Butter knife with decorative blade and pearl handle.EPNSdomestic items, cutlery

White table runner, crochet edging and insert. Three lace inserts in centre.handcrafts, crocheting or crochet work, domestic items, ornaments / decorative

Ornate frame of light green with gilt. Included in the frame is a black and white photo of lady wearing shawl (NA2623) on display in this cabinet in museum. It is thought that the lady's name is Mrs.S. Smith (nee Miss .S. Scott). See NP855photography, photographs / slides / film, domestic items, ornaments / decorative

Blue metal child's cup, saucer and plate set with decorative borderdomestic items, infants

Used for wedding (April 1927 of Leslie Macnaughtan & Lillian Hardcastle. Sprayed gold(1977) for golden Wedding Anniversary.long lived and significant item relating to the marriage of Leslie Macnaughtan, Lillian Hardcastle, via Estelle Bannister (their daughter-who sprayed the bell gold).Collapsible bell made of paper & cardboard, first used for wedding (April 1927)of Leslie Macnaughtan & Lillian Hardcastle. Sprayed gold(1977) for golden Wedding Anniversary.British made 46decorative object

One of the items which would have been presented to a relative of the donor when he was visiting Rutherglen Scotland in 1974.Decorative certificate, printed in blue and gold on textured paper, from the President, Councillors & Ratepayers of the Shire of Rutherglen. Space for the name of the recipient of the "Honorary Citizenship of the Township and Shire of Rutherglen" has been left blank as has the month and day of 1973 for the presentation.At the bottom of the certificate, there is an illegible signature above the words "Accredited Citizen of the Township and Shire of Rutherglen", along with a small red seal. rutherglen scotland, royal burgh of rutherglen

A silk scarf souvenir from Egypt. It was embroidered with military symbols and a personal message from someone called William to Nellie. The connection with Legacy is not known. The founders of Legacy were all returned servicemen who returned from overseas service in World War One so would be familiar with similar sentimental souvenirs that were purchased in Egypt and sent home to loved ones.Founding Legatees would have been familiar with Egyptian souvenirs from World War 1.Purple and yellow fabric scarf with machine embroidered text, decorative flag and floral motifs and decorative brocade edging. Scarf is made from two panels of fabric (possibly silk) machine stitched together with '14th Inf. Batt / Souvenir / of Egypt / 1916 / From William to Nellie with best love' on front face. Similar items see 00182, 00179.Embroidered '14th Inf. Batt/ Souvenir of Egypt 1916. From William to Nellie with best love'.souvenir scarf, 14th infantry battalion, egypt, world war one

This ornamental Sphinx is a memento of the founder of Melbourne Legacy, Lieutenant General Sir Stanley Savige, K.B.E, C.B., D.S.O., M.C., E.D.O The Sphinx was presented to the then Sergeant Stanley Savige as the 24th Battalion Musketry Prize, whilst he was serving in that unit in Egypt, during the First World War.Sir Stanley Savige founded Melbourne Legacy in 1923. This item is significant as it was awarded to him during his war service, prior to the foundation of Legacy. Brass sphinx trophy. The Sphinx is mounted on a plinth, which is decorated in hieroglyphics made of copper and lead. Sphinx's head opens to reveal an ash tray and a decorative necklace.24th BATTALION MUSKETRY PRIZE SERGT. S.G. SAVIGE EGYPT. Aug. 1915stan savige, trophy, 24th battalion

Valentine Series postcard of Postcard, looking towards the East, Grenville St, and Mount Warrenheip. Shows two trams westbound and has the 1907-built tramway shelter in the view. Shows Alfred Hall, exhibition buildings, and very good details of buildings in Grenville St. Title of the card in red ink "View from Town Hall, Ballarat" in the top left-hand corner. It is the divided back type, with words "Post Card", and a location for the stamp. It is "Printed in Great Britain" and published by "The Valentine & Sons, Publishing Co. Ltd. Melbourne" on the right-hand side. See item 4082 for the same image but with a decorative border. Yields information about Sturt St and the view from the Town Hall tower, c1908Postcard black and white, divided back, unused.Has the stamp of Ken Magor on the rear. tramways, trams, sturt st, postcards, grenville st, town hall

Souvenir Teaspoon featuring Ballarat tram No. 33 in a Square inset at the top of the tea spoon, contained within a plastic case. The teaspoon made by Perfection Plate, of the Galaxy style or type. The teaspoon made by Perfection Plate, of the Caprice style or type. The case is clear plastic, hinged on the left hand side, with a clip on the right hand side and wrapped in plastic. Inside and on top of the case for display purposes is a folded sheet of cardboard, printed with a decorative design on the spoon side and a short item about Australia - the island continent. On the base of the item is details of the manufacturer, and web site. The teaspoon is silver plated, with the tram in a picture 22mm round. Tea spoon is 116mm long x 25mm wide. Case is 163mm high, 43mm wide, by 16mm deep. Made early 2000's. See Reg Item 3205 for an earlier example of this teaspoon. trams, tramways, teaspoons, sales items, btm

Souvenir Teaspoon featuring Ballarat tram No. 26 in a round inset at the top of the tea spoon, contained within a plastic case. The teaspoon made by Perfection Plate, of the Caprice style or type. The case is clear plastic, hinged on the left hand side, with a clip on the right hand side and wrapped in plastic. Inside and on top of the case for display purposes is a folded sheet of cardboard, printed with a decorative design on the spoon side and a short item about Australia - the island continent. On the base of the item is details of the manufacturer, and web site. The teaspoon is silver plated, with the tram in a picture 22mm round. Tea spoon is 116mm long x 25mm wide. Case is 163mm high, 43mm wide, by 16mm deep. Made early 2000's. See Reg Item 3207 for an earlier example of this teaspoon. trams, tramways, teaspoons, sales items, btm

Postcard - , looking towards the East, Grenville St and Mount Warrenheip. Shows two trams westbound and has the 1907-built tramway shelter in the view. Shows Alfred Hall, exhibition buildings, and very good details of buildings in Grenville St. Title of the card in red ink "View from Town Hall, Ballarat" in the top left-hand corner. On the rear of the card, has the stamp of Ken Magor. It is the divided back type, with words "Post Card", and a location for the stamp. It is "Printed in Great Britain" and published by "The Valentine & Sons, Publishing Co. Ltd. Melbourne" on the right-hand side. See item 8985 for the same image but without a decorative border.Yields information about Sturt St Ballarat and demonstrates Australian colour photo postcards with a decorative border.Colour postcard of Sturt St taken from the Town Hall towerHas in pencil $6.50 along top edge on rear.trams, tramways, postcards, sturt st, ballarat, grenville st, town hall

Titled "Intersection of Sturt and Lydiard Streets, Ballarat circa:." shows an ESCO tram, without windows turning from Sturt St into Lydiard St North with many people lining the streets prior to a parade. Has a number of horse drawn vehicles in photo taken from the Post Office or Summerscales Office. In photo are Craigs Hotel, National Mutual Life building and the Town Hall. See item 8247 for a colour postcard of this image. Yields information about Sturt and Lydiard St during an event.Black and white historic photograph downloaded from a picture resource website within a decorative frame and printed with an inkjet printer. trams, tramways, sturt st, lydiard st, town hall, esco

Yields information about Sturt and Lydiard St North intersection, mid to late 1920's, centre poles and condition of the streets and car parking arrangements.Black and white historic photograph downloaded from a picture resource website within a decorative frame. Printed with an inkjet printer. Titled "Looking up Sturt Street from Snows Sturt Street Ballarat, circa:" Original photograph taken soon after opening of the tramway in Sturt St., no windows and no destination box on the roof of the tram. Has a number of horse drawn vehicles in the photograph. On the left hand side of the photograph is Snows building. At the corner of Armstrong Street Original photo from a postcard - see Reg Item 2791 for a oval shape view. trams, tramways, armstrong st, snows, sturt st, toastrack tram, tram 20

Copy of the front page of the Australasian Sketcher No. 58 - Vol. V, dated Saturday, September 1, 1877. The top third of the page has the name and decorative artwork. The bottom two thirds has two sketch drawings of fancy ball characters. On the left are two ladies, dressed in long dresses and hats and a man dressed in very early dress and a hat. The right hand side shows a man with very long hair sitting on a box with old time clothing with long leggings, bows on his shoes and a wide brimmed hat. He also has a sword and broad carry strap. On the right of the picture is a camera. There is also a vase and a pot plant in the picture.By Courtesy Ern Williams, Bendigo. Argusnewspaper, argus, news items, peter ellis collection, australasian sketcher melbourne saturday september 1- 1877, ern williams. the australasian sketcher with pen and pencil was a monthly magazine published in melbourne by the argus between 1873 and 1889. the sketcher appeared once a month, starting april 1873. the proprietors were named as edward wilson, lachlan mackinnon and others.

Emma Thomas Collection: Items were owned by Emma Courtis, nee Thomas. Family lived in Hamelin St, White Hills. Clothing items possibly handmade by Emma or a local person in White Hills area and used around 1890s. Emma's family include Elizabeth Penrose (mother), Solomon Thomas (father), and Richard Courtis, a blacksmith (her husband).Short sleaved, tailored blouse. Handmade with decorative embroidery and crochetwork around neckline and sleaves. Crochet work is also used on both sides of the vertical central panel which is fastened by 7 cream coloured buttons. Seams are used to make this a fitted garment at the waist. There is a "clip" in the front and back of the blouse. emma thomas, emma courtis, blouse, clothing

Emma Thomas Collection: Items were owned by Emma Courtis, nee Thomas. Family lived in Hamelin St, White Hills. Clothing items possibly made by Emma or a local person in White Hills area and used around 1890s. Emma's family include Elizabeth Penrose (mother), Solomon Thomas (father), and Richard Courtis, a blacksmith (her husband).Black jacket is handmade with a heavy cotton lining. Collar and hem of the garment are lined with black velvet. Sleeve hems also lined with a band of black velvet. Hock and eye fasteners provide centre closing. Twelve small, black buttons (decorative) have been sewn vertically along the centre panel from collar to hem. Boning has been inserted into both of the side seams to shape the jacket. Darts, with decorative stitching, have also been used to tailor the front of the jacket around the centre closure panels (Three darts on either side of the centre closure panels). A central seam runs through the jacket back which ends in a "scalloped" shape.emma thomas, emma courtis, clothing, jacket

The item is a soft cover book recording daily work of T.J. Connolly, Ironmongers, Sandhurst. Each handwritten page is dated at the top and records the customer surname, goods supplied, price of items and total price. In most entries, a town or area is included after the customer's name. Each page has been wavy lines added over each customer entry. The dark brown soft cover has a decorative inlay both front and back with some wearing at the corners. A paper rectangle with the printed number "232" and a handwritten symbol in the top left-hand corner has been stuck to the front cover. The pages are bound together with string. The book includes the date range of 28 May 1897 to 21 August 1897. This item is part of the Margaret Roberts Collection.A handwritten symbol, possibly a tick which has been crossed, is on the top left-hand corner of the paper rectangle with the printed number "232" on the front cover.margaret roberts collection, ironmongers, forest street, bendigo businesses

The item is a soft cover book recording daily work of T.J. Connolly, Ironmongers, Sandhurst. Each handwritten page is dated at the top and records the customer surname, goods supplied, price of items and total price. In most entries, a town or area is included after the customer's name. Each page has been wavy lines added over each customer entry. The red soft cover has a decorative inlay both front and back with some wearing at the corners. The number "231" is stamped directly on the front cover. The pages are bound together with string. The book includes the date range of 25 February 1897 to 24 May 1897. All pages have been used. This item is part of the Margaret Roberts Collection.At crossed tick has been added to the front cover to the left of the "231" stamp. A line of ink sits under some water marks at the top of the front cover. Drops of ink sit in the decorative inlay at the bottom left-hand side of the front cover and over the back cover also.margaret roberts collection, ironmongers, forest street, bendigo businesses

The item is a soft cover book recording daily work of T.J. Connolly, Ironmongers, Sandhurst. Each handwritten page is dated at the top and records the customer surname, goods supplied, price of items and total price. In most entries, a town or area is included after the customer's name. Each page has been wavy lines added over each customer entry. The navy blue soft cover has a decorative inlay both front and back with some wearing at the corners. The number "228" is stamped on a brown paper rectangle which has been stuck to the front cover. The pages are bound together with string. The book includes the date range of 06 July 1896 to 02 September 1896. All pages have been used, including the back cover. This item is part of the Margaret Roberts Collection.A handwritten symbol, possibly a tick which has been crossed, is on the top left-hand corner of the paper rectangle with the printed number "228" on the front cover.margaret roberts collection, ironmongers, forest street, bendigo businesses

The item is a soft cover book recording goods wanted for T.J. Connolly, Ironmongers, Sandhurst. Each handwritten page lists good by date, description, initials and quantity. The red soft cover has a decorative inlay both front and back with some wearing at the corners. The red cover has worn off in spots towards the spine edge. The front cover has been stamped with "GOODS WANTED" with handwritten dates above it. The pages are bound together with string. The book includes the date range of 13 July 1897 to 22 February 1899. All pages have been used. This item is part of the Margaret Roberts Collection. "GOODS WANTED" has been stamped on the front cover. "From July 1897 to Feby 1899" has been handwritten on the front cover above the stamped wording. There are black ink spots on front and back covers.margaret roberts collection, ironmongers, forest street, bendigo businesses

The item is a soft cover book recording work of T.J. Connolly Ironmongers Sandhurst. Each handwritten page is dated at the top with the Month and Year. The pages record the customer's name, and work details. In most entries, a location is included after the customer's name. The red soft cover has a decorative inlay both front and back with some wearing at the corners. "OUTWORK ORDER BOOK" is stamped directly on the front cover. The pages are bound together with string. The book includes the date range of July 1897 to October 1897. All pages have been used. This item is part of the Margaret Roberts Collection.The front and back covers have drops of ink on them.margaret roberts collection, ironmongers, forest street, bendigo businesses

The item is a soft cover book recording work of T.J. Connolly, Ironmongers, Sandhurst. Each handwritten page records the month and year at the top of the page and then lists dates, quantities, customer name and item details. Some customers names include location of customer. The soft cardboard cover is green with red and brown marbling on both front and back with some wearing at the corners and fading at the spine. "Factory Order Book" and decorative swirls are hand drawn in black on the front cover. The dates are stamped on the cover also. The pages are bound together with string. The book includes the date range of November 1895 to October 1896. All pages have been used. This item is part of the Margaret Roberts Collection. "Factory Order Book" and decorative swirls are hand drawn in black on the front cover. "From Nov 95 to Oct 96" is stamped in black on the front cover. The back cover has some black ink spots. margaret roberts collection, ironmongers, forest street, bendigo businesses

The item is a soft cover book recording daily work of T.J. Connolly, Ironmongers, Sandhurst. Each handwritten page is dated at the top and records the customer surname, goods supplied, price of items and total price. In most entries, a town or area is included after the customer's name. Each page has been wavy lines added over each customer entry. The navy blue soft cover has a decorative inlay both front and back with some wearing at the corners. The number "229" is stamped on a brown paper rectangle which has been stuck to the front cover. The pages are bound together with string. The book includes the date range of 28 September 1896 to 26 November 1896. All pages have been used. This item is part of the Margaret Roberts Collection.A blue "X" and three fine black squares surround the stamped "229", on the top left-hand corner of the paper rectangle..margaret roberts collection, ironmongers, forest street, bendigo businesses

Donor believes items were completed by her great aunts - Lydia, Rosa and Olivia Pollard when the sisters were young girls. They were completed in Country Durham England. The items have been passed down through the family.Handmade brown embroidered lingerie/garment bag with gold and green embroidered border with four insect type patterns surrounding a decorative central pattern. The fold over front is lined with a light fabric with a pattern of flowers and butterflies predominately in gold, blue and green tones reflecting the patterns of the embroidered front cover.late victorian needlework, handmade embroidery, lingerie bag, garment bags

Photo of the intersection of Sturt and Lydiard St Ballarat, with the National Mutual and Town Hall in view. Has an ESCo tram with a former horse trailer and another ESCo tram. The Clarks & Co. building is on the corner. See Reg Item 5128 for another version of this photograph/postcard.Demonstrates postcard printing mid 1910's and how they were used along with the use of former horse trams as trailers.Postcard - divided back, colour, Valentines and Sons of the intersection of Sturt and Lydiard St Ballarat. Printed in Great Britain. Has an embossed decorative border with a flower in the top right hand cornerOn the rear is a message to Lou from Les about arriving in Ballarat dated 1/7/1915. Has in pencil a "$4" price.ballarat, tramways, sturt street, esco, town hall, national mutual, trailers, horse trams

Ann Austin of Melbourne was the name of a Melbourne millinery house. Thelma Prentice was one of the partners in the house, and the chief designer/milliner. Very little information about the millinery house and the milliner are available online but there is an interesting article, published in the Brisbane Courier Mail on 8 October 1949 which describes the influence of French style on fashion and design in Australia. The article by Lucy Gough recounts the views of Thelma Prentice who had just returned from the Paris fashion shows. "Australian millinery toes line with Paris From LUCY GOUGH LONDON, October 7 (Special) Australian hats can compare very favourably with those designed in Paris, and are considerably cheaper, says Miss Thelma Prentice, partner in a well-known Melbourne millinery firm, who has just completed six months' visit to England and the Continent. An ordinary hat, Miss Prentice said, would cost at least £15 from any of the top Paris houses. Australia could achieve the same effect for a lot less money. Miss Prentice went to all the Important dress shows as well as the millinery houses in Paris, because she believes that millinery is an accessory to fashion and to obtain the best idea of new trends hats must be shown with frocks to get a complete follow-through and tie-up between the two. At their packed shows, with standing room only, Path and Dior were selling hats they designed, faster than many well known Paris millinery houses, Fath's favourite line was the becoming 'wing treatment,' which he achieved by a profile flattering side swing of material jutting out almost 10 inches from the face. This was completely different to the side drape already seen in Australia. Dior, as a direct contrast, was specialising in skull hats, which almost followed the hair line, to show very little hair at the back of the head. His cocktail hats were heavily sequinned and beaded. Every model was designed exclusively for short hair, and Miss Prentice, whose own hair is beautifully short cut by a Paris hairdresser, said that French mannequins' hair was so abbreviated at the back it was almost a semi-shingle. Hats generally she found were plain, with sharply angled self trimming, and black one of the most popular colours." The hat was donated by Kathleen Gervasoni, a resident of Kew, and during the 1970s a Mayoress of the former City of Kew. The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.High crowned hat made of burgundy felt with decorative pink jersey turban folds attached to the side by clusters of pink beads. The hat was designed by Thelma Prentice of the ' Austin of Melbourne' millinery house. Label, inside centre crown, woven in black on white polyester: *ann austin / OF MELBOURNEmilliners, hats, ann austin of melbourne, thelma prentice, australian fashion - 1960s, kathleen gervasoni

This broderie perse' wall hanging was donated to the Kew Historical Society in 1980 by Mrs Joy Ivory. The hanging had belonged to her mother - Amy Grigg - and was used by the latter to demonstrate skills in darning (the red stitching). Provenance includes a certificate dating from 1889 which records an award to Amy Grigg of Pakington Street (Kew) for skills in needlework, issued by the Kew Floral Industrial & Art Society. Amy Grigg later married Albert Watson, the son of John Watson. The latter was an early pastor of the Kew Methodist Church in Highbury Grove, Kew. Both the Watson and Grigg families were early pioneers of Kew. While the hanging was modified by Amy Grigg in 1889, the original textile dates from an earlier period when 'Broderie Perse' (Persian embroidery) was used to create quilts and wall hangings. It is estimated that the hanging dates from the first half of the 19th century. An exact dating will require a detailed examination of the cotton chintz fabrics used to embroider the hanging. This appliquéd wall hanging is one of the earliest textiles in the Kew Historical Society's fashion & textiles collection. Similar examples are held in major international collections such as the Victoria & Albert Museum. This example of broderie perse is significant for the cross-cultural influence of Indian textiles on European taste, not unusual given the English foothold in India during this period. Additional interest is due to the mixing of Indian and European textiles in the design, while staying true to the derivation of the design. The textile is both well-provenanced and rare. While it is unlikely to be Australian-made, it is probably an example of a textile brought to Australia during the colonial period that indicates a desire to decorate interiors using items created in and for the English home. On another level, the wall hanging is a fine example of 'women's work' in the first half of the nineteenth century.Small wall hanging, comprised of five panels that are each appliquéd by hand in herringbone stitch using a range of decorative figurative motifs including flora and fauna. The design is based on an Indian palimpore representing a tree of life design. The base textile is a cream linen while the appliquéd figures or shapes are cut from cotton chintz. These additions are probably a mix of Indian and European designs. The quality of the herringbone stitching is very fine. Later stitching in red wool was added in the 1890s to demonstrate skill in darning. The main panel is bordered by a narrow green and ecru braid. It has a narrow tan braid at the top and bottom of the two side panels. A surrounding tan braid around the entire textile is missing in some places. textiles, applique, broderie perse, amy grigg, wall hangings, migration

This item formed part of a large collection of items collected by Dorothy Rogers, a notable local historian and founding member of the Kew Historical Society.Collection of four decorative hair combs owned by Dorothy Rogers.A note included with the donation in the handwriting of the historian Dorothy Rogers states: "Old family keepsakes. The large comb when given to me fifty odd years ago was honey coloured. The tortoise shell gradually darkened. Mrs Dorothy Rogers"fashion accessories, combs