Demonstrates Museum Operations.Set of five 35mm Kodachrome cardboard mount - colour slides by Frank Londey of operations at the BTPS depot and in Wendouree Parade April 1985 (date on the slide) Perhaps during a organised tour. .1 - W3 661 on No. 6 road .2 - trams 33 and 18 on the depot fan .3 - 27 and 40 at St Aidans Drive .4 - 27 and 661 at Gardens Loop .5 - 661 in Wendouree Parade at the Ferry stop tramways, trams, btps, btm, depot, wendouree parade, st aidans drive, tram 661, tram 33, tram 18, tram 27, tram 40

Newspaper Clipping with photo and text about the Ballarat Tramway Museum becoming an Accredited Museum. In Friday May 22, 1998 Courier Newspaper. Page 5. Has photo of Darren Hutchesson and Simon Jenkins leaning out of tram 27 on depot fan. Text from a BTM press release. Mentions Richard Gilbert and Lorraine Elliot MLA. 842.1 - 2nd copy added 25 June 1999. In better condition.842 - "Courier 22/5/1998, p5" in pencil on side of Clipping. 842.1 - In blue ink in top left hand corner, "Friday 22/5/98"trams, tramways, btm, accreditation, museum

Printed full colour postcard titled "The Victorian Goldfields" / "Ballarat / restored trams at Lake Wendouree". Features BTM tramcars 661, 28 (being repainted), 671 on the depot fan and No. 45, Gold tram in Wendouree Parade during winter. Photo taken c2001, No. 28 returned to service Oct. 2002. On rear is places for correspondence, stamp, barcode, address. Has the name of the publisher "Givenworks" and name of photographer "Mal Austin". trams, tramways, btm, wendouree parade, depot, tram 661

Large print illustration of L105, showing Destination of Carnegie on the Glenhuntly depot fan, c Oct 1969. Photo caption notes that it was photographed on the Sunday prior to being withdrawn. Print published by Windsor Publications as their No. 9 of a series. Trams has advertisements for Marshall Batteries, Gauloises cigarettes, Guardian Assurance and Courage Beer. Printed on heavy cardboard with a gloss sheet. See Destination City, 4th Edition, page 18.trams, tramways, melbourne, glenhuntly, windsor publications

Pages 42 of The Courier, Ballarat, Monday Sept 30, 2011 featuring photographs of people attending the BTM Family Fun day, titled "who's in it today? " / "Tramway". Has a photographs of Roger Salen standing in front of No. 27 on the depot fan, as MC of the event , Neil Lardner, Alan Bradley and Christopher Mitchell. Photos by Jeremy Bannister of The Courier. See Reg item 50?? for prints of these photos from The Courier's web site.btm, family fun day

Set of 3 Digital Images of the testing of the opening of the depot extensions on 19/9/1981. .1 - general view with 40 and 38 on the depot fan and that rock. Has the banner in position. .2 - ditto .3 - with Richard Gilbert speaking on the trolley. See Reg Item 2801 for the banner and the 1981- 1982 BTPS Annual Report for further details. From digital images from Warren Doubleday, pending transfer of the originals.trams, tramways, opening, depot extensions, btps, launch, banner, tram 38, tram 40

A small rectangular blue textured hardcover book of postcard style fold-out Views of Loch Lomond in Scotland. It has a decorative brass clip on the right short side to close it. Inside are the faded labelled pale blue and purple prints which have fan fold illustrations, as well as a 16 page Descriptive Letterpress explaining the contents and information about each view. Pp.16. with pp.3 -14 missing. non-fictionA small book of fan folded postcard style Views of Loch Lomond with an explanatory 16 page addition at the back for each view. These books were given as souvenirs of travels.photographic postcards, cards, postcards

This particular Musk Duck is a female specimen. This is ascertained through the lack of a large bulbous lobe of skin hanging under the bill. This particular duck has a much smaller lobe on the underside of its bill which is only visible when close. The name Musk Duck comes from the strong musk odour produced from a gland on the rump of the bird. These ducks are found only in Australia, in south-western and south-eastern mainland and in Tasmania. They prefer to reside in locations which have deep water and plenty of aquatic vegetation. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A large duck with a sooty-brown plumage and paler brown colouring on the stomach and areas of the neck. This bird stands with its head turned to look over its right shoulder. The eyes are made of brown coloured glass. The legs on the Musk Duck are positioned towards the far back of the stocky body and the feet are webbed. This enables the duck to swim but provides a clumsy gait. The bill of this Musk Duck is dark grey and the tail feathers are positioned in a fan-shape.Paper tag reading "9a Musk Duck. See Catalogue, page, 39."taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, duck, musk duck, aquatic, biziura lobata

Colour photograph of the almost completed horse tram, missing off side gates and advertising boards. Handrails and lettering and stairway decoration completed. Photographed on the BTM depot fan, on the occasion of the 21st anniversary of the closure of the Ballarat tramway system - 19/9/1992 with Frank Puls standing between the tramcars. Tram 661 in the background. Print on Kodak paper. Used in a Trolley Wire publication?? 799.1 - similar photograph - added 25/1/2008On rear is a label "Photo page 5, Same Size"horse tram no. 1, tramcars, btps, reconstruction, tram 1, 661

A set of seven Plastic mount (black base, white cover) of tram No. 38 in service for the BTM Photo by Travis Jeffrey, c1992. .1 - 23 - Gardens Loop, destination of Mt. Pleasant .2 - 24 - ditto .3 - 28 - Carlton St .4 - 11 - tram running out, about to cross Wendouree Parade showing Special .5 - btm124 - at Carlton St .6 - btm125 - Gardens Loop .7 - btm135 - on the depot fan.tramways, trams, wendouree parade, btm, gardens loop, tram 38

Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency / Processed by Kodak" top and bottom. Photo taken by Ben Parle 5/4/1958. Has slide No. "11" stamped in red in top corner and date stamped on slide. Photo of scrubber tram on depot fan, with No. 21 with a "Australian Electric Traction Association Special Car" auxiliary board. For high resolution scan see btm2840h.tif"Ballarat Depot" "-5 APR 1958"tramways, trams, wendouree parade, depot, ballarat depot, scrubber tram, aeta, scrubber, tram 21

Clothing. Fine white linen fabric. A .8 cm 'tuck' edged at top and bottom with a spoke-stitched border, marks the waistline. Below the waistline is a peplum, split at the centre front with 8 cm deep peaks. These peaks are repeated at the centre back. The peplum tapers to 7 cm deep at side seams. The camisole is trimmed at the top edge with a 4 cm deep band of cotton lace. The top edge of the linen fabric has a double row (off set) of cotton embroidered 'spots' 2 mm in diameter, and three rows of drawn thread work - one cm in width, 3.5 cm wide lace form the shoulder straps. The back opening fastens with six tiny 7cm pearl buttons, and hand-stitched button holes. The lower button fastens with a loop at the waistline 1880-90's. A 'fan' of pintucks, arched from 4 cm long at the ends, to 6 cm long at the centre, fans the midriff at the centre front, above the waistline - 28 tucks in total.costume, female, camisole.

A set of seven 2 1/4" square photographs mounted onto a sheet of manila cardboard - contact prints of each negative. Numbered from left to right, top to bottom are: 477.1 - Decorated tram at Batman Ave 7/5/1955 477.2 -M&MTB W2 434 at Camberwell depot entry 7/5/1955 477.3 - M&MTB SW2 426 at Camberwell depot entry 7/5/1955 477.4 - M&MTB 727 at Camberwell depot entry 7/5/1955 477.5 - M&MTB Q190 on Camberwell depot fan 7/5/1955 477.6 - M&MTB Y613 on Camberwell depot fan 7/5/1955 477.7 - Caulfield Race day, line up of trams looking towards Crystal Palace Theatre from the railway underpass, 3/9/1955. Image btm477i is of the card itself and individual images higher res scans made 12/12/2020. trams, tramways, melbourne, camberwell depot, prahran centenary, caulfield races , tram 434, 426, 727, 190, 613

Greeting Card: Christmas Greeting Card rectangular in shape with Khaki Velvet background and a light green, fan shaped plastic like material with mouldings of 'With Best Love'' plus a heart with painted flower and a ladies shoe. Right hand top corner is a gold bell. The back has Christmas 1899 hand written and two slits for stand. Under the slit is a note in gold printing and Horse Shoe 'Wishing you a Joyous Christmas and poem. Box 625ephemera, mementoes, christmas, greeting card. christmas.

Black and White Photo of Official Plaque, Opening of the new S.E.C. Victoria Administration Buildings March 14 1941, Plaque reads 'This Building was offically opened by the Hon. F.E. Old. MLA. Minister in Charge of Electrical Undertakings 14 March 1941'. Flag wrapped around a bar at the top of the display, and fan. Another flag at the front bottom of the display. Rear of photo Sec. opening 14 March 1941 written in biro and number 30 written in pencil.organization, public utility, electricity company, s.e.c. victoria, sec victoria, sec victoria offical opening, sec victoria offical plaque

Negative No. N312 and black and white print made by a laser printer (stored in folder ) of the W6 988 entering the depot fan at the then new Preston depot, with another tram (W2) travelling on Plenty Road in the background. A tower truck stands to the left hand side of the photograph. Workmen in the background. Tram being used to check overhead etc. Date of photo 19/6/1955 Negative scanned hi res and imaged updated 21/5/2020.trams, tramways, melbourne, preston depot., plenty road, tram w6 988

Black & White photo of M&MTB tram No. 1033 at North Fitzroy tram depot, prior to going on an AETA tour on 7/4/1956. Tram showing destination of "SPECIAL", has auxiliary board of "AETA", an AETA tour board on front bumper and panel on front dash "SOLVE TRAFFIC CONGESTION, MOVE PEOPLE NOT VEHICLES". Trams 1027 and 1029 in depot fan and others with numbers obscured. See also Reg item 1620.2 for negative of this item.On rear in btm rh corner, "Geoff Grant, 7 Apr 1956 Victoria"trams, tramways, melbourne, north fitzroy depot, aeta, tours , tram 1033

Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency" top and bottom. On the other side is "Made in England" and "View from this side". Photo taken by Ben Parle 1/1954. Photo of Ballarat No. 40, on the Wendouree Parade, SEC Depot fan or track, possibly being shunted within depot, as driver not in SEC uniform. Tram has a destination of Victoria St. For high resolution scan see btm2823h.tif "Depot Ballarat" "1/54"tramways, trams, wendouree parade, sec depot, depot, tram 40

Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency" top and bottom. On the other side is "Made in England" and "View from this side". Photo taken by Ben Parle 1/1954. Photo of Ballarat No. 27, on the Wendouree Parade, SEC Depot fan or track, possibly being shunted within depot, as driver not in SEC uniform. Tram has a destination of Special. For high resolution scan see btm2824h.tif "Depot Ballarat" "1/54"tramways, trams, wendouree parade, sec depot, depot, tram 27

Set of six photographs taken by Carolyn Dean of the BTM services - AGM 2003 on 19.10.2003. 2600.1 - No. 28 arriving at Depot Junction. 2600.2 - No. 28 leaving Depot Junction with No. 27 waiting to cross Wendouree Parade 2660.3 - No. 27 crossing Wendouree Parade on Members Special 2600.4 - No. 27 at Carlton St. terminus 2660.5 - Nos. 661, 27 and 45 on Depot Fan 2660.4 - Tower Truck outside Depot on No. 1 Road, with No. 45 in background.On rear of each print in blue biro "19.10.03" / "Photo by Carolyn Dean".btm, depot, wendouree parade, tram 28, tram 27, tram 45, tram 661

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with this history. Fairfax and Laurie were the proprietors when the papers described herein were printed. William Fairfax was a member of the Fairfax family that was, and still is, associated with the publication of many Australian newspapers. Henry Laurie later became well-known as a Melbourne University Philosophy Professor.These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also of importance because some parts of these papers were not filmed and are not currently available on microfilm. These papers have come from the old Warrnambool Museum which no longer exists.These are original copies of the Warrnambool Examiner from 5th January 1869 to 31st December 1869. They are bound and have a mottled brown/blue cover with brown binding glued together. Some of the pages have torn edges but otherwise are in good condition. The pages are unmarked. The paper of 6th August 1869 has an insert advertisement for Wilkie, Webster and Allan Pianofortes with Mr Fanner the Warrnambool representative. The newspapers are broadsheet, two pages to one edition printed on both sides and published twice weekly. Inside front cover (handwritten): ‘Fairfax and Laurie’warrnambool examiner, richard osburne, william fairfax

Black and white photograph with a white border. Image is taken from inside the main hall of the Mission to Seafarers Melbourne. It shows a radiator, noticeboard, group of six chairs around a coffee table (all situated on a mat), jukebox, two chairs next to a wall and three vases of flowers in front of two of the main hall's arch windows. The hardwood floorboards are visible, as is the wainscote (wood panelling) on the walls in the background. Overhead lights are also visible as is a fan next to one of the windows.window, jukebox, main-hall, wainscote, wood-panelling, arch, chairs, mission to seafarers, mission to seamen, music, arched windows, floorboards, flowers

Object. An elaborate item, with a light blue grosgrain ribbon background. An arched and a straight bar at the top state CORONA LODGE. A crown with fanned background, under which is a plinth and a clasp stating No 195 V.C. Below this is an inverted ^shape, highly engraved with a Greek eternity pattern, and decorative scrolling. From this shape hangs a rectangular shape 2 cms x 1.7 cms, which has a fine decorative edge, and a central motif. The underside of the ^shape is engraved as above.Front: CORONA LODGE No195 V.C. Back: Presented to Wor.Bro.W.R.WRIGHT I.P.M. by the BENDIGO CORONA LODGE No 195 V.C. 25.8.20?1organisation, masonic lodge, corona lodge medallion

Clothing. Deep cream silk centre piece, with scalloped edges - 18 cm x 16 cm. (Scallops 6.5 cm wide). Cream linen bobbin lace - (probably Brussells Lace) surrounds the silk-9cms deep at each corner, 3.5 cms deep at the sides. Fan shapes woven in the lace, emphasize the scalloped centrepiece. Flowers as in 11414.26 and 11414.30a and b, would suggest that this lace has been made by the same maker. Silk centrepiece is damaged, with some splitting of fabric.costume accessories, female, dark cream silk and lace handkerchief