Showing 1016 items
matching australian timber
-
Tatura Irrigation & Wartime Camps Museum
Sculpture - Wood Carving, Kurt Lewinski, My Boys Can Do It, 1945
Depicting five tiny carved figures doing different jobs transferring goods at Tocumwal Railway Gauge Change. Made by former camp 2 Tatura internee after his release in 1942 to the 8th Employment Co. at Tocumwal. Kurt Lewinski was a former Dunera Boy, originally from Berlin, refugee in England in 1938 and transported to Australia in 1940.Wood carving of 5 tiny carved figures - 1 stacking cases, one carrying large filled bag on his shoulders (piece missing when items delivered), one wheeling pallet of large timber boxes, one pushing barrel and one carrying heavy box. Several folded canvases on foreground.8th E.C. Tocumwal My Boys can do it. K. Lewinski 1945 (on back) Base features inlay plaque with inscription.kurt lewinski, wood carvings, dunera boys, refugee in england, tocumwal railway -
Tatura Irrigation & Wartime Camps Museum
"Certificate of Gratitude", 25 January 1984
presented to Mr a Ranson by Greek Government in appreciation for Australian Army defence of their country against overwhelming number of German Air and Army forces.Timber framed certificate of gratitude presented to Mr a Ranson by Greek Government in appreciation for Australian Army defence of their country.Written in Greek -
Geelong Naval and Maritime Museum
Photograph - Framed Picture, "Lightning", Unsure
Built by the celebrated shipbuilder Donald McKay, the Lightning was the first clipper built in the USA for a British firm. In 1862 on a return trip to Liverpool, it struck an uncharted rock in a rip. No water entered the vessel but on arrival a rock 6 feet long was found sticking through its timbers and beginning to work loose. Under Capt. 'Bully' Forbes, the Lightning made its first voyage to Australia in 77 days, and on its return voyage, made it in a record 64 days. The Lightning's entire life was spent on the Australian run carrying immigrants and cargo. It had the job of carrying free of charge immigrants and early consignments of introduced animals, including rabbits, which were sent to Thomas Austin of Barwon Park, Winchelsea. The wreck of ‘Lightning’ caused by fire was the worst shipping calamity in Geelong's history. Geelong's Centenary celebrations included a re-enactment of the burning of ‘Lightning’.Framed picture of ‘Lightning’ which is a ship particularly historic to the region of Geelong because of its story, the worst shipping calamity in Geelong's history.Framed Picture of ship "Lightning"lightning, geelong, ship wreck -
Buda Historic Home & Garden Castlemaine
Domestic furniture, Arts and Crafts embroidered draught screen, c1900
This screen with embroidered and appliqued panels was entered in the First Australian Exhibition of Women's Work 1907, at the Royal Exhibition Building in Melbourne. This landmark exhibition gave women artists and craft workers an opportunity to display their works to a broad audience and gain recognition for the variety and high standard of the works in both traditional and non-traditional fields for women. The embroidery and applique design is based on an original design for a similar object made by British Arts and Crafts Architect and Designer, M.H. Baillie-Scott, which was published in The Studio magazine in the early 1900s,This three-panel draught screen was made by Hilda Leviny in the Arts and Crafts style and entered into the First Exhibition of Women's Work, at the Exhibition Buildings, Melbourne in 1907.Arts and Crafts style three-panel draught screen made from timber(American Oak), linen panels, silk embroidery threads, beaten copper decoration and varnish. The embroidered panels, made by Hilda Leviny, are mounted within the timer framework, depicting a design of birds and trees in the Arts and Crafts style. Pattern Reg. No. 3227.2 and 2503. With copper decoration.hilda leviny, buda, castlemaine, domestic furniture, handcrafts, needlework, art nouveau, 1907, exhibition of women's work, royal exhibition building, woodwork, draught sceen, arts and crafts movement, embroidery and applique -
Benalla Art Gallery
Painting, Clarice BECKETT, Beach scene, Not dated
Born: Casterton, Victoria, Australia 1887; Died: 1935TonalismGift of an anonymous donor, 1978Seaside landscape with trees, grass and rocks. Old gold coloured timber frame.Recto: Signed “C Beckett” in brown paint l.l.c of composition; Not dated; Not titledseascape, landscape, trees, water, australian art -
Benalla Art Gallery
Paintiing, Tom ROBERTS, Kalorama in the Dandenongs, 1924
Born: Dorchester, Dorset, England 1856; Arrived Melbourne 1869; Died: Kallista, Victoria, Australia 1931Heidelberg SchoolLedger Gift, 1978Rural landscape with dirt road. Copper coloured timber frame.Recto: Signed "Tom Roberts. 24." in white paint l.l.c of composition; Not dated; Not titledlandscape, trees, bush, road, hill, forest; australian art -
Benalla Art Gallery
Painting, Charles BRYANT, Fishing fleet at sunset, Not dated
Born: Enmore, New South Wales, Australia 1883; Died:1937ImpressionismLedger Gift, 1980Seaside landscape with sailing boats and lighthouse. Gold painted timber frame.Recto: Signed “CHARLES BRYANT.” in brown paint l.l.c of composition; Not dated; Not titledseascape, boats, building, marine, sunset, australian art -
Benalla Art Gallery
Painting, Arthur STREETON, Impression for Golden Summer, 1888
Born: Mt Duneed, Victoria, Australia 1867; Died: Olinda, Victoria, Australia 1943Heidelberg SchoolGift of Wooleen Pty. Ltd., 1980Flat rural landscape with sheep and standing figure. Black stained timber frame.Recto: Signed “A Streeton“ in brown paint l.l.c of composition; Not dated; Not titledlandscape, animals, figure, trees, summer, australian art -
Benalla Art Gallery
Painting, Walter WITHERS, Sheep in shadows, 1910
Born: Birmingham, England 1854; Arrived Australia 1882; Died: 1914Heidelberg SchoolLedger Gift, 1980Rural landscape with grazing sheep and trees. Gold brushed grey painted timber frame. Recto: Signed "Walter Withers" in brown paint l.r.c of composition; Dated: "~ 10 ~" in brown paint; Not titledlandscape, animals, trees, sheep, australian art -
Benalla Art Gallery
Painting, Ethel CARRICK, In the Luxembourg Gardens (Champs Elysee), c. 1910
Born: Uxbridge, Middlesex, England 1872; Active Australia from 1908; Died: Melbourne, Victoria, Australia 1952ImpressionismGift of Mrs Erma Ledger, 1981Garden setting with figures and chairs. Carved gold painted timber frame.Recto: Not signed; Not dated; Not titledgarden, figures, chairs, australian art -
Benalla Art Gallery
Painting, Clara SOUTHERN, The artist's home, c. 1909
Born: Kyneton, Victoria, Australia 1860; Died: Surrey Hills, New South Wales, Australia 1940 Heidelberg SchoolLedger Gift, 1984Rural landscape and rustic house surrounded by trees. Gold painted timber frame.Recto: Signed "C. Southern" in brown paint l.r.c of composition; Not dated; Not titledlandscape, rural, house, trees, australian art -
Benalla Art Gallery
Painting, Abram Louis BUVELOT, The Barwon, 1870
Born Morges, Vaud, Switzerland 1814; Arrived Australia: 1865; Died: Victoria 1888ColonialLedger Gift, 1986Sailing boat on river in middle of landscape and sheep are grazing. Gold painted timber frame.Recto: Signed " L Buvelot/ 1870" in brown paint l.r.c of composition; Not titledwaterscape, boat, river, animals, house, colonial, landscape, australian art -
Benalla Art Gallery
Painting, Les KOSSATZ, Building blocks, 1969
Born: Mebourne, Victoria, Australia 1943; Died: Melbourne, Victoria, Australia 2011 Abstract ArtGift of the Benalla Apex Club, 1970Cube shapes stacked on top of one another with decoration on sides. Gold painted thin timber frame.Recto: Not signed; Not dated; Not titledpaintings, abstract, boxes, hills, trees, grass, australian art -
Chiltern Athenaeum Trust
Painting - Oil Painting, Alfred Eustace
This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth. Miniature oil painting of a landscape, with creek in foreground and bush and hill behind, by A.W. Eustace, under glass, in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, chiltern, oil painting, landscape -
Chiltern Athenaeum Trust
Painting - Oil painting, Alfred Eustace
This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape, with creek and grassland in foreground surrounded by bushland and hill in distance, by A.W. Eustace, under glass in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, oil painting, landscape, chiltern -
Chiltern Athenaeum Trust
Painting - Oil Painting, Alfred Eustace
This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape with creek and surrounding trees by A.W. Eustace, under glass, in original dark brown timber frame with beige matte and a twist wire stand. One of 3 miniatures. Sticker on back: 188 (original Registration number)alfred eustace, chiltern, oil, landscape -
Chiltern Athenaeum Trust
Photograph - Reproduction
Annie Jessup, an artist, was the youngest daughter of the well-known Australian self-taught artist, Alfred William Eustace. Like her father, Annie created some of her oil landscape paintings on gum leaves. Her older brother Sidney presented one of her paintings to the Chiltern Athenaeum together with his own timber collection.Annie Jessup, and artist, was the daughter of the well-known Australian self-taught artist Alfred William Eustace.Photograph of an oil painting on gum leaf by Annie Jessup, under glass on blue paper in a reddish plastic timber-look frame.Artist's signature on bottom right hand corner of photograph: Annie Jessup/ Myrniong Sticker on back: MADE IN/ CHINA/ FABRIQUE'AU/ CHINEannie jessup, gum leaf painting, landscape -
Williamstown Historical Society Inc
Imperial brass weights, 1859
Williamstown formed as a Municipal Government in 1856 and applied to the Victorian Government for a set of standard weights that would ensure all businesses etc would weigh their goods correctly. They arrived in Williamstown and were used from 1860 until 1966 when decimalisation was established in Australia. TThese weights were the first of their kind to be acquired in Victoria.15 round brass Imperial standard weights in 3 timber cases, weights weighing 1/2oz to 56lbs. Numbers 1 to 11 with rounded knobs and largest 4 (12 to 15) with rounded handles. 12 smallest in timber case, next 2 weights in timber case & largest in timber case.13 have Potter London engraved, also stamped are various verification dates. weights, brass, imperial -
Tatura Irrigation & Wartime Camps Museum
Framed invitation, Invitation to opening of the Commonwealth Parliament, 1901
Presented to Mr C Hogan to attend the opening of Parliament in the Exhibition Building, Melbourne on Thursday 9th May 1901.The sitting of the first Australian ParliamentTimber frame. -
Tatura Irrigation & Wartime Camps Museum
Sculpture - Wood Carving, Kurt Lewinski, Man with Wheelbarrow, 1998
From the bequest of the late K. Lewinski, a German Ort boy from Berlin, refugee in England 1938 - June 1940. Interned and transported to Australia 1940, interned in camp 2. Released in January 1942 to 8th employment co at Tocumwal.Wooden sculpture featuring a man wearing a peaked cap, pushing a wooden wheel barrow filled with round logs, fixed to a wooden rectangular base. 2 pieces.K. Lewinski 1998 Timber: man - kwila, barrow - blackwood, firewood - teak kurt lewinski, wood sculptures, ort boy, internment camp 2, 8th employment co -
University of Melbourne, Burnley Campus Archives
Slide - Glass slide, 1891-1905
'47.' Group of men constructing timber fence.47school gardens, australia -
Maldon Vintage Machinery Museum Inc
Horizontal Oil Engine, Early 20th century
Horizontal cylinder oil engine in working condition. Mounted on a steel and timber chassis with 4 wrought iron wheels. Axles are fixed to timber spacer beams. Two flywheels. Cylindrical cooling water tank, cast iron exhaust system and vertical exhaust pipe mounted at crankshaft end. Engine painted dark green, crankshaft balance weights red, flywheels black, cooling water tank black. Oval brass plate on cylinder - "The "Blackstone" / Carter's Patent / 92393 / Quote This No. / When Ordering Parts / Oil Engine". Brass plate on engine frame - "British Patents / Nos. 19640-02 / 24611-03" Oval brass plate on Balance weight guard - "The "Blackstone" Oil Engine / Clutterbuck Bros / Adelaide / South Australia". engines .... horizontal cylinder ....oil engine, machinery - engines, oil -
Wangaratta RSL Sub Branch
Framed photograph of two soldiers
It is believed Private C SMITH is one of the soldiers featured in this photograph. Private John Claude SMITH 2020 was born 2/8/1893 at Wangaratta He was employed by the Railways and trained in Liverpool, NSW. He enlisted on 8/2/1915 and embarked on 9/8/1915 from Sydney on the "Runic". He served with the 18th battalion on the western front and was discharged on 27/5/1919. Many soldiers going off to the war had a photograph taken of themselves in uniform, often a studio portrait taken by a professional; many also carried a photograph of a loved one with them. But most people were still rather formal and camera-conscious, and smiling for the camera was not usual. Timber frame containing image of two soldiers within a map of Australia below a crown in top centre position with Union Jack and Red Ensign flags in the background. Back has been re-mounted with chipboard. Has wire hangings on the back.ww1, north wangaratta, 18th battalion -
Wangaratta RSL Sub Branch
Framed Poster
Honour Roll of ANZAC Forces who served and died during the Vietnam War.Timber framed yellow poster with brown coloured hat and downward facing rifles either side of an open book."In Remembrance of Anzac Forces in Vietnam/The Tide is Turning/Roll of Honour Australia/Roll of Honour New Zealand" vietnam war, anzac forces, honour roll -
Wangaratta RSL Sub Branch
Frame Print, Guide to Military Campaign Ribbons
100 years of the Australian Army service to the nation with guide to campaign ribbons. Timber frame with gold inner edge containing green mount and Guide to Military Campaign RibbonsThe Spirit - ordinary people, extraordinary serviceguide to military campaign medals, australian army -
Wangaratta RSL Sub Branch
Document - Framed Certificate of Authenticity
Army 100 yearsBrown timber and gold frame with green mount containing document with rising sun and red sealCertificate of Authenticitycertificate of authenticity, australian army -
Wangaratta RSL Sub Branch
Framed Cloth, Wangaratta Picture Framers, C1940
Hand draw sketch on cloth handkerchief by Private Edward CURRAN VX143967 - Born Wangaratta 6/6/1923 Service - CMF 23/1/1942-11/7/1943 AIF 12/7/1943-15/10/1945 24th Battalion Embarked 29/3/1943 for New Guinea. Cotton handkerchief depicting hand drawn sketch by soldier whilst on active service in New Guinea during second world war.Brown timber frame and beige mount containing sketch of a koala in a blue diamond above a boomerang on cloth Bouganville New Guinea 24th Battalion AIF "I Hold Fast" Plaque with inscription "Private Edward Joseph Curran 24th Infantry Battalion Australian Imperial Force - New Guinea and Bougainville"new guinea, ww2, 24 battalion, edward curran -
Wangaratta RSL Sub Branch
Framed Poster
Map of the Dardanelles Strait, Turkey, used as a World War I recruiting poster Includes photographs of King George V; Major-General Sir W.T. Bridges; Brigadier General G.D. Legge; General Sir Ian Hamilton; and Lieut-General Sir William Birdwood and list of Australian Commonwealth Brigade CommandersPosters were used for various government propaganda campaigns over the course of World War I, most significantly to encourage enlistment, but also to raise money for war charities, to encourage saving and frugality and to rally the home front.Timber framed poster of map of Dardanelle Peninsula featuring soldier holding rifleIn top margin: "Rally round the flag, boys!" In lower margin: "Your King and country needs you!" ww1, recruiting poster -
Wangaratta RSL Sub Branch
Framed coins, Royal Australian Mint, 1990
Australian and New Zealand five dollar coin set commemorating the 75th anniversary of GallipoliCommemorative gold metal five dollar coin set issued in 1990 to mark the 75th anniversary of the ANZAC's landing at Gallipoli.Timber frame displaying two commemorative Five Dollar gold metal coins mounted on maroon velvet.. The New Zealand coin shows the reigning monarch on the obverse (QEII). The reverse shows a soldier standing in full World War One kit in front of the New Zealand flag. The Australian coin also shows the reigning monarch (QEII) on the obverse, with an image of Private Simpson and his donkey with wounded soldier on the reverse"5 dollars" two soldiers on a donkey. "5 dollars" soldier in front of flaggallipoli, commemorative coin set, 75th anniversary -
Wangaratta RSL Sub Branch
Framed Print, SS SUEVIC
In 1901 after completing her maiden voyage to Australia "Suevic" was used to transport Australian troops to and from the Boer War in South Africa. SUEVIC was requisitioned by the British Government during World War I but maintained its commercial route and was used for bringing provisions and troops from Australia to Europe. SS SUEVIC 1901-1942 White Star Line. SUEVIC and her sister ship RUNIC served as troopships transporting service personnel for duty overseas during WW1Timber framed print of a ship at sea. The grey mount has signatures in white paint across the top and sides.SS SUVIC Commander Edwin English ss suevic, ww1, troopship, boer war