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Mission to Seafarers Victoria
Photograph - Photograph, Digital, Geraldine Brault, 25 July 2019
Margaret Evelyn Evans Gordon married Arthur Lyulph Stanley, 5th Baron of Alderley, in 1905. Appointed K.C.M.G. in 1914, Sir Arthur served as Governor of Victoria from 1914-20. Lady Stanley became the first President of the Australian Red Cross, Victoria, in 1914. The foundation stone of the St Peter chapel was laid by Lady Stanley on 14 November 1916. The trowel (see item 2074) used for the laying of the stone was gifted to Lady Stanley and ended up in Toronto, Canada, where one of her daughters, Victoria was living. The trowel was presented to the Mission in 2019. A picture of the stone can be seen on the article of the Leader dating from Saturday 25 November 1916, page 25. The photograph shows the state of the plaque before the renovation works that finished in 2020.Photograph depicting the foundation stone laid by Lady Stanley in November 1916, in 2019.missing "Greater Glory of God ..is Stone was laid by The Honourable Lady Stanley November 14th 1916" Walter R. Butler F.R.I.B.A. Architect A.B. Robertson Builderfoundation stone, lady margaret stanley (1875-1964), sir arthur lyulph stanley (1875-1931), flinders street, mission to seafarers, mission to seamen building, st peter chapel, chapel, seamen's mission, m -
Mission to Seafarers Victoria
Photograph - Digital photograph, 25 July 2019
Photograph depicting the foundation stone laid in 1916.lady margaret stanley (1875-1964), sir arthur lyulph stanley (1875-1931), mission to seamen building, flinders street, 1916 -
Mission to Seafarers Victoria
Photograph - Digital photograph, Geraldine Brault, 25 August 2019
Built in 1888, the building at Port Melbourne was in need of renovation. In February 1929 a fundraising was organised by the Box Hill branch of the Ladies Harbour Lights Guild: "The Mayoress of Box Hill (Mrs. C. Palling) opened a very successful Australian tea, held on Tuesday afternoon in St. Peter's Parish Hall, by members of the Box Hill branch of the Ladies' Harbour Lights Guild, to raise funds towards the cost of renovating the Port Melbourne Seamen's institute. The building is in a very dilapidated condition, and is totally inadequate for the extensive requirements of the Mission to Seamen." (1929 'AUSTRALIAN TEA.', Box Hill Reporter (Vic. : 1925 - 1930), 15 February, p. 7.) "Additional buildings at the Seamen's Institute, conducted by the Victoria Missions to Seamen, at Port Melbourne, were officially opened and dedicated yesterday (23 January 1930) by Archbishop Head. The additions, which have been erected at a cost of £3000, comprise an extension of the recreation hall, new canteen and office, ladies' rest room, apprentices' room, officers' room, and five-roomed dwelling, for the caretaker." 1930 'MISSION TO SEAMEN.', The Age (Melbourne, Vic. : 1854 - 1954), 24 January, p. 13.Rectangular foundation stone with inscription inlayed in a bluestone wall.To the glory of God and the welfare of seamen/ This stone was unveiled by the most Rev. Frederick Waldegrave Head B.O. Archbishop of Melbourne, on the 23rd day of January 1930archbishop head, port melbourne, reverend h. s. bailey, building renovations, 1930, port melbourne mission -
Mission to Seafarers Victoria
Photograph - Digital photograph, Geraldine Brault, 25 August 2019
Sponsored by Alfred M. Nicholas the Deco era Mission building facing Beach street built by Architect Harry Norris opened in 1937. The building was then in WW2 requisitioned with the Mission returning to full use of the complex some years after the War ended. The building in later years was relinquished due to decreasing shipping at Port Melbourne and need to consolidate seafarers services in the Central Mission at 717 Flinders St. The building was used as an art centre just prior to demolition in the 1990s. The Port Melbourne Historical and Preservation Society was instrumental in ensuring the the old foundation stone was preserved in the sea wall opposite the original site. A single brick from the building is also part of the MtSV Heritage Collection. This stone is one of the few items remaining from this building demolished in 1995.Photograph depicting the foundation stone laid on the 18 May 1937 for the new Mission in Port Melbourne.TO THE GLORY OF GOD/AND THE WELFARE OF ALL SEAFARERS / THIS FOUNDATION STONE WAS LAID BY / HIS EXCELLENCY THE GOVERNOR OF VICTORIA / THE LORD HUNTINGFIELD K.C.M.G. / MAY 18th 1937 / THIS BRANCH INSTITUTE OF / THE VICTORIA MISSIONS TO SEAMEN / WAS ERECTED THROUGH THE GENEROSITY OF / ALFRED M.NICHOLAS ESQ. / OFFICE OF HARRY A.NORRIS ARCHITECTSfoundation stone, lord huntingfield, port melbourne, beach street, art deco, brick, harry a. norris, alfred m. nicholas, maurice nicholas -
Mission to Seafarers Victoria
Article - Clipping, photocopy, Deborah Stone, The sky’s the limit for modern Michelangelo, 10 May 1988
Louise Hearman used the Norla Dome and painted a mural painted which had taken her around a year to complete. The exhibition called Elephant Room was shown from June 1988. The work was vandalised in 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white copy of a newspaper article, printed on A4 paper.The sky’s the limit for modern Michelangelo Because it was there . . . Melbourne artist Louise Hearman in the domed gymnasium of the Mission to Seamen - Picture: ROSS DUNCAN THE dilapidated pool halls of Melbourne’s Mission to Seamen are an unlikely setting for a budding Michelangelo. But when Louise Hearman came across the one-time mission gymnasium she could not resist the urge to create a fresco. It did, however, take a little persuading for the Anglican Church, which still owns and operates a mission in the 61-year-old building, to agreee to house a minor Sistine Chapel on their premises. A year of labour later, Hearman has had no complaints about the great swirling sky or huge oil paintings which now adorn the empty 11-sided room. Instead she is constantly visited by old sailors and passers-by who are thrilled to discover the unusual architecture and artwork. “When peoiple come here it’s a real discovery. It’s something they find for themselves,” she said. Her pictures are neither religious nor symbolic, merely outpourings to create an atmosphere. “THere are lots of things I’d like to say but I’m not saying them in my paintings. “There are no messages, they don’t have any political statement. Life was a little more comfortable for Hearman than her renaissance predecessors. After struggling with cumbersome scaffolding to reach her “canvas” she discovered the modern wonders of the scissor lift. She does not look on the work as a huge achievement. However, it may all be for nought. Unless money is spent to restore the building the paintings she has created will crumble and die - Deborah Stone The Australian Tuesday 10 May 1988louise hearman, elephant room, norla dome, exhibitions, 1988, melbourne, flinders street, ross duncan, cultural events -
Phillip Island and District Historical Society Inc.
Photograph, Granite Quarry, Cape Woolamai, Phillip Island, 1913
Granite Quarry opened at Cape Woolamai in 1891 by Chambers & Clutten of Melbourne, to supply stone for the facing of equitable buildings, Collins Street, Melbourne. Trolleys on rails brought stones to ship's side at low tide where a jib crane lifted them into the ship's hold. With high tide the ship was refloated.Granite Quarries Cape Woolamai on waters edge. A Cape Woolamai ancient crane in action. Very rocky point. Quarry attracted a community of 300 people.Granite Quarries Woolamailocal history, photographs, granite quarries, phillip island industries, sepia photograph, betty kus collection, granite quarry, cape woolamai, phillip island, bruce bennett -
Phillip Island and District Historical Society Inc.
Photograph, 1978/9
Rogers Cottage was built by John Rogers on the hill on Churchill Island in the early 1860s. It is believed he first built the Bakehouse in 1865 and shortly after built the 2 roomed dormitory which was originally lined with calico and plaster - later with hand split boards."Rogers Cottage" - photograph showing door to Wash house - note grinder stone in foreground. Situated on Churchill Island - Western Port.local history, photographs, buildings - historical, rural industry, coloured photograph, john cook, churchill island, rogers cottage -
Phillip Island and District Historical Society Inc.
Photograph, 1978/9
During Roger's occupation in 1865, he built the huts which stand today as Rogers' Cottages. The kitchen cum Bakehouse believed to have been built first. Situated on Churchill Island - Western Port."Rogers' Cottage" - photograph showing back door to Bakery. Note Grinder Stone in foreground. Situated on Churchill Island - Western Port.local history, photographs, buildings - historical, rural industry, coloured photograph, john cook, churchill island, rogers cottage -
Mission to Seafarers Victoria
Article, Herald, Gymnasium of novel design to be lighted from dome, 23 October 1919
"GYMNASIUM OF NOVEL DESIGN TO BE LIGHTED FROM DOME Trafalgar Day (October 21) was selected as a fittlng occasion for the laying of the foundation stone of the "Norla" gymnasium In connection with the Missions to Seamen new building in Flinders street extension. The ceremony was performed by Lady Fraser. The design of the gymnasium is an entirely novel one. The building is of reinforced concrete, with a dome having a span of 40 feet. The design is based on that of the Pantheon at Rome, and like the Pantheon has no windows. The entire lighting is from an opening In the centre of the dome. Through this aperture the light radiates equally throughout tho gymnasium; and the necessary ventilation is also secured. Between the gymnasium and the main building there is an ambulatory 12ft. wide, from which onlookers may watch the games and exercises. The floor Is to be laid with a fall to the centre for rlnking purposes. The gymnasium will complete the buildings connected with the Missions to Seamen In Melbourne, and the claim Is made that the society has not anywhere a flner or more complete set of buildings than the seamen are favored with here. The ladies who take an active interest in the Mission are inviting subscriptions to furnish the gymnasium with trapeze, punch balls, and other exercising apparatus. Messrs Walter and Richard Butler are the architects."norla dome, lady fraser, 1919, foundation stone, walter richmond butler (1864–1949), richard butler, gymnasium, trafalgar day, simon fraser (1832-1919), pantheon -
Greensborough Historical Society
Photograph, Main Road bridge looking to township of Greensborough, 1929c
View of Main Street Greensborough from Partington's Hill including Plenty River bridge and Marble Hall on corner of Carter Street (now Para Road) and Main Street. This view of Greensborough Park shows the old pan toilets, the hawthorn fence line and the rather undeveloped roadside area of the park. Looking up Main Street we see the old Chapman house at the corner of Poulter Avenue and some newer houses below this. The stone river bridge appears to be only a single lane wide and the road approaching the bridge is unsealed. The rail bridge shows evidence of soot from steam trains and at the extreme left of picture the two concrete buildings indicate the line had been electrified. This occurred in 1923. Sparse housing is seen in the Flintoff Street and Grimshaw Street area.Part of a collection of photographic enlargements of views of Greensborough in the early 1900s.Black and white enlargement of photographic imagemain street greensborough, marble hall, greensborough railway, chapman house, greensborough park, poulter avenue greensborough, carter street, para road -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Post Office, Portland, n.d
Black and white reproductive photograph of earlier image. People standing in front of Post Office building - double storey bluestone with decorative stone balcony.Front: Post Office, Portland (on photograph original). Portland Post Office Cnr Bentinck & Cliff Streets c1900 (built 1991) (typed label, lower centre). Back: B21766/98 (pencil, upper left). State Library of South Australia Photographic Section. Order No. A16493 (stamp, centre).portland post office -
Glenelg Shire Council Cultural Collection
Painting, Noel Jones, Stone Quarry, 1974
NoneView of a quarry. In the centre of the image a conveyor belt runs up from a pile of rubble to a small hut on tall stilts. A conveyor belt runs down from this hut to an orange truck. Below and to either side of the stilted building are two wooden buildings with tin rooves. A stilted tower is depicted in maroon to the left, and another in the distance to the right. Mounds, painting in brown, yeloow, grey and shades of blue run across the centre of the image, below a sky washed with blue and highlighted with orange. Mounted in a decorative matt, in wooden frame with glass.Front: N. W. Jones 74 (lower left, blue paint) Back: 1974 (upper left, pencil) -
Greensborough Historical Society
Photograph - Digital image, Jasmin Burge, Loyola: foundation stone 2012, 27/11/1932
Loyola Foundation stone (photographed in 2012). Latin inscription. Foundation stone for seminary laid in 1932. Part of a collection of photographs of Loyola College, The College was officially blessed and opened on 16/12/1934 with 8,000 people present. Grimshaw Street Watsonia, established 1980 on the site of the Loyola Seminary. The College purchased the original building in 2002. These photographs of the original building and grounds were taken by GHS member Jazz Burge in June 2012.Digital copy of colour photograph.loyola seminary watsonia, loyola college -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Ellis Cottage, May 2016: Outside building, 27/05/2016
In May 2016, the Nillumbik Historical Society invited Greensborough Historical Society to visit its historical centre at Ellis Cottage in Diamond Creek. Ellis Cottage was built in 1865 and is made of local uncut stone. The cottage is a typical farmers residence of this period. The stone construction is unique in this district as most construction is weatherboard. This photo shows a small outside building in the grounds of the Historical Centre.Digital colour photographellis cottage, nillumbik historical society inc. -
Glenelg Shire Council Cultural Collection
Certificate - Certificate - Historic Buildings, Portland Town Hall, 1974
From the Victorian Heritage Register: The foundation stone of the original Portland Town Hall was laid by William Learmonth on 21st September, 1863 following a competition and subsequent public controversy over the permitted entry of architect John Barrow. The conservative classical design of municipal surveyor Alexander Ross was preferred and this axially planned design with central council chamber and side offices fronted by a fine axed pedimented gable entablature of basalt and Tuscan Doric pilasters was completed by 24th may 1864. The old Town Hall is one of a distinguished group of public buildings in Portland and an interesting example of conservative classical architecture of the first years of settlement in western Victoria. The basalt structure was partially erected of stone from the Portland stockade and has significant historical associations with local Government administration in the district. The Town Hall is the most impressive work of Alexander Ross, a surveyor architect whose career remains largely undocumented. The old Town Hall at Portland has been discreetly extended at the rear to provide additional meeting room accommodation. The premises are no longer used for local government administration.A4 sized certificate demonstrating Portland Town Hall's special significance to the state of Victoria & inclusion on the Historic Building Register. Singed by Robert Maclellan, Minister for planning & Historic Buildings Council Chairperson. Red seal attached, bottom right.portland town hall, history house, heritage register, historic buildings, certificate -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - stone cottage, n.d
Black and white photograph, old stone cottage, tin roof; wooden building beside it, wooden paling fenceBack: '14' crossed out, '15' in pencilcottage, photography, rural -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Cape Bridgewater School, n.d
Black and white photo, ruins of Cape Bridgewater school; stone walls, tin roof, half missing, no glass in windows, trees growing over and through the ruins. Barbed wire fence around it.Front: 'Cape Bridgewater School - ruins still there' - handwritten, black biro, across top of photo Back: '13' - top left corner, blue birocape bridgewater, school, ruin, building -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Hospital Portland , Victoria, n.d
Black and white photo postcard. View of old Portland hospital, taken from street (Bentinck or Fern). Buildings obscured by large trees, and high stone fence. Nurse standing either side of metal gate, with a 'PORTLAND HOSPITAL' sign on it. Woman in a two-seater roadster parked near gate. A man and 2 nurses can be seen in the groundsFront: 'THE PUBLIC HOSPITAL, PORTLAND VIC. TOYE, PHOTO' - white script on black bottom border Back: Purple stamp: 'TOYE BROS. Photographers, Hamilton & Portland' -
Glenelg Shire Council Cultural Collection
Print - Contact Print - Stereoscopic. Portland, 1960-1979
Sheet of 3 pairs of stereoscopic contact prints from glass plate negatives. Top: Two ladies about to exit gates of Botanic Gardens. Middle: Small cottage, front verandah, tin roof, 2 stone chimneys. Bottom: View of large city. Two story building with clock tower. -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Hospital, c. 1970
Photographic print of a rephotographed photograph. Image shows front entrance to Portland Hospital. Building bluestone, tin roof. Path leads to front entrance through the garden. Front entrance has stone portico supported by 4 stone pillars. 'PORTLAND HOSPITAL' carved into portico.Front: 'Portland Hospital' - green ink Back: 'Old Hospital at site of present' - blue biro -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Claremont House Portland, c. 1970
Photographic print of a rephotographed photograph. Image shows 'Claremont', double storied bluestone building, south side of Julia Street between Hurd and Percy Streets. Iron roof, two stone chimneys. First floor balcony with verandah and iron lace work fence. Both ends of balcony filled in with glass panes.Back: 'Claremont' - blue biro -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1960s (?)
Heatherlie quarryHeatherlie Quarry - Photo shows Stone-mason's cottage in a state of disrepair and before renovations. Building has no roofquarrying, mt difficult quarry -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1960s (?)
Heatherlie QuarryStone-mason's hut Heatherlie Quarry - Photo shows Stone-mason's cottage in a state of disrepair and before renovations. Building has no roofquarrying, mt difficult quarry -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1960s (?)
Heatherlie quarryStone-mason's hut Heatherlie Quarry - Photo shows Stone-mason's cottage in state of disrepair and before renovations. Building has no roof; gumtree stands in centre foreground quarrying, mt difficult quarry -
Halls Gap & Grampians Historical Society
Photograph - Coloured, C 1960s (?)
... 117-119 Grampians Road Halls Gap grampians BUILDINGS Houses ...Stone-mason's hut. Heatherlie Quarry.buildings, houses -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1989
Photo shows stone mason's cottage at Heatherlie Quarry under renovation.Photo shows a stone cottage with two doors. There is iron roofing on the left hand side of the cottage and on the right hand side the roof is missing. There is scaffolding at the front of the cottage. A trailer can be seen on the left.buildings, houses, quarrying, heatherlie -
Halls Gap & Grampians Historical Society
Photograph - B/W
This is a photo of the Comfort Station in the reserve in central Halls Gap. The reserve was used by campers and picnickers.The photograph shows a building, constructed from logs and stone. Steps lead up to the door and the building has small, paned windows. There is a large tree in front of the building and bush behind it. To the right are a some swings and in the right foreground there is a wooden seat and a hanging sign mounted on a stone base. There are two posts in the centre foreground.natural history, flora -
Halls Gap & Grampians Historical Society
Photograph - B/W, C Oct1950
A photo taken near Thomson's Store & cafe in Halls Gap. The back of the photo lists the names of the people as: Mollie Johnson, Gwen Stockton, Beth Evans, Julie D'Alton & Joy Stockton.The photo shows three women and two girls standing in front of a stone fence. There is a bush on the left behind the fence and to the right of the photo is a store with a truck loaded with drums and sacks and a wooden box of goods."Rose I(?) Oct 1950" written on back in blue pen. "Mollie Johnson, Gwen Stockton, Beth Evans, Julie D'Alton,Joy Stockton" written on bak in black pen.buildings, shops -
Halls Gap & Grampians Historical Society
Photograph - Photocopy
This house belonged to Walter Zumstein of the Zumsteins area. The house was burnt down in 1938. Photo was taken by Stan Parfett whose own family camped in the Zumstein area and knew Mr and Mrs Zumstein personally. c1920's This is an photocopied enlargement from a photocopied magazine article, Victoria's Heritage (see item 637)A house with veranda. A chimney (stone?) protrudes from roof at front. cleared land in foreground with old style wooden fence visible. A tank and stand situated beside house at front. Thick trees /Bush behind house.House Burnt 1938. Walter Zumstein's house. Photo by Stan Parfett. written on back.buildings, houses -
Eltham District Historical Society Inc
Photograph, Watson's Eltham Hotel, Maria Street, Eltham, c.1900
Christoher Watson's Eltham Hotel, cnr Maria Street (Main Road) and Pitt Street, Eltham. Christopher Watson in centre (bareheaded). Reproduced on p60 of 'Pioneers & Painters' The hotel was constructed in the 1850s immediately following the discovery of gold in Victoria. The original founder, a Mr Warren. engaged a builder named Wallace, to erect the hotel, and being unable to finance it, the story goes, handed it over to Mr Wallace, who finished the job, and received the first licence. The building was constructed of hard basaltic blue stone, quarried in the Eltham district, and partly of bricks made at Eltham. At that time the town owned not only an hotel, but a flour mill, a brewery, a brickworks, and other important industries. The hotel was carried on for the benefit of the first owners for over 30 years and was then purchased by Mr Chris Watson. The hotel was in the early days a well-known resting place for the gold diggers during the gold rush at Woods' Point. A new hotel was erected on the same site by Mr H. Watson in 1925.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagechristopher watson, eltham, hotel, main road, maria street, pioneers and painters, pitt street, shire of eltham pioneers photograph collection, watson's hotel