Negligee set or Wedding trousseau for the marriage of Charlotte Edith (Tottie) Ryder (aunt of donor) to Alfred George Tooke (b 1898 England d 1998) held at Church of England, Thornbury on 13 March 1948.1948 Cream coloured wedding dress comprising a full length petticoat, full length lace skirt and lace peplum top. Petticoat is cream colour with narrow straps with opening on left hand side with two press studs and hooks. Lace skirt is cream coloured full circle with satin waist band, open placket with one pearl button. Lace peplum top has short sleeves with twenty-three cream coloured rouleau loop buttons and a lace bow at the sacrum. It is edged with a net frill. See also Knickers NA4921, Negligee Set NA4922, Horseshoes NA4924 and Wedding Veil NA4925.tooke, wyatt m, wedding

This dress belonged to Alice Frances Henty (1852-1932) the youngest daughter of Francis Henty (1815-89) and his wife Mary Ann Henty [nee Lawrence] (1821-81). It is recorded that Alice wore the dress at the age of six. Alice's father, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Girl's two-tone, one-piece cotton voile dress from the 1850s has a high round neck and short sleeves has a lace insert on the front of the bodice and matching lace at the rear. The layered skirt is bordered with lace. Measurements (mm): Girth - Neck 609.6, Chest 635, Waist 558.8, Cuff 203.2, Hem circumference 2108.2. Vertical - Front neck to hem 685.8, Front waist to hem 508, Back neck to hem 723.9, Back waist to hem 534.4, Sleeve length 63.5. Horizontal - Neck to sleeve head 38.1, Cross back 304.8, Underarm to underarm 406.4.fashion -- 1850s, children's clothing, alice frances henty

This corset cover is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This corset cover is an excellent example of an everyday clothing item with the decorative trim favoured by women in the late Victorian era. Eliza Towns has added pintucks, embroidered feather stitch and a highly decorative hand crocheted lace trim to the neckline, sleeves and front of the bodice. Corset covers (sometimes called camisoles) began to appear in women's fashion around 1840 and continued through the late Victorian decades into the Edwardian era. The long chemise was considered too bulky to cover the corset and so the corset cover was developed to be short and light and was worn over the corset and under the bodice of the outer garment. A woman would dress into her chemise and drawers first, followed by her corset and finally her corset cover as a final layer under her dress. Corset covers served several purposes. They provided protection against sweat (and the need to regularly wash the corset), helped smooth the lines of the corset and increased a woman's modesty.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery and crochet to embellish an item of personal underclothing. It is also significant as an example of a practical solution to the difficulty of hand washing a corset in the Victorian era.A short (waist length) corset cover of fine cotton. Short sleeves fall from a square neckline and are gathered into a wide crocheted lace trim with a band of embroidered feather stitch. The same crocheted lace design and feather stitching are also on the square neckline which is finished with a drawstring ribbon. The bodice has a front opening with five buttons and is bordered on each side with four pintucks. It has a drawstring ribbon at the waist and an extra layer of fine cotton lining has been added to strengthen the corset cover under the arms. The back has two bands of three pintucks running vertically from the neckline to the waist.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, great ocean road, shipwreck coast, nhill, wimmera, eliza towns, underclothing, corset cover, camisole, machine sewing, hand sewing, crocheted lace, pintucks, feather stitch, embroidery, underwear, victorian era underclothing, victorian era corset cover

Dress belonged to the donor's mother or grandmotherFull length black crepe afternoon dress flared skirt. Basque. Front cut under the bust. Cream bib front,pointed collar,frilled edge,fastening with eight pearl buttons and loops and short puff sleeves. Complete with black rayon slip. 1930s.costume accessories, female

About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to  spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8133.1 - The front of the short sleeved shirt has four colour blocks. The bottom two quadrants of the shirt are yellow and cream, the top two are red, above the cream, and green, above the yellow. The collar of the shirt is cream and the cuffs of the shirt are yellow. The back of the shirt is solid green. There are seven buttons with small amounts of colour on them to do up the shirt, and a motif of Australia made up of curving, crosshatching lines on the left of the shirt, sitting over the line between the red and cream colours. 8133.2 - The front of the short sleeved shirt has four colour blocks. The bottom two quadrants of the shirt are yellow and cream, the top two are red, above the cream, and green, above the yellow. The collar of the shirt is cream and the cuffs of the shirt are yellow. The back of the shirt is solid green. There are seven buttons with small amounts of colour on them to do up the shirt, and a motif of Australia made up of curving, crosshatching lines on the left of the shirt, sitting over the line between the red and cream colours. The bottom hem of the shirt is asymmetrical with the back of the shirt longer than the front. 8133.3 - Red fabric sample. 8133.4 - Red fabric sample. 8133.5 - White fabric sample with permanent marker writing "F22630." This sample also has the tag attached. 8133.6 - White fabric sample. 8133.7 - White fabric sample. 8133.8 - Green fabric sample.8133.5 - On tag - "Allan Robison Textiles Design F22853 82m 30 Wangaratta St Richmond Victoria, 3121, Australia Tel 429 - 9600 Fax 427 - 0594"1992 barcelona olympics, sport, athletes, fashion, design, uniform

1. Shirt - light khaki colour cotton/polyester fabric, short sleeves, shoulder epaulettes, two front pockets with button down flap, plastic buttons. Left sleeve - fabric patch, embroidered 'Rising Sun Badge' "THE AUSTRALIAN ARMY", white cotton manufacturers label, back below collar. 2. Trousers - khaki colour wool/ polyester fabric. Service dress style with fob pocket, two side pockets, one back pocket with concealed button down flap. Plastic buttons and metal zipper fly. Khaki polyester fabric lining waist and pocket lining. White cotton manufacturers label back pocket lining.Manufacturers information on labels - black ink print. 1. "ADA/ 2910002/ JUN 2001/ NSN: 8405 66 133 5955/ SIZE 40/ NAME/ SERVICE NO/ 65% POLYESTER/ 35% COTTON/ MADE IN AUSTRALIA" 2. "ADA/ 4500299219/ 2005/ NSN: 8405 66 140 7088/ SIZE W821L 78/ NAME/ SERVICE NO/ 50% WOOL 50% POLYESTER/ DRY CLEAN ONLY (P) / REPRESS ON ORIGINAL/ CREASES. USE DAMP CLOTH/ OR MEDIUM TO HOT/ STEAM IRON/ MADE IN AUSTRALIA"uniform, army, service dress

This child's dress is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. A photograph of their youngest child, Alice, taken in circa 1903 depicts her wearing the dress. The dress would have been only worn on special occasions (such as a formal family photographic portrait) as most young girls in that era would have smocks or pinafores for everyday wear. The age of the dress is in question as it may have been made by Eliza for her eldest daughter, Dorcus, who was born in 1884. This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. Broderie anglaise (also known as eyelet lace) is a form of cutwork embroidery. The foundation fabric is cut to make decorative holes which are sewn with overcast or buttonhole stitches to create a lace like effect. Designs often involve floral motives that are enhanced with simple embroidery stitches such as stem stitch and satin stitch and scalloped edges finished with buttonhole stitches. It was commonly used to trim baby clothes, dresses, nightclothes, underclothes and household linens - particularly in the Victorian and Edwardian eras. This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a child's special dress.Child's white dress made of cotton and lawn, with a skirt of hand embroidered circular cutwork (broderie anglaise), a scalloped hem edged in buttonhole stitch and a gathered waist. The lined bodice has three panels of hand embroidered broderie anglaise (eyelet lace) inserted in a V shape with pintucks and bordered with a broderie anglaise lace frill. The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. The skirt is semi lined with fine lawn. The dress has a back opening with one button and two ties. The neckline is decorated with two rows of hand embroidered broderie anglaise lace.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, shipwreck coast, great ocean road, nhill, wimmera, eliza towns, dorcus towns, child's dress, machine sewing, hand sewing, broderie anglaise, cutwork, embroidery, eyelet lace, clothing, handmade, charles towns, alice towns

This dressed doll was owned by the daughter of Dr William Roy Angus and his wife Gladys when the family came to Warrnambool in the late 1930s. It is part of the W.R. Angus collection, donated by the family of Dr W R Angus, surgeon and oculist. The doll was donated with another dress and a blanket. The doll has features similar to, but an earlier model than, Reliable's 1940s model Cuddlekins doll, which has an entirely composite body. ReliableToy Company was founded in Toronto, Canada, by Solomon Samuels in 1920. Samuels was later joined by his two brothers. The company had a reputation for products of good quality. In 1922 the company began making their own dolls from composition, where previously the parts were made elsewhere and assembled by Reliable. The company stopped making Reliable dolls in 1995. The W R Angus Collection spans from 1885 to the mid-1900s and includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This doll is connected to the history of Warrnambool, as it was owned by the daughter of Dr W. R. Angus and his wife Gladys, and is part of the W.R. Angus Collection, which is important for still being located at the site connected to Doctor Angus, Warrnambool’s last Port Medical Officer. Dr Angus and his wife brought their young family to Warrnambool in 1939 and he remained a resident until his death in 1970. Early in his profession in the town of Nhill, Dr Angus assisted Dr Tom Ryan in his pioneering use of X-rays and in ocular surgery, and Dr Angus later inherited these items. The W.R. Angus Collection includes these medical instruments and other related equipment and is culturally and historically significant as an example of the medical practice of the late 19th to the mid-20th century. Other items in the collection relate to Dr Angus’ service in the Flying Doctor Service and the Army. The doll is also significant as an example of toys imported into Australia in the 1930s and 1940s and used by children in the Warrnambool community.Doll with moulded composition head, neck, arms and legs, all attached to a fabric body. The doll’s head has brown moulded curls. The facial features include an open mouth showing two top teeth, green eyes, and sleeping, closing eyelids with eyelashes. The doll has a crier inside that makes a sound when the doll is turned over. It is clothed in a knitted pink singlet, modern pink underwear, and a cream flannel short-sleeved dress with pink smocking and embroidery, and ties at the rear. There is a moulded inscription on the back of the doll’s head. The doll was made by Reliable Toy Company Ltd, Canada. The doll is part of the W.R. Angus Collection.On the back of the head “RELIABLE / CANADA”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, dr w r angus, dr roy angus, dr ryan, warrnambool oculist, port medical officer, mira hospital nhill, toy, nhill hospital, doll, baby doll, composition doll, reliable toy company, canada, solomon samuels, child's toy, w.r. angus collection

Camisole. Wide boat shaped neckline. Short flared sleeves, cut on the bias. Sleeves sewn in to give a rolled effect to the seam. Linen. All hand stitched. (JH) Mended in a beautiful hand stitched manner. 8 metal eyelets for tying in front. Much mended, Delicate, (Beautiful).costume, female, underwear

Published by Semco Art Needlework Pty.Ltd> Semco Park Cheltenham Road Black Rock S.9. Farrow Falcon Press Pty. Ltd. 226 Lonsdale Place, Melbourne. For Girls learning embroidery- home/schoolSemco Embroidery Text Book. White outline around Black cover. Large red circle with girl siting in front doing embroidery wearing Victorian style short puffed sleeved dress polka dot pattern and pantaloons red stockings and lace up ballerina style shoes1st Edition Semco Embroidery Text Book 3D Free sampler transfer inside. Booklet contains illustrations and instructions for each stich. Pages 2 and 3 have pencil squiggles across the top.: Stem stitch, Snail Trail, Back Stitch, Lazy Daisy Stitch, Thousand Flower Stitch, Buttonhole Stitch, Long and short buttonhole stitch, Chain Stitch Seed Stitch, Arrow stitch, Feather Stitch, Herringbone Stitch, Cross Stitch, French Knots, Lattice Stitch. Illustrations of designs with stiches referred to on previous pages. stawell

Framed print titled "Her Majesty the Queen" Copy of a painting by Denis Fildes. Decorative wood frame with white card window mount. Features a young Queen seated wearing a white evening gown; short puffed sleeves and blue sash. She wears a tiaria on her head.

Camisole. Cream coloured fine cotton. High V neck. Fine lace insert at neckline front and back. Short lace sleeves. Peach coloured ribbon threaded around neckline and around sleeves. Front opening. Two buttons. Small peplum. Cotton tape tie around waist.costume, female, underwear

Refers to the service of Lt.Col. "Roy Shadforth".1. Red waist jacket, white collars and white cuffs. 38 BN. R.V.R. Badge (Gold) on collars. Epaulettes show gold Lt.Col. badges and gold A.M.F. buttons. It has one interior pocket. 2. Red sleeveless vest. 4 brass (Gold) buttons, AMF motif, lined with a faint light cotton. 2 exterior pockets. 3. Shirt, short sleeved - off white. polyester cotton, 6 clear buttons, one breast pocket. 4. Black bow tie with plastic mount. 5. Trousers, woollen, black. Red pin stripe on outside legs. Lined with same cotton as vest. Straps at bottom of legs to hook up under feet.1. Written inside one arm pit is Shadforth. 2. Written inside vest is Shadforth. 5. Written on trouser pocket is Shadforth.post ww2, cmf, uniform, roy shadforth, passchendaele barracks trust

Royal Australian Navy Uniform belonging to E Rayner. Sailor cap/lid belonged to LS MTP Ross.1. Jumper/Barathea - Long sleeve, black wool/polyester fabric. Insignia - left sleeve depicting rank - right sleeve - depicting category. 2. Trousers - bell bottom, black wool/polyester fabric. 3. Shirt - white polyester/cotton fabric, short sleeve, navy blue trim to square neckline. Insignia on left sleeve. 4. Collar - Navy blue with three white stripes, cotton fabric - lined. 5. Silk - black polyester fabric. 6. Bow - Navy blue cotton tape. 7. Lanyard - white cotton cord. 8. Lid - Sailor's cap - white plastic with black band with Navy blue chin strap.1 & 2. Maker's label - Red and white print. Hand embroidered red cotton "E. RAYNER". 3. Handwritten blue ink "44" on back of neckline. 4. stamped in black ink " E.W. RAYNER", makers label. 8. Handwritten, black ink "LS MTP ROSS" inside on crown. Tally band embroidered gold thread "H.M.A.S. CERBERUS' on black band.uniform, ran

White fine cotton short sleeved blouse. The front is made of two pieces with a front opening. Each side has two darts from the waist and are slightly gathered at centre front. The front has a V shaped neckline with a border from the shoulder. The border is made up of three rows of cotton featuring drawn work patterns and embroidered flowers. The back is made of two pieces with a centre seam. The front and back pieces are attached to a casing that is attached to a peplum. The neckline is edged with lace at front and back. The front opening is fastened with three buttons and buttonholes plus three cotton tapes threaded through casings around the neckline and around the waist above the peplum.costume, female daywear, cotton blouse

Clothing. High round neck at back, with peaked revers at front. Press-stud closure at centre front, with three grey plastic buttons sewn to outside.(two missing). Button is impressed with a circular pattern. Short sleeves. A 4 cm wide panel increasing to 5 cm at centre front is set into front waistline, and extends into a belt at the back-3.25 cm wide and fastening with a metal press-stud. Six gored skirt. Almost certainly home stitched, as several dresses in the collection are of similar style. An oval shaped patch, 16 cm X 8.5 cm has been hand stitched immediately below the centre front waistline. A home stitched dress.costume, female, floral print dress

Cream linen, round neckline, finished with two cm wide scallops embroidered at the neckline edge in buttonhole stitch. A small embroidered eyelet at the centre of each scallop, allows a narrow pink silk ribbon to pass through as a drawstring. The centre front opening, 17cm long, fastens with on metal press-stud, and one pearl button, with handstitched button hole-one cm long. Garment has no shoulder seams, and does have extended, short sleeves, finished with embroidered scallops, as the neckline. Five petal shaped cutwork decorations are on each sleeve, and both sides of front placket.Garment is slightly flared at the hemline. French side seams - machined and machine stitched hem.costume, children's, cream linen child's nightgown

George Zoltan Lefton, a Hungarian immigrant who came to the United States in 1939, was the driving force behind Lefton China. Although he began his career in clothing and sportswear, his porcelain collecting interest led to the formation of the Lefton Company in 1940. Headquartered in Chicago, the company was a wholesale and marketer of ceramic goods. After the bombing of Pearl Harbor on December 7, 1941, Lefton helped his friend Nunome, a Japanese American, board up his business to avoid looting. When the war ended, Nunome introduced Lefton to Japanese ceramic manufacturers during the Japanese occupation. Lefton was one of the first American businessmen to work with these manufacturers. (WorthPoint)Porcelain figurine of a doctor holding a baby. The doctor has black hair, is of male appearance, and is dressed in surgical attire, consisting of a short sleeved white surgical gown and cap, brown trousers and black and white shoes. There is a glove protruding from the pocket of the gown at the left hip. The doctor is holding a baby by its ankles in his left hand, and is holding his right hand against the baby's bottom. The baby is crying. The figure is seated on the edge of a stool, and standing on a brown coloured base. There is a copyright symbol (a c inside a circle) printed on the underside of the base of the statue, along with the text 'geo.z.Lefton/THE O.B.' Sticker attached to underside of base reads 'Lefton/TRADE MARK/EXCLUSIVES/JAPAN'.obstetrics

Baby clothes worn by Una Reynolds, member of the Society. Born 1927, died 2003.Creamy-white, fine voile baby's dress.Bodice and short sleeves in magyur (dolman) style with buckingham point lace inserts. Square neck in lace edged with lace edging gathering. Skirt with lace inserts and handkerchief hem, edged with gathered, wider buckingham point lace. Side seams of bodice and skirt are lace inserts. Back opening with two buttons and buttonholes and white cotton tape tie from lace at neck.|Bolero in same fabric and lace. Has Peter Pan collar edged and trimmed in lace with silk ribbon insert tied at neck. Sleeves and front opening edged and trimmed with lace; lower edge has handkerchief points trimmed with lace.costume, infants'

This photograph shows one of the aspects of nursing care given by Royal District Nursing Service (RDNS), Sisters who worked in the community. The Sister attending had received instructions for care of this toddler's wound from a Doctor. The Sister is using a dressing tray which was sterilized at the RDNS centre. At the time of this photograph many hospitals provided wound dressings for their patients when they returned home. If not attached to a hospital, the family bought their own dressings, though the Sister carried spare dressings in their cases if needed at the time of their visit. The Trained nurses of the Melbourne District Nursing Society (MDNS), from its inception in 1885, provided wound care to their patients, who ranged in age from the very young to the elderly. As research developed better products and dressing materials the methods and medication applied to wounds changed. MDNS received Royal patronage in 1966 and as Royal District Nursing Service (RDNS), the Education department developed programs, such as Wound Care Programs, to provide their Trained nurses (Sisters)) with methods of best quality care. The Sisters liaised with the patient’s Doctors and hospitals to provide information on the progress of patient’s wounds and to receive any change of wound care from the Doctors. RDNS introduced Wound Care Specialists who carried out assessments and provided advice and support to the District Sisters working in the field. Black and white photograph showing a Royal District Nursing Service (RDNS) Sister, who has sort dark hair and is wearing a short sleeved white gown over her uniform; the sleeves of her grey uniform skivvie are seen. She is sitting side-on with her left hand resting on the right leg of a seated dark curly haired toddler; her right hand is on a bandage which is from ankle to thigh on the left leg of the toddler. The toddler is wearing a T-shirt with a pattern on the front, and is sitting on a floral cover in a room in her home. At the rear of the photograph a floral covered table is seen with an open dressing tray on a sterile drape; a small jar and bottle are seen on the table. rdns, royal district nursing service, mdns, melbourne district nursing society, rdns wound care

Sepia toned photograph of bride Rita Wills and her bridesmaid in Mona Mcleods photographic studio, bride in white dress with unusual split upper sleeve, simple head dress and patterned veil, seated bridesmaid in floral frock with short puffed sleeves, simple circle of flowers in hair. Bairnsdale Victoriacelebrations, clothing, genealogy

The blouse was made in Greece about 1945. The method used to create this fine embroidery was to copy a design from a cross stitch embroidery book guided by fine white tapestry threads tacked onto the yolk; when the design was finished, the embroiderer would pull out each fine white tapestry thread until only the embroidery remained around the yolk of the blouse.Throughout the centuries and up until the 1970s-80s, the women of Ithaca spun, wove, embroidered and knitted. Mothers prepared their daughters' 'glory boxes' trousseau (prikia), weaving bedspreads, rag mats (koureloudes) for everyday use, finer wool rugs for formal use, as well as linen sheets, pillowcases, blankets, towels and tablecloths. Linen was also woven to make the mattress that the young brides would take to their future homes. Mothers also wove and embroidered the fabric for their daughters' underwear and petticoats, nightgowns, etc. Sewing of the garments was also done by hand. The girls embroidered handicrafts using various stitches, they crocheted lace, netted pillows and even linen carpets. The handicrafts were usually embroidered by hand in cross-stitch using linen and cotton fabric. At the time there were merchants who travelled to the villages to sell machine made goods for the trousseaus, but most of the dowries consisted of the beautifully crafted work of the women. In the 30's the SINGER Company came to Ithaca and taught the girls sewing on the machine. A handwoven silk blouse. Colour - ecru. Hand embroidered, hand sewn, very fine white tapestry was tacked round the yolk; a gusset was sewn under each short puff sleeve at the armpit; two-tone hand made silk thread cords were passed through the hollow border of the sleeves and neckline.

Royal Australian Navy - Uniform belonged to LS MTP E Rayner.1. Jumper/Barathea - long sleeve white polyester/cotton fabric with Navy blue collar attached, side zip under arm. Insignia to left sleeve depicting rank. Right side insignia depicts category. 2. Trousers - white polyester/cotton fabric, bell bottom. 3. Shirt - white polyester/cotton fabric, short sleeve, navy blue trim to square neckline. Insignia to left sleeve. 4. Silk - Black polyester black fabric to arrange around the collar. 5. Bow - white cotton tape. 6. Lanyard - white cord to arrange around neck. 7. Lid - white with black "Tally" band, sailors cap with Navy blue tape - chin strap. 1., 2. - Hand embroidered red cotton - "E RAYNER", 7. Handwritten, black ink, "LS MTP RAYNOR inside on the crown, Tally band - Embroidered gold thread "HMAS DERWENT'", on black band. " RED ANCHOR/TAILORED GARMENTS/ 65% POLYESTER 35% COTTON/ DO NOT BOIL, DRIP DRY, WARM IRON"ran, uniform

Clothing. Child's dress - pink silk trimmed with black lace, Pink silk, lined with muslin. Waisted - skirt gathered at back, 3 small pleats at either side of front. Small band at 3 '' pin tuck '' liked rows of fabric at waist. Smalloocket inserted in one at front seams. Five 1cm pleats at each side of centre bodice front. Square neckline banded with 3 rowa of narrow black velvet ribbon, and one row of 4 cm deep black lace. These rows of ribbon and lace repeated on the short sleeves, and at the lower hemline.Back bodice has boning on either side at centre back and eyelets for lacing (No lacing present). Bodice lined with cream calico. Hand and machine stitched.costume, children's, party dress

Clothing. Child's ivory coloured silk yoked dress. Round neckline edged with lace. Front yoke is made up of two horizontal strips of lace with a vertical strip on either side at the shoulders. The back yoke of fabric has vertical strips on each side at shoulders. Kimono style short sleeves have a strip of lace along the top. The hem of the sleeve is trimmed with ribbon insert lace and edged with one cm scalloped lace. The skirt is gathered into the lower edge of the yoke, and the seam is trimmed with ribbon insert lace.The sleeve is made up of 7 cm of silk fabric with 20cm of Lace fabric with scalloped edge at hem. Centre back opening (19cm) with three metal press-studs on the yoke.costume, children's, child's ivory coloured silk yoked dress

Sister Coates is working as a RDNS Liaison Officer in a Hospital and is sharing information with the Occupational Health Sister.Liaison had occurred between doctors and the Trained nurses of the Melbourne District Nursing Society (MDNS), from its inception in 1885. This increased when Midwifery was introduced in August 1893 with close liaising with the Women’s Hospital. As District nursing grew it was recognized that closer liaising between many Public Hospitals would be beneficial, for not only MDNS, later called Royal District Nursing Service (RDNS), Trained nursing staff, but also for the patients and the hospitals. In August 1964 a Liaison Officer commenced at the Alfred Hospital. This soon increased to Liaison Officers working full time at several Public Hospitals. At the time of a patient’s discharge, the Liaison Sister forwarded information on their diagnosis and instructions regarding the care required at home to the appropriate RDNS Centre, and in turn the attending District Sister wrote a report of progress and any queries to the Hospital doctor, via the Liaison sister, at the time the patient was attending outpatients. Any new instructions were then sent back to the District Sister. Liaising also occurred between District field staff and Doctors when patients were referred by General Practitioners and did not attend a hospital.Black and white photograph of Sister Moira Coates, Royal District Nursing Service, (RDNS), Liaison Sister who is standing side on in the left foreground of the photograph. She has dark short hair, and is wearing her grey short sleeved uniform with an RDNS cloth badge at the top of her right sleeve, and her grey peaked uniform hat. She is in a Hospital and is holding an open leaflet in her left hand which she is showing to an Occupational Health Sister who is on her right, and is wearing her white uniform and white veil. Part of a trolley, with equipment on the top and bottom shelf, can be seen in the background on the right hand side. Closed Venetian blinds are seen in the background on the left hand side of the photograph.Photographers stamp and 'Quote No. GH 8'rdns, royal district nursing service, rdns liaison, sister moira coates

1. Shirt - light khaki colour cotton/polyester fabric - short sleeves, shoulder epaulettes, two front pockets with button down flap. Plastic buttons. Left sleeve - oval fabric patch, embroidered "Rising Sun Badge" "THE AUSTRALIAN ARMY" - fabric patch, embroidered, crossed rifles. Right sleeve - fabric patch, embroidered, Australian Coat of Arms - Warrant Officer 1st Class. White cotton manufacturers label, back, below collar - illegible. 2. Trousers, Khaki colour wool/polyester fabric. Service Dress style with fob pocket, two side pockets, one back pocket with button down flap. Plastic buttons, metal zipper fly, khaki colour polyester fabric waist and pocket linng. White manufacturers label back pocket lining. Manufacturers information on label: black ink print. 2. "ADA 4500299219/ 2005/ NSN: 8405 66 140 7088/ size w.82il 78/ name/ service no./ 50% wool 50%/ dry clean only (P)/ repress on original/ creases, damp cloth/ or medium to hot/ steam iron/ MADE IN AUSTRALIA"uniform, army, service dress

This dress belonged to Dorothy May Mortlock (VF518245), who served as a Sapper with the Australian Women’s Army Service from 27 July 1945 to 1 August 1946.Light brown coloured woven cotton dress with button-up front secured by 6 metal buttons. Dress constructed of a skirt element attached to a short sleeve shirt-style torso section, a hook and eye sits on interior of two sections to fasten left and right sides together. One square topstitched pocket on the left chest and two angled hip pockets on front. Fabric belt with metal buckle held in place by fabric loops on both left and right side. Fabric epaulette passes through loop on both left and right side and secured with metal button. Two loops on interior left and right shoulders, left loop with inscription; woven label stitched to interior left side underneath which is a stamped motif.Ink inscription on interior loop difficult to read, “VF518245” and 5-6 indiscernible characters. Button reads “AUSTRALIAN MILITARY FORCES” below an embossed image of Australia with the King George V crown on top. Stamped motif reads “[broad arrow]/S.D.”women, wwii, world war two, second world war, australian womens army service, awas

Items issued or made for Henry T RIDGE V57996 & VX148845 CMF & 2nd AIF. Refer Cat No 475.10 for service details..1) Coat, Service Dress, Kahki, winter, 2 x Rising Sun Epaulettes badges, 2 x Australia badges, 2 x colour patches, rectangular white over red with grey surround, Lieut rank badges, 2 on one side, one on the other (missing one), metal buttons. .2) Belt-cloth, Kahki, metal buckle, leather adjustment straps on inside, for .1) .3) Coat, Service Dress, summer, light Kahki, 1 x Rising Sun lapel badge (one missing), 2 x combined cloth Australia and Lieut shoulder badges, 4 pockets, plastic buttons. .4) Shirt, light weight, Kahki, Service Dress summer style, short sleeve, plastic buttons..1) “Wilkes Todhunter, Civil and Military Tailors”, “H.T.Ridge 9/7/41” .3) “Wilkes Todhunter, Civil and Military Tailors”, “H.T.Ridge 3072, 15/7/1941” .4) “Wilkes Todhunter, Civil and Military Tailors”, “H.T.Ridge 7976, 14/1/44uniform ww2, army, officer

Clothing. All over floral cotton dress, in a ''shirt-maker'' style. Short sleeves, high round neck at back, and pointed revers at front. Inserted band at front waistline, with a pointed overlap, shaped to 3.5 cm wide stitched down around front. Front opening bodice has a four press-stud closure, and two 1.75 cm white plastic buttons, sewn over the closure. Buttons impressed with a ridged pattern. Two darts on either side of lower edge of bodice, one dart from shoulder on either side of bodice. Six gores in skirt. Probably home stitched. Band inserted at waistline, extends to a 3 cm wide ''belt'' at back, fastening with two press-studs. A home stitched dress.costume, female, short sleeved floral dress