Vipoo Srivilasa works predominantly in ceramics, creating unique contemporary porcelain sculptures, vessels and figures to transmit a universal message of cross-cultural experience. His works explore similarities between the cultures of homeland, Thailand and his adoptive home, Australia. His work is both a playful, and at times a political, blend of historical figurative and decorative art practices with contemporary culture. For more than 20 years, Vipoo has exhibited both internationally and throughout Australia, including Museum of Fine Arts, Boston; Saatchi Gallery, London; Ayala Museum, Philippines; Yingge Ceramics Museum, Taiwan; Nanjing Arts Institute, China and the National Gallery of Thailand. His work is held in national and international collections including the National Gallery of Australia, the Art Gallery of South Australia, GOMA, and the Craft Council, UK.

Jan FEDER Born Barmera, South Australia Jan Feder was a student at the Gippsland Centre of Art and Design in the 1980s. She had started studying ceramics in Adelaide, deciding to continue here study at Churchill under Hedley Potts' tutelage after moving to Strezlecki. In her final year Jan was an on-campus weekday resident to save on the travel time. This work is part of the Jan Feder Memorial Ceramics Collection which was amassed with funds raised by Jan Feder's student peers at the Gippsland Centre for Art and Design in the mid 1980s after Jan Feder passed away. Although many of the works are donated the intention of the collection was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus. A group of ceramic vessels by Jan Feder, an alumna of the Gippsland Centre for Art and Design (GCAD). After her death in the mid 1980s her student peers amassed funds to create a memorial collection. jan feder, jan feder memorial ceramics collection, gippsland campus, alumni, ceramics

Local resident Deborah Halpern is a highly recognised and respected contemporary artist with an acclaimed national and international reputation in the arts community. She has a strong artistic connection to the area as her parents were founding members of Potters Cottage - a group of local ceramicists who were influential in the development of ceramics in Australia. Deborah Halpern donated Wayfarer through the Australian Government Cultural Gift Program. A cubist inspired kinetic work in three parts, the artwork depicts a semi abstract figure, a ‘traveller’ made out of reflective mirror and colourful ceramic tiles. Wayfarer is an excellent example of Halpern’s tile construction technique and playful style that she is renowned for. Wayfarer is one of Halpern’s first works exploring kinetics as well as combining mirror with painted ceramic tiles. Sculpture - Kinetic Ceramic, Glass, Fibreglass, Aluminium deborah halpern, wayfarer, nillumbik shire council

Jan ALEXANDER Jan Alexander completed a Graduate Diploma of Ceramics at Federation University from 2019-2022. In her work Jan explores the synergy of form, texture, and glaze, and the crafting patterns of movement and reflective surfaces that capture and interact with light, to create an ambience which invites contemplation, to instil a tranquil tone.ceramics, jan alexander, dvc art award

A pink programme with black print. On the front are the words, ' The Scotch College Dramatic Society presents ' A Safety Match' (In four acts) by Ian Hay at the Free Library Hall, Portland on Thursday, September 6th, 1928. To commence at 8 o'clock. Tickets - 2/- (Booking at Toye Bros. 5d. Extra) Proceeds in aid of Portland Public Hospital. Programme--3d. G. A. Fisher, Secretary. 'Guardian' Print, Portland. Inside is the cast list and a Synopsis of Scenes.program, theatre, scotch college dramatic society, lydia chancellor, collection, entertainment, drama, theatre, scotch college, portland, programmes, program

Object. Copper coloured ring shaped badge, 3D head and shoulders of a horned stag attached atop and bottom of rim across the centre gap. Around the top edge''JE SUIS PREST''(Translated ''I AM READY''). U shaped extension on lower edge of ring. Hinge and bracket from brooch clip on the back. He suis prest with a stag's head is the crest of Clan Fraser of Lovat - a Highland Scottish Clan.On back ''MEDLOCK INV''numismatics, badges-civil, je suis prest brooch badge

Brown wooden 2004 Hume North East Region Sports Award plaques with gold metal plate on the bottom section and 3D Year Champion sticker in the centre. Team awards: Year 7 boys squash team Year 8 girls squash team Intermediate boys football team Boys senior squash team Individual Awards: Andrew Kelly- Golf Outstanding Achievement heather Oliver- Basketball Outstanding Achievement

Bryan TRUEMAN (13 November 1941- ) Born Derbyshire, England worked in Australia 1975–1992 Bryan Trueman studied at Blackpool School of Art in 1962, undertaking Postgraduate studies at Manchester College of Art in 1963. He toured the east coast of America in 1967-8, then returned to England where he started to train himself in Ceramics. Migrating to Australia in 1975 Bryan Trueman lectured at Caulfield Institute of Technology, Melbourne. In 1982 he opened a studio in Warrandyte, Victoria. Bryan Trueman was a visiting lecturer to the Gippsland Institute of Advanced Education c1982. He is particularly well-known for his painterly use of glazes to depict the Australian landscape, using the platter as the base form. Bryan Trueman was a visiting lecturer to the Gippsland Centre for Art and Design in 1982. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there. Wheel thrown stoneware platter, with colourful landscape glaze.Bryan Trueman Aug '82ceramics, bryan trueman, gippsland campus, artists, artwork, jan feder memorial ceramics collection, landscape

John NEELY (1953- ) Born Leavenworth, Kansas, USA John Neely is the Professor of Ceramics at Utah State University. John has studied Ceramics in Japan, and lectured and conducted in workshops, including at the Gippsland Centre for Art and Design. He is an expert in the technology of clay, glaze and kiln firing with a keen interest in pattern and texture. After completing a Bachelor of Fine Art at Alfred Univerity, New York in 1975, John Neely participated in a one year Foundation Fellowship at Tokyo, Japan. The following year he was the recipient of a Rockefeller Brothers Fund One Year Fellowship in Tokyo, Japan. Neely completed a Ministry of Education Two Year Postgraduate Research Fellowship at the Kyoto City College of Fine Arts, Kyoto, Japan and was awarded a Master of Fine Art at Ohio University, Athens, Ohio in 1982. This work is part of the Jan Feder Memorial Ceramics Collection which was amassed with funds raised by Jan Feder's student peers at the Gippsland Centre for Art and Design in the mid 1980s after Jan Feder passed away. Although many of the works are donated the intention of the collection was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus. Ceramic salt fired pot John Neely from Logan, Utah, USA, who was a guest lecturer at the Gippsland Centre of Art and Design (later Federation University Australia).ceramics, gippsland campus, jan feder memorial ceramics collection, john neely

The Appendix of Art Schools under the Technological commission includes Ballarat City Schoolof Art (Academy of Arts, Ballarat West), Ballarat East School of Art (Ballarat East Public Library, Barkly St) and Ballarfat West School of Art (Ballaarat Mechanics' Institute).1 Twenty-three page typed report on foolscap sized paper dated 1886. It includes an appendix of a List of Schools of Art Under the Auspices of the technological COmmission for the year ending December 1886. .2 Twenty page photocopy of typed report on foolscap paper. Dated 1886. It includes a syllabus of technological subjects recognised by teh City and Guilds of London Institute. .3 Thirty-one page typed report on foolscap sized paper. Dated 1887 .1 and .2 are sectioned - 2 large sheets folded to make 8 pages. Sections are them stapled together .1 and .2 Victorian Government reports printed by John Ferres, Government Printer, Melbourne .3 Report printed by Robert S. Brain, Government Printer, Melbourne Each report is numbered bottom left-hand side: .1 No. 21-[1s.3d]; .2 No. 67-[1s]; .3 No.36-[1s3d]technology, technical education, royal commission for technical education, education, henry brougham loch, joseph bosisto, art schools, science schools, w.c. kernot, frederick mccoy, c.r. blackett, f. stanley dobson, andrew burns, j.g burns, ballarat west school of art, ballarat city school of arts, r. baker, e.h.l. swift, a. doepel, henry wheeler, w.h. batten, james oldham, henry j. hall, kew school of art, maryborough school of art, trades hall female school of art, clunes school of art, castlemaine school of art, professor huxley, edward fraser, a. humphreys, j. oldham, f.j. hall

Stapled folder containing handwritten inventory of historic items collected for school fund-raising exhibition.Column headings include name of collector, type of item, and record of payment of 3d/per item entry fee. Sample of exhibit items include personal and household items, geological specimens, weaponry, and taxidermry. (Prizes for oldest exhibit and most unusual or most original exhibit categories advertised but results not recorded.)

Twelve(12) State Electricity Commission of Victoria Provincial Tramways tickets. Eight(9) 8d(eight pence) tickets printed in red, Nos. C668538, C667380, C668542, C668543, C66544, C668545, C668546. Three(3) 10d(ten pence) tickets printed in black, Nos. A747804, A747805, A747806. One(1) 1/-(one shilling) ticket printed in mauve, No. A592800. One 1/3d(one shilling and threepence) No. Csg 074933.person, individual, basil miller

A cream programme with blue print. On the front cover is a photo of Mr. W.C. Frazier A.R.C.O. The Conductor. Also are the words, ' The Bendigo Choral Society.' Season 1925. Third Season. 31st Grand Concert, Town Hall, Bendigo. Wednesday, December 2nd. 1925 and a list of the artists. Z.S. Martin Hon. Sec. C/- Commercial Bank. W. Mansell, Assist. Hon. Sec. C/- P.O. Bendigo. Programme Price 3d. On the inside is the programme. 4 pages.program, music, bendigo choral society, lydia chancellor, collection, ' the bendigo choral society, ' entertainment, music, singing, choir, amusements, bendigo town hall, programme, buildings, concert

Jane Annois had a long involvement with Potters Cottage in Warrandyte, where she taught for many years. Potters Cottage was established in the late 1950s in Warrandyte as an artist co-operative. Founding members included Reg Preston, Phyl Dunn, Gus McLaren, Artur Halpern, Sylvia Halpern and Elsa Ardern. These talented artists had the ingenuity and foresight to create a teaching studio, gallery shop and restaurant to experiment, make, promote and sell predominantly domestic wares of the time. These activities helped financially sustain each member’s individual creative practice. Potters Cottage was influential in the development of contemporary ceramics, building and developing practices that experimented with traditional ceramic processes, raw materials and locally sourced clay. The group mentored and nurtured many interested in the art of ceramics, producing alumni and teachers such as Peter Laycock, John Dermer, Greg Daly and Jane Annois. Jane Annois is a ceramic artist who has lived and worked locally in Warrandyte for many years. She focuses primarily on exploring the art of Japanese raku, adapting the technique to develop the typical characteristics of crackle glazes and lustres, with contrasting areas of black. Jane also applies a fine slip called terrasigillata which gives soft, warm ochre colours. This technique was once used by the Greeks over 2000 years ago to seal and decorate their pots. She is also strongly onfluenced by the French potters, particularly in the style of terre vernissee, a decorative form of terracotta tableware. Three piece stoneware and raku fired ceramic sculpture. The first piece is a hollow, dome shaped object. It is orange (terracotta slip) in colour with a copper metallic band and a black edge on one side with a small yellow glazed rounded triangle and metallic strip of colour on the otherside. The second piece is shaped like a traditional vase. It is orange (terracotta slip) in colour with white crackle on the inside. It has a yellow slip edge with a dark glazed square on one side and on the other side a black thick edge that mirrors the contour of this shape. The third piece is shaped loosley in the form of the letter 'z'. It compliments the second piece with a yellow slip edge and black glazed square to its lower left side and top right as well as on its' other side a black thick edge that mirrors the contour of this shape. This piece has a very small skewed square opening at its' top. All three pieces have elements of crazing and variations of colour and lustre, caused by the raku process. 2006.52.1VA has the artist name/signature 'J. Annois' inscriped small (with fine point ceramic tool?) on the front of the piece, bottom right; 2006.52.2VA has the artist name 'Jane'? inscribed (unlegible - with fine point ceramic tool?) underneath; 2006.52.3VA has the artist name/signature 'Jane Annois' inscriped (with fine point ceramic tool?) inside its hollow form. evolution, raku, stoneware, terrasigillata, terracotta, glazes, slip, terre vernissee

Tony NANKERVIS A graduate student from the Gippsland Centre for Art and Design (GCAD), Tony Nankervis has been a pioneer of the long wood-fired ceramics technique in Australia. He retired from lecturing at Southern Cross University after working there for 19 years in 2004. He describes his work as 'one-off functional table ware', which includes highly-individualised everyday table items. Nankervis prefers the pre-Industrial Revolution method of firing pottery, involving heating the kiln by burning wood for five days, to the modern, quicker methods using gas or electricity. The distinctive surfacing in wood-fired ceramics is generated by the ash and volatile salts from the burning wood. The wood ash and salts blush the ceramic pieces in the kiln, with finished work taking on the nature of the firing process, which has been described as painting with fire.Two woodfired earthernware cylindrical forms by Tony Nankervis. tony nankervis, woodfire, jan feder memorial collection, jan feder, ceramics, gippsland campus, jan feder memorial ceramics collection, alumni

Human beings appear to have been making their own ceramics for at least 26,000 years, subjecting clay and silica to intense heat to fuse and form ceramic materials. The earliest found so far were in southern central Europe and were sculpted figures, not dishes. The earliest known pottery was made by mixing animal products with clay and baked in kilns at up to 800°C. While actual pottery fragments have been found up to 19,000 years old, it was not until about ten thousand years later that regular pottery became common. An early people that spread across much of Europe is named after its use of pottery, the Corded Ware culture. These early Indo-European peoples decorated their pottery by wrapping it with rope, while still wet. When the ceramics were fired, the rope burned off but left a decorative pattern of complex grooves on the surface. The invention of the wheel eventually led to the production of smoother, more even pottery using the wheel-forming technique, like the pottery wheel. Early ceramics were porous, absorbing water easily. It became useful for more items with the discovery of glazing techniques, coating pottery with silicon, bone ash, or other materials that could melt and reform into a glassy surface, making a vessel less pervious to water. https://en.wikipedia.org/wiki/CeramicThe discovery and development of ceramics in numerous shapes, form and materials, revolutionised the world.White ceramic container, glazed with single groove around circumference near lipNoneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ceramics

Human beings appear to have been making their own ceramics for at least 26,000 years, subjecting clay and silica to intense heat to fuse and form ceramic materials. The earliest found so far were in southern central Europe and were sculpted figures, not dishes. The earliest known pottery was made by mixing animal products with clay and baked in kilns at up to 800°C. While actual pottery fragments have been found up to 19,000 years old, it was not until about ten thousand years later that regular pottery became common. An early people that spread across much of Europe is named after its use of pottery, the Corded Ware culture. These early Indo-European peoples decorated their pottery by wrapping it with rope, while still wet. When the ceramics were fired, the rope burned off but left a decorative pattern of complex grooves on the surface. The invention of the wheel eventually led to the production of smoother, more even pottery using the wheel-forming technique, like the pottery wheel. Early ceramics were porous, absorbing water easily. It became useful for more items with the discovery of glazing techniques, coating pottery with silicon, bone ash, or other materials that could melt and reform into a glassy surface, making a vessel less pervious to water. https://en.wikipedia.org/wiki/CeramicThe discovery and development of ceramics in numerous shapes, form and materials, revolutionised the world.Plain cream ceramic bowl with flat bottom inside. Shiny glaze fades to flat texture towards base. Possibly hand thrown pottery. No backstamp. Bad crazing and staining.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ceramics

Alan PEASCOD (1943-2007). Born England. Arrived Australia 1952. Alan Peascod was one of Australia’s most highly acclaimed ceramic artists. For over 35 years his work has been at the forefront of the Australian ceramics movement, developing radical techniques previously unexplored with his developments in unusual glazes and firing methods. His creative repertoire includes dry glazed vessels, alkaline glazes, majolica, saturated metals, and many post firing finishes. Alan's work with the very difficult reduced lustre technique is highly regarded. He was taught the method by Professor Said El Sadr in Cairo, Egypt in 1972 and this led to lifelong research of the technique throughout the Middle East and Europe. His work in the field led to the completion of his doctoral studies at the University of Wollongong in 1994. This study also led to satirical figurative sculpture themes dealing with the human condition. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there.Blue and green dry glaze bottle. alan peascod, ceramics, gippsland, jan feder memorial ceramics collection, gippsland campus, visiting artist

titled "Timetable of first and last trams and buses also All-night and Sunday morning services", setting out services, fares, city concession fares, all night fares, fare sections, and that strips of 2d and 3d tickets could be bought from conductors. Has a "advertisement" for shoppers travelling in comfort between 930 and 430, dinner and afternoon tea at the Wattle Park Chalet and Family excursion tickets to the Beaches and Wattle Park - 2/6. See Reg Item 1751 for an April 1951 version, 2140 for a 1935 version and 8209 for a March 1942 version. Yields information about MMTB tram and bus servicesTimetable printed on off white paper, folded into 9, Dated January 1946. Printed by Sands and McDougall - has their logo printed on the middle section of the outside fold. See Reg Item 1751 for an April 1951 version and 2140 for a 1935 version.trams, tramways, timetables, first tram, wattle park, fares, all night services

Titled "Timetable of first and last trams and buses also All-night and Sunday morning services", setting out services, fares, city concession fares, all-night fares, fare sections, and that strips of 2d and 3d tickets could be bought from conductors. Has a "advertisement" for shoppers travelling in comfort between 930 and 430, dinner and afternoon tea at the Wattle Park Chalet and Family excursion tickets to the Beaches and Wattle Park - 2/6. Signed S M Richardson Manager. See Reg Item 1751 for an April 1951 version and 899 for a Jan 1946 version. Yields information about MMTB tram and bus servicesTimetable printed on off-white paper, folded into 9, Dated March 1942. Has a sheet of paper glued over the one part of the document, which has the Sands McDougall logo underneath. trams, tramways, timetables, first tram, wattle park, fares, all night services

Debbie HILL Born Melbourne, Victoria Debbie Hill graduated from the University of Ballarat (later Federation University Australia) with a Bachelor of Fine Arts in 2001. IN 2018 she completed a Graduate Diploma in Ceramics at Federation University. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawingart, artwork, debbie hill, available, alumni

A pink programme with black print. On the front cover is a photo of Mr. W.C. Frazier, A.R.C.O., The Conductor, and the words, ''The Bendigo Choral Society's Season 1926. Second Concert. 33rd Grand Concert. Town Hall, Bendigo. Wednesday, September 15th followed by a list of the main artists. Mr. J.E. Paramount, Secretary, 22 View Street. Mr. W.F. Mansell, Asst. Hon. Sec. C/- P.O., Bendigo. Programme Price 3d. On the inside is the programme. 4 pages.program, music, bendigo choral society, lydia chancellor, collection, ' the bendigo choral society, ' entertainment, music, singing, choir, amusements, bendigo town hall, programme, buildings, concert

A white souvenir programme with a photo of the Conductor Mr. W.C. Frazier A.R.C.O. on the front. Also on the front are the words, ' The Bendigo Choral Society.' Season 1923. First Concert. 23rd GRAND CONCERT Town Hall, Bendigo. Wednesday, May 9th. 1923, at 8 p.m. Hon. Secs. J. Hudspeth, 85 Wills Street, Z.S. Martin, 66 McKenzie Street. Cambridge Press Print, Bendigo. Programme price 3d. Inside the leaflet is the programme. 4 pages.Cambridge Press Print, Bendigoprogram, music, bendigo choral society, lydia chancellor, collection, ' bendigo choral society, ' entertainment, music, singing, choir, amusements, bendigo town hall, programme, buildings, concert

Form - printed on off white paper, form No. 3/203, titled "Conductor's Running Journal", to be used by conductors to record trips, fares sold along with crews names and number. Has fares from 3d to 2/6. In right hand margin, has Control phone numbers. In the top right hand corner has the date stamp of Hawthorn Tram depot - 13 Feb. 1965 - the last day of operations of the depot. Possibly an Journal that was stamped for use on the day and not used as such.trams, tramways, hawthorn, closure, depot, last day, conductors, running journal, tickets

Manufactured coin dispenser for 1, 2, 5, 10, 20 and 50 cent coins, made from black, white plastic with metal springs under each white coin support plate. Held in position by three metal screws. Manufactured by BIPA Australia. Fitted with two openings at the rear so a leather or belt strap could be passed through. There are a number of 1, 2, 5, 10, 20, 3d, half penny and penny coins in the unit - for display purposes only, not collected.trams, tramways, fares, cash handling, tickets

.1 Postcard size Souvenir Tram ticket, printed using blue ink on one side with fare, photos of power station, engine room, boiler room and a tram & No. 1887 stamped on edge. On reverse side is space for stamp, address etc., - with line & "postcard' etc., printed in red ink. Letter/note to Miss A Coote of St Kilda, stamped in Ballarat on 22-8-1905. Fares given on card are : Mount Pleasant and Orphanage and Grenville St. 3d, or Grenville St. and Tram sheds 3d. Printed in a blue/grey ink of various shades onto a white card. Acted as a souvenir card. The letter writer notes the opening of the tramway and having a glorious holiday. One Penny stamp, with Ballarat Cancellation stamp and - "5" stamped on the top of the postage stamp. See also Reg Item 608 for further versions of this object and 7071 for another card used as a letter. .2 - Letter from Melinda McIntyre regarding Agnes Coote story. .3 - Photograph of Agnes Coote.` See document file for correspondence and item for Fares Please!trams, tramways, esco, opening, ballarat, tickets, letters

Has a strong association with the Ballarat and Bendigo tramway system as being identified as being used on the system and for which trip on a specific date and demonstrates the ticket style prior to the time of decimal conversion in Australia.Set of 9 pre-decimal or imperial currency tickets used on the Ballarat or the Bendigo tramway system with three of them noted as to their use on the rear. 1 - 3d - orange ticket, over printed "City Section" - A 198391 - used "Charing Cross to Station - tram 23 - Sat 22 May 1965" 2 - 3d - orange - V437554 - on rear "Tram 34 Going to Mt Pleasant Easter Tuesday 31 March 1959". 3 - 5d - green - Q565064 - on rear in pencil "Quarry Hill to Charing Cross (No. 3) 4 - 5d - green - Q565055 - ditto, with addition of "2nd tram" 5 - 7d - black A987991 - on side in pencil' "Eaglehawk to Q Hill No. 3" 6 - 8d - red C209572 - "18 Drummond from L St N Sun 8 Nov. 1964" 7 - 8d- red - C209585 - "ditto" 8 - 8d - red - C582546 - "Q Hill to station tram 23, Sat 22 May 1965" 9 - 1/- purple - A 180987 - "18 decorated for Sebastopol Gold Cent. Sun 8 Nov. 1964 to Sebastopol" trams, tramways, tickets, secv, ballarat, bendigo, gold, sebastopol, quarry hill, mt pleasant, lydiard st north

Set of 9 mixed SEC tickets found in Ballarat No. 28, behind the north side sandboxes No. 2 end 6/1/1999. Tickets have been used and have varying degrees of dirt. The image file shows the nature of the damage. Tickets have not been individually numbered with the Registration Number, but can be identified by their ticket number and denomination. All SEC decimal tickets with one SEC pre decimal issue. All on white paper unless otherwise noted. 3d - 45 004131, black ticket with 3d in blue on pink paper, plain back 4c - B 177166 - red ticket, SEC logo on back 5c - B 271063 - yellow ticket, SEC logo on back 7c - B251545, turquoise ticket, SEC logo on back 7c - B385254 - turquoise ticket, SEC logo on back 7c - B447403 - turquoise ticket, SEC logo on back 10c - B873852 - black ticket, SEC logo on back 10c - B995920 - black ticket, SEC logo on back 15c - A202245? - brown ticket, tartan back trams, tramways, tickets, used tickets, secv, ballarat