A photo of two members of the RAAF. John Forbes is on the left and Colin J Newell on the rightA sepia photo of two members of the Royal Australian Air Force identified as John Forbes on the left and Colin J Newell on the right.on back written in pencil: Colin J. Newell & John Forbesroyal australian air force, armed forces, defence force, raaf, clothing and dress, uniforms, newell, colin j., forbes, john, george evans collection

The photograph has been copied from an older snapshot.A black and white photograph of the bust of C. H. Gilligan in a RAAF uniform. He is standing in front of a garden fence.raaf, uniforms, portraits, clothing and dress, gilligan, c. h., royal australian air force, george evans collection

This photo is part of a collection of World War II and returned soldiers held in the George Evans Museum and collected by Jeff Cossum, previous curator (1989-1995)A black and white photograph of Owen Edwards wearing a RAAF uniform. (Bust only)on back: Owen Edwards / 119995 LAC RATworld war 2, raaf, uniforms, portraits, royal australian air force, clothing and dress, exservicemen, cossum, jeff, george evans collection

This photograph is part of a collection of World War II returned soldiers from Sunbury. The collection was collated by Jeff Cossum, curator of the George Evans Museum from 1989-1995.A photograph of the bust of airman Max Davis.world war 2, raaf, royal australian air force, portraits, davis, max, george evans collection

This photograph is part of a collection of World War II returned soldiers from Sunbury. The collection was collated by Jeff Cossum, curator of the George Evans Museum from 1989-1995.A head and shoulder photograph of John H. Moran, a sailor in the Royal Australian Navy.world war 2, hmas cerebus, hmas cerberus, royal australian navy, portraits, sailors, moran, john h., george evans collection

This photograph is part of a collection of World War II returned soldiers from Sunbury. The collection was collated by Jeff Cossum, curator of the George Evans Museum from 1989-1995.A head and shoulders photograph of RAAF aircrew trainee Forbes. There is a white band around the top of his hat band.world war 2, raaf, royal australian air force, armed forces, uniforms, clothing and dress, hats, forbes, john, cossum, jeff, george evans collection

A coloured photograph of the corner of Brook Street and Evans Street, Sunbury, looking towards Macedon Street.post offices, royal hotel, hotels, fire stations, toyworld, businesses, brook street, evans street, sunbury, the corporate personality, george evans collection

A sticker on the back identifies the image as Walter Clarke 1803-1873.A black and white laser print copy of a man with white curling hair and a full beard believed to be Walter Clarke.Bottom LH corner: Standish and Preece LR corner: By Special Appointment / Royal Insigniaclark, alistair, clarke, walter, alastair, glenora, flower growing, horticulture, photographers, standish and preece, george evans collection

The original photo is part of the photo library of the Mental Health Library, which late in 1999 was transferred to the Royal Melbourne Hospital. Copying of photo was by the photography department of the Royal Children's Hospital in Parkville.A Red Cross concert at Sunbury Mental Home. There are 6 rows of chairs with people seated on them. The pianist and the violinist are in the LH back corner of the hall. There are three curtained windows along the LH side and an exit door.sunbury mental hospital, caloola, sunbury asylum, sunbury hospital for the insane, medical services, red cross, george evans collection

Eric Boardman CollectionMounted b/w photograph showing the Winter family of 2 males, 3 females and a baby. They are identified on the face of the photograph. Mary Ann Williams (Ma Williams, nee Millett) seated far right, Susan Winter standing, Irene Williams seated on floor. Males are Bill Winter and Edward Williams (no identification of which one which). See notes belowPrinted on face: "Matson and Fraser / 264 LITTLE COLLINS STREET," Handwritten on face: "Ma Williams Royal Hotel / Bill Winter, Teddy Williams, Irene Winter Moss Rusan / Mrs Hilton / Winterwinter family, williams, - (mrs), royal hotel, winter, william, bill, teddy, edward, irene, rusan, moss, hilton, george evans collection

B/W photograph of the Royal Hotel, Sunbury 1952Printed by hand on back: ROYAL HOTEL, SUNBURY. 1952royal hotel, sunbury, hotels, buildings, 1950s, george evans collection

Ann Holden married George Evans at the age of 16 in 1843. She lived at Emu Bottom and died in 1893 at the age of 67. Possibly taken between 1880 and 1890, perhaps when she was operating the Royal Oak Hotel, Latrobe Street, Melbourne.Sepia photograph of a lady standing in front of a chair and dresser. This photo is mounted on brown cardboard edged in a darker brown outline.On back: stamp: S.A.MAYOR / Morrah Street / PARKVILLE Written in ink: Mrs George Evans / nee Ann Holden / Married 1843 / died 1893 aged / 67 years.evans, george, emu bottom, oldest house, holden, anne, mayor, s. a., photographers, royal oak hotel, hotels, george evans collection

Used at Sunbury Pop Festival held on George Duncan's property in 1975.Royal Crown Cola blue aluminium 370ml. can."It's right for you/Royal Crown Cola...."sunbury pop festival, duncan, george, george evans collection

Jock Clutterbuck is a sculptor and printmaker of national significance, known for his sophisticated abstract forms with underlying esoteric mysticism. Clutterbuck overlapped with Baldessin when he studied sculpture and printmaking at the Royal Melbourne Institute of Technology, RMIT (1965-66). He taught at RMIT from (1969-73) before lecturing in sculpture at the Victorian College of the Arts (1974-2000). He is represented in many national and international public art collections and is a recipient of many National prizes and awards. George Baldessin (1939-1978) was a printmaker and sculptor who built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.‘Frosty Night Cartouche’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Following a visit to the Press in 2015, Clutterbuck was reminded of a suite of paintings he had produced some thirty years earlier inspired by plein-air drawings of the night sky. This print attempts to capture something of the enchantment, mystery and drama of a frosty rural property where Clutterbuck spent many years. It is a frost dreaming; a subtle personal homage to Baldessin, embodying the reverence of a fellow artist towards an old friend. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Frosty Night Cartouche' (title); right 'Jock Clutterbuck' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)ekphrasis2018, symbols

One of three letters from Sir Joseph Banks to King George 111, copied from the originals in the Royal Archives, Windsor Castle. They give an insight into the early development of the merino breed in England. (ref also Supplementary file: Royal Visit, 1988).One of three letters from Sir Joseph Banks to King George 111, copied from the originals in the Royal Archives, Windsor Castle.9645sheep breeding - history merino sheep - history, banks, sir joseph, sheep breeding - history, merino sheep - history

One of three letters from Sir Joseph Banks to King George 111, copied from the originals in the Royal Archives, Windsor Castle. They give an insight into the early development of the merino breed in England. (ref also Supplementary file: Royal Visit, 1988).One of three letters from Sir Joseph Banks to King George 111, copied from the originals in the Royal Archives, Windsor Castle.10495sheep breeding - history merino sheep - history, banks, sir joseph, sheep breeding - history, merino sheep - history

One of three letters from Sir Joseph Banks to King George 111, copied from the originals in the Royal Archives, Windsor Castle. They give an insight into the early development of the merino breed in England. (ref also Supplementary file: Royal Visit, 1988).One of three letters from Sir Joseph Banks to King George 111, copied from the originals in the Royal Archives, Windsor Castle.6637sheep breeding - history merino sheep - history, banks, sir joseph, sheep breeding - history, merino sheep - history

A Luther College Year 10 essay which researches the history of George Maxwell Walker (1924 - 1944). A pilot with the R.A.A.F. who spent much of his flying days with the British R.A.F. At the time of his death his squadron was carrying out anti-submarine patrols and internal security in and around the Middle East. He was the son of George Walker and grandson of Edgar and Myra Walker, owners of Australia Tesselated Tile Company. The George Walker family lived in Harrison St, Mitcham. The home is on the City of Whitehorse Heritage planning overlay.A Luther College Year 10 essay walker, george maxwell, royal australian air force, royal air force, world war, 1939 - 1945, war memorials

Produced during the reign of George V. G.R. initials indicates George Rex. Ribbon colours may be of significance.Brass & copper alloy lapel pin with badge formed with cursive intertwining initials 'G.R.' with a small 'V' in the interstice. The initials are surmounted with an imperial crown. One black and one purple[le silk ribbon attached.impressed: K.G.Luke Melb on the reversenumismatics, badges, civic mementoes, royal souvenirs

Piece of crochet with crocheted crown and coronation of George VI 1932civic mementoes, royal souvenirs, handcrafts, needlework

Crochet Doily with Crown and George VI 1932 in the designhandcrafts, needlework, civic mementoes, royal souvenirs

Presented to all school children to commemorate the coronation of George VI and Queen Elizabeth.Medal - King George VI and Queen Elizabeth on one side - 'To Commemorate Their Majesties' Coronation' on reverse.numismatics, medals - commemorative, civic mementoes, royal souvenirs

Bishops Palace was built in 1877 as the home for the first Catholic Bishop of Ballarat. Designed by Melbourne architect, Joseph Reed, of Reed and Barnes, it was built by George Broom at a cost of £6,000. Reed and Barnes also designed Melbourne’s State Library, Ripponlea Estate and the Melbourne Royal Exhibition Building. The original heritage-listed gold lead stencilled paintwork that can be seen in the front entry and on the staircase walls at Bishops Palace was replicated in the Royal Exhibition Building. The original property was 140 squares set on 11 acres of gardens and took up an entire block of Sturt Street. This was on scale with the importance of Ballarat as a gold-mining centre at the time. Bishop's Palace is of architectural, aesthetic and historical significance to the State of Victoria. The two-storey bluestone mansion is an impressive example of 19th-century Gothic architecture with an unusual design. It retains many of its original features, including lead stencilled paintwork, cornices, ceiling roses, fixtures and fittings. Since sold by the Catholic Church the Bishops Palace has undergone a number of transformations in its lifetime, from the home of the first Bishop to a private residence, and today, as a luxurious accommodation, wedding and events venue. The grounds were subdivided over the years, and the property is now surrounded by four of the original 11 acres of gardens. It opened its doors to the public in 2019.Colour image of the bluestone Bishop's Palace, and it's cast iron lace.architecture, garden, bishop's palace, cast iron lace, cast iron, catholic church

This medal belonged to MURPHY ROBERT : Service Number - VX30381 : Date of birth - 26 Jun 1906 : Place of birth - COLAC VIC : Place of enlistment - ROYAL PARK VIC : Next of Kin - MURPHY KATHLEEN for service in the Australian Armed Forces during WWIICupro-nickel medal with crowned effigy of King George VI on front. The back features a lion on top of a fallen dragon. There is no ribbon.Front: "GEORGIUS VI D: G: BR: OMN: REX ET INDIAE IMP:" Back: " 1939 / 1946" Side: "VX 30381 R. MURPHY"wwii, war medal, australian war medal