The wedding of Nick Papas and Mary?/Meg? Ferguson. Nick's brother Jack is pictured first on the left. Nick and John Papas worked with stained glass specialists and worked on projects such as Melbourne's Lazar's restaurant windows, the Great Hall of the Arts Centre, and many churches around Melbourne, both Greek and other denominations. A black and white photograph of a wedding party photographed in a garden. There are the bride and groom and two bridesmaids and two groomsmen.pappas, papadopoulos

Photograph is at the wedding of Costas Defteros and Anastasis(Tasista) Raftopoulos. From left: Argiris Deftereos, Nina Chalkiades, Marika Deftereos (groom's mother), Costas and Tasista Defteros, the best man Marinos and Eutichia (nee Vlassopoulos, Kiourkiouris) Drakopoulos, Agathi Drakopoulos (Marino's mother, nee Deftereos Dellis). Flower girls from left: Chrissa Kandiliotis and Christine Kandiliotis. Young boy is Jim Drakopoulos. Kostas and Tasia settled in Brisbane.The photograph was taken at Hioni Photo Studios which was located opposite the Evangelismos Church in Victoria Parade. Many of the post war Greek immigrants of the 50s and 60s had their wedding studio photos taken at Hioni's. A black and white studio photograph of a wedding group of three men, five ladies, two flower girls and a little boy. The group are standing behind a curtained window.Hioni Photo Studios

The photograph shows a newer section of the monastery with the five restored windows.A coloured photograph of a section of az brick building with five windows along the wall.greek orthodox church

The East windows of St Paul's Church of England at Linton, designed by Christian Waller (Mrs Napier Waller). Given to the church by the Lewers family, in memory of Samuel and Annie Lewers and other pioneers of the church. Dedicated on 3.08.1938. Photograph taken in 1990.Colour photograph of two stained glass windows: "The Nativity", "The Ascension"."Perpetual Light Church of England Linton".st paul's church of england linton, mrs napier waller, christian waller, lewers family, 'the nativity' [stained glass window], 'the ascension' [stained glass window]

In 1860 Scottish settlers commissioned the Presbyterian church in Buninyong and the foundation stone was laid in March 1860 by Mrs. Celia Scott of "Mount Boninyong" one of the earliest settlers in the district. In 1971 the church combined with the Methodist Church to form the Buninyong United Church and then in 1977 became part of the Uniting Church of Australia.This church represents the impact of Scottish settlers in the district and their emphasis on religion and education, many of the church's fine stained glass windows depict depict various members of the Scott family and the Rev. Thomas Hastie.A colour photograph of the Buninyong Uniting Church taken circa 1997churches, presbyterian church, buninyong uniting church, scottish settlers, scott family, rev. thomas hastie

On June 26th an army of workmen gave their services for free, built the Methodist Church in Sherwood Avenue, Chelsea. A weatherboard building, 35 x 20 feet, with Gothic style amber white glass windows. The first service was held in the Church at 6:00pm the same day.Black and white photo of men taking a break from their work, building the Methodist Church in Sherwood Ave, Chelseareligion, methodist, building, chelsea, community

Fashion by Oggi, as the sign above the door proclaimed, was located at the Paris End of Collins Street, on the south side, virtually opposite Lilian Weightman’s Le Louvre boutique. Janet Brock, who at the time was working in the Central Business District of Melbourne, had stopped to admire a mauve version of the dress that was displayed in the window, and, on making inquiries from the proprietress, ordered a made-to-measure cream-coloured copy. Her marriage occurred shortly after the death of her father, and took place on 18 December 1971 at the Kew Presbyterian Church in Cotham Road, where the Rev. Peter Mackie was the celebrant. The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Wedding dress, purchased by Janet Elizabeth Brock in December 1971 from Oggi of Collins Street. The wedding dress, reaching just below the knee, is lined in silk with a double outer layer of organza. The striking decoration of the monochromatic cream dress is achieved through the use of wide ruffled organza frills at the neck, on the sleeves and at the flared hem of the dress. The dress has a discrete v-neckline with small, self-covered buttons at centre front. At the back, the dress is closed with a nylon zip. In addition to the elaborate stiffened frills, the dress features a wide fabric belt with a double bow, worn at the front. oggi - 103-105 collins street - melbourne (vic), women's clothing, wedding dresses, janet (brock) walker, australian fashion - 1970s

Anglican (Church of England) services began in Bacchus Marsh as early as the 1840s. In 1855 an imported iron building from England became the first permanent Anglican Church building in Bacchus Marsh. It stood close to the location of the Holy Trinity Anglican Church erected in 1877 which still stands in 2025. It was in use between 1855 and 1877. These type of iron structures were cheaper to erect and could be dismantled and moved to other locations when necessary. The Iron Church was brick-lined and could hold between 150 and 200 people. The Church was opened on 4 July 1855 by Hussey Burgh Macartney, Dean of Melbourne. It was later consecrated by Bishop Perry on 28 July, 1861. The cost of construction was around 1,000 pounds. In 1877 the Holy Trinity Church was erected. The Iron Church was dismantled and sold to to two local businessmen, George Marshall and James Reid. It was re-erected in July 1877 without its brick lining or steeple and is presumed to have been used as a shed at a location in Graham Street known as 'Webster's Brothers Yard', (14 Graham Street). Over time the structure deteriorated to the point that it could no longer be used. Remnants of the Iron Church could be seen for many years. In 1995 the remnants were described by Peterson and Catrice in the Heritage Study of Bacchus Marsh Shire in the this way, 'on the rear boundary, now used as an outbuilding, is the surviving fabric of the former "Iron Church". This has a gabled roof and had four pointed windows at sides. It is all clad in corrugated iron. Access was not possible, but a 1977 photograph shows Gothic tracery in a window'. This is a rare image of a prefabricated building in mid-nineteenth century Victoria. Prefabricated buildings were widely used in the early Colonial period of Victoria as a cheaper building option for new and developing communities. Most of these buildings did not survive in the long term and photographic evidence of these type of structures is an important record of an aspect of Victoria's architectural history.Small black and white 'carte de viste' style photograph mounted on card. The image depicts the first permanent Anglican Church building in Bacchus Marsh, the Trinity Church, also known as the Iron Church. The date of the image is thought to be about 1867.anglican church bacchus marsh, churches bacchus marsh, trinity church bacchus marsh, bacchus marsh iron church, prefabricated buildings

It is believed this house was situated at the New Works, the front room being used for church services. It was moved to Church St Lakes Entrance and in the early 1990's was bought by Val Northrope and moved to their property at Princes Highway. It was moved again to the Northropes property on Wards Rd Tambo upper in the early 2000's. See VTMH 05007 for more recent photo'sColour photograph of a small cottage situated in Church Street, has corrugated iron roof painted red, veranda across front over front door, window each side of door glazed with small panes. Lakes Entrance Victoriahouses, urban renewal, heritage study

Illustrated book. Multicolour front cover with title and authors name, as well as illustration (black and white photo) of a 'receiving" window, where fathers or other visitors could view a newborn. Nurse and man standing on one side and nurse holding a baby on the other. Title, authors name and publishers mark in white print on gold coloured spine. The back cover has a cream background with a summary of the book printed on it. There are also three photos of the hospitals three homes: St David's Church Hall, Mint Place and Lonsdale St.non-fictionA history of the Queen Victoria hospital. In 1896 eleven female doctors led by Constance Stone opened the Victoria hospital for women and children. After three different city locations, it ceased to exist as a separate entity in 1987, when amalgamation saw it form part of the Monash Medical Centre in Clayton.queen victoria hospital (melbourne), queen victoria memorial hospital (melbourne), queen victoria medical centre(melbourne), monash medical centre, hospitals-victoria -history

"LARGE GATHERINGNG AT - CROSSLEY DEDICATION AND OPENING SERVICES. SERMON BY DR. MANNIX. Yesterday was an important and historic day for the Roman Catholic community of Crossley and Koroit, in as much as it will be always associated in the memories of all con cerned with the opening of the new St. Brigid's Church, Crossley. This building is far above the average standard of sacred edifices in country towns, and is certainly superior to any ercted in this district outside the churches in the two larger centres - Warrnambool and Koroit. The style of architecture chosen is a free treatment of the Romanesque, which is something quite original in the Western District. This noble style, from which, with its near re lative the Byzantine, spring the great Gothic school of architecture, is characterised by a special charm of its own, one of its chief features being graceful and sweeping circular curves in roof, window heads and in the ar rangenent of the ground plan. The building is of brick finished off with true Romanesqiue pillared pinnacles in concrete and plaster, the brick and concrete producing a pleasing contrast. The main characteristic of the front is a large rose window filled with Romlanesque circular tracery, and below a bold porch and entrance. The two sides are pierced with long circular-headed windows between graceful buttresses and the wall line is pleasingly broken by the projecting bays of the confessionals and also by the vestries. The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. The ceiling is semi-circular and of fibrous plaster in ornate designs. All the windows are lead lighted, throwing a rich and mellow harmony of' color throughout the interior and the white wails, mouldings, architraves and other fibrous plaster decorations: are further relieved by the rich coloring: in the stations of.the Cross arrranged around the nave. The central window of the Sanctuary contains a splendidly executed stained glass representation of St. Brigid. At.the western end is a room gallery. The altar is a choice piece of Gothic woodwork, in light, soft coloring, and there are two altars on either side of the Sanctuary in oak, and above whlch are very fine colored figures of Christ; and the Madonna. On either side of the altar are life-size figures of angels holding high brass candalabra. The whole of the furnishings of the church are on a sumptuous scale, and the edifice reflects credit on all concerned. The church can seat nearly 500 people. The architect was Mr. A. A. Fritsch. of Melbourne, and the contractors Messrs F. and E. Deagne, of North Fitzroy. The contract price for the building was £5,500. THE OPENING SERVICE. After the cereimony of solemnly blesssing the church was performed by His Lordship the Bishop of the Diocese, Dr. Higgins, assisted by His Grace the Coadjutor Archbishop of Melbourne. Dr. Mannix, the great gatheiring from all parts of the district entered the church, which was soon completely filled. The members of the H.A.C.B.S. attended wearing their green and gold regalia, and acted as a 'guard of honor' to the Co-adjlutor Arclhbishop and Bishop. Mass was celebrated by the Rev. Father Phelan, of Koroit, and a feature of the solemn service was the singing of a choir which consisted of picked voices from St. Carthage's choir, with friends from Warrnam bool and assisted by some of the mem bers of the Koroit choir, with Miss Logan as organist and Mr. Arthur H. Renwick as conductor. They rendered the music in splendid style throghonut. The "Kyrie," "Gloria." "Agnus Dei' and Dona Nobis" were from Farmer's Mass in B flat, and the "Credo" and "Sanctus" from Webbe's Mass in G. The soloists in the Mass were Mrs. Ryan, the Misses McEntee. Miss Katie O'Brien. and Messrs. J. M. Crowley, W. J. Callaghan; B. McEntee and W. Mahony. The chorus sang with great precision, special attention being paid to at tack. At the offertory Mrs. Dan Ryan gave a beautiful rendering of Gounod's "Ava Maria." After the Elevation that fine duet "Tantum Ergo." by Rossi, was sung by Messrs. Crowley and Renwick in an artistic manner, their fine voices blending splendidly. During the collection, Mr. Renwick sang with much feeling that devotional solo, "Lead Thou Me On,", after which Mr Crowley gave .an ex cellent rendering of Weissi's "0 Salu taris Hostia;" and the choir sang several hymns." It might here be mentioned that at the request of Fa ther Kerin, the same choir will repeat the music.at the Koroit Church on Sunday next, on the occasion of the ceremnly of laying the foundation stone of the cormpletion of the church. Dr. Mannix preachled the sermon for the occasion, taking his text from St. Luke first 11 verses. He re viewed the Gospel story of Christ preaching to the multitude from a boat on Lake Gennesaret and the miraculous draught of fish. The obedi ence of the poor fishermen in casting their nets at Christ's bidding was richly rewarded, and the miraculous occurrence was a striking example of what was to happen when Christ established His Church and built it up on those twelve apostles. When they came to think of it, nothing so re markable and marvellous had happened before or since in the history of mankind. The world at that time was for the most part a Pagan world steeped in iniquity and sin. The chosen people of God had God's re velation, but they worshipped with their lips and not with their hearts. When Christ was to establish His Church upon earth and leave an or gantisation that would continue His work, did He select learned men, powerful men, rich men, or a time that would seem propituous? No. He selected twelve poor, igorant simple fishermen, without money, power, learning or anything calculated to enable them to do anything striking in the world's history. The success of the first morning after pentecost was not confined to those first days when the plentitude of the Holy Ghost sat upon the .Apostles, but it continued age after age until the whole world was brought within the sphere of ac tion of the Church. Greece, Rome Europe Asia and America, and now Australia had been brought into the net. This must be a consolation to them all as well as it was to him (the preacher), when they remembered that they came from a land which of all others had been faithful to the Gospel of Jesus Christ. It was a consolation to them that in that great work that had been accomplished in bringing men into the meshes of the Church, and bringing them to God the nation to which they belontged had taken so great a part. Their religion flourished in England, Scotland, America and Australia. Surely it was due to the sons of St. Patrick, the sons and daughters of Ireland to find consolation in these great facts might It might seem hard that so many had to leave their native-land for England, Scotland, America and Australia. But if hard it was the means of keeping the Catholic faith living in England and Scotland. If to-day the Irish Catholics and Catholics of Irish de scent were taken out of the English and Scotch population there would be little left of the true Church of God. It seemed hard to emigrate to distant lands, but the result had been the new magnificent church in the United States, the flourishing churches in Canada and South Africa. Those Irish emigrants were a cornparatively small band. Perhaps they had not the learning of other nations. Certainly they had not the wealth and it did not fall to their lot to have the power of the sword, but God was with them, and the faith they took from Ireland flourished in those distant lands. In this fair land of Australia they had a glorious herit age handed down from the pioneer Irish Catholics, who came to this fair Austral land. There was a time when those who were opposed to God and God's Church,thought that Australia should be a wholly Protestant land. They had lived to see whether God or His enemies were the stronger. They had lived to see that those who in distant days would have stamped out the Catholic religion in Australia, had not prevailed. Their names had been forgotten because of their persecution of the Catholic Church, and they had lived - to see the glorious success that now, in every part of the Common wealth, rested upon the Catholic Church in Australia. Might God bless that Church and those Irish people, and the people of Irish descent, who had built it up. In that locality, and there was no place in.the Common wealth where the Catholic Church was held in higher esteem, the people would always be faithful to God and His Church. That beautiful building, and all it signified in loyalty and faithfulness, was a credit and a consolation to the Bishop and people of the diocese, to the architect who had done his work so artistically and skil fully. to the priests and the zealous administration of the parish. There was surely hope and inspiration in that day's celebration, that as time went on the Catholic faith would sink deeper and deeper into ther coming generation, and that the Catholic progress of the past 50 years would be small in comparison to the great progress of the future. He congratulated the Bishop priests and people who had raised that temple. He congratulated the people of Crossley; upon their generosity and self-sacrifice, and he prayed that God's blessing and the blessing of St. Brigid would rest upon them; their children and children's children. And when those who had received the sacraments and had been instructed in that Church were called before the Judgment Seat he pray ed that not one would be missing, and St. Peter aind St. Brigid would be able to count them all into the en joyment .of Eternal bliss. THE CELEBRATION The Rev. Father Kerin, Adninistra tor of the Parish, after the collection, read a lengthy list of the principal donations, headed by the Bishop, Dr. Higgins, with £250. All the furnish ings of the Church were also donations, and the Coadjutor-Archbishop added £5 to the list. The Rev. Father Kerin stated that the total to hand was £1245/10/7, which was an other proof of the generosity of the Crossley and district people. The amount previously received in donations was £1077/3. They started buildiing with a credit balance of £262 10/5 and ther now had a debit balance of £2,728/18/5. The total cost of the Church was £6,250, so that they would see the greater part of the indebtedness had already been wiped out. The Bishop (Dr. Higgins) delivered a brief address, in the course of which he congratulated the priests and people upon the completion of their magnificent Church. He congratulated the people on their magnificent generosity. He expressed his of deep indebtedness to the Coadjutor Archbishop of Melbourne for the services he had rendered to them. He had attended at considerable sacrifice to himself, and they were extremely grateful for the presence of so distinguished a champion who had shown such zeal and interest in their Church in this new land. He (the Bishop) trusted that his splendid talents would long be devoted to the defence of the Church." (Warrnambul Standard, 02 July 1914)Digital images of the stained glass windows at St Brigid's Crossleyst brigid's crossley, st brigid's, catholic church, catholic, church, religion, centenary, celebrations, 100, anniversary, commemoration, stained glass, windows

" ... the foundation-stone of the new church at Koroit was laid by Bishop Goold on New Year's Day, 1867. It was said of Fr. Parle that his one. fault was "extravagant ideas of church building," and to his vision must be attributed what was called at the time "the most magnificent and costly ecclesiastical building in the Western District." Altogether about £6000 was spent on the Koroit church, a large sum in those days. It entailed much delay while the money was being collected, and Fr. Parle did not live to see the completion of the great work he had undertaken. .. " (The Advocate, 13 August 1947.)Colour photography of a bluestone church known as Infant Jesus and presbytery. Includes stained glass windows and interior shots.koroit, catholic church, infant jesus catholic church, presbytery

Colour photograph of the stained glass window at the Catholic church in Koroit, Victoria. infant jesus, koroit, koroit, catholic, stained glass

St. Matthew’s Church. Presbyterian and Uniting Church Scallan Street photo taken approx. 1984. The building was opened in October 1891. Mr. E. C. Grant generously paid for the cost of erecting the Sunday School and some furnishings. Timber building with arched shaped windows and a corrugated roof.stawell religion

St. Matthew’s Presbyterian Church Stawell. Now United Church. This landmark of Stawell was opened on 11th April 1869. The tower and spire, overall height of 148 feet, cost 1352 pounds and was paid for by an early mine owner. In March 1869, a month before the Church was opened, the local paper reported that a large red flag on the top of the Presbyterian Spire meant that the last brick had been laid and the massive gilt ball and cross had been placed in position. The Church has some fine stained-glass windows. Two identical side views of a church with a tall steeple. These photos were taken from the original Post Cards in Album 13, p.41. The photo shows a Tennis Courts in foreground with a picket fence around the church. Presbyterian Church, Stawell written on the front of the post card and June' 09 Stawell written in pencil on the back. Post cards printed in Germany.stawell religion

Two photos showing the interior of St. Matthew’s Church Stawell before and after the pipe organ was installed. The original photos were taken in the early 1920's. The pipe organ was a gift by the congregation as a thanksgiving to Almighty God for bringing peace and victory at the conclusion of World War 1. Two internal photographs of St Matthews Church Stawell. One showing the stained-glass window. The other showing the pipe organ filling the stained-glass window.stawell religion

Six photos of the exterior and interior of Thomas Kinsella's past residence in grounds of St Patrick's Catholic Church taken 2000. The house "Donanore" was built in 1900 by Thomas Kinsella and was the family residence for many years. The Stawell news of 26.1.1924 reported the arrival of nuns from the order of Sisters of Joseph. The nuns resided in the house for many years. Three of the six photos are of the interior. One of the front door surrounded by stained glass windows. Another a detail of an external door. The third a view of a statue at the end of the hallway. The photos are in Album 2 p. 52 & 53.Six colour photos taken in 2000 of "Donanore" Tomas Kinsella's residence in the grounds of St Patrick's Catholic Church. Three different views of the house and three photos of the interior entrance and hallway. The house is a red brick house with grey trim and a verandah out the front with a slate roof. stawell

Play group inside St. Matthew’s Church Sunday school hall, Scallan Street Stawell.Black & white photo of 4 children on toy horse, bikes & car. They are in a church hall area with arch windows.Inside St Matthews Sunday School Hall, Scallan St.stawell religion

Front view of St. Matthew’s Church Sunday School Hall Scallan St. c 1991.Timber Hall with arched windows and corrugated Iron roof. A car is parked out the front of the building.c St Matthew's United Church Hall. on the back of the photo March 27, 1991stawell religion

View of St Katherine's Church from the path inside the Memorial Gate. Also visible several Mediterranean Cypress trees. A prominent gravestone for the Mapleton and Ellis families visible to the far left of the path. St Katherine’s Anglican Church was built in 1858, by Anthony Beale as a memorial to his late wife Katherine. The cemetery is a rare example in Victoria of a traditional English parish church with its private graveyard and is of State Significance. Rose Chapel with its stained-glass windows of local historical significance, commemorates casualties of the Beale family in World War One. This glass plate negative was used to manufacture postcards (1:1 printing) for commercial sale by the Rose Sterograph Company and its subsidiaries. George Rose founded the Rose Stereograph Company in 1880 and was joined by Herbert (Bert) Cutts in the early 20th Century. The pair formed a lifetime working partnership and strong personal friendship. Assisted by George’s two sons, Herbert George and Walter, and later by Neil Cutts, the Rose Stereograph Company continued its operations for more than 140 years. The company was initially built on stereographs, but as cinema took over and stereographs fell out of fashion, the Rose Stereograph Company developed Australia’s first commercially viable photographic postcard business. Specialising in postcards of iconic historical moments and significant landmarks, The Rose Stereograph Company became a staple of the Australian travel industry.This remarkable collection of glass plate negatives, transparencies, and postcards – arguably Australia’s most significant photography collection outside of public hands – has been passed down through the generations, surviving war, relocation, and the harsh Victorian climate. The historic Rose Stereograph collection is the culmination of George Rose’s dream of capturing and preserving precious moments in time and remains the legacy of the Rose and Cutts families. It is with great sadness that the Cutts family says goodbye to a collection that spans five generations and 140 years. The Cutts family understands that for these historically important pieces to rest with one family is to deny others the pleasure of their custodianship.Glass Plate Negative Size: 9.2 x 14 cmSt. Catherine's Church, St Helena, Greensborough, Published by W. M. Butterworth No. 1postcard, travel, rose stereograph company, glass plate negative, greensborough, st helena, w. m. butterworth, st katherine's church, memorial gate, mapleton, ellis, mediterranean cypress, peter and elizabeth pidgeon collection

View of St Katherine's Church from the Memorial Gate which were dedicated Saturday, September 12, 1936 "In Memory of The Pioneers". A prominent gravestone for the Mapleton and Ellis families visible to the far left of the path. St Katherine’s Anglican Church was built in 1858, by Anthony Beale as a memorial to his late wife Katherine. The cemetery is a rare example in Victoria of a traditional English parish church with its private graveyard and is of State Significance. Rose Chapel with its stained-glass windows of local historical significance, commemorates casualties of the Beale family in World War One. This glass plate negative was used to manufacture postcards (1:1 printing) for commercial sale by the Rose Sterograph Company and its subsidiaries. George Rose founded the Rose Stereograph Company in 1880 and was joined by Herbert (Bert) Cutts in the early 20th Century. The pair formed a lifetime working partnership and strong personal friendship. Assisted by George’s two sons, Herbert George and Walter, and later by Neil Cutts, the Rose Stereograph Company continued its operations for more than 140 years. The company was initially built on stereographs, but as cinema took over and stereographs fell out of fashion, the Rose Stereograph Company developed Australia’s first commercially viable photographic postcard business. Specialising in postcards of iconic historical moments and significant landmarks, The Rose Stereograph Company became a staple of the Australian travel industry.This remarkable collection of glass plate negatives, transparencies, and postcards – arguably Australia’s most significant photography collection outside of public hands – has been passed down through the generations, surviving war, relocation, and the harsh Victorian climate. The historic Rose Stereograph collection is the culmination of George Rose’s dream of capturing and preserving precious moments in time and remains the legacy of the Rose and Cutts families. It is with great sadness that the Cutts family says goodbye to a collection that spans five generations and 140 years. The Cutts family understands that for these historically important pieces to rest with one family is to deny others the pleasure of their custodianship.Glass Plate Negative Size: 9 x 14 cmSt. Catherine's Church, St Helena, Greensborough, Published by W. M. Butterworth No. 6postcard, travel, rose stereograph company, glass plate negative, greensborough, st helena, w. m. butterworth, st katherine's church, memorial gate, mapleton, ellis, mediterranean cypress, peter and elizabeth pidgeon collection

St Katherine’s Anglican Church was built in 1858, by Anthony Beale as a memorial to his late wife Katherine. The cemetery is a rare example in Victoria of a traditional English parish church with its private graveyard and is of State Significance. Rose Chapel with its stained-glass windows of local historical significance, commemorates casualties of the Beale family in World War One.fay bridge collection, annie janet beale (nee mclennan), anthony beale, gravestones, james harold beale, james young beale, jane hewitt, katherine rose beale, margaret lindsay beale, mark hewitt, mary joyce pitt evans (nee withers), st. helena, st. katherine's church, walter withers

St Katherine’s Anglican Church was built in 1858, by Anthony Beale as a memorial to his late wife Katherine. The cemetery is a rare example in Victoria of a traditional English parish church with its private graveyard and is of State Significance. Rose Chapel with its stained-glass windows of local historical significance, commemorates casualties of the Beale family in World War One.peter stirling collection, st katherine's church, st helena

St Katherine’s Anglican Church was built in 1858, by Anthony Beale as a memorial to his late wife Katherine. The cemetery is a rare example in Victoria of a traditional English parish church with its private graveyard and is of State Significance. Rose Chapel with its stained-glass windows of local historical significance, commemorates casualties of the Beale family in World War One.tom fielding collection, st helena, st katherine's church, stained glass

"LARGE GATHERINGNG AT - CROSSLEY DEDICATION AND OPENING SERVICES. SERMON BY DR. MANNIX. Yesterday was an important and historic day for the Roman Catholic community of Crossley and Koroit, in as much as it will be always associated in the memories of all con cerned with the opening of the new St. Brigid's Church, Crossley. This building is far above the average standard of sacred edifices in country towns, and is certainly superior to any ercted in this district outside the churches in the two larger centres - Warrnambool and Koroit. The style of architecture chosen is a free treatment of the Romanesque, which is something quite original in the Western District. This noble style, from which, with its near re lative the Byzantine, spring the great Gothic school of architecture, is characterised by a special charm of its own, one of its chief features being graceful and sweeping circular curves in roof, window heads and in the ar rangenent of the ground plan. The building is of brick finished off with true Romanesqiue pillared pinnacles in concrete and plaster, the brick and concrete producing a pleasing contrast. The main characteristic of the front is a large rose window filled with Romlanesque circular tracery, and below a bold porch and entrance. The two sides are pierced with long circular-headed windows between graceful buttresses and the wall line is pleasingly broken by the projecting bays of the confessionals and also by the vestries. The main building is 80 feet by 30 feet' and the Sanctuary is spacious and semi-circular in shape, and lighted by three windows. The interior of the church is most artistic. The ceiling is semi-circular and of fibrous plaster in ornate designs. All the windows are lead lighted, throwing a rich and mellow harmony of' color throughout the interior and the white wails, mouldings, architraves and other fibrous plaster decorations: are further relieved by the rich coloring: in the stations of.the Cross arrranged around the nave. The central window of the Sanctuary contains a splendidly executed stained glass representation of St. Brigid. At.the western end is a room gallery. The altar is a choice piece of Gothic woodwork, in light, soft coloring, and there are two altars on either side of the Sanctuary in oak, and above whlch are very fine colored figures of Christ; and the Madonna. On either side of the altar are life-size figures of angels holding high brass candalabra. The whole of the furnishings of the church are on a sumptuous scale, and the edifice reflects credit on all concerned. The church can seat nearly 500 people. The architect was Mr. A. A. Fritsch. of Melbourne, and the contractors Messrs F. and E. Deagne, of North Fitzroy. The contract price for the building was £5,500. THE OPENING SERVICE. After the cereimony of solemnly blesssing the church was performed by His Lordship the Bishop of the Diocese, Dr. Higgins, assisted by His Grace the Coadjutor Archbishop of Melbourne. Dr. Mannix, the great gatheiring from all parts of the district entered the church, which was soon completely filled. The members of the H.A.C.B.S. attended wearing their green and gold regalia, and acted as a 'guard of honor' to the Co-adjlutor Arclhbishop and Bishop. Mass was celebrated by the Rev. Father Phelan, of Koroit, and a feature of the solemn service was the singing of a choir which consisted of picked voices from St. Carthage's choir, with friends from Warrnam bool and assisted by some of the mem bers of the Koroit choir, with Miss Logan as organist and Mr. Arthur H. Renwick as conductor. They rendered the music in splendid style throghonut. The "Kyrie," "Gloria." "Agnus Dei' and Dona Nobis" were from Farmer's Mass in B flat, and the "Credo" and "Sanctus" from Webbe's Mass in G. The soloists in the Mass were Mrs. Ryan, the Misses McEntee. Miss Katie O'Brien. and Messrs. J. M. Crowley, W. J. Callaghan; B. McEntee and W. Mahony. The chorus sang with great precision, special attention being paid to at tack. At the offertory Mrs. Dan Ryan gave a beautiful rendering of Gounod's "Ava Maria." After the Elevation that fine duet "Tantum Ergo." by Rossi, was sung by Messrs. Crowley and Renwick in an artistic manner, their fine voices blending splendidly. During the collection, Mr. Renwick sang with much feeling that devotional solo, "Lead Thou Me On,", after which Mr Crowley gave .an ex cellent rendering of Weissi's "0 Salu taris Hostia;" and the choir sang several hymns." It might here be mentioned that at the request of Fa ther Kerin, the same choir will repeat the music.at the Koroit Church on Sunday next, on the occasion of the ceremnly of laying the foundation stone of the cormpletion of the church. Dr. Mannix preachled the sermon for the occasion, taking his text from St. Luke first 11 verses. He re viewed the Gospel story of Christ preaching to the multitude from a boat on Lake Gennesaret and the miraculous draught of fish. The obedi ence of the poor fishermen in casting their nets at Christ's bidding was richly rewarded, and the miraculous occurrence was a striking example of what was to happen when Christ established His Church and built it up on those twelve apostles. When they came to think of it, nothing so re markable and marvellous had happened before or since in the history of mankind. The world at that time was for the most part a Pagan world steeped in iniquity and sin. The chosen people of God had God's re velation, but they worshipped with their lips and not with their hearts. When Christ was to establish His Church upon earth and leave an or gantisation that would continue His work, did He select learned men, powerful men, rich men, or a time that would seem propituous? No. He selected twelve poor, igorant simple fishermen, without money, power, learning or anything calculated to enable them to do anything striking in the world's history. The success of the first morning after pentecost was not confined to those first days when the plentitude of the Holy Ghost sat upon the .Apostles, but it continued age after age until the whole world was brought within the sphere of ac tion of the Church. Greece, Rome Europe Asia and America, and now Australia had been brought into the net. This must be a consolation to them all as well as it was to him (the preacher), when they remembered that they came from a land which of all others had been faithful to the Gospel of Jesus Christ. It was a consolation to them that in that great work that had been accomplished in bringing men into the meshes of the Church, and bringing them to God the nation to which they belontged had taken so great a part. Their religion flourished in England, Scotland, America and Australia. Surely it was due to the sons of St. Patrick, the sons and daughters of Ireland to find consolation in these great facts might It might seem hard that so many had to leave their native-land for England, Scotland, America and Australia. But if hard it was the means of keeping the Catholic faith living in England and Scotland. If to-day the Irish Catholics and Catholics of Irish descent were taken out of the English and Scotch population there would be little left of the true Church of God. It seemed hard to emigrate to distant lands, but the result had been the new magnificent church in the United States, the flourishing churches in Canada and South Africa. Those Irish emigrants were a cornparatively small band. Perhaps they had not the learning of other nations. Certainly they had not the wealth and it did not fall to their lot to have the power of the sword, but God was with them, and the faith they took from Ireland flourished in those distant lands. In this fair land of Australia they had a glorious herit age handed down from the pioneer Irish Catholics, who came to this fair Austral land. There was a time when those who were opposed to God and God's Church,thought that Australia should be a wholly Protestant land. They had lived to see whether God or His enemies were the stronger. They had lived to see that those who in distant days would have stamped out the Catholic religion in Australia, had not prevailed. Their names had been forgotten because of their persecution of the Catholic Church, and they had lived - to see the glorious success that now, in every part of the Common wealth, rested upon the Catholic Church in Australia. Might God bless that Church and those Irish people, and the people of Irish descent, who had built it up. In that locality, and there was no place in.the Common wealth where the Catholic Church was held in higher esteem, the people would always be faithful to God and His Church. That beautiful building, and all it signified in loyalty and faithfulness, was a credit and a consolation to the Bishop and people of the diocese, to the architect who had done his work so artistically and skil fully. to the priests and the zealous administration of the parish. There was surely hope and inspiration in that day's celebration, that as time went on the Catholic faith would sink deeper and deeper into ther coming generation, and that the Catholic progress of the past 50 years would be small in comparison to the great progress of the future. He congratulated the Bishop priests and people who had raised that temple. He congratulated the people of Crossley; upon their generosity and self-sacrifice, and he prayed that God's blessing and the blessing of St. Brigid would rest upon them; their children and children's children. And when those who had received the sacraments and had been instructed in that Church were called before the Judgment Seat he prayed that not one would be missing, and St. Peter aind St. Brigid would be able to count them all into the enjoyment of Eternal bliss. THE CELEBRATION The Rev. Father Kerin, Adninistra tor of the Parish, after the collection, read a lengthy list of the principal donations, headed by the Bishop, Dr. Higgins, with £250. All the furnishings of the Church were also donations, and the Coadjutor-Archbishop added £5 to the list. The Rev. Father Kerin stated that the total to hand was £1245/10/7, which was an other proof of the generosity of the Crossley and district people. The amount previously received in donations was £1077/3. They started building with a credit balance of £262 10/5 and they now had a debit balance of £2,728/18/5. The total cost of the Church was £6,250, so that they would see the greater part of the indebtedness had already been wiped out. The Bishop (Dr. Higgins) delivered a brief address, in the course of which he congratulated the priests and people upon the completion of their magnificent Church. He congratulated the people on their magnificent generosity. He expressed his of deep indebtedness to the Coadjutor Archbishop of Melbourne for the services he had rendered to them. He had attended at considerable sacrifice to himself, and they were extremely grateful for the presence of so distinguished a champion who had shown such zeal and interest in their Church in this new land. He (the Bishop) trusted that his splendid talents would long be devoted to the defence of the Church." (Warrnambul Standard, 02 July 1914)Colour photograph of a portrait of St Brigid in stained glass. The depiction of St Brigid is located at St Brigid's former Catholic Church, Crossley. The stained glass window of St. Brigid in St. Brigid's Church, Crossley, Victoria, is a significant feature of the church, which was built by the local community in 1914. The church itself is notable for its "sumptuous scale" and the community's efforts to preserve it as a cultural heritage center. The central window in the sanctuary is a "splendidly executed stained glass representation of St. Brigid". st brigid, stained glass, st brigid's crossley

St Augustines Church.church, religion, buildings, el dorado, eldorado