Sepia photographNil

Sepia photographNil

Sepia photographNil

ly-ee-moon, ship wreck, poowong tycoon, holmes family reunion, elizabeth fry, nursing, holmes family historical society

Cards and notes received for different occasions - Get Well, Easter, Mothers' Day, Sympathymary elizabeth chatham, sympathy, get well, easter, chatham-holmes collection

Small gift cards for various occasionsmary elizabeth chatham, cards, wedding, baby, shower tea, kitchen tea

Packet with coloured photographs of Queensland.chatham, queensland

Packet of coloured photographs taken in South Australiachatham, philip chatham, elizabeth chatham, south australia, chatham-holmes collection

Coloured photographs and itinarychatham-holmes collection, elizabeth chatham, philip chatham, united states of america, canada, san francisco, eureka, gold beach, otter crest, portland, seattle, vancouver, banff, calgary

chatham-holmes collection, elizabeth chatham, philip chatham

Photographs show the food and clothes market in Fiji.chatham-holmes collection, elizabeth chatham, philip chatham, fiji, food market, clothes market

A4 pageWould liketo thank Southwood Primar School for your help in collecting "Coles Dockets"

White Bifold with photograph on front. Black printing.

ring bound non-fictionFamily history of Henry McCurry and Elizabeth Lindseymccurry, family history

Born: Clunes, Victoria, 1861; Died: Melbourne 1941InterwarGift of Mrs Irwin Bright, 1992Figure depicting female child in blue dress in front of landscape image. Gold gesso painted frame. Recto: Signed and dated “J Longstaff 1934” in ochre paint m.r. edge of composition; Not titledportrait, child, garden, landscape, rural, australian art

Purchased through the Horsham Art Gallery Trust Fund, 2022C-type photograph

Souvenir mug in white ironstone with black painting of London scenes headed "London Celebrations 1977" on one side and "The Queen's Silver Jubilee" on the other. Card attached with list of dates and occurrences in the Queen's life from 21 April 1925 to 14 November 1973.Stamp of "ADAMS - Real English Ironstone. Made in England. / Established 1657" - on bottom of mug.queen elizabeth 2, silver jubilee souvenir, ironstone mug

Elisabeth Adler was part of the World Council of Churches Program to Combat Racism's visit to Australian Aborigines, June 15-July 3 1981. Adler was the German DDR Director of the Evangelical Academy of Berlin Brandenburg.Black and white photograph. Head and shoulders portrait of Ms Elisabeth Adler with dark hair and wearing a white blouse.elizabeth adler, world council of churches

Hardcover"To Mandy, with much love from "Grandmere" Susan Boyd, January 22nd 1953"walsh st library

1996 Nillumbik Art in Public Places Award (installed late 1997). A biennial program that ceased in 2007. The program commissioned artists to make and install public art in various sites around the Shire. Award judges that year were Tony Trembath and artist Peter D. Cole. Susie Kumar has a Bachelor of Landscape Architecture degree from RMIT and Naomi Kumar has a Bachelor of Fine Art in photography degree from VCA. The Kumar sisters designed the sixty meter gently curving bench in response to the topography of the site, Conventry Oval. The sculpture is designed to describe the boundary between the formal oval and the natural creek bank and a considered relationship to the bike track and the river. It forms a link between the activities and aesthetics of its environment. The work is a comical interpretation of the utilitarian public bench. From a distance the bright red runners (the colour of the local football team's stripe) appear to float about the surrounding green. One end of the work is straight and finished. The other remains 'unfinished' hence allowing for the concept of unlimited extension. The 'legs' (steel hurdles) are arranged with a sense of movement and rhythm in sympathy with the activities happening around the work and with the stands of trees in he background. 'Benchmark' also serves as a functional purpose; providing a choice of places to sit to watch action on the oval. Stainless steel, timber (Victorian Ash) and red enamel paint. Sixty meter long red bench that gently curves in response to Conventry Oval. Bolted on top of evenly spaced stainless steel hurdles, four rows of timber runners are joined to provide unbroken continuous lengths. The bench stands on a framed bed of crushed rock (Lilydale topping).N/Abench, sport, wood, victorian ash, stainless steel, public art, ekphrasis2017