Five of a collection of slides donated by Laurie Dixon. Water was pumped from Candowie Reservoir to nearby Almurta Basin and gravity fed to Wimbledon Heights Storage Basin. These open water basins were two main components of the water distribution of the day and supplied the area from 1964 to 1989. The Almurta and Wimbledon Heights Storage Basins were decommissioned in 1999 when the San Remo Basin was improved an now is the vital link in the transfer of water from Candowie via the Purification Plant.Five of a collection of slides taken by Laurie Dixon. (Photographs scanned by E Alexander). The photographs are of the machinery used to clear the land for the reservoir constructed at Wimbledon Heights in September 1961 273-08 Robert Cleeland on TractorInscriptions of slides 273-09. Tourerpull & crawler at reservoir Sep. 61 273-10. Reservoir Sep 61 273-11. Reservoir Sep 61 273-12. Building reservoir Sep 61wimbledon heights reservoir, laurie dixon

The Registration Act 1836 established the General Register Office and a new system of national registration of births, marriages and deaths to take effect from 1837. There was a need to set up a system to record births, to aid with the planning of services and to record deaths to enable further study on the causes of mortality. The accurate recording of births and deaths was to be a vital tool in improving population health and would later enable systematic interventions such as vaccination, as well as aiding research and data analysis. ('1836 Registration Act')Round silver medallion with presentation case. Front of medal features portraits of King George VI and Queen Elizabeth in profile. Text encircling the portraits reads 'BIRTHS & DEATHS REGISTRATION & MARRIAGES ACTS". Back of medal carries a lit torch design at centre, encircled by the text "BIRTH . MARRIAGE . DEATH". Presentation case is a square, green, leather box with cream satin and beige velvet lining. There is a central depression within the case in which the medallion sits. Text printed on upper surface of box lid reads "B.D. and M./CENTENARY/1837-1937". Royal Mint insignia stamped in gold inside lid.numismatics

Flashlights where a vital tool for night time map reading, signaling with coloured lenses and many other uses. The blackout during the war also meant for a extended popularity of flashlights. Many carried them onto the streets to see as the streetlights where very rare and to top that of mostly blacked out. Most flashlights where fitted with blinds or coloured lenses to hide the bright light they produced. These coloured lenses where also used to signal between individual soldiers. Mostly used in the 1940s by the military and civilians alike. A small metal light signal box or flashlight.Petrix No. 678signal box, flashlight, petrix 678

A paper showbag. A mainly green showbag with a black and white design, within a square made of black and white lines and 8 smiling faces of what appear to be an African or aborigine youth, we read: delicious soft eating Licorice and licorice all sorts. There is also a design of 7 stick figure holding a spear and dancing around a camp fire. Underneath the square the words: " Good Pfella Licorice" Packed by tafes sweets, Strathpine QLD. The same design on both sides.business, retail, advertising, business advertising usually found at agricultural shows and other promotional activities.

Six colour photographs of William Buckley's Cave at Point Lonsdale.william buckley, aborigines, wathaurong, wada wurrung, buckley, point lonsdale

The Lake Condah Mission site includes bluestone ruins and a reconstructed timber building, as well as the cemetery which were part of the original settlement. With European settlement in the 1830s came conflict. Gunditjmara people fought for their land during the Eumerella wars, which lasted more than 20 years. As this conflict drew to an end in the 1860s, many Aboriginal people were displaced and the Victorian government began to develop reserves to house them. Many Aboriginal people refused to move from their ancestral land and eventually the government agreed to build a mission at Lake Condah, close to some of the eel traps and within sight of Budj Bim (Mt Eccles). The mission opened in 1867. The Mission was formally closed in 1918, and Aboriginal people were forced off the Mission, some moving to Lake Tyers. The Gunditjmara protested against the Mission’s closure and many continued to reside in the buildings until the majority of the reserve land was handed over to the Soldier Settlement Scheme in the 1940s. The mission was destroyed by the government in the 1950s in an effort to force the integration of Gunditjmara people with the general community but the Gunditjmara people continued to live in the area and protect their heritage. The mission lands were returned to the Gunditjmara in 1987. Lake Condah Mission is a place with special meaning to the Gunditjmara community - as a community meeting place, an administrative centre, a symbol of political struggle and a link to family histories. As a result the Gunditjmara community do not want open public access to this site. Key Features of Interest Ruins of stone cottages and plot remains of buildings such as the church Reconstructed dormitory building (https://www.budjbim.com.au/visit/cultural-sites/lake-condah-mission/?gclid=EAIaIQobChMIz6j36ZvF-QIV8ZhmAh2tmA3qEAAYASAAEgLxrvD_BwE, accessed 2022)Colour photographs of the former Lake Condah Aboriginal Missionlake condah, lake condah aboriginal mission, aborigines, aboriginal, gunditjmara, eumerella wars

Copy of a black and white photo of three Aboriginal men putting out a camp fire by peeing on it. A boy is watching them. Printing in the bottom right corner reads: Trans Continental Railway - 1945. Blackfellows putting out a fire.photo, group, male, peter ellis collection, trans continental railway 1945, aborigines

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The 60 photographs that comprise the series were issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Aboriginal Natives of Victoria hop gathering’ : Views of Victoria (General Series) No.50 : Albumen silver photograph | Photo on card with Title and Description on reverse | Mounted 24 x 30 cm; Photo 12 x 17 cm.On Reverse: ‘The growth of Hops has of late years occupied the attention of farmers in most of the colonies, and with the most encouraging results. It has been introduced with considerable success on most of the Aboriginal Stations in Victoria. Our illustration represents a group of natives gathering Hops on the Station at Bairnsdale, in Gipps Land.’nicholas caire (1837-1918), bairnsdale, aborigines, landscape photography, first peoples, aboriginal and torres straight islander

Wesley PEMBERTHY (1920- ) Born Broken Hill, New South Wales Wesley Pemberthy spent his childhood in Adelaide, South Australia. As an adult he lived in Bendigo, Ballarat, Clunes, Creswick, Daylesford and Perth. While in Perth he studied at Perth Technical School (1933-1937), followed by studies under the tutorship of Norman Lindsay in New South Wales (1938-1941). After service during World War Two Wes Pemberthy became the first Rehabilitation student at the National Gallery School, Victoria, undertaking research into the techniques of the Old Masters. He was the winner of the Sulman Award in 1955. The Sulman Prize is awarded for the best subject painting, genre painting or mural project by an Australian artist.Framed painting showing a number of brightly dressed people in a treed landscape. artists, artwork, wes pemberthy, wesley pemberthy, aborigines, aboriginal

The grave of Mullawullah in the Ballarat New Cemeteryaborigines, mullawulla, king billy, ballarat, wadawurrung, ballaarat new cemetery

Jack Simpson with Jean and Kath Bassett carting salt from the salt lakes north of Lake Bolac. The harvesting of Salt from the salt lakes was the earliest industry recorded as taking place in the district, predating the pastoral industry. In 1841, G A Robinson was passing between the fresh water and salt lakes and recorded a party of men all the way from Manifold,s loading salt onto a wagon. Local aborigines also used salt from these lakes as a trading item.lake bolac, salt harvest, g a robinson, manifold, simpson, bassett

Grampians Halls Gap (Wonderland Range). Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. Although little is known of the lifestyle of the Grampians, Aborigines. Evidence of their thousands of years occupation exists in the form of campsites and Ochre and Pipeclay drawings on the smooth surfaces of rock shelters. There are 40 or more aboriginal art galleries known to be in the Grampians, most of which have been discovered in the past 25 years. Some of these shelters are accessible to visitors. stawell

Isabella Park Taylor, nee Dawson (1842-1929), friend of Western Victorian First Nations people, and student of their languages and customs. Isabella grew up at "Kangatong" (1844-1866) in the company of First Nations people and became fluent in their languages. With her father, James Dawson, she wrote the book "Australian Aborigines" (1881). She married William Andrew Taylor in 1877 and they built a fine homestead on their property at "Renny Hill'' near Camperdown, Victoria. Together they had two children, Effie, born 1878 and Katherine in 1880.Studio portrait of Isabella Taylor (nee Dawson) sitting at an occasional table.cdhs, cdhsfirstnations, djargurd wurrung, djargurdwurrung

Isabella Park Taylor, nee Dawson (1842-1929), friend of Western Victorian First Nations people, and student of their languages and customs. Isabella grew up at "Kangatong" (1844-1866) in the company of First Nations people and became fluent in their languages. With her father, James Dawson, she wrote the book "Australian Aborigines" (1881). She married William Andrew Taylor in 1877 and they built a fine homestead on their property at "Renny Hill'' near Camperdown, Victoria. Together they had two children, Effie, born 1878 and Katherine in 1880.Studio portrait of Isabella Dawson as a young womancdhs, cdhsfirstnations, djargurd wurrung, djargurdwurrung

xvi, 218 p. illus. : non-fictionA collection of stories of Aboriginal mythsaboriginal, human rights, myths, legends, robinson roland edward, australian indigenous tribes, storytellers, poetry, roper river, northern territory, sydney morning herald, the age, folk-lore, dreamtime legends, sacred songs, vesper alexander, worrell eric, naturalist, zoology, legend and dreaming

This certificate was presented at the East Gippsland Shire Council Australia Day celebrations on 26.1.2003. The veiling of McKillops bridge was a 'Year of the Outback' event. The event was organised by Orbost resident, Sr Helen Barnes RSJ. to show solidarity with rural people. The local community transformed the bridge into "a symbol of communal love and hope", when its sides were draped with hundreds of personal messages. McKillop's Bridge, located high in the Snowy Mountains, is named after George McKillop, a pioneering explorer of the area. The bridge is a vital link for isolated farming communities living beyond the Bonang highway. The Veiling of McKillops Bridge was a significant community event.A large framed certificate. An Australia Day Community Event certificate for January 2003. The frame is silver The certificate has white, green and blue print on a blue background.presented to "Veiling of McKillops Bridge on frame corner AMS by East Gippsland Shie Council signed by Cr P. Bommer (mayor)mckillops-bridge-veiling east-gippsland-shire-council-australia-day

This knitting pattern book was produced during 1939-45 by Patons and Baldwins' and contains knitting patterns for mens civilian and service garments. The front cover illustrates a knitted convalescent jacket (with extra room for bandages, etc) and there are other patterns suitable for men in the services which could be knitted for the Red Cross or Comfort Funds. The back is illustrated with a photo of two men (one in a flying cap, one in army uniform) reading a sign on a wall which states: "Don't help the enemy! Careless talk may give away vital secrets".Front cover, Patons and Baldwins' Specialty Knitting Book no. 120, WWII. Back cover of Patons and Baldwins Specialty Knitting Book no. 120, WWII.MEN'S SERVICE AND CIVILIAN KNITWEAR / No. 120 / 6D. / PATONS & BALDWINS' / SPECIALTY / Knitting Book / THIS IS A SPECIALLY DESIGNED CONVALESCENT JACKETknitting, world war ii, patons and baldwins (australia) ltd

This book, written by Maxine Philp-Wright and illustrated by John Bagley, provides a visual, informative and light-hearted introduction to tourist spots along the Great Ocean Road and the areas around Warrnambool and Tower Hill. It is particularly suitable for children of all ages and it deals with the themes of nature-based tourism, reconciliation between Europeans and aborigines and multi-culturalism. It includes references to Australian flora and fauna as seen through the eyes of an international visitor, an Australian family and a Spanish migrant and it urges full appreciation of the places visited with the motto, ‘Go Slow is the Go!’This book is of interest because of its themes of multi-culturalism, indigenous culture appreciation and local Great Ocean Road tourism. This is a soft cover booklet of 33 pages with a white cover with multi-coloured images on the front cover (Tower Hill, a car and a turtle) and printing and three colour photographs on the back cover.tower hill, shipwreck coast, victoria, warrnambool

History of Victorian cemeteries; includes a chapter on Aboriginal mission cemeteries; guide to how to use cemeteries for research and family history and how to conserve cemeteries.Paperback; 184 p. : ill., 1 map ; 24 cm.ISBN 0909710856social customs, cemeteries, healesville, victoria, aborigines, st helena, greensborough

Australian Explorers often had Aboriginal guides in there party.Sepia studio photograph of two Aboriginal men known as Jemmy and Jack Fisherman, dressed in European clothing, standing beside a man holding a top hat who is William Landsborough. aborigines, aboriginal, jemmy fisherman, jack fisherman, william landsborough, landsborough, exploreres

Image from William Westgarth's "Port Phillip Settlement" (1883)Image of two Aboriginal women gathering roots, both use a digging stick. They wear cloaks and carry a basket over their shoulders. In the background is a man is carrying a stick. aborigines, aboriginal, women, food, basket, digging stick, tools

From 'Savage Life and scenes in Australia and New Zealand' by George French Angas.george french angus, aborigines, aboriginal, carving, rock carving, point piper, sydney

Cream coloured envelope with cello tape on the back with some rust marks.. On the front hand written in blue ink by S. M. Deravin writes about the photo's in the envelope. It is entitled 'Aboriginies' Copies of these photographs and a typed copy of the verses have been placed in the original book - F. R. Godfrey's journals in the Australiana Room at the National Library in Melbourne (Latrobe St) where they will remain 'in perpetuity'. With them have been placed copies of the photographs of the Jajoweroung or Loddon tribe of blacks, taken at their camp on 'Boort Station' (now 'Dunbar' homestead block) in 1963 and the stables at the 'Boort' homestead with M. H. Godfrey and his sons, with Prince Charlie of the Jajoweroung and of the poem 'The Jajoweroung' These photos and descriptions are in 2400.419a and 419b, also 2400 420a and 420b.S. M. Deravinphilately, postal stationary, aborigines, f. r. godfrey, 'dunbar', 'boort homestead' jajoweroung, s.m. deravin.