pavilion, administration building, administration builkding, bell

Subtitled "The story of the mountain cattlemen of the Bogongs", this publication of 248 pages includes illustrations, photos, portraits, an index and maps on the end papers. The original edition was published in 1980 A history of the cattlemen of the Bogongs in the Victorian Alps, including their bushcraft, yarns, hut construction, dog and horse training. It looks at the issue of fire and cattle grazing and the struggle of the mountain cattlemen to retain their leases after the bushfires of 2003. This publication provides an enduring record of a special group of Australian pioneers whose lives and qualities of endurance have become part of Australian folklore.bogong high plains, cattlemen of the high plains, bogong high plains history

A book of 224 pages including maps, illustrations and photographic images, both black and white and colour. It includes a bibliography.The lives of the mountain cattlemen of Victoria's alpine country revolve around the annual muster held before the first snowfall of autumn, when they bring their cattle down to lower pastures for winter feeding, or consign them for auction at the annual calf sales in Omeo or Myrtleford. The close-knit communities of cattlemen share the common hazards of this mountainous region, enduring the snow and freezing conditions of winter and the threat of ravaging bushfires in summer, finding shelter from the harshness of the environment in little huts which they built from the rough materials available. But the dangers of steep slopes and rocky terrain, in which more than one drover has lost his life, hold no terrors for them. These tough and resourceful cattlemen are self-sufficient and skilful in everything they do, whether it is bushmanship, horse-riding, or telling tall tales. In this book their yarns and reminiscences about their mates, their horses and Hereford cattle, and their indispensable dogs, reveal a characteristic courage and endurance, and an indomitable sense of humour. This book provides an enduring record of a vanishing breed of Australians, folk heroes in their own right, whose lives form the basis of verse and legend.mountain cattlemen, cattle breeders victoria, australian cattlemen, bogong high plains history

non-fictionFor 25 years of his working life he worked as a Shire Engineer in West Gippsland and developed a reputation for competence and efficiency. Passionate about both trees and golf, he was a careful and measured man with an entrepreneurial spirit who worked behind the scenes He was seen by many as aloof and a hard man and by the very few who became close to him, as warm and fun loving and fond of children. Ross formed a business association with Wally Lawson in Warragul and together they embarked on a number of projects to advance the town and the district. As a young man, Ross had studied geology and working with quarries was familiar to him in his role as a Shire Engineer. In 1959 he established Bayview Quarries in partnership with Wally Lawson. When, in 1968, Bayview Quarries was taken over by Boral Ltd., Ross approached Tom Maw who had an operational quarry at Dromana on the Mornington Peninsula. Ross and Maw became partners in what became Hillview Quarries. Ross also became the largest individual shareholder in Western Mining. Those shares formed the major part of the legacy he left to establish The R. E. Ross Trust and The Trust now operates on its income from assets acquired following the disposal of the Western Mining shares and from the earnings of Hilhnew Quarries. It is the only trust in Australia which owns a quarry as one of its investments.engineering, philanthropy, quarryman, investor, r.e. ross trust, hillview quarries, wally lawson, roy everard ross

non-fictionThis is the story of the Pittard Families journey from England to Australiajames alfred pittard, annie searle drew

"Hedge Hopping" over Kew. About mid day on the 23rd of July, 1924 an A.R.27 (Avro 504 K) plane piloted by Arthur Affleck "buzzed" the house at 91 Wellington Street, Kew, so low that the pilot was easily recognised from the ground and returned our eager waves, he then flew north to "buz" his mother at 27 Kent Street, Kew, which is situated near the west gates of the Boroondara Cemetery and after several circuits around noticed that a horse drawn funeral had been disturbed while entering the Cemetery - the horses taking fright. On observing this the pilot then returned to Point Cook where he reported 'engine trouble' over Kew. Small black and white photographic positive showing Marion Isabel Dudley standing on the porch of her house which is believed to be at 91 Wellington Street, Kew. The photograph is attached to summary text and contemporary press reportsReverse: "KH-167 / Marion Isabel Dudley the girl Arthur "hedge hopped" to see in Kew 24th July 1924"dudley family, marion isabel dudley, arthur affleck, boroondara general cemetery

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia-toned photograph of a group of performers in the "Q" Theatre Guild's performances of Gay Rosalinda, an arrangement of Johann Strauss' Die Fledermaus. The performance took place in the new Kew City Hall, with scenery created by Robert Jewell and Claud Ward. Costumes were designed and made by Marion Tilley. Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Jean Hayles, Apthorpe, English, Robert Preston in my crinoline I wore for Centenary Ball. Apricot & black trim. Mum made it. Marion Smith."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew city hall -- cotham road -- kew (vic.)

ORIGINAL PHOTOGRAPH OWNED BY MRS. ISOBEL FOX. JANE DAVIDSON - SCOOL TEACHER AT CLUNES.1 SEPIA AND 2 BLACK & WHITE COPIES OF PHOTOGRAPH OF JANE DAVIDSON NURSING A BABY SITTING BY A READING TABLE.local history, photography, photographs, costumes - female

3160.1 - front row right - Bet Gilbert P. Richardson. 3160.4 - back - Alice Hammill; Marion Nixon; Bel Kerr; ?; Annie Malcolm; E Gall front - Marion Gilbert; Pen Gilbert; Elsie Pardew; Jean Frewin 1923 These photographs are of students of Orbost Elementary High School. . During 1910-11 the first approaches were made to the Department for the establishment of a HES in Orbost and this became a reality in 1912. Orbost HES supplied post-primary education in the district until a high school was built in 1948. Orbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. These photographs are representative of its history.They are also associated with sport in Orbost in the first half of the 20th century.Four black / white photographs. 3160.1 is of three rows of young girls in uniforms - possibly sports uniforms. In the back row standing second left is an older woman - a teacher. 3160.2 is of two rows of girls in uniforms. Each girl in the front row is holding a hockey stick. A small square has been cut out - the head of the girl in the middle of front row. 3160.3 and 3160.4 show two rows of girls - the front row sitting and the back standing. There is a trophy on the ground middle front. all photographs have been taken outside.3160.3 - on back - Pen 6 Mary 4 Marion Gilberts 4 14 @ 5/- day sport-orbost recreation-hockey orbost-elementary-high

This is a photograph of Richard Davis and his wife Ellen Jane nee Hobson who owned Winilba Vineyard in Vineyard Road, Sunbury.A black and white photograph of an elderly couple. The man is standing and the woman is seated.Written underneath the photograph: "Richard Davis and Ellen Jane nee Hobson"vineyards, winilba vineyard, wineries, vintners, davis, richard, ellen jane nee hobson, sue, kevin, george evans collection

George and Sarah Ann Barbers home "Forest Edge' on Barber's Road. Jabez Richardson (father of Sarah Ann) and his wife Sarah jane are standing on the front verandah. An unknown male is also in the picture.Black and white photograph showing four adults standing on the front verandah of a house. Reverse of photograph has handwritten description by John Lundy-Clarke.Jabez and Sarah Jane Richardson on verandah of home of their daughter Sarah Ann (Mrs Barber) 1905. Sarah jane died 1906. Jabez died 1908.forest edge, george barber, sarah ann richardson, sarah ann barber, jabez richardson, sarah jane richardson

Photograph was donated by Margaret White (nee Kennedy) granddaughter Jane & John McDonnell.Two copies of black and white photograph of Jane and John McDonnell and family members on the verandah of their home at 42 McDowall Street Mitcham..Left to right - Catherine Lardner, P.J. McDonnell, Margaret McDonnell, Michael McDonnell, Jean Kunze.Middle row - Jane McDonnell and John McDonnell (Margaret's grandparents)Front row - Gladys Lardner, Florence Greet, Irene Lardnerwhite, margaret, mcdonnell, p.j., lardner, catherine, gladys, irene, michael, kunze, jean, john, jane, greet, florence, mitcham hotel

This book was a prize given to Marion Mahood in 1935 from the Clarendon Presbyterian Ladies’ College, Ballarat. Marion Mahood was a Warrnambool-born lady who spent most of her working life nursing at Prince Henry’s Hospital in Melbourne. In retirement she was active in community affairs in WarrnamboolThis book is of interest because, with the school badge embossed on the front cover, it is a good example of the type of prize awarded by private schools in Victoria in the early to mid 20th century. It also has a connection to a resident of Warrnambool, Marion Mahood.This is a dark blue leather-covered book of 796 pages. The cover has gold lettering on the spine with some gold ornamentation and the badge of Clarendon Presbyterian Ladies’ College embossed in gold on the front cover. The book has an Introduction and 54 chapters of storyline. There are several black and white illustrations scattered throughout the chapters. The book plate is printed and pasted on to the back of the front cover and handwritten material in black ink is included in the name plate. There is a slight gouge in the leather on the back cover.‘Clarendon Presbyterian Ladies’ College, Ballarat, Awarded to Marion Mahood, Prize, Sewing, Form 1VA, Janet M. McDonald, Principal, December, 1935’.clarendon presbyterian ladies’ college, ballarat, marion mahood

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Thelma Hiscock in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The photograph was taken on the night of 24 or 27 June when Hiscock was performing the role of Lazarillo.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Thelma Hiscock."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

Francis Box 1836 1912 migrated, from Sussex England 1855, with his father George Box b1808, and joined his brother William Box in the Parish of Moorabbin . he established a market garden and with Eliza Jane Box raised his familyFrancis Box was a member of the pioneer family who migrated from Sussex England 1955 and established market gardens in the parish of Moorabbin, County of Bourke.Black & White photograph of Francis Box 1836-1912 who married Eliza Jane Box in 1871 box george b 1808, box francis 1836- 1912, box eliza jane , box william, box elizabeth, box cottage museum ormond, smith j l; smith mary ann, stanley helen, smith vic, early settlers, bentleigh, mckinnon, parish of moorabbin, city of moorabbin, county of bourke, moorabbin roads board, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, vineyards, orchards

Joseph Tainton was born in Gloucestershire about 1850. He emigrated to Australia at the age of 2 years in 1853 aboard the 'British Queen' with his father James Tainton (aged 39) , mother Ann (Drew, aged 34), and brother William 4 years. Joseph married Mary Jane Course in 1877Photograph of Joseph and Mary Jane Tainton's family on the occasion of their 50th Wedding Anniversary. c1920 Top:- Herbert, William, Ida (James), Harold, Lucy (Lowen), Percival. Bottom:- James, Emily (Finger), Joseph, Mary Jane, Joseph Charles, Maude (Finger)tainton, joseph, mary jane (nee course)

Family Portrait of children. Wilhelmena born 7/08/1856 died 20/09/1938. Robert Jnr died 02/02/1929. Jane killed 07/08/1884 when thrown by horse.Posed Photograph. Wilhemena and Robert Jnr. seated. Jane standing between seat and table. Large draped curtain behind.local history, photography, photographs, slides, film, three eldest anderson children - wilhemena, robert jnr, jane, sepia photograph, mrs emma anderson jacobs

Harris. WM. & Jane – Main table in Hall at Great Western.Black and White Photo showing table settings withbottles of Sepplets wine and four tier wedding Anniversary Wedding cake; Lemonade and slices and rolls of bread. Floral arrangements.Table Diamond Wedding Great Western 21 October 1932 William Harris and Jane Harris(nee Colley)stawell

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Stan Wilson in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The photograph was taken on the night of 21, 23, 26, 27 or 28 June when Wilson performed the Don Jose, a role he shared with James Dinsdale.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Stan Wilson."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Jeanette Rayment in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1959 to coincide with Moomba. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes. Jeanette Rayment performed the role of Therese.Marion Tilley, the creator of the scrapbook, wrote the name of "Jeannette Rayment" underneath the photograph.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Alan Wilson and Iaan Young in the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. The photograph shows two cast members: Alan Wilson seated, and Iaan Young who played Thaddeus (an exiled Rebel).Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Alan Wilson, Iaan Young".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

Colour photograph. Janet England, Chair of Trust, standing behind a lectern on the front steps of the QVWC building during the grand opening weekend. Several people are sanding behind J.E. Marion Lau left of frame. Jane Wade Right of frame. official events, historic buildings, cultural structures and establishments