, dudley beulke, rob morton, norm taylor, alan hawken, jack mcguimess, les pritchett, trevor dawson, don benson, noel morley, warwick sagar, hayden davey, terry salisbury, gordon brown, geoff williams, bill kerr, ross berwick, stan comber, bruce jones, vic greer, jack lundy, george peake, charles beanland, alex miller, edwin scott, bawden -
Bendigo Historical Society Inc.
Photograph - JOHN WILLIAMS COLLECTION: GRAVEL HILL PRIMARY SCHOOL1988
Set of twenty three coloured photographs of Gravel Hill primary school grade 6 1988 taken at Bi-centennial dress up day - Whipstick camp - Ballarat excursion and Wallaby track production. People in the photos are: John Lidner (whipstick env. Teacher) - Joy Rawlini (Office manager) - Jan Orr (art teacher 1988) - Brian Girvan (school cleaner) -John Williams (grade 6 teacher) - Geoff Kerr (grade 3/4 teacher) Murray Sweeney (principal) - Lee Aitken - Sam Houghton - Amber Hargreves - Brooke Boyd - Belinda Eastman - Melanie Pellas - Ray Baker - Jason Murphy - Emma Symes ''Paddy'' - Ben Goonan - Rob - Richard - Damon - Dan - Lee Tuoheybendigo, education, gravel hill primary school -
Bendigo Historical Society Inc.
Document - THE POLICE BARRACKS ROSALIND PARK BENDIGO
Pale yellow page containing a picture and upstairs and downstairs plans of the Police Barracks, Rosalind Park, Bendigo. On the back is the history of the building and it's use over the years since it was completed in 1860. On the 9 November 2002, the Bendigo Senior Secondary College presented a display of Police memorabilia to mark the opening of the refurbished Police Barracks. There were tours of the Barracks, displays and a Mounted Police display with horses. The Official Party was: Mr Graham Bastian, Principal, Bendigo Senior Secondary College, Mr Bob Cameron MP, member for Bendigo West, Ms Jacinta Allan MP, Member for Bendigo East, Ms Willi Carney, Mayor, City of Greater Bendigo, Mr Steve Gibbons MHR, Member for Bendigo and Mr Rob Blachford. There is a running sheet for the opening.buildings, government, police barracks, the police barracks rosalind park bendigo, bendigo senior secondary college, high school, bob marmion, p o flanagan, public works, alfred t snow, john robertson, bendigo goldfield, bendigo gaol, bendigo supreme court building, camp reserve, mounted constable james 'tiger' scholes 6438, education department, city of greater bendigo, graham bastian, willi carney, bob cameron mp, ms jacinta allan mp, steve gibbons mhr, bob blachford -
Ringwood and District Historical Society
Journal - Honour Board, Ringwood Amateur Swimming and Lifesaving Club Roll of Honour
Board displaying names of record holders and times for various male and female swimming events between 1972 and 1988.These records are V.A.S.A. official times for records made in this Swimming Pool. 100m Freestyle: Female - 1973 Sue Robertson 1.10.70 100m Breast Stroke: Male - 1987 Brett Patching 1.22.87; Female - 1973 Sue Rosewarne 1.33.50 100m Backstroke: Male - 1985 Rob Bakker 1.17.32; Female - 1973 Sue Rosewarne 1.19.20 100m Butterfly: Male - 1987 Bruce Johnson 1.10.05; Female - 1972 Sue Rosewarne 1.16.80 200m Freestyle: Male - 1988 Brett Patching 2.24.43; Female - 1974 Sue Rosewarne 2.26.00 200m Breast Stroke: Male - 1975 David Pitts 3.16.80 200m Backstroke: Male - 1974 Anthony Saddington 2.54.40; Female - 1976 Anne Lord 3.20.30 200m Butterfly: Female - 1973 Sue Rosewarne 2.56.50 200m Medley: Male - 1988 Bruce Johnson 2.43.36; Female - 1973 Sue Rosewarne 3.25.20 400m Freestyle: 800m Frestyle: 1500m Freestyle: Male - 1984 Rob Fry 2.05.70; Female - Vicki Fry 27.28.5 This board was presented by Neptune Swimming Pools Pty Ltd of Ringwood. -
Eltham District Historical Society Inc
Newsclipping photocopies, Holdup of Commercial Bank, Main Road, Eltham
Articles cover the story of an attempted bank robbery of the Commercial Bank, (Main Road, Eltham) on Thursday 15th December 1949 when shots were exchanged in a bid to prevent the escape of a man who had attempted to rob the bank. A subsequent search took place. 19 year old youth Kay Arthur Morgan was later caught and committed to trial. He had used a stolen gun, 15 shots had been fired.. Two bullets were fired into the ceiling and back wall of the bank, after penetrating the wooden counter and passing in between the legs of the receiving officer Spear. Names mentioned: Senior Constable N. Forbes, Harry Wallace (Manager), Mr. L.A. Spears (Receiving Officer) , Senior Detective H. McMennamin, Mr H. D. Pettie (Mountain View Rd, Montmorency, Detective Sergeant K. Hubbard, Inspector F. Hobley, Senior Inspector R. Newton, Detective P. Pedersen, Detective L Dent, Detective J. Oakers, Includes photosFour pages of photocopies of newspaper clippings with typed source information. Pistol stolen, The Argus, 10th December, 1919 Search of Scrub proves fruitless, The Age 17th December 1949, page 3 Pistol Battle at Bank, The Age 16th December 1949 "Guilty" pleas to pistol theft Court told of lad's hold-up bid, The Argus 23rd February, 1950 page 7 commercial bank, eltham, robbery -
Vision Australia
Photograph - Image, Illawarra Troupers Visually Impaired Drama Group
Supported by volunteers and friends, and with some members accompanied by their guide dogs, the Illawarra Troopers was a drama group for visually impaired people. Their first concert was held in 1977, and the group continued to entertain local audiences for many years. Illawarra Troopers: a visually impaired drama group (inauguarated 1977) Members Roll: Geoff Cortous, Dulcie David, Les Littleton, Gladys Downs, Hester Whiteside, Eileen McDonald, Peg Clark, Ralph Chamberlain, Albert Smith, Nora Cooper, Arthur Williams, Pat Baum, Ivy Mallet, Mary Chettle, Ethel Jardine, Peter Tapp, Jack Lambert, John Philipson, Len Hoyle, Rob Archibald, Daisy Stepnell, Neville King, Alice Sloan, Ada de Medici, Eric de Medici, Patricia Harrison, Llona Smith. Guide Dogs: Inga, Yvette, Igor, Rene, Leonardo. Producer: Jo Kirtley. Assistants: Judy Phillips, Val Anderson, Maisie Littleton, Dorothy Nicholls, Florence Mlodawski. Troopers Theme Song: Words by Olive FoleyPicture of wooden board with engraved names of the Illawarra Troopersassociation for the blind, nameplates