Embroidered tray cloth. Pink and yellow flowers in each corner. tray cloths, household textiles

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Long dark green sun dress with a pink tulip pattern.Label: Allen Gayeallen gaye, women's clothing, australian fashion - 1970s, mcintyre collection, day wear

Part of a collection of three blankets donated by Emily McNeight.Pink, blue and cream chequered blanket with aqua blue edging.label: Challenge / LAMBSWOOL / SUPER GRADE BLANKET / pure new woolwool, blankets, challenge woollen mills

White china specimen vase with pink flowers and green leaves.vases

Porcelain ware with elaborate decoration and delicate colourings, made originally at Dresden in Germany. Part of collection of Dresden China from the collection of Misses Eva, Olive Sebire and Mrs. Annette Lord (nee Sebire). Purchased by the family in Heidelberg from 1952.Dresden China - Group of three young girls. Pink and white.china, figures, human figures

Card Cover with pink/mauve cover with ocean, and white writing The Australasian Journal of Irish Studies volume 7 2007/8stawell, ireland

Found in loft of Linton Bank of NSW in 1980s.Pink Little Birthday syndicate, share certificate in name of F.J.VoutierText: " Little Birthday Syndicate, / BERRINGA DISTRICT. " Signed on front: "F.J. Voutier". On back: "Received from Mr S Lewers three pounds 6/8 for one third share in with(?) in Syndicate eleven(?), S Lewers 3/7/99". "Received from Mr.A.H.Horan the sum of three pounds 6/8 for 1/3 share in this certife. A.Clark". On back across top RH corner: "Sat 7.30 George Hotel".little birthday syndicate, berringa, f. j. voutier, s. lewers, a.h. horan, a. clark

Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from middle-class working church-going family. Her mother was a milliner who made all of Marjorie’s clothes, hats and outfits. Marjorie married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11. Her father served in Civil Defence during the war. Marjorie was in Birmingham during the war and remembered sheltering with her young daughter, Anne (Quaadgras) in the air raid shelter during bombing. These items are examples of handcrafted items and reflect the handcraft skills of women during the early 20th century.Two hand-made nightcaps. 2483.22 is a fine ecru coloured net with a pink trim. 2483.23 is made of lace and ribbon and edged with a crochet band. It is blue and pink with a pale green ribbon.hand-made nightcap sleepwear clothing

Webb, Mc Donald and Co., Engineers, Brassfounders, Sheet Metal Workers, Plumbers appear to be the forerunners of the firm of Webb Brothers and Co. which was as important business in Lava Street, Warrnambool in the early 20th century. The Webb Brothers were especially noted for their windmill making, establishing a business in South Melbourne in 1921.This luggage label is of some significance as it is the only item we have of the firm of Webb, McDonald and Co.Buff coloured rectangular label with dark blue text . Two corners of the label are mitred. It has a punched hole with a reinforce sticker .There is a pink smear on the front . There are remnants of pink card on the reverseFROM WEBB, MCDONALD 7 CO., Engineers, Brassfounders, Sheet Metal Workers, Plumbers &c. LAVA STREET, WARRNAMBOOL.webb, mc donald, engineers, brassfounders, plumbers, wiindmills

.1) Northern Picnic Race Club Birthday Meeting, Monday June 1943. .2) Christmas menu for 31st/51st Btn. A.I.F Rabaul..1) Paper programme in pink paper folded with black print. Race meeting, proceeds to go to the Prisoners of War Fund. .2) Paper Christmas menu, beige paper with pink ink..1) Stamped limited edition '5560'.documents-programmes,menus, race meeting, menu

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Hand-woven woollen jacket with white bands interspersed with diamond patterned bands in shades of green and pink. The kneck and a band down the front uses the dark pink wool. There is a matching belt.grace james, women's clothing, australian fashion 1969-1988, dressmakers - surrey hills (vic), woven jumpers

1960's shortie pyjama top. Black nylon with pink nylon on reverse side, frilled panel around. Off the shoulder neckline and over the shoulders. Frill around base and top of the panel with pink stitching exposed. Pink rouleau bows on each shoulder and in front of neckline. Elastic inserted around waistHelen Stuart Regd 38costume, female nightwear

Clothing. Pink silk sleeveless woman's bed jacket. Arm holes trimmed with 2.5 cm coffee coloured lace with bright pink spot. Front opening with V neckline front and back. Front opening and neckline edged with pink spot 10 cm scalloped coffee coloured lace with pink spot. At the back the lace trim dips to a V at centre back.Front fastened at front with a bow of 2.5 cm pink patterned ribbon below neckline. Below the shoulder on each side of the front are sprays of embroidered flowers and ribbon bows in mauve, green and cream.costume, female, woman's pink silk bed jacket

Purchased in 1968 by Phyl Johnson at Myers. Worn twice by her and then, in 1990, by her mother, Mrs M. Gray at her grand daughter's wedding at Box Hill, St Andrews Presbyterian Church1968 Pale pink pure wool, short sleeved dress. Round neck with zip from neckline to waist. Fully lined in pink polyester fabric. Detail stitching from bustline to waist and continuing across waist line at back. Fitted pink jacket has waist length long sleeve, trimmed with a collar of faux fur. Fastened with three buttons and loops, and has two pockets with detailed stitching. Jacket is fully lined with pink polyester.Merco Dabroncostume, female

Worn by Edna Emily Seehusen (1916-2005) when she married William Alexander McQuilten (1911-2010) in September 1947 at Brighton Congregational Church, Black Street, Brighton.Ivory satin dress with train overlaid with machine made lace. High, gathered neckline, leg-of-mutton sleeves, In-built padded hip rolls. Front of dress is decorated with wax flowers. Label, woven pink on cream silk, centre back neck: A / Dorothy Draper / Original / EXCLUSIVE TO / BALL & WELCH LTD. / MELBOURNEwedding dress, lace, ball and welch, edna emily seehusen, william alexander mcquilten, brighton congregational church, brighton

This book is one of a series of 12 which were used in primary schools in prep for children begining to read. They have a limited and repetitive vocabulary and simple diagrams. This particular book is from Cudgee Primary School which is situated approximately 15 km east of Warrnambool.A common item which is typical of the era in style and content. Dark pink cover with title in black text inside white rectangle. Diagrams of children, houses, and plants around the outer edge of cove.14 pages. Diagrams in black and white on pink background.Stamp inside front cover. Cudgee State School No 105, 1966. Written by F I Serjeant and C G Kenway. illustrated by Thelma Stanley. Book 9 A Dollwarrnambool,, cudgee, cudgee state school 1966

Gas and Fuel Fashion,Food,Fitness. A female model in a pink tracksuit pants and pink, grey and white top walking down the aisle of the theatre she is holding a rope. Date and location unknown.event, social, gas & fuel fashion, food, fitness

Churchill Island Heritage Farm has a large collection of photographs. Photograph of a woman wearing pink supporting a small child dressed in a pale pink smock, standing behind a black dog lying down. A series of benches on the balcony of a house with wooden logs in the background. [catalogue number written on reverse in pencil]churchill island, photograph

Ann Austin of Melbourne was the name of a Melbourne millinery house. Thelma Prentice was one of the partners in the house, and the chief designer/milliner. Very little information about the millinery house and the milliner are available online but there is an interesting article, published in the Brisbane Courier Mail on 8 October 1949 which describes the influence of French style on fashion and design in Australia. The article by Lucy Gough recounts the views of Thelma Prentice who had just returned from the Paris fashion shows. "Australian millinery toes line with Paris From LUCY GOUGH LONDON, October 7 (Special) Australian hats can compare very favourably with those designed in Paris, and are considerably cheaper, says Miss Thelma Prentice, partner in a well-known Melbourne millinery firm, who has just completed six months' visit to England and the Continent. An ordinary hat, Miss Prentice said, would cost at least £15 from any of the top Paris houses. Australia could achieve the same effect for a lot less money. Miss Prentice went to all the Important dress shows as well as the millinery houses in Paris, because she believes that millinery is an accessory to fashion and to obtain the best idea of new trends hats must be shown with frocks to get a complete follow-through and tie-up between the two. At their packed shows, with standing room only, Path and Dior were selling hats they designed, faster than many well known Paris millinery houses, Fath's favourite line was the becoming 'wing treatment,' which he achieved by a profile flattering side swing of material jutting out almost 10 inches from the face. This was completely different to the side drape already seen in Australia. Dior, as a direct contrast, was specialising in skull hats, which almost followed the hair line, to show very little hair at the back of the head. His cocktail hats were heavily sequinned and beaded. Every model was designed exclusively for short hair, and Miss Prentice, whose own hair is beautifully short cut by a Paris hairdresser, said that French mannequins' hair was so abbreviated at the back it was almost a semi-shingle. Hats generally she found were plain, with sharply angled self trimming, and black one of the most popular colours." The hat was donated by Kathleen Gervasoni, a resident of Kew, and during the 1970s a Mayoress of the former City of Kew. The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.High crowned hat made of burgundy felt with decorative pink jersey turban folds attached to the side by clusters of pink beads. The hat was designed by Thelma Prentice of the ' Austin of Melbourne' millinery house. Label, inside centre crown, woven in black on white polyester: *ann austin / OF MELBOURNEmilliners, hats, ann austin of melbourne, thelma prentice, australian fashion - 1960s, kathleen gervasoni

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Three-piece pink chiffon outfit, the outer sections of a different floral weave. The two outer sections are attached with buttons at the waist. The plain pink shift with a zip at the neck was created to wear underneathgrace james, women's clothing, dressmakers - surrey hills (vic), fashion design, fashion -- 1980s

The hat was owned, worn and donated by by Jill O'Brien, member of the Kew Historical Society and a former mayor of Kew. The rose is a later addition.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Soft pink coloured woman’s hat; the high crown swathed in fine pink silk, while the brim is covered with white chiffon. Two large floppy silk roses are used to decorate the hat.Nilmilliners, hats, women's clothing, australian fashion, jill o'brien

Twelve page knitting pattern book featuring black and white printed graphics and text. The colour cover shows a woman wearing a pink knitted top with sailboats, a white skirt and pink earrings.front: [printed] VillaWOOL / 12785 / PRICE / CODE / D / MADE IN AUSTRALIA / PARADISEknitting, pattern, fashion, knitwear, women, villawool

Document. Malone Collection. Small white crd with pink embossed border top, bottom and right side. Fitting inside the border and sewn to the border piece is a celluloid front which is embossed with small pink flowers, bows, holly and Best Wishes. The bells are gold and the holly green with red berries. The insert is held with a pink cord.person, greeting cards, malone collection, malone collection, greeting cards

White cotton Nightdress with round neckline and long sleeves. 4 buttoned front concealed in placket. Pink ribbon threaded through eyelets. White lace on front neckline and hem of sleeves. Pink ribbon bows on sleeves. White cotton embroidery of bow and circlet of flowers on front of sleeves. Pink ribbon threaded through eyelets at waist.costume, female nightwear

A small pink frosted glass candle holder which is vase shaped.glass frosted-glass candle-holder tableware