Black and white photograph of Portland Botanical Gardens. Showing an unpaved path edged with rocks in a garden. In the background left in a cottage with two chimneys.Front: THE ROSE SERIES. P. 10757/ COPYRIGHT (typed, lower left) BOTANICAL GARDENS, PORTLAND (typed, lower centre)portland botanic gardens, postcards, travel, tourism

Port of Portland Authority archivesFront: (no inscriptions) Back: equ016 (pencil, lower right)port of portland archives, construction, lee breakwater, s l patterson

Port of Portland Authority archivesFront: (no inscriptions) Back: equ016 (pencil, lower right)port of portland archives, construction, quarry, earth moving, lee breakwater, s l patterson wharf

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century to the present. Black and white photograph with white border of the Churchill Island shoreline with mudflats and rocks. Taken from near the bridge from Phillip IslandCatalogue number written on reverse in pencilchurchill island

Rose Series post card # P. 90. Sassafras Creek near The Crescent Bridge. View of water and ferns. Post 1920.Rose Series sepia coloured post card showing a small creek running through the centre of the photo edged by rocks and tree ferns.On front: The Rose Series, P. 90. SASSAFRAS CREEK NEAR CRESCENT BRIDGE. VICTORIA.sassafras creek, crescent bridge, creek, bridge, tree ferns, rose series, post card

Taken in 1910, this section of the Olinda Creek is in the gully behind the home of George Barber.Black and white photograph with a creek running through the centre surrounded by ferns and tree ferns. A man is leaning on rocks beside the creek on the RHS.olinda creek, creek, george barber, tree fern

THE HOTEL WAS BUILD OF BLUE STONE ROCKS.BLACK AND WHITE PHOTOGRAPH OF GROUP OF PEOPLE CHARLIE BROWN (ELI), MRS GILBERT, DICK HOLMES, MURIEL AND BILL SUTHERLAND,"SUTHIE" OWNER AND EX-LICENCEE, STANDING IN FRONT OF ALL NATION'S HOTEL - LOCALLY KNOWN AS "BLUE ROCK"ALL NATION'S HOTEL CLUNES CNR. TALBOT RD/SUBURBAN ST. DEMOLISHED ? 1975local history, photography, photographs, hotels, all nation's [blue rock[

Feldspathic arenites are sandstones that contain less than 90% quartz, and more feldspar than unstable lithic fragments, and minor accessory minerals.Feldspathic sandstones are commonly immature or sub-mature.These sandstones occur in association with cratonic or stable shelf settings. Feldspathic sandstones are derived from granitic-type, primary crystalline, rocks. If the sandstone is dominantly plagioclase, then it is igneous in origin Sandstone features prominently in public buildings throughout Victoria. Most of the sandstone used as dimension stone in the State came from three sources: the Heatherlie quarry in the Grampians (Silurian), the Bacchus Marsh area (Permian), and the Barrabool Hills near Geelong (Cretaceous).Sandstone features prominently in public buildings throughout Victoria, making this specimen special as it shows the materials used by Victorian building companies. Sandstone can also be crushed, crushed stone is used in the construction of roadways and road structures such as bridges, and in buildings, both commercial and residential. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study. A feldspar-rich sandstone, a sandstone intermediate in composition between an arkosic sandstone and a quartz sandstone, containing 10% to 25% feldspar and less than 20% matrix material of clay, sericite, and chlorite. Feldspathic arenite containing less than 90 percent of the composition of quartz. Feldspar is the main composition. Feldspathic arenite may contain fragments of unstable rock, and a little amount of other minerals such as mica and heavy minerals. Some feldspathic arenite have pink or red color because of the presence of potassium feldspar or iron oxide. There are also colored light gray to white. These sandstones are usually medium to coarse grained and can contain a high percentage of granules with angular until subangular roundness. The content of the matrix can appear as the rest up to more than 15 percent, and sorting of grains can present as moderate to poorly sorted. Feldspathic sandstones are generally immature in textural maturity. Feldspathic arenite can not be judged from the structure of the sediment. Bedding can emerge from the laminate parallel to the crossbed. Fossils may appear in the layer deposited on the sea. Feldspathic arenites usually appear on the craton or the continental shelf, which can be associated with conglomerate, quartz lithic arenite, carbonate rock, or evaporites. This sandstone may also appear on the succession of sedimentary basins deposited on an unstable or deep sea, and moving arc setting. According to Pettijohn (1963) Arkose make up about 15 percent of all sandstones. Some Arkose formed in situ when the granite and related rocks disintegrate and generate granular sediments. Most of the material feldspathic sandstones derived from primary crystalline granitic rocks, such as granite or metasomatic rocks containing abundant potassium feldspar. Mineral contained in sandstones is mostly a form of plagioclase feldspar derived from quartz diorite or volcanic rock. Feldspar contained on this sandstone comes from arid to cool climates when the chemical weathering process is reduced.sandstone, natural stone, feldspathic sandstone, burke museum, geology, geological, geological specimen

Sepia photo of the beach, Cowes with many people sitting and walking on sand. Possibly near Cowes Yacht Club looking towards Mussell Rocks.The Beachphotographs, cowes beach, cowes, mussell rocks cowes phillip island

One of a collection of photographs purchased by the Society from Jack Day of Mornington.Black & White postcard of a boat steaming toward the Cowes Pier. Windswept tree in foreground near rocks on foreshore. Five people walking on the pier."235A Cowes Pier"cowes pier, cowes jetty, phillip island, jack day collection

Three people looking up at Broken Falls.Photo shows three people, a woman and two men, standing on rocks at the base of a waterfall, which falls in two distinct parts (Broken Falls).scenery, waterfalls

The photograph is from the album of Ivy Child. The young woman standing on the bridge is Ivy Child probably aged 17 years. The location is the Olinda Falls. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing a young woman standing on a wooden bridge with a handrail above a creek. Rocks are in the foreground in the creek and bush surrounds the scene.Handwritten below the photograph in the album: The Fallsivy child, olinda falls, bridge

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day.Colour postcard of garden beds with man (gardener) standing beside tree with a sign on it on right side of card. A path is in the foreground with rocks standing at the edge.Front: ‘Botanic Gardens, Williamstown’. Reverse: ‘POST CARD’ centre top of card, underlined with a dividing line down the centre of the card. ‘This Space may be used for Correspondence.’ on left side of line; ‘For Address Only.’ and ‘155/103598’ inside dotted lines to indicate stamp placement. In pencil on top right corner ‘1906 SLV’ (believed to be inserted by the vendor).postcard, garden-beds, gardener, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, 1906, colour-postcard

286 p. :black cover, with image (probably cut from original dust jacket) of two men struggling to climb rocks, with waves below.fictionfiction, john garden

Found at 'Mulvra', a property near Linton belonging to Digory Pendray Roberts. It is believed that the candle-holder was forged in the blacksmith's workshop at the property. Found in the late 1940s and donated to Linton & District Historical Society by Lyle Fletcher, a descendant of Digory Roberts.Iron candle holder, round section to hold candle, with horizontal spike attached, to enable candle holder to be pushed into rocks or clay of mine wall.mining, candle holders

PHOTOGRAPH OF MCLENNAN FAMILY SITTING OUTSIDE ON ROCKS.ORIGINAL PHOTOGRAPH OF MCLENNAN FAMILYLEFT TO RIGHT- LACHLAN, ANNE (NEE SHRIGLEY), KATHLEEN, LACHLAN, WINIFRED. (MCLENNAN FAMILY)local history, photography, photographs, crick, shrigley, mc lennan, lazarus

CEMA Art collection Previously located in History HouseThe painting portrays a gorge from the perspective of being in the gorge and looking towards the shore. In the foreground is a small body of water with large brown rocks to the right. Yellow sand extends from the rocks around to the left of the water. The sand stretches from the water's edge to the large cliffs in the background that form the borders of the gorge. The work is mounted and framed in an ornate gilded frame with glass.Front: A.S.Murray (signature lower left) A ROCKY GORGE by A.S.MURRAY (sticker - lower centre on glass) Back: 3132 (small yellow sticker)

One of 23 photographs from the Jessie Smith Collection. Donated by Stan McFee.Photograph of the "Artisan" Sailing Ship run aground and leaning. A man's figure in the water to the left of the ship and figures of eight to ten people on rocks to the right of the ship.On Back: "Artisan""artisan" sailing ship, ship wrecks, phillip island, jessie smith collection, stan mcfee

Black and White Photograph of the sailing ship Honsy. Breaking up on rocks. 254 mm x 202 mm. SH 118 Ships F - H.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, honsy