Hardcover book, 254 pages. Front cover of book has a colour portrait of a young woman.fictionRomance novel.jessie champion, romance, fiction

This piece of music, ‘First Love’, dates from the 1850s and was composed by Henry Farmer (1819-1891). Born in Nottingham, Farmer was an organist and composer and conductor of the Nottingham Harmonic Society from 1866 to 1880. He dedicated this music to Miss Hal Chaworth Musters. It is not known who ‘Miss Hal’ was but the Chaworth name was an ancient one in Nottingham and marriage with a member of the Musters family brought into being the name ‘Chaworth Musters’ and the estates included Annesley, Edwalton and Wiverton. The signatures on the front cover indicate that this music is connected to two early families in the district. Stephen Henty owned Cadnook (Kadnook), near Harrow, in the 1850s and sold it to Mordaunt Smalpage (or Smalpaige) in July 1859. Stephen Henty, who came to Victoria in 1836, was the brother-in-law of Captain Helpman, the Warrnambool Harbour Master from 1861 to 1869. They were co-owners of the ‘Champion’ which plied between Portland and Melbourne until it was wrecked off Cape Otway in 1857 when it collided with the ‘Lady Bird’.This is a most significant item because of the signatures on the front cover. Stephen Henty was important, not only in the history of Victoria, but also in the history of Warrnambool because of his connection with coastal shipping and his relationship with Captain Helpman. As far as we know the Hentys never lived in Warrnambool but it is possible that this music was played on the ‘Henty’ piano that was donated to the old Warrnambool Museum in 1889 and is now in the Warrnambool Art Gallery. The Hentys brought six pianos to Victoria in 1837. The music is also important in social history as an example of the music that was played in mid-Victorian drawing rooms. This is a piece of music of seven pages printed back to back (cover and 11 pages of musical notation) The pages have black printing on white with a multi-coloured front cover. The cover has a stylized portrait of a man and woman in period costume. The woman is holding an urn of flowers. Some of the pages are loose and the page folds and corners are tattered and torn. The name ‘Smalpaige ‘is written in ink and the name ‘Henty’ is written in pencil. Front Cover: ‘Mrs Smalpaige, Cadnook, 8th Aug/59’ ‘S.Henty, 8 August 1859’ ‘First Love’, ‘Valse dedicated to Miss Hal Chaworth Musters by Henry Farmer, London, Published by Joseph Williams, 123, Cheapside, Solo, 4, Duet, 4, Septett, 3/6, Full Orchestra, 5/-, Ent. Sta. Hall.’ stephen henty, mrs smalpaige, warrnambool, first love sheet music, history of warrnambool, henry farmer

Gift of Ian and Marjorie Fitzgerald

Six cabinet cards produced by Bendigo Photographers. All subjects unnamed. Black and white/sepia. A. 1. Photographer F De Kock & Co Cnr Mitchell and King Streets. Subject is two men, one standing and one seated, dressed formally in jackets, ties and pants. One is holding a hat, while the other's hat is by his elbow. 2. Photographer is Verey & Co Castlemaine and Daylesford. Subject is three men, two seated and one standing, dressed formally in coats and pants. The middle man is holding a cane. B 1. Photographer is Bartlett Bros View Place Sandhurst. Subject is a woman seated in a dining chair with a book on a table. She is dressed in a patterned long sleeved dress adorned with ribbons and lace. 2. Photographer is Bartlett Bros View Place Sandhurst. Subject is a woman posed in profile head and shoulders. C 1. Photographer is Bartlett Bros View Place Sandhurst. Subject is an infant, seated on a fur and dressed in a knitted outfit. 2. Photographer is Bartlett Bros View Place Sandhurst. Subject is a man head and shoulders shot.photograph, portrait

Portrait of James & Mary Walker. Mary nee Shreeve, was Ellie McClures Auntie. James and Mary owned a Bakery in Patrick Street Stawell.Portrait black & white photo of a gentleman seated and a woman standing beside him. Boarder around the photograph.stawell

Portrait of Jane D’Alton (nee Galbraith) taken in studio standing beside chair. The woman is dressed in long frock bodice buttoned with bottom of frock quite elaborate. c 1890Black and white photograph of a woman standing beside a decorative chair. The dress is ballooned to the ground with an elaborate hem. Bodice buttoned with decorated jacket. stawell clothing halls gap

Portrait of Maggie Galbraith from Afton Lodge Stawell. Frock has high neckline and hair parted in centre.Black and white photograph of a young woman, her dress has a high neckline and hair parted in the center.from Afton Lodge Stawell.stawell clothing

Purple card Cover with B/W Photo with white border. The Photo showing a portrait of two people a man and womanNoo's Century Una Victoria Wood & Gut Pomroy 1900 to 2000 Wendy Pomroy Inside written in blue: Donated to Stawell Historical Society. Wendy Pomroystawell

Black and white photographs of four woman and four men. Two women in black dresses standing. Two women in white dresses standing. Two men in black suits sitting. Two men in black suits standing.person, group, men and women

This building on the corner of Court House Place and Main Street Bacchus Marsh was a licensed hotel since 1864. Prior to 1864 the building was in use as a saddlery business, established by Joseph Purday and Alfred Smith. In 1864, Purday and Alfred Tanner converted the shop to a hotel. Tanner, followed by his wife Ann, were licensees until 1892. The hotel signage above the door features the Prince of Wales feathers, an acknowledgement of the Prince of Wales Volunteer Light Horse Werribee unit which used the hotel for their meetings. In 1911 the single-storey hotel was demolished and a two-storey brick hotel was built. The identities of the five men and one woman in the photo are not known. The woman at the left of the group is possibly Ann Tanner who was the licensee around the time this photograph was taken. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. A group of five men and one woman can be seen standing in front of the Court House Hotel building, Main Street Bacchus Marsh. A large ornate sign around the roofline bears the words “Courthouse Hotel”. Above the door a sign featuring the Prince of Wales feathers also has the name “Ann Tanner.” One of the men is displaying a document which apparently is of some importance, now lost.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. stevenson and mcnicoll 1883 photographs of bacchus marsh and district, hotels bacchus marsh, court house hotel bacchus marsh

Part of S E Surman collection (album) page 13 lower right.Sepia portrait of unidentified girl with hair drawn back off face, wearing jacket with frill at throat, scarf and hat. Some of clothing in photograph has been coloured.young woman, ?susan bennett, ?stella todd, surman collection

Huttley - MartinOval Portrait of a main in a 3 piece suit. Woman on right arm cut offStawell On Reverse: Aklfred Thomas Huttley (I.E. Madge's) My father, also Ray & Lorna (Cleland). Grandfather of Trevor & Gladys Huttley. John, Alison, Keith & Janice (Hull) Born 1873? Died May 26 1947. Ageed 74 -75?huttley, martin

Honkie & Ginny is a journey that travels from the cottagers of Port Melbourne to Gallipoli, the battle fields of the Western Front and the gold fields of Bendigo. A personal tale from a grand niece.Title: Honkie & Ginny From Black Sheep to Holy Dove, Henry Foster Midgley 1894 - 1917 At Peace in Flanders. Biography. Soft cardboard cover, black print on front, spine & back. 2 sepia portraits, smaller one of a woman superimposed over the left corner of a soldier in uniform, yellow coloured background. Below portraits is a small colour photo of At Peace in Flanders with poppies below these words Back cover has colour photos of a wreath. 220 pages, cut plain paper. Illustrated in black & white are photos, line drawings, posters & paintings.books-biography, military history

Tilly Aston wearing both of the Coronation Medals for Distinguished Citizenry that she was awarded in 1935 and 1937. This photograph was possibly taken at the same time as the profile image used by John Balmain for his portrait of her. She wears a brocaded black top, with a pin in the lapel and a necklace holding a single bead.B/W photograph of woman wearing medalsGainsborough ... embossed on lower right cornertilly aston, medals, gainsborough studio

James Reid was born in Scotland near Glasgow and came to Victoria as a young man in 1854. Shortly after arriving he came to Bacchus Marsh where he lived until his death in 1902 at the age of 74 years. For most of these years he conducted a wheelwrights and coach builders business in Bacchus Marsh. In the nineteenth and early twentieth centuries, wheelwrights and blacksmiths played an essential role in the functioning of the whole community. Before the industrialisation of manufacturing, wheels and other components of vehicles for transport, all metal objects, including farm implements, building requirements and domestic utensils were made by hand. As mechanisation of industry increased, the smith commonly performed the role of farrier in the times when horse power was pivotal to all aspects of society. Complementing this work, the forge was often allied with a wheelwright's shop. These premises also acted as a meeting place for the men of the town, where news was shared and friendships forged.Small sepia 'carte de viste' style unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. An image depicting a wheelwright and blacksmith's shop, with a group of men, boys and a woman shown in front. Two men are wearing the work clothes of the blacksmith, including the split leather apron worn by farriers to enable them to work on the hooves of the horses needing shoeing. Two young boys are standing by the door. A portly gentleman in formal clothes stands before the shop. The house shown at the rear was James Reid's residence. Two people, an elderly gentleman and a younger woman, are seated in a jinker on the road to the side of the shop. A collection of wheels and farm tools leans on the walls. A triple-tiered sign above the shop reads: JAMES REID WHEELWRIGHT BLACKSMITH. TIMBER - YARD PAINTS, OILS & GLASS.Printed On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE.wheelwrights, james reid 1828?-1902, stevenson and mcnicoll 1883 photographs of bacchus marsh and district

Built by noted artist Theodore Penleigh Boyd, father of architect Robin Boyd. Covered under National Estate, National Trust of Australia (Victoria) Local Significance and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p111 The Robins at Warrandyte,* was once home to a member of a famous family and is also one of the first reinforced concrete houses in Victoria. The builder, Theodore Penleigh Boyd, born in 1890, was a talented painter1 noted for his works of the Warrandyte bush. He was the father of architect Robin Boyd, author of the Australian Ugliness and the uncle of painter, Arthur Boyd. Penleigh Boyd’s great grandfather was Sir William A’Beckett, Victoria’s first Chief Justice. Penleigh Boyd is considered by some to be an ‘unsung hero’ overshadowed by more famous members of his family. Mornington Gallery Director Andrea May said many believed Boyd ‘had never received the national acclaim that he deserved’.2 Classified by the National Trust3 and part of the Australian National Heritage,4 The Robins is set well back near the end of Kangaroo Ground – Warrandyte Road, unobserved by passers-by. Built in 1913, The Robins has some Art Nouveau influences and is a descendant of the Queen Anne style. It is covered in stucco and has a prominent attic, which Boyd used as a studio. Some parts of the house are up to 33 centimetres thick and built in part with pisé (rammed earth) and in part with reinforced concrete. Amazingly, Boyd built The Robins without an accessible driveway, and only a narrow track along which he had to cart building materials. The journey was uphill and Boyd terraced the land with Warrandyte rock5 without the aid of machinery. At only 33 years, Boyd was killed in a car accident in 1923. He was buried in Brighton near the home of his parents. Several people have since owned the house, including political journalist, Owen Webster. Boyd was born at Penleigh House, Wiltshire, and studied at Haileybury College, Melbourne and The Hutchins School, Hobart. He attended the Melbourne National Gallery School and in his final year exhibited at the Victorian Artists’ Society. He arrived in London in 1911 and his painting Springtime was hung at the Royal Academy. He painted in several studios in England and then worked in Paris.6 There he met painter Phillips Fox through whom he met artists of the French modern school and also his wife-to-be, Edith Anderson, whom he married in Paris in 1912. After touring France and Italy, the couple returned to Melbourne. In 1913 Boyd held an exhibition and won second prize in the Federal Capital site competition, then the Wynne Prize for landscape in 1914. In 1915 Boyd joined the Australian Imperial Force, and became a sergeant in the Electrical and Mechanical Mining Company. However he was severely gassed at Ypres and invalided to England. In 1918 in London Boyd published Salvage, writing the text and illustrating it with 20 black-and-white ink-sketches of army scenes. Later that year he returned to Melbourne, and, despite suffering from the effects of gas, he held several successful one-man shows, quickly selling his water-colour and oil paintings. In his short career Penleigh Boyd was recognized as one of Australia’s finest landscape painters. He loved colour, having been influenced early by Turner and McCubbin. His works are in all Australian state galleries, the National Collection in Canberra as well as in regional galleries.7 His wife Edith was also an artist having studied at the Slade School, London, and in Paris with Phillips Fox. After her marriage she continued to paint and excelled in drawing. In later years she wrote several dramas, staged by repertory companies, and radio plays for the Australian Broadcasting Commission, in which she took part. She was the model for the beautiful red-haired woman in several of Phillips Fox’s paintings and the family hold three of his portraits of her. *Possibly named after the Aboriginal words warran, meaning ‘object’ and dyte, meaning ‘thrown at’.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, kangaroo ground-warrandyte road, north warrandyte, the robins

painting

This poster promotes the merits of travelling by train to the Royal Melbourne Show of 1958. The Showgrounds train station was one of the first buildings built on the Melbourne Showgrounds in Ascot Vale when the site was established in 1883, allowing patrons quick access to the venue despite it being slightly further out from the city than previous sites.A poster, printed portrait and in colour. The upper half of the poster shows a woman on a jumping horse, on a purple background; the lower half consists of a list of the advantages of taking the train, lettered in white on a black background; screenprint and process lithograph, linen-backed.SEPT. 19 – 28 / Go to / MELBOURNE'S / ROYAL SHOW / by train / - RIGHT TO THE GROUNDS / - NO PARKING PROBLEMS / - COMBINED RAIL-ADMISSION TICKETS / - WEEKLY OR NINE DAY RAIL TICKETS / - SEE THE RAILWAYS EXHIBIT / - MEMBERSHIP TICKETS AT VICTORIAN / GOVT. TOURIST BUREAU /train, metro trains, showgrounds, melbourne showgrounds, royal melbourne show, 1958 melbourne royal show, melbourne royal show, showgrounds station, railway

Woman sitting on a brown chair, sketching. She is wearing dark green trousers, lime green jumper, red scarf, tan shoes. Her face is in profile. Black, wavy short hair.Front: 'B. Vivian' - grey lead Back: Holland's Picture Framing stickerbetty vivian, female artist, portrait, female portrait, women

Mrs. Priscilla Harvey was the sister of Mrs. Eliza Jane Harvey (Duncan Street Long Gully). She ran a Fruit shop in View Street opposite the Queen Elizabeth Oval.Oval framed photograph of Mrs. Priscilla Harvey. The frame has an outer edge of black painted wood, a central section of mid brown timber veneer and an inner section of gold coloured metal. The centre is enclosed with a convex piece of glass. The black and white photograph is an upper body portrait of an elderly woman wearing black clothing and a black bonnet with loose ties. The back is sealed with brown paper with two adhesive cushion pads on the lower edge.harvey, view street, fruiterer

Male, Colin Campbell Heron reclining in chair reading with lady overlooking and cat.Two black and white photographs. The photo is of two people a male seated reading and a woman standing with her arm on the mans shoulder. A cat is under the legs of the man.Campbell Heron - 1924stawell portrait

Florence Mary (May) Bersey was born in 1884 in Linton. She died at Linton on 30 May 1906, after her dress caught fire in the kitchen of the family home.Sepia portrait of a woman wearing a large hat.flossie bersey, surman collection

Ethel Bersey married James Wishart in 1910. Note: The bride in this photograph was originally identified as Ethel Bersey's sister Florence (Flossie) Bersey, but this seems unlikely as Flossie died in 1906 and did not marry. A second copy of this photograph is Registration no. 1534.Black and white studio portrait which shows a seated gentleman, who is wearing a suit, waistcoat, collar and tie, and has his hands resting on his lap. The young woman standing next to him is wearing a light-coloured full-length dress (or blouse and skirt), and a very large hat which has ribbon and tulle trimming and a brooch or jewel centre-front.On back: "I thought the hat was worth saving. / Mrs Bersey's daughter".ethel bersey, james wishart, weddings

Art collection Previously located in History House. Previous Exhibition:"In a picture land over the sea ...Agnes Goodsir 1864-1939." Exhibition developed by Bendigo Art Gallery and toured from May 1998 to June 1999. Item of the Month, exhibited in Portland Foyer April 2005.Portrait of a woman dressed in black. The woman appears to be seated and is facing the viewer. She wears a black overcoat with a blue, red and white scarf. She also wears a black hat with a gold clasp. The plain background is predominately grey. The work is framed in a gilded, moulded frame and has an exposed canvas.Front: Agnes Goodsir Back: A clear plasstic pocket is attached to the backing board and contains: a fragment of an old French label and a small fragment of paper with the signature "R.D...." on it.female artists, female artist, agnes goodsir, women artist, female portrait, portrait painting, portrait, cherry

Black and white photograph (2 copies). Two oval portraits of man and woman. Appears to be taken from newspaper. Caption beneath portrait reads: "Mr. and Mrs. Kennedy- Pioneers and Pillars of the United Free Methodist Church."

Robert Cochrane was a Linton schoolteacher, and principal of Linton State School 1891-1895.Sepia photograph mounted on card. Posed studio portrait of family, seated man holding book and woman holding fan, young girl standing between them holding flowers.Pencilled on back: "Miss Cochrane's brother???"robert cochrane, linton primary school, ann cochrane, ann richardson

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Black and which photographic portrait with continuous white writing 'man or woman'. TAFE Business Collectionart, artwork, christy van elsen, photography, tafe business collection, portrait, alumni

Commemorative medal made for the 1897 Diamond Jubilee of Queen Victoria. Two portraits of Queen Victoria on the face, one as a young girl, the other an older, veiled woman. The medal originally had the words "Queen Victoria's 60th Year of Reign 1837 to 1897" around the perimeter of the face, however the medallion is so worn that the words are barely visible. The reverse has the Australian Coat of Arms, within a diamond shape. The words "Diamond Jubilee / Australia's Celebration" are around the perimeter (barely readable due to wear). A small crown is above the Coat of Arms and the date "1897" is below it, these are also barely visible due to wear. The medallion appears to have been of gilt plate, however only small areas of gilding are left on the reverse side. Found in the ground by Geelong Bottle Club Prospectors.Round bronze coin, small hole at top, with two faces of Queen Victoria on obverse, and the Australian coat of arms on reverse.On face: "Victoria - 1837-1897". Reverse: "1897-Diamond Jubilee Celebration Australia".queen victoria, diamond jubilee celebrations, medals

This original poster design was produced as entry in the First Australian Exhibition of Women's Work 1907 in Melbourne. Dorothy Leviny was studying art and design at the Bendigo School of Mines at this time, under the tutelage of Arthur T. Woodward, who was recognised as one of Australia's foremost proponents of the Arts and Crafts Movement. Reference: Castlemaine Art Gallery and Historical Society (2007): Catalogue. Portrait of an Exhibition. Centenary celebration of the first Australian exhibition of women's work 1907, p. 44.One of the few original poster design entries known to remain in existence from the First Australian Exhibition of Women's Work, Melbourne 1907.Original poster design by (Bertha) Dorothy Leviny for the 'Australian Exhibition of Womans' Work', Melbourne 1907. Watercolour design showing Exhibition Buildings (Carlton) and five women in medieval costume blowing their trumpets with trees in background. Text top: 'Australian Exhibition', bottom 'of Womans' (sic) Work' and lower left corner 'Melbourne/1907/Oct, 23rd to Nov. 30.Lower right-hand of design - Dorothy Leviny's insignia: A 'B' inside a 'D' with and 'L'(bertha) dorothy leviny, first australian women's exhibition, 1907, exhibition building, carlton, australian women's work, watercolour design, poster, arts and crafts movement