Showing 642 items
matching rural industries
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Tatura Irrigation & Wartime Camps Museum
Book, Register of lands 51-52, 1952
... rural industry ...Extra wagter applications and recmmendations for irrigation users 1951-52.Back cover missing, beige front cover, black writing. Cloth spine damaged. Irrigation season 1951-1952irrigation, farming, books, rural, industry -
Tatura Irrigation & Wartime Camps Museum
Book, Register of lands 1978-79, 1979
... and their Water Rights for 1978-79 season irrigation farming books rural ...Contains lists of names of farmers and their Water Rights for 1978-79 seasonBlack back cover, beige front cover, navy blue writing, gold cloth spine. Hand printed list inside front coverirrigation, farming, books, rural, industry -
Tatura Irrigation & Wartime Camps Museum
Book, Register of Lands 1984-85, 1985
... 1984-85 season irrigation farming books rural industry ...Lists of Water users in Rodney Irrigation District 1984-85 seasonPale green cover, black writing, black spine stamped with " S.R. & W.S.C Tatura District" logoirrigation, farming, books, rural, industry -
Tatura Irrigation & Wartime Camps Museum
Book, Register of Lands, 1980
... -1981 farming irrigation books rural industry ...Register of annual water rights for farmers in Tatura District 1980-1981Grey back cover, beige front cover, red cloth spine. Black lettering - S.R & W.S.C. Rodney irrigaton area, G.M.I. district. 1980-81 Irrigation seasonfarming, irrigation, books, rural, industry -
Tatura Irrigation & Wartime Camps Museum
Booklet, Tatura Milk A Century of Dairying 1907-2007, 2007
... owner dairying documents history local rural industry ...To commemorate 100 years for Tatura Milk Industries. In 1907 the Tatura Butter Factory was formed. Includes history and photos of early Chairmen and Managers. Bega Cheeses is now a part ownerBrown cover, gold writing on front cover, early photo of factory and trucks and modern machinery. Dairy cattle on the back coverdairying, documents, history, local, rural, industry -
Tatura Irrigation & Wartime Camps Museum
Book, Register of Lands. Master Register, 1958
... with apportioned Water Rights farming irrigation books rural industry ...Register of Lands in Tatura district with apportioned Water RightsBeige cover, red spine, black writing. Rodney Irrigation and Water Supply District. 1957-1958farming, irrigation, books, rural, industry -
Tatura Irrigation & Wartime Camps Museum
Folder, Rodney Irrigation Trust
... arbuthnot starritt tatura irrigation document reference rural ...Correspondence 1887 to and from Tatura Water Trust office. Alexander Arbuthnot photo, Starritt's sheep sale. Index and story of irrigation, Goulburn Valley Pumping Station 1885, Waranga Basin 1906Blue plastic cover, white label, gold letteringrodney irrigation trust, arbuthnot, starritt, tatura, irrigation, document, reference, rural, industry -
Tatura Irrigation & Wartime Camps Museum
Wire Cutters, Japanese wire cutters
... cutters - wire japanese tatura ww2 rural industry fencing ...Japanese army wire cuttersWire cutters - wooden detachable handles. Metal mechanical cutting wire cutters with curved blade like structures at topcutters - wire, japanese, tatura, ww2, rural, industry, fencing -
Beechworth Honey Archive
Publication, Future of the beekeeping and pollination service industries in Australia. (Australia. Senate. Standing Committee on Rural and Regional Affairs and Transport). Canberra, 2014
66 pages. -
National Wool Museum
Book, Submission to the Commonwealth Government: Rural credit for drought and other purposes
... Agricultural societies Wool Growing Pastoral Industry... Growing Pastoral Industry - history Rural credit United Farmers ..."Submission to the Commonwealth Government: Rural credit for drought and other purposes" L M Ridd, A R Johnston, United Farmer's and Woolgrower's Association of NSW, 1966. In addition, working paper: "Association attitude on drought relief matters"agricultural societies wool growing pastoral industry - history rural credit, united farmers and woolgrowers association of nsw, agricultural societies, wool growing, pastoral industry - history, rural credit -
Chiltern Athenaeum Trust
Footwear - Baby Shoe, Unknown
Shoe-making began in Australia among the penal colonies in 1790 who crafted shoes from imported leather. The first Australian-made shoes were expensive and many people were sent back to England for their shoes until the 1830s. However, in the years after Australian shoe-making became more accessible and affordable. Toward the end of the 19th Century, many wealthy women became obsessed with the latest fashions for both themselves and their children. Shoe-making became a profitable business for several leading companies during the 20th Century, as the industry was seen as a successful and practical item that most Australians required.The baby shoe holds significance as it represents the craftsmanship of Australian leather shoe-making from the 20th Century. As the style of shoe is more modest and stylish, it can be assumed that it was the type of footwear used for the Church Sunday Service or for special occasions, with further gives insight into the social constructs of Chiltern, a rural town in Victoria, at that time.Black leather with wool pom pom attached with a metal stud. Leather sole is black and the inner of the shoe is cream. Discolouration on the bottom of the shoe due to dirt.chiltern, shoe, footwear, leather shoe, baby shoe, chiltern athenaeum -
Chiltern Athenaeum Trust
Footwear - Baby shoes, Unknown
Shoe-making began in Australia among the penal colonies in 1790 who crafted shoes from imported leather. The first Australian-made shoes were expensive and many people were sent back to England for their shoes until the 1830s. However, in the years after Australian shoe-making became more accessible and affordable. Toward the end of the 19th Century, many wealthy women became obsessed with the latest fashions for both themselves and their children. Shoe-making became a profitable business for several leading companies during the 20th Century, as the industry was seen as a successful and practical item that most Australians required.The baby shoe holds significance as it represents the craftsmanship of Australian leather shoe-making from the 20th Century. As the style of shoe is more modest and stylish, it can be assumed that it was the type of footwear used for the Church Sunday Service or for special occasions, with further gives insight into the social constructs of Chiltern, a rural town in Victoria, at that time.Black leather shoe. Leather sole is black and the inner of the shoe is tan. Discolouration on the shoe due to dirt.chiltern, shoe, footwear, leather shoe, baby shoe, chiltern athenaeum -
Nillumbik Shire Council
Public Art: Edward GINGER (b.1951 Kegalle, Sri Lanka - arrived 1975 Aus), Edward Ginger, The Breeze, Location: Main Road, Research - opposite Eltham Little Theatre, 1990
The first sculpture awarded the Shire of Eltham 'Art in Public Places' Award/Commission. The Judges were Inge King, Jenny Zimmer and Daryl Jackson. The work deals with the juxtaposition of suburban and rural surroundings. This scupture is a typical example of the artist's oevre of the period. This sculptre is site specific and refers to the nature of the environment. The colour - bushfire red / sienna - alludes to the history of fire in the urban/rural fringe and the title, as well as the sculpture's shapes, forms and material refer to the natural and local elements. Judges report noted: "The most vital and expressive work for the site...with a great sense of dynamic movement and vibrant colour. Its' abstract forms will enliven the surroundings and the urban and natural environment. This work is the most appropriate for the site and expressive of the dynamics of an evolving community in which artistic discourse and debate has always thrived." The work has acquired the status of a major landmark from the National Trust. The Breeze is an abstract work made out of welded steel and painted in enamel in bush fire red / sienna. It comprises a series of flat, cut-out shapes, interlocking at different angles, giving the impression of being hinged together rather than fixed. The work references nature and the built environment. Its geometric shapes suggest man-made structures within industry and suburban life, while rural areas can be identified by the organic flame-like shapes fanned by the wind. The circular cut-out in the eye mimics the sun, symbolising the intense heat of the Australian climate, while the colour red alludes to the history of bushfire within the urban and rural fringe. N/Apublic art, ginger, red, sienna, elements, steel, abstract, breeze, fire, sculpture -
Tatura Irrigation & Wartime Camps Museum
Photograph, Thrashing the wheat
... ; horses; children in old style dress tatura rural industry ...Thrashing wheat; horses; children in old style dresstatura, rural, industry, agriculture, livestock, costume, children -
Tatura Irrigation & Wartime Camps Museum
Photograph, Terry Court c1990s
... rural industry irrigation ...Goulburn Murray Water engineer Terry Court, c1990s.tatura, court t, costume, male, rural, industry, irrigation -
Tatura Irrigation & Wartime Camps Museum
Photograph, Site of future Muirfield Court
... North-West, August 1989. tatura housing estate rural industry ...Original in colour, Site of future Muirfield Court, Tatura, looking North-West, August 1989.tatura, housing estate, rural, industry, agriculture -
Tatura Irrigation & Wartime Camps Museum
Photograph, Alan Brown, Tatura Tree Group, c1990s
... group brown a rosella costume male rural industry horticulture ...Tatura Tree Group, Alan Brown surveying seedlings, c1990s. Alan Brown is a retired manager of Rosella.tatura, locals, tree group, brown a, rosella, costume, male, rural, industry, horticulture -
Tatura Irrigation & Wartime Camps Museum
Plan, Waranga Basin Project, c.1890
... . waranga basin irrigation agriculture rural industry ...Original plan held at Tatura Office og Murray Goulburn Water, electronically copied.waranga basin, irrigation, agriculture, rural, industry -
Maldon Vintage Machinery Museum Inc
Fergie Tractor
... RURAL INDUSTRY - Farm Machinery;... / ........ / TE14 "351?". RURAL INDUSTRY - Farm Machinery; ...Grey Ferguson tractor restored to working order with a detachable grader blade. A rollover protection bar has been added to comply with modern regulations for safety. Three point linkage and 3 new tyres. Club permit registration. Metal plates on front and sides "Ferguson". Serial No. plate on steering column mount etched No. "533? "........." Henry Ferguson / ........ / TE14 "351?".rural industry - farm machinery; -
Port Fairy Historical Society Museum and Archives
Tool - Butter Marker, 1920
... rural industry... from the Port Fairy Butter Factory local history rural industry ...Used to mark butter in the boxes from the Port Fairy Butter FactoryPossibly the only butter box marker left from the Port Fairy Butter FactoryTubular embossed "Bonnie Port Western district Choicest" wooden marker. Shaped like a rolling pin. One handleBonnie Port Western district Choicestlocal history, rural industry, butter making, port fairy butter factory -
National Wool Museum
Clothing - 1984 Los Angeles Olympics Men's Opening Ceremony Shirt, c. 1984
On the 1984 Los Angeles Olympic Uniforms donator Doug wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. When the forthcoming Los Angeles Olympic Games was announced, the Product Marketing Group seized upon the chance to show the world that we could make top fashion garments and display them on our elite athletes on the world stage. A concept was launched using a contemporary top designer, Adel Weiss, with the most exclusive fabrics and knits available, and all with a lot of hype. This launch failed dismally for the following reasons- - The designer did a wonderful job presenting an excellent fashion range on perfect skinny models. The AOC however wanted a uniform which had an obvious Australian appearance when fitted to elite, and frequently muscular, athletes. - The fabrics chosen did not reflect the performance required by travelling athletes, there was no recognition of the need for ‘easy care.’ - There was no recognition given to the problem of measuring, manufacturing and distribution of a range of articles when the selected athlete could be domiciled anywhere in Australia. - There was no appreciation of such historical facts as Fletcher Jones, who had been unofficial suppliers dating back to the 1954 Olympics in Melbourne, and the Fletcher Jones board member, who was also an AWC board member, and was not in favour of the change. The project passed from Product Marketing to Public Relations, a big spending off-shoot of the AWC Chairman David Asimus, and due to the day to day operations of the project was passed to me and PR took care of the financial matters. The first task was to meet with the AOC and find out exactly their requirements. This lead to the production of a design and manufacturing brief, cointaining exact time lines for each event required to ensure an appropriate uniform on every athlete chosen to represent his/her country on the date given for the Opening Ceremony in Los Angeles. Working backwards the timeline becomes- 1. Noted the exact date of the Opening Ceremony. 2. Estimated the date for distributing completed garments to each athlete. 3. Estimated the time span available for measuring each athlete and commence making each component of the ensemble to the individual measurements of each athlete. 4. Decided the date for making the final choice of uniform design concept. 5. Decided the date for distribution of the design brief to selected designers. These five steps were spread out over a two year period. The Commonwealth Games occur midway between each Olympic Games, work on the Olympic uniform commences the week after the Commonwealth Games closing ceremony and MUST be ready by the prescribed day two years hence. The project also had to remain cognisant of trade politics existing within the span of the task, as well as the temperament of designers in general. It is no overstatement to say that in the past every designer in Australia believed they could, and should, be chosen to design the Australian Uniform. The final choice of designer almost always faced criticism from the fashion press and any designer who had been overlooked. However, with the contenders receiving an exacting brief the numbers of serious contenders greatly reduced. The Los Angeles Olympic Uniforms. A further reason for the AWC bid failure to design the LA uniform was that the AOC had already chosen Prue Acton to design it. This was based on her proven performance during previous games as she had a talent for creating good taste Australiana. Her design concepts also considered the effect when they were viewed on a single athlete as well as the impact when viewed on a 400 strong team coming on to the arena. A blazer trouser/skirt uniform in bright gold was chosen for the formal uniform. It was my task to select a pure wool faille fabric from Foster Valley weaving mill and have sufficient woven and ready within the prescribed timeline. The trouser/skirt fabric selected was a 60/40 wool polyester plain weave fabric from Macquarie Worsted. This fabric had a small effect thread of linen that was most attractive when dyed to match some eucalyptus bark Prue had brought back from central Australia. For the Opening Ceremony uniform, Prue designed a series of native fauna, a kookaburra for the men’s shirt and a pleated skirt with a rural scene of kangaroos, hills and plants. This presented an insurmountable printing challenge to the local printing industry as it had an unacceptably large repeat size and the number required (50) was also commercially unacceptable. The solution was a DIY mock up at RMIT and the employment of four student designers. The fabric selected for this garment was a light weight 19 micron, pure wool with a very high twist yarn in alternating S and Z twist, warp and weft. This fabric proved to be the solution to a very difficult problem, finding a wool product which is universally acceptable when worn next to the sin by young athletes competing in the heat of a Los Angeles summer. Modifications to this fabric were developed to exploit its success when facing the same problem in future games. Garment Making- The most exacting garment in the ensemble is the tailored blazer, plus the related trouser/skirt. Unfortunately tailoring athletes that come in various shapes and sizes such as; - Weight lifters develop an enormous chest, arms and neck size. A shirt made to a neck size of 52 would produce a shirt with cuffs extending well beyond the wearer’s hands. - Basketball players are up to 7 feet tall and garments relying ona chest measurement grading would produce a shirt with cuffs extending only to elbow length. - Swimmers develop enormous shoulders and slim hips, cyclists by contrast develop thighs I liken to tree trunks and a uniform featuring tight trousers must be avoided at all cost. Suffice to say many ensembles require specialist ‘one off’ treatment for many athletes. Meanwhile there is a comfortable in between group who can accept regular sizes so you can cater for these by having back up stock with plenty of built in contingencies. Athletes may be domiciled anywhere in Australia, this creates a fundamental problem of taking their measurements. The Fletcher Jones organisation was key to answering this problem due to their presence in every capital city, as well as many provincial towns around Australia. Each athlete on being selected for the Olympic Team was simultaneously requested to visit their nearest Fletcher Jones shop. The standardised measurement data collected was shared with the other manufacturers, e.g. Pelaco Shirts, Holeproof Socks and Knitwear, Maddison Belts, and even Hush Puppy Shoes. As the time for the Games approached the AOC made arrangements for combining meeting of all. Selected available athletes at the Australian Institute of Sport, Canberra, where, among other things, they were fitted and supplied with their uniform. The method evolved as follows.Men’s cream coloured button up, collared shirt. Images of a kookaburra have been printed onto the shirt, a single kookaburra on the left breast and a pair of kookaburras on the reverse of the shirt. The kookaburras are printed in a brown tone to complement the cream colour of the fabric.On tag - FMaustralian wool corporation, 1984 los angeles olympics, olympic uniforms, men's uniforms, sport, athletes -
National Wool Museum
Quilt, "Our Wool Communities"
Design of quilt is based on grade 1 and 2 primary school drawings collected by the artist, Deborah De Williams, from schools including Birregurra, Newcomb, Lara, Inverleigh, Winchelsea and Bannockburn, relating to urban and rural communities and their relationship to the wool industry. Project was funded by a grant from the Australian Councils Regional Arts Fund.tapestry wool industry textile, tapestry, wool industry, textile -
Phillip Island and District Historical Society Inc.
Photograph, 1978/9
... rural industry... - historical rural industry coloured photograph john cook churchill ...Rogers Cottage was built by John Rogers on the hill on Churchill Island in the early 1860s. It is believed he first built the Bakehouse in 1865 and shortly after built the 2 roomed dormitory which was originally lined with calico and plaster - later with hand split boards."Rogers Cottage" showing portion of the rear section and pathway with shrubs and a flower pot.local history, photographs, buildings - historical, rural industry, coloured photograph, john cook, churchill island, rogers cottage -
Phillip Island and District Historical Society Inc.
Photograph, 1978/9
... rural industry... - historical rural industry coloured photograph john cook churchill ...Rogers Cottage was built by John Rogers on the hill on Churchill Island in the early 1860s. It is believed he first built the Bakehouse in 1865 and shortly after built the 2 roomed dormitory which was originally lined with calico and plaster - later with hand split boards."Rogers Cottage" showing the rear section. circular saw in foreground. Note guard on saw.local history, photographs, buildings - historical, rural industry, coloured photograph, john cook, churchill island, rogers cottage -
Phillip Island and District Historical Society Inc.
Photograph, 1978/9
... rural industry.... local history photographs buildings - historical rural industry ...Rogers Cottage was built by John Rogers on the hill on Churchill Island in the early 1860s. It is believed he first built the Bakehouse in 1865 and shortly after built the 2 roomed dormitory which was originally lined with calico and plaster - later with hand split boards."Rogers Cottage" showing interior of Bakehouse with oven and fireplace.local history, photographs, buildings - historical, rural industry, coloured photograph, john cook, churchill island, rogers cottage -
Phillip Island and District Historical Society Inc.
Photograph, 1978/9
... rural industry... buildings - historical rural industry coloured photograph john cook ...During Rogers' occupation in 1865, he built two huts. These huts still remain, probably being among the oldest buildings in Western Port. It is believed he first built the Bakehouse."Rogers Cottage" - showing the interior of the kitchen - note wood stove. Now a storeroom.local history, photographs, buildings - historical, rural industry, coloured photograph, john cook, churchill island, rogers cottage -
Phillip Island and District Historical Society Inc.
Photograph, 1978/9
... rural industry... rural industry coloured photograph john cook churchill island ...Large Barn in photograph was moved by Samuel Amess, who had purchased Churchill Island on 1 June, 1872, from Hastings in the early 1880s.Coloured photograph showing large barn in background. Rusty machinery in foreground. ?Well in background.local history, photographs, buildings - historical, rural industry, coloured photograph, john cook, churchill island -
Phillip Island and District Historical Society Inc.
Photograph, 1978/9
... rural industry... history photographs buildings - historical rural industry coloured ...During Roger's occupation in 1865, he built the huts which stand today as Rogers' Cottages. The kitchen cum Bakehouse believed to have been built first. Situated on Churchill Island - Western Port."Rogers' Cottage" - photograph showing back door to Bakery. Note Grinder Stone in foreground. Situated on Churchill Island - Western Port.local history, photographs, buildings - historical, rural industry, coloured photograph, john cook, churchill island, rogers cottage -
Phillip Island and District Historical Society Inc.
Photograph, 1978/9
... rural industry... history photographs buildings - historical rural industry coloured ...The old Olive Trees in the photograph were planted by Samuel Amess in the late 1880s. He planted an orchard to the south of the house. What remains of the old orchard planted by him there are the two Olive and two Mulberry Trees.Coloured photograph showing old Olive trees. The old Olive trees were believed to have been planted by Samuel Amess on Churchill Island during the late 1880s.local history, photographs, buildings - historical, rural industry, coloured photograph, john cook, churchill island, olive tree -
Phillip Island and District Historical Society Inc.
Photograph, 1978/9
... rural industry... construction. local history photographs buildings - historical rural ...Because the condition of this gate is so good, one can assume that it is a fairly recent construction.Coloured photograph showing back gate to homestead. Note the word "Churchill" on wooden gate. Wind indicator on top of post.local history, photographs, buildings - historical, rural industry, coloured photograph, john cook, churchill island