Showing 413 items
matching world war one history
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Melbourne Legacy
Document - Document, article, In Flanders Fields - Digest of World Reading Nov 1960 (H25), 1960
... for the torch emblem of Legacy. history world war one poem Handwritten ...An interesting article from the Digest of World Reading about Canadian John McCrae and his famous poem "In Flanders Field". It tells of his war service and how the poem was published in Punch on 8 December 1915. He was in the medical service when he succumbed to pneumonia in January 1918. The journal article was sent to the Legacy Co-Ordinating Council who sent it to the archive. The notation H25 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. Collected by an earlier archive committee which shows the poem was important to the Legatees. The poem was the inspiration for the torch emblem of Legacy.White A4 photocopy x 3 pages of an article published in 1960 and a letter on Legacy Co-ordinating Council letterhead from 1969.Handwritten H25 in red pen. Letter signed PW Danby, Hon. Secretary of the Legacy Co-Ordinating Council.history, world war one, poem -
Melbourne Legacy
Programme - Document, Exhibition of War Sketches by Lieutenant Daryl Lindsay (H34), 1919
... . history world war one daryl lindsay Handwritten H34 in red pen ...A programme of an art exhibition of 77 pieces of artwork by Lieutenant Daryl Lindsay in 1919. The Introduction was written by the war correspondent CEW Bean. Mr Lindsay's connection with Legacy is not known. A legatee Ray W___ donated this copy of the exhibition programme and the original of the cover print and a watercolour 'The road to Poperinghe' to Legacy in October 1984. At one stage they were in the Comradeship Room. As at December 2019 the original of the cover print is on loan to the Shrine of Remembrance and on display. The caption at the Shrine reads," 'Soldier'1918 by Daryl Lindsay (1889-1976). Daryl Lindsay was appointed an official war artist in 1917. He had worked as a batman for his brother-in-law Will Dyson, also an official war artist, from the end of 1916. Lindsay's sketches documented the facial injuries of soldiers, in order to assist then plastic surgeons undertaking facial reconstruction at Queen Mary's Hospital in Sidcup, Kent. His artistic skills led to his appointment as an official medical artist at the hospital in 1918." The notation H34 in red pen shows that it was part of an early archive project that was trying to capture the history of Legacy. A soldier put together artwork about World War One and exhibited it in Melbourne in 1919. Later two of his artworks were donated to Legacy.Dark brown cover with cream insert of a sketch of a solider. Coffee coloured pages x 6 with navy text held in place by a bronze colour thread.Handwritten H34 in red pen. Handwritten inside front cover a note added in 1984 about the donation of a original artwork to Legacy. "Presented to Melbourne Legacy by Legatee Ray W___ on Founders Day 25 Sept 1984 with the original of the cover print and water colour "The Road to Poperinghe", both hung in Comradeship Room October 1984."history, world war one, daryl lindsay -
Melbourne Legacy
Newspaper - Poem, The Army of the West by C.J. Dennis, 25 April 1929
... of Anzacs. history world war one poems poetry A poem by CJ Dennis ...A poignant poem by CJ Dennis about Anzac soldiers from World War 1. The date was located from Trove. The Army of the West BY C. J. DENNIS HERE was tramping, a tramping, a tramp of many feet. The young men, the strong men were marching in the street, Marching for a new land, at the Old World's call, With the sun upon their faces — straight lads and tall, The chosen of a leal land that yielded of her best. "Pack your kit," the soldier said, "for the ships sail West," Then Anzac, oh, Anzac! A new name on the tongue — A proud name and a precious name to mark the valiant young — The valiant young who went so gay across a troubled sea, The glorious young who slept so deep upon Gallipoli. There was tramping, a tramping, a tramp of weary feet. The spent men, the worn men, were marching in the street- Marching to the wild cheers, home at last from war, With a wisdom on their faces that we had not known before: Wisdom of the veteran, earned at our behest, "Now sound the call," the soldier said, "for the boys gone West." But Anzac, oh, Anzac! Dearly they bought the name Who lit upon Gallipoli that everlasting flame — The flame to light the path for men who live beyond their day; While in the West the glory grows, as soldiers drift away. There is tramping, a tramping, a tramp of steady feet. The grey men, the grave men are marching in the street; And maimed men and blind men and shattered men are here. But many a man he marches not who marched last year. Gathered to his comrades, to the Army of the Blest. "Close up the ranks," the soldier said, "for the boys march West." But Anzac, oh, Anzac! Surely no day shall come When that fame shall not be quickened in the roll of every drum; In the call of every bugle let the name be vibrant yet, In a great land of strong men — who never shall forget. There yet will be a tramping, a tramp of dwindling feet, As the last old, old men come marching down the street; Marching now with memories, phantoms at their side, To the cheering of their strong sons inheriting their pride; Inheriting a shining gift won in a bloody quest, "Harkl" the aged soldier says. "The bugles call us West." Then Anzac! Anzac! Oh, what a mighty cry- When that great hymn of greeting goes shouting down the sky, As the last recruit comes marching to the singing of the rest, And the last man answers roll-call in the Army of the West. It was in a folder of documents about the history of Legacy. Appears to have been mostly compiled by Legatee Cyril Smith as he has many hand written notes on miscellaneous pieces of paper (some are envelopes addressed to him). Some notes were typed up into a summary of the History of Legacy. Also documents relating to the first time Legacy approached the public for donations in September 1956, including newspaper articles that were reprinted, a schedule of information that was approved to be released to the press, and a list of potential donors that was circulated to Legatees in the hope they could contact the ones they knew personally or professionally. The documents from this folder have been added in seperate records (see 01262 to 01282). The folder was part of an attempt to capture history of Legacy, generally from the 1950s.The documents provide an insight into the working of Legacy, especially in the 1950s. Legatee Cyril Smith and others were detailing their experiences and knowledge for the future. This poem might have been included for its portrayal of Anzacs.A poem by CJ Dennis printed in a newspaper.history, world war one, poems, poetry -
Melbourne Legacy
Document, The Work of 1945, 1946?
A two page account of the end of World War 2 and mentions of Legatees who had roles in the current of the Japanese. In "Bouganville the surrender was made to Legatee SG Savige." Also "Legatee J.D.Rogers (Brigadier) represented Australia at the Japanese surrender at Singapore to Lord Louis Mountbatten and led the group of six officers who met and escorted the Japanese delegates. . " Was in a folder of documents about the history of Legacy. Appears to have been mostly compiled by Legatee Cyril Smith as he has many hand written notes on miscellaneous pieces of paper (some are envelopes addressed to him). The notes were typed up into a summary of the History of Legacy. Also documents relating to the first time Legacy approached the public for donations in September 1956, including newspaper articles that were reprinted, a schedule of information that was approved to be released to the press, and a list of potential donors that was circulated to Legatees in the hope they could contact the ones they knew personally or professionally. The documents from this folder have been added in seperate records (see 01262 to 01281). The folder was part of an attempt to capture history of Legacy, generally from the 1950s.The documents provide an insight into the working of Legacy, especially in the 1950s. Legatee Cyril Smith and others were detailing their experiences and knowledge for the future.Two typed quarto pages discussing the end of the war in 1945 and mentioning Legatees.Hand written A and B on top right hand corner and some edits in blue ink.history, world war two, stan savige -
Melbourne Legacy
Photograph - Photo, Anzac Day 1936, 1936
The photo shows Legatees Pat Hanna (left) and Frank Doolan (right) with a wreath at a war memorial on Anzac Day in 1936. The wreath was an interesting design with a torch to resemble the Legacy logo. From the pencil note on the reverse it was thought it might be the cenotaph in Whitehall, London. Pat Hanna lived in London for a number of years. It might also be the cenotaph that was in Spring St, near Parliament house, until the Shrine of Remembrance was dedicated in 1937. (see photo at 01371). The two were very similar in design as the Victorian one was a half size replica of the London one. Pat Hanna (born George Patrick Hanna; 18 March 1888 in Whitianga, New Zealand) was a New Zealand-born film producer ; he was a soldier of the First World War who entertained postwar audiences with the stage show 'Diggers', that was adapted to a film of the same title in 1931.An early Anzac day ceremony with a Legacy laying a wreath. Frank Doolan and Pat Hanna were founding members of Legacy. Frank Doolan was one of the archive committee that attempted to record the history of Legacy.Black and white photo of two Legatees laying a wreath.Hand-written on reverse: 'Pat Hanna and self with Legacy wreath / Anzac Day 1936' in navy ink. 'Legatee Frank Doolan' written in pencil near the word 'self'. 'London ?' written in pencil. Stamped 'W2259' in black ink.anzac day, wreath laying ceremony, founding legatee, hanna, frank doolan -
Melbourne Legacy
Photograph, Jack Cato, 'Digger', 1932
An iconic image of a soldier, eyes raised to the sky, taken by photographer Jack Cato in 1932. He used the artist/entertainer Pat Hanna as a model in the photoshoot. Pat wrote down his experience in a moving two page document 'The Story Behind the Picture', it tells how he was moved to imagine the action in France when posing. The image is described as the portrait of a soldier, eyes raised to the sky. This portrait is a study which is called 'The spirit of Anzac' or 'The Digger'. Pat Hanna, said he tried to recreate the "look something between fear and defiance which we have all seen so often, and which will always remain in my memory as typical of our gallant old cobbers 'the Diggers'". A colour image is held in the AWM collection. The photo was stored with other items including a letter to Frank (possibly L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01404). Pat Hanna was an entertainer, comedian, artist and producer of reveues, plays and movies. One of his first revues was performed just after the armistice in France. His popular stage show was 'Diggers' that performed in many towns in Australia post-war and adapted into a film in 1931. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years.Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Black and white photo of Pat Hanna as a 'Digger' and a two page recollection of the photoshoot with Jack Cato.Handwritten on photo 'Digger' in black ink in Pat Hanna's handwriting. Handwritten on reverse " 'The Digger', sometimes called 'The spirit of Anzac' / photo Jack Cato / model -Pat Hanna" in black ink. Typed on a paper note 'Spirit of Anzac / Pat Hanna'. Stamped with copyright of The Age in blue ink.hanna, solider, portrait -
Melbourne Legacy
Drawing, A Toast
A drawing done by artist Pat Hanna and sent to friends at Legacy. He was living in London at the time and drew this on his letterhead. It was stored with other items including a letter to Frank in 1972 (possibly L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01403). Pat Hanna was an entertainer, comedian, artist and producer of reveues, plays and movies. One of his first revues was performed in France just after the armistice. A popular stage show was 'Diggers' that performed around Australia post-war and adapted to film in 1931. He was asked to pose for photographer Jack Cato for the iconic image of a digger shown in 01400. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years. Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Drawing of a kangaroo and kiwi from Pat Hanna on his letterhead pasted onto brown cardboard. Also a digger's face, a rising run and maps of Australia and New Zealand.Handwritten in the drawing 'Heres to every cobber who wore the old chapeau, 20 - 30 - 40 - 50 years ago!!!' and 'There's a wee toon on the Yarra with streets broad and narra that's where we first toasted dear old Legacy.'hanna, founding legatee -
Melbourne Legacy
Drawing, Caricature by Pat Hanna, 1955
A drawing done by artist Pat Hanna and sent to friends at Legacy as a postcard. It could be a self portrait or a caricature of another Legatee. It was stored with other items including a letter to Frank (L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01403). Pat Hanna was an entertainer, comedian, artist and producer of revues, plays and movies. One of his first revues was performed just after the armistice in France. A popular stage show was 'Diggers' that performed around Australia post-war it was adapted into a film in 1931. He was asked to pose for photographer Jack Cato for the iconic image of a digger shown in 01400. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years.Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Cartoon drawing of a man with a monocle, signed Pat Hanna on a postcard.Post card is addressed to 'President and Legatees, Legacy Club, Market St, Melbourne' in blue ink. It is postmarked 29 December 1955 in Melbourne and an Australian 3d postage stamp. Also handwritten is 'Cartoon card by Pat Hanna 1955' in blue pen.hanna, founding legatee -
Melbourne Legacy
Drawing, Card players drawn by Pat Hanna, 1955
A cartoon drawing done by artist Pat Hanna and sent to friends at Legacy. It looks like a funny caption is missing from the drawing. It was stored with other items including a letter to Frank (possibly L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01404). Pat Hanna was an entertainer, comedian, artist and producer of reveues, plays and movies. One of his first revues was performed in France just after the armistice. A popular stage show was 'Diggers' that performed around Australia post-war and adapted into a film in 1931. He was asked to pose for photographer Jack Cato for the iconic image of a digger shown in 01400. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years.Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Cartoon drawing of a four people playing cards signed Pat (Hanna).Signed 'Pat'hanna, founding legatee, cartoon -
Melbourne Legacy
Book, Mark Lyons, Legacy the First Fifty Years, 1978
Navy blue book with a blue dust jacket, published about the history of Legacy, including photographs of activities and early members. Incudes a newspaper article stuck on the rear flyleafs about singer Dame Gracie Fields.non-fictionhistory, mark lyons, 50th anniversary -
Melbourne Legacy
Book, There Goes A Man. The Biography of Sir Stanley G Savige, 1959
The detailed biography of Lieutenant-General Sir Stanley Savage.Red cloth bound copy of W B Russell's biography of Legatee Savige with a paper dust jacket with photosnon-fictionThe detailed biography of Lieutenant-General Sir Stanley Savage. history, w b russell, biography -
Melbourne Legacy
Letter, To Robert Bowring from Rob C. Allison, 2000
A file copy of a letter sent from Legatee Rob Allison to Robert Bowring (6th November 2000) in answer to a request regarding the origins of the first Dawn Service. Legatee Rob Allison signed himself as the Chairman, Advisory Tradition and History Committee. To research his response he consulted the AWM and summarised the content in the letter and enclosed four articles. Unfortunately the four articles sent to Robert Bowring are not included here. L/- Rob Allison makes reference to information obtained from Dr Richard Reid (historian at the Australian War Memorial and then the Commonwealth Branch of the Department of Veterans Affairs). Also Rob Allison makes reference to Lyn Witheridge (Australian War Memorial and later with the Centenary Federation Secretariat). He was addressing the rumour that there was a Dawn Service held in Albany WA in 1914 when the first convoy in WW1 from Australia was about to sail from Albany. The letter also makes reference to a gathering at Toowoomba QLD on Anzac morning 1919, however that rumour suggest that flowers were placed on returned soldiers graves, L/- Allison cast doubt about the placing of flowers on graves of returned service personnel, because only Major General Bridges and the Australian Unknown Soldier were the only two WW1 troops killed in action, to be returned to Australia.A record that members of the public approached Legacy with questions about military and post war history. Legatee Allison made an effort to research and base his reply on evidence.White paper with black type, a facsimile of a letterTelephone No 61395620309 top right.research, world war one -
Melbourne Legacy
Document, Origin and Record of Blamey House December 1939 - January 1947, 1987
Copies of correspondence with Mr K Crouch asking for the history of Blamey House. Plus a photocopy of the history pages from the Blamey House roll that is kept in glass display cabinets at Legacy House. Blamey House was one of the residences used by Legacy as a home for Junior Legatees. The first few pages of the book (item 02298) explains the history and significance of the name Blamey House - which was photocopied and sent to Mr Crouch. Blamey House was originally the name of a hostel set up in World War 2 for servicemen that needed short term accommodation and food. It was originally situated in Melbourne CBD on the corner of King and Collins Streets in the Robbs Building (since demolished). When the hostel was no longer required after the war, the trustees of Blamey House donated money - almost 20,000 pounds, to Legacy for a children and toddlers' home which was established in Balcombe Road Beaumaris. The condition of donation was that the name Blamey House be used and when the Balcombe Road property was sold in 1956 the name was transferred to Holmbush, another Legacy residence. When it was sold in 1977 the name transferred to Harelands until Legacy sold it in 1980.A record of the history known about the donation made to Legacy to establish Blamey House in 1947.Black and white A4 photocopy x 12 pages on history of Blamey House, part of it copied from the Blamey House roll and some of correspondence between K Crouch and Legacy.blamey house, blamey, residences, hostel -
Melbourne Legacy
Document - Speech, Anzac Day speech by Legatee Bert Davis, 2005
A copy of a speech given by Legatee Bert Davis at Glenburn Hall on Anzac Day 2005. It tells the story of his grandfather Lieutenant William Edwin Davis who served in the Boer War and then was killed on Gallipoli. Also William's son, who also enlisted in the first World War in France and married a Welsh nurse and returned to Australia and were Bert's parents. There was also a story of William's widow Mrs Maud Davis who was involved with the War Widows Guild and was one to the ladies approached by the founding Legatees when they wanted to established Boys Classes in the 1920s. Donated by Legatee Bert Davis' daughters.An excellent record of important people in Legacy's history.White A4 printed copy of a speech given by Legatee Bert Davis on Anzac Day 2005.anzac day, bert davis, speech -
The Mrs Aeneas Gunn Memorial Library
Book, Cassell and Co, The second world war volume one: The gathering storm, 1950
Volume one of a six volume history of the second world warIndex, p.601non-fictionVolume one of a six volume history of the second world warworld war 1939-1945 - history, winston churchill 1874-1965 - military leadership -
The Mrs Aeneas Gunn Memorial Library
Book, Cassell and Co, The second world war: Abridged one-volume edition with a new epilogue on the years 1945 to 1957, 1950
Abridges one volume edition of the six volume history of the second world warIndex, maps, p.973.non-fictionAbridges one volume edition of the six volume history of the second world warworld war 1939-1945 - history, winston churchill 1874-1965 - military leadership -
The Mrs Aeneas Gunn Memorial Library
Book, Cassell and Company, A history of the English-speaking peoples, Vol one: The birth of Britain, 1956
Based on the research of modern historians as well as a wealth of primary source material, Churchill's popular and readable A History of the English-Speaking Peoples was respected by scholars as well as the public in its day - a testament both to its integrity as a work of historical scholarship and its accessibility to laypeople. Churchill used primary sources to masterful effect, quoting directly from a range of documents, from Caesar's invasions of Britain to the beginning of the First World War, to provide valuable insights into those figures who played a leading role in British history. In the last of his epic four-volume account, Churchill begins at the end of the Napoleonic Wars and ends with the Boer War of 1902.Index, maps, p.395.non-fictionBased on the research of modern historians as well as a wealth of primary source material, Churchill's popular and readable A History of the English-Speaking Peoples was respected by scholars as well as the public in its day - a testament both to its integrity as a work of historical scholarship and its accessibility to laypeople. Churchill used primary sources to masterful effect, quoting directly from a range of documents, from Caesar's invasions of Britain to the beginning of the First World War, to provide valuable insights into those figures who played a leading role in British history. In the last of his epic four-volume account, Churchill begins at the end of the Napoleonic Wars and ends with the Boer War of 1902.great britain - history, winston churchill 1884-1965 -
The Mrs Aeneas Gunn Memorial Library
Book, Cassell and Company, Australia in the Great War : the story told in pictures, 1918
A pictorial history of Australian involvement in World War OneIll, p.192.non-fictionA pictorial history of Australian involvement in World War Oneworld war - 1914-1918 - history, world war 1914-1918 - australian involvement -
The Mrs Aeneas Gunn Memorial Library
Book, Gresham Publishing Company, The great world war: A history, 1915
... -1918 - Diplomacy An illustrated history of World War One ...An illustrated history of World War One in nine volumesv.9. Ill, indexes.non-fictionAn illustrated history of World War One in nine volumesworld war - 1914-1918 - history, world war 1914-1918 - causes, world war 1914-1918 - diplomacy -
The Mrs Aeneas Gunn Memorial Library
Book, Vernon Bartlett, W. Gordon Williams and Geoffrey Dennis, The war of 1939 : a history dealing with every phase of the war on land, sea, and in the air, including the events which led to the outbreak of hostilities v.1, 1940
Volume one of a history of the Second World Warill, v.1.Volume one of a history of the Second World Warworld war 1939-1945 - history, world war 1939- 1945 - diplomacy -
The Mrs Aeneas Gunn Memorial Library
Book, Vernon Bartlett, W. Gordon Williams and Geoffrey Dennis, The war of 1939 : a history dealing with every phase of the war on land, sea, and in the air, including the events which led to the outbreak of hostilities v.1-6, 1940
Volumes one to six of a history of the Second World Warill, v.1-6.Volumes one to six of a history of the Second World Warworld war 1939-1945 - history, world war 1939- 1945 - diplomacy -
The Mrs Aeneas Gunn Memorial Library
Book, John Lane, the Bodley Head et al, Pictures of ruined Belgium, 1917
A photographic essay of the destruction in Belgium during World War OneIll, p.244.non-fictionA photographic essay of the destruction in Belgium during World War Oneworld war 1914-1918 - campaigns - belgium, world war - 1914-1918 - history -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Jones, T. M, Sons of the Sea by T.M. Jones, 1941
Naval novel.Hardcover book, 207 pages, one illustration. Front cover of book has a colour image of a battleship. Frontispiece illustration: "There was a rending crash when the destroyer struck the submarine".fictionNaval novel.t.m. jones, naval history, children's fiction, world war ii