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Kew Historical Society Inc
Book, Agnes P Bell, Melbourne: John Batman’s Village, 1965
A history of Melbourne, tracing its development from the riverside village founded by John Batman to the metropolis of the 1960s; includes description of Aboriginal corroborees and other early encounters with the Aboriginal inhabitants of the area.Melbourne, Vic. : Cassell Australia, 1965 xiv, 178p. : ill. (some col.), facsims., map, porto. ; 25cm. non-fictionA history of Melbourne, tracing its development from the riverside village founded by John Batman to the metropolis of the 1960s; includes description of Aboriginal corroborees and other early encounters with the Aboriginal inhabitants of the area.batman, john, 1801-1839, melbourne (vic.) -- history., settlement and contacts - colonisation - 1851- -
Kew Historical Society Inc
Book, Longmans Green & Co, Collector’s Casebook, 1956
London : Constable, 1963 105 p. : ill. ; 24 cm. non-fictionbook collecting. -
Kew Historical Society Inc
Book, Longmans Green & Co et al, The First Hundred Years, 1956
London : Longmans, Green, 1954 xii, 175 p. : ill. ; 23 cm. non-fictionaustralia - history, history - children's books -
Kew Historical Society Inc
Book, SF Clarke Publishing Co, The Story of Australia: Past and Present In Pen and Picture (Vol. 3), 1925
Sydney : S.J. Clarke Publishing, [1924 or 1925] [22] p., [38] p. of plates : ill., facsims., maps plans, ports. ; 27 cm. Volume 3non-fictionaustralia -- history -
Kew Historical Society Inc
Book, Cumberland County Council, Historic Buildings: Liverpool and Campbelltown, 1963
[Liverpool, N.S.W.] : Cumberland County Council, 1963 54 p. : ill., maps ; 26 cm. non-fictionhistoric buildings -- new south wales -- liverpool., historic buildings -- new south wales -- campbelltown. -
Kew Historical Society Inc
Book, Helen Baker, Historic Buildings: Windsor and Richmond, 1967
[Sydney], 1967 67 p. : illus., facsims., maps, plans ; 26 cm. non-fictionhistoric buildings - windsor (nsw), historic buildings - richmond (nsw) -
Brimbank City Council Art Collection
Ceramic Sculpture, Paul Vella-Critien, Woman on sphere, 1981
Local artist. Displayed at Rainbow Workshop exhibitionceramic sculptureSignature and date on the side of the base -
Federation University Art Collection
Painting - Artwork, [Portrait] by Neville Bunning
Neville Mirvane BUNNING (1902-1990) During World War Two he served with the RAAF. He was an Art Teacher at the Ballarat School of Mines from 05 February 1946 to 22 September 1964. Neville Bunning formed the Ballarat Artist's Society (later the Ballarat Society of Artists), a group that sponsored art and which invited modernist artists to speak to students and to the public of Ballarat. He also wrote a weekly column in the Ballarat Courier. Bunning produced a bust of Australian Prime Minister, The Right Honourable J.A. Lyons from Tasmania, who died in office. Bunning died in Subiaco, Western Australia on 29 April 1990. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour of a woman surrounded by flowersBlack marker signature on the backart, artwork, neville bunning -
Federation University Art Collection
Graphite on paper, 'Untitled' by Nicole Murray, 1989
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing. If you can assist with information on artist Nicole Murray please use the comment field below. LR signature Nicole Murrayart, artwork, nicole murray, horsham, available, alumni -
Federation University Art Collection
Bookplate, 'Ex Libris Bookplate for J Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Book plate depicts a coin with profile of a woman's head. Foliage surrounds the bottom of the coin.43/100 with pencil signaturekeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking -
Federation University Art Collection
Work on paper - Bookplate, 'Zelma Gartner Ex Libris'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Elephant holding foliage in its trunk Small signature and number 563keith wingrove memorial trust, australian bookplate design awards, bookplate, printmaking -
Federation University Art Collection
Bookplate, 'Ex Libris J Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Nude woman with what could be her daughter peering from foliage at nearby flowers Signature and the numbers 86/480bookplate, australian bookplate design award, keith wingrove memorial trust, printmaking, life drawing -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Administration Building, 1949-1951
Black and white photograph. Taken from a long distance across the lawn looking towards the Eastern facade. Early days of garden planting. On reverse, 85 556 and a signature.administration building, garden planting, garden view, main building, emily gibson beds, lily ponds, luffmann ponds -
Federation University Art Collection
Bookplate, Irena Sibley, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.An eagle is depicted perching on a limbPencil signature Irena Sibleybookplate, printmaking, australian bookplate design awards, keith wingrove memorial trust -
Federation University Art Collection
Work on paper - Bookplate, Jack, Kenneth, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A paddle steamer is shown on a riverPencil signature Kenneth Jackbookplate, printmaking, australian bookplate design awards, keith wingrove memorial trust -
Federation University Art Collection
Work on paper - Bookplate, 'Ex Libris Edwin Jewel'
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A frog is depicted amongst what appear to be water lily leaves.Pencil signature below the print.bookplate, printmaking, keith wingrove memorial trust, australian bookplate design award, edwin jewel -
Federation University Art Collection
Work on paper - Bookplate, ‘Ex Libris Edwin Jewel’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A kneeling nude woman with mermaid-like feet is depicted reading.Pencil signature below printbookplate, australian bookplate design award, printmaking, keith wingrove memorial trust, life drawing, edwin jewell -
Federation University Art Collection
Work on paper - Bookplate, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A nude woman is depicted supporting herself on a rock below what appears to be flowing water.Pencil signature below printbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust, life drawing -
Federation University Art Collection
Bookplate, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A nude woman stands in the doorway of a room with desk and shelves filled with booksPencil signature appears to be Severinbookplate, printmaking, life drawing, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.One nude woman and three women in low cut dresses are depicted with two bearded men wearing party hats.Pencil signature 77/80bookplate, printmaking, life drawing, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Work on paper - Bookplate, ‘Ex Libris Edwin Jewell’ by Irena Sibley
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition..1 An adult emu with chick is depicted standing in grass under the suns rays .2 As above but with green and pink shadingPencil signature Irena Sibleybookplate, printmaking, australian bookplate design award, keith wingrove memorial trust, emu -
Federation University Art Collection
Bookplate
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Bookplate depicts a koalapencil signature Cindy Pittbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Work on paper - Bookplate, 'Ex Libris Hymettus' bookplate
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Bookplate depicts a weatherboard cottage behind a paling fence.Signature incorporated within platebookplate, printmaking, hymettus cottage, ballarat, michael taffe -
Federation University Art Collection
Bookplate, 'Ex Libris Doina Cetea'
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Flying ducks in sepia tones are depicted within an irregular shaped borderPencil signature below printbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The solid shapes of printmaking materials fan out in a pattern around the centrally placed intials J GPencil signature bottom rightprintmaking, bookplate, australian bookplate design award, keith wingrove memorial trust -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Pregnant Woman [Schwangere Frau], Kathe Kollwitz
German 1867-1945Etching and soft-ground etching K.108 vi bInk stamp signature l.r -
Kew Historical Society Inc
Ceramic - Dish, Viola Ayling, 1950–1970
Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A dish, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by the Australian art potter, Klytie Pate.Small, green glazed dish, highlighted with splashes of purple. Five ballerinas in the cavetto surround an undecorated well. The reverse is glazed a lighter green. Spur marks in the foot rim reveal that the dish was supported on stilts in the kilnSignature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), dishes, viola annie mcvicars, viola annie ayling -
Kew Historical Society Inc
Ceramic - Wall sculptures, Viola Ayling, 1950–1970
Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A pair of handmade bookends, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Pair of hand moulded abstract ceramic wall sculptures with holes and marks of the original wires on the reverse. The front and back are glazed while the interior has been left unglazed. The free-form shapes resemble waves which were initially covered with a white glaze which was then overgrazed in a semi-transparent turquoise glaze. Both pieces are signed by the artist on the reverse.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), viola annie mcvicars, viola annie ayling, ceramic sculptures -
Kew Historical Society Inc
Ceramic - Reticulated vase, Viola Ayling, 1950–1970
Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade, reticulated ceramic vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Wheel thrown ceramic vase with the body pierced between the moulded floral exterior. The vase is fully glazed in orange with the glaze pooling in the recessed sections to provide an opaque contrast. The five petalled flowers and leaves extend to the base, which is separately glazed in a paler colour and signed by the artist. Signature to base: "V. Ayling"ceramics, pakington street -- kew (vic.), vases, reticulated containers, pierced work, viola annie mcvicars, viola annie ayling -
Kew Historical Society Inc
Ceramic - Vase, Viola Ayling, 1950–1970
Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Wheel thrown bulbous vase with a narrow neck. Subsequent to potting, the vase has been scraped from head to foot. An overall pink glaze, fading as it has dripped down the exterior has been highlighted with a second irregularly applied green glaze within the ridged surface. The artist has signed the base. Signature to bases: "V. Ayling" ceramics, pakington street -- kew (vic.), vase, viola annie mcvicars, viola annie ayling