A colour photograph of Murchison Street from the F.J. Barton Bridge in Marysville in Victoria.A colour photograph of Pack Road from the F.J. Barton Bridge in Marysville in Victoria. Labeling is incorrect. The view is looking down Murchison Street from the F.J. Barton Bridge. The F.J. Barton Bridge was named after Frederick John Barton. The Barton Family were amongst Marysville's first pioneering families. This postcard was published by Nucolorvue Productions as a souvenir of Marysville.NU-COLOR-VUE/ OF / AUSTRALIA MARYSVILLE, VICTORIA. Pack Road from F.J. BARTON/ BRIDGE. PLACE/ STAMP/ HERE POST CARD NCV.172 - NUCOLORVUE PRODUCTIONS PTY. LTD./ COPYRIGHT Printed in Australia (Note our new/ bridge) Hullo Dot,/ Very pleased to/ have the chance to meet someone who/ can tell us your news. All the best from/ all the family here at Marysville/ Terry. Dear Dot,/ Good to hear/ first hand news/ of you. Regards,/ Elsie Walkermarysville, f.j. barton bridge, murchison street, victoria, postcard, souvenir, nucolorvue productions, fj barton

Folded A3 double sided page advertising auction of 14 timbered allotments - 3/4 to 4 acres, on Saturday, 10th December, 1983, with terms of sale, location map, and summary of subdivision features.Subdivision includes Angus Avenue, Vasey Concourse and Ruthven Way, Ringwood East, and Cheong Street, Croydon, Victoria. A covenant has been placed on most titles specifying that only one dwelling house can be erected during the next ten years. Auctioneers in Conjunction - Stockdale & Leggo, 422 Collins Street, Melbourne, (Telephone) 67 6661, A.H. 20 2364, and C.E. Carter & Son, 122 Whitehorse Road, Ringwood, Victoria 3134, (Telephone) 870 6211, A.H. 876 4124.

An early black and white photograph of Marysville taken from nearby Mount Gordon.An early black and white photograph of Marysville taken from nearby Mount Gordon. This postcard was published by the Valentine Publishing Co. Pty. Ltd. as a souvenir of Marysville.VALENTINE'S/ POST CARD/ A GENUINE PHOTOGRAPH Kooringa/ Marysville Dear Mrs Bannon/ Having a lovely lazy time up here/ the weather has been good up to/ date only one rainy day - the days/ have been lovely & cool nights. Wenda/ & Nancy arrived up on Saturday so we/ are quite a family. The people staying/ here are very nice & the food is extra/ good. What more can you want. We will be home 19th/ love to all Win Staceymarysville, mount gordon, victoria, postcard, valentine publishing co, souvenir

WWI letter regarding Lewis Guns of Cyclist Battalion at First ANZAC Corps School.Laminated letter. Typed on a typewriter."First ANZAC Corps / 8th March 1917 / 94/1/141 ... / O.C., First ANZAC Cyclist Battalion. / Commandant, First ANZAC Corps School .... / Lewis Guns of Cyclist Battalion at Corps School. / In reply to First ANZAC Cyclist Battalion memo. 653 of 7th march, the lewis guns belonging to that unit which are now at the corps school will be returned if a party, with the necessary transport, can be sent to the school at BOIS d'ESCARDON-NEUSE to collect them / Brigadier-General, / General Staff, / First ANZAC Corps"anzac corps, first anzac corps school, lewis guns, cyclist battalion

Honour Board listing the 52 names of North Wangaratta State School students who enlisted to serve their country during the First World War and commemorates those who lost their lives. North Wangaratta State School 2391 was opened in May 1881 and closed October 26 1969. Today a plaque commemorates the site of the old school in Eldorado Road North Wangaratta. The Honour Board preserves the names of past students who enlisted to serve their country during the First World War and commemorates those who lost their lives.The North Wangaratta School Trust Committee donated the Honour Board to the Wangaratta RSL for safe keeping and display to the publicOrnate carved wooden frame containing black and white photograph of the North Wangaratta State School Honour BoardFront: North Wangaratta State School Roll of Honour, The Great War 1914 to 1919, followed by 52 names. Back: Written in ink; J.L. Bell East Wangaratta. Sticker; Courtney's Thelma Studio, photographers & picture frame makers. We specialise in enlargements and guarantee our work to be the best that art can produce. Appointments in Town or Country attended to. We carry a complete stock of stationery and fancy goods, Christmas cards and novelties etc, and all school requisites. T. Courtney Proprietor, Phone 55honour board, north wangaratta, world war 1, school, state school

Selwynite is a fine-grained, compact green rock made primarily of chromian muscovite (fuchsite) and diaspore. Corundum and fuchsite can occur together in the form of massive aggregates or nodules. Often, copper carbonates are found as earthy films or tiny crystals in joint planes. The mineral name honours the late A. R. C. Selwyn, founding Director of the Geological Survey of Victoria. The particular specimen, a mottled green stone suitable for carving was recovered and found in Heathcote, Victoria, Australia. The rarity and qualities of this mineral attracted commercial mining, which was not successful, but traces of the mine shafts still exist today, and it is still highly valued by mineral collectors.Selwynit is considered to be one of the rare forms of rock because it is composed of phosphate minerals containing zirconium. This is an extremely rare combination found in nature. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A fine grained rock composed of mainly of chromian muscovite (fuchsite) diaspore and corundum.geological specimen, geology, geology collection, burke museum, beechworth, mineralogy, heathcote, mineral collectors, selwynite, green rock, rock specimen

Phonograph cylinders are the earliest commercial medium for recording and reproducing sound. Commonly known simply as "records" , these hollow cylindrical objects have an audio recording engraved on the outside surface, which can be reproduced when they are played on a mechanical cylinder phonograph. The "Gold-Moulded" process was developed in 1902 and involved creating a metal mould from a wax master; a brown wax blank would be placed inside and heated . as the blank expanded, the grooves would be pressed into the blank which would then be cooled. The "gold" is derived from the traces of that metal used as a conductive agent in the initial mould. "Whistler and his Dog" was performed by the Edison Military Band.Edison Records was one of the earliest record labels which pioneered sound recording and reproduction and was important in the early recording industry. Gold Moulded records used a process that Edison had developed, that allowed a mould to be made from a master cylinder which then permitted the production of several hundred cylinders to be made from the mould. Previously cylinders were recorded live or by hooking two machine together to copy from one cylinder to another, and they used softer brown wax which wore out in as few as twenty playings. Gold Moulded Records were discontinued in 1912.A cardboard cylindrical record container. It is an Edison Gold Moulded Record container. The label has red and gold print and a photo Thomas A. Edison.Hand-written on lid - Whistler & His Dogedison-gold-moulded-cylinders sound-recording records

A shackle is a U shaped piece of iron closed with a pin across the jaws. It is used for securing anchors to their cables, joining lengths of chain cables and so on. This type of shackle is the same size and shape as an ordinary link of the cable and fits into the snugs of the cable holder when verring or weighing. This Kenter type, chain joining link or shackle would commonly be used with anchor chain in the marine industry for applications such as anchors, moorings and ballast. It is a versatile link that can be opened and closed by removing and re-inserting the taper pin and lead plug, allowing for easy joining and detaching lengths of chain, and for repairing damaged links in chain.This is an example of ship's maritime hardware used in Victoria in the 19500s.Half of a chain joining shackle or joining link, Kenter type , painted blue. Often used as a marine anchor chain link. A complete shackle would comprise an oval shaped loop of thick metal and central metal chock comprises three pieces; two half oval pieces with shaped ends. The pieces are joined by a taper pin diagonally through holes in each piece, then fixed firmly by a lead plug in a hole near the head of the pin. This object is missing its other half, plus the chock and the tapered locking pin.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shackle, joining link, chain joining shackle, anchor chain joining link, marine chain joining link, kenter type chain joining link, marine hardware, kenter chain joining shackle

A Collection of 12 (1 missing) photographs in a paper envelope. On the front of the envelope is the following: Valentine's Snapshots. 12 Real Photographs for Your Album. Cowes, Phillip Island. Published by The Valentine Publishing Co. Pty. Ltd., Melbourne. Photo No. 9 was originally missing but has now been supplied by James Iveson who had the complete collection. This was supplied to us on the 23/5/2020. We are always pleased when people visit VC and can add or make corrections to our entries and thank James very much. We are sure our original Donor, Anne Lucas, would also be pleased. 231-01. Black & White Photograph of the Cowes Pier looking towards Cowes with The Isle of Wight Hotel in the background. 231-02. Black & White Photograph of Forrest Caves looking out to the sea. Two people on the foreshore. 231-03. Black & White Photograph of seabirds on the coastline of Phillip Island. 231-04. Black & White Photograph of The Nobbies, Phillip Island. 231-05. Black & White Photograph of Pyramid Rock, Phillip Island. 231-06. Black & White Photograph of seals on Seal Rocks, Phillip Island. 231-07. Black & White Photograph of rocks at Cape Woolamai. 231-08. Black & White Photograph of the beach at Cowes. People and beach umbrellas - looking towards Mussell Rocks, Phillip Island. 231-09 Black & White Photograph of a Ferry arriving at the Cowes Pier loaded with people. Originally missing. 231-10. Black & White Photograph of the Killara Ferry at the Cowes Pier, Phillip Island. 231-11. Black & White Photograph looking towards the Cowes Pier. The Killara Ferry at the pier. 231-12. Black & White Photograph looking toward the Cowes Pier with the War Memorial in the foreground.Each photograph has a description of the photo with a number.the nobbies phillip island, australian fur seals, seals, wildlife - seals, wildlife - sea birds, pyramid rock, rocks at cape woolamai, rocky cliffs at cape woolamai, cowes war memorial, the killara ferry, cowes beach phillip island, cowes pier phillip island, forrest caves, phillip island, anne lucas

This copy of an original photograph created in the early 1900s details the "horse and cart" era when the normal transportation of the day was, in this rural setting, exclusively by horse and cart. The importance of this particular photograph to the subjects can be seen by the formal suits worn by both subjects.The natural bush and grassed backdrop have not been "touched up". The dray behind the horses is barely visible (fog like aperture). The lad , John Cooper was 14 years old when this photograph was taken. Both were in the process of harnessing four horses to "hook up" on the dray behind them. From their attire it looks like a trip to town or "the church".This photograph of life on a rural property in the early 1900 shows the rough and hard (physically) life in rural areas before great mechanical revolution/evolution post World War II. This was a time in the Kiewa Valley when most transportation was by horse drawn carriages and transportation routes where dirt roads with potholes. The significance of a local pioneer "family" encapsulated by this photograph cannot be reproduced as effectively in any other form. This digitised scanned copy of an original photograph of four work horses is on 200gms Fujicolor (Fujifilm) Crystal Archive paper has a silver side on which the image has been printed and a matt reverse side.The darker slightly "blurred" image has had a white frame placed over it at the time of encapsulation to provide the finished photo with a frame. This method highlights and focuses the view into the photograph. It is a clever way to permit the eyes to focus into the image to give it a greater third dimensional aspect. on the reverse side hand written(in pencil) "John Cooper & Paddy Cullen (itinerant worker) on grandfathers place (opposite Nesta Drews place) (orange Grove). "Grandfather emigrated from England with Ryders""orange grove " property, early tawonga life style, john cooper, paddy cullen, harnessing working horses

This atlas, printed in 1944, details not only the geographic and political boundaries of the world as it was at that time but also the snap shot of life of the time. This snap shot in time covers the major Australian cities, the major farming, grazing, industrial and sporting/recreational activities. Also there are snap shots of similar activities from other global areas. The period also covered World War II, detailed by a photo of "shell making", munitions, required by Australian soldiers. The great political and territorial changes made as a result of World War II can be clearly identified for example , Israel (the Jewish homeland). The various prewar colonies of major European nations.This atlas was used by children of a Kiewa Valley family and shows the value and the general educational exposure that these children had at this time. The rural setting and within the backdrop of a world war did not severely alter the life style of children in this region. The "news reels" shown in cinemas of cities and larger towns were the only visual realisations of major events of global significance available to these children. The information provided by this atlas allowed students to glimpse at what the "outside world" was. The majority of these students would possibly never see these regions for themselves. The great communication facilities of the late 1900s and beyond, was still only science fiction.This atlas has a thick (350 g/m) red cardboard cover with bold black lettering and shading. The cover is set out within a shield like frame. The shield is held up by two square markings, each with a four part circular pattern and a cord entwining two pendulum structures ending with a bowl figure at the bottom. There is a semi circular form enclosing a printed book contents list. The inside cover has the atlas title and contents and the publisher details. The atlas contain 56 pages of world and Australian maps, vegetation and rainfall maps. Within this atlas there are 27 double sided pages of black and white photographs depicting life styles, buildings, landscapes and prominent and significant to Australia males from 1652 to 1944. The pages are of approximately 200 g/m and have the yellow aged appearance.On front cover "Philips' Australian COMMONWEALTH ATLAS" and underneath "Containing" underneath "60 PHYSICAL, POLITICAL AND ECONOMIC MAPS". Publisher George Philip & Son, Limited 32 Fleet Street, London E.C. 4. Inside cover are: written, in freehand and in ink the following names and dates; "J.Muller Form V 1945", "L L Muller Form IV 1946", "N.J. Muller Form I + II + III 1948 +49 + 50" and "D Muller Form I 1949". also handwritten and in pencil is "Peter Leslie". On the last page is a small freehand sketch of Australia in biro.1940s school curriculum, rural education, 1940s atlas, australian atlas

Allwood at Hurstbridge was named and first settled in 1837 by the Haley family. A house was built of one round of vertical slabs (red gum). Later it was the Hurst family home where Henry Hurst was shot by Burke the Bushranger on 4 October 1886. George Gray took over the property and the original home was eventually demolished. Gray, a fruit grower established an orchard and Allwood Nurseries which became a very successful business growing and exporting. This is probably around the time when this photo was taken where rows of fruit trees can be seen in the foreground. A house and associated buildings, possibly part of the nursery are behind. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, diamond creek, hurstbridge, allwood, orchard

Buninyong Bivium (2016) by Cliff Burtt engages with the geography and history of the Buninyong region in both pre and post settlement. The town of Buninyong is dominated by the profiles of Mt Helen and the extinct volcano Mt. Buninyong. Traditional land of the Wadawurrung people, today the area remains a significant site for the culture of indigenous people and their connection to the land. The profile of this sculpture is based on topographical mapping of the area, depicting sections of the landscape. The gaps between the elements of the work can be viewed as representations of the shafts sunk into the earth by the early gold miners and compound curves on the upper surfaces are mirroring the topography of the area, while cut-aways in the sides are suggestive of rock strata.The artwork is of aesthetic and social significance to the people of BallaratCorten steel sculpture made of five unique sculptural pieces secured to at concreate base at pavement levelbuninyong, cliff burtt, sculpture, public art, mining, ballarat

This photograph is a copy obtained from State Library of Victoria. The photograph is of Stawell Shire Hall. Two persons can be seen in the foreground. The two story brick building beside the Stawell Shire Hall was once the Literary Institute. The Stawell Shire Hall building has been added to over the years. Ronald Campbell, the Shires second president laid the foundation stone on 28th April. 1866. The contractors were Hutchings and Delbridge. The photograph shows the first hall and office. The building contained simple 18 feet square rooms, with an entrance hall separating them, the facade was almost as it is now. The initial cost of the Shire Hall was $502.Black and white photograph of Stawell Shire Hall as one single storey brick building with parapet on top. Beside the Shire Hall is a two storey brick building. Also, a dwelling between the two building in the background in Cooper St. Two persons in the foreground, one on the road the other on the pathway. stawell

Carpet samples created by Godfrey Hirst, a carpet mill whose history spans back to 1865 when the Victorian Woollen and Cloth Manufacturing Company began operations in Geelong and was purchased in the 1890s by the man Godfrey Hirst. Godfrey Hirst’s entrepreneurial skills and knowledge of the industry led to the great success which saw the company expand in multiple forms over the next century and a half. Today, thousands of metres of carpet are produced by Godfrey Hirst every day, and their flooring can be found in millions of homes. These 6 carpet samples date from the early 1990s and each have a unique colour pattern and design.Each carpet sample is made with a pile fibre that is 100% wool. The primary backing of the carpet is a woven polypropylene with a secondary backing a woven jute. Carpet 8102.1's colour name is Slate. It has a dark grey background with a red and blue diagonal stripe. The pattern repeats in a 10cm x 11.5cm block. Carpet 8102.2’s colour name is Terracotta. It is a mostly block pink colour with no repeating pattern. It has occasional flicks of grey. Carpet 8102.3’s colour name is Arctic Night. It has white, light blue and grey colours repeating one after another in a diagonal line. Carpet 8102.4’s colour name is Ivory. It has a brown background with a cream colour diamond. The pattern repeats in a 15cm x 15cm block. Carpet 8102.5’s colour name is Glenwood. It has a thin darker green and lighter green horizontal stripe spanning its entire width. These stripes repeat the height of the carpet. Carpet 8105.6’s colour name is also Ivory. It has a brown background with a cream colour leaf pattern. The pattern repeats in a 92cm x 92cm block.Wording on rear: Numerous. See Media.godfrey hirst, carpet, textile manufacture

Knitted fabric is made with a single yarn or sets of yarns moving in only one direction. Whether done by hand or by machine, the process is the same. The knitting needle loops the yarn through itself to make a chain of stitches. These chains, or rows, are connected to produce the knitted cloth. There are two types of commercial knitting machine. A flat-bed has its needles, one for each loop, arranged in a straight line to produce a flat fabric. A circular machine has its needles arranged on a rotating circle. The cloth forms as a tube which can be made into seamless clothing. Personal history of Edna Harris who used the machine.knitting machine, industry, design, socks, clothing, wool

This image appears to have been taken from Ballarat Base Hospital, looking east over Drummond Street to Mt Warrenheip. The City Fire Brigade tower painted white can be seen to the right, while St Andrew's Kirk dominates the middle ground of the photograph. Many photographs over the years have been taken from this viewpoint, and are interesting to compare. Mrs Bon Strange and her husband Bert were well known Ballarat residents. When Mrs Strange died some years ago, her extensive slide collection was sorted through and those relevant to Ballarat were gifted to the Ballarat Library.mount warrenheip, ballarat east

Lieutenant Colonel Leslie Cecil Maygar, VC, DSO, VD (27 May 1868 – 1 November 1917) was an Australian recipient of the Victoria Cross, the highest award for gallantry in the face of the enemy that can be awarded to British and Commonwealth forces. He was awarded the VC for facilitating the rescue of a dismounted man while under severe rifle fire in 1902 during the Second Boer War. He later served with the 4th Australian Light Horse at Gallipoli during the First World War, and died of wounds after being strafed during the Battle of Beersheba as part of the Sinai and Palestine campaign while commanding the 8th Australian Light Horse..Framed colour photograph of headstone at the grave of Lieutenant Colonel Leslie Maygar VC.maygar, grave, world war, wwi

Norway, around 1840, was the first country to produce and use glass fishing floats. Many of them can still be found in local boathouses. Christopher Faye, a Norwegian merchant from Bergen, is credited with their invention. The earliest floats, including most Japanese glass fishing floats, were handmade by a glassblower. Recycled glass, especially old sake bottles in Japan, was typically used and air bubbles/imperfections in the glass are a result of the rapid recycling process. Glass floats have since been replaced by aluminum, plastic, or Styrofoam. Today most of the glass floats remaining in the ocean are stuck in a circular pattern of ocean currents in the North Pacific.By the 1940s, glass had replaced wood or cork throughout much of Europe, Russia, North America, and Japan. Japan started using the glass floats as early as 1910. Now they are still highly sought after as decoration.A glass float with intact knotted rope net attachedfishing, floats, glass floats

Gunpowder is very volatile and can be ignited by the smallest spark. Several horrific accidents resulted in NSW passing legislation to cover the safe storage of gunpowder but initially these laws did not apply to Victoria. this was rectified and the first Melbourne magazine was erected on Batman's Hill in 1845. The Victorian Gunpowder Act (1857) made local councils responsible for the safe storage of gunpowder. The Victorian government made L.909 available for a suitable building in Sandhurst. Built on Camp Hill it was finished in April 1857 and the first keeper, Mr J. F. Kerr was appointed in October 1857. Late in 1857, tenders were called for the building of a keeper's residence at the siteEleven pages typewritten document titled "the Victorian Powder Magazines and the Gunpowder Acts". Author unknown.melbourne, gunpowder acts, victorian legislation, powder magazines

Painted from the home (or front) paddock which ran south to the creek. The paddock was used for the cultivation of lucerne and maize crops in the lower regions while closer to the house where Ainwick Crescent is now situated, it was a burgeoning market garden for the cultivation of all varieties of vegetables. The large pines beyond, sheltered the farmyard on the west of Gardenia Road. That complex can be partly glimpsed on the left of the painting. This is a directly painted watercolour relying on the use of white paper and transparencies to impart a feeling of morning light. The figure is the artist's mother for whom the picture was painted. Provenance: Augusta Borrack (nee Ziebell) Collection, John Borrack CollectionWatercolour painting, depicting Ziebell's Farmhouse from the south (Thomastown and Mernda). Painting is mounted in a gold frame with cream board.Artist signature: John Borrack; Last Days at Ziebells "The Pines" Thomastown, 'Pro mea matre hanc picturan feci (In Memoria)'illustrations, watercolours, john borrack, ziebell, watercolour, painting

Artist's Statement: The conflict of 1914 -1918 was dubbed ‘the war to end all wars’. In contradiction to the Kellogg-Briand Pact of 1928 for ‘renunciation of war’, the twentieth century can be viewed as the bloodiest in history with no fewer than 59 conflicts occurring globally. My work honours the innocents, the children of war, who have experienced loss and grief in its extreme; who have witnessed slaughter on a scale I cannot imagine. The work asks that we, the privileged and scar free, embrace the imperative for Peace…putting our money where our mouth is…promoting COMPASSION as the fashion EVERY year. Please take a badge frances deutsher, lucato peace prize, sculpture, fashion

The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Owen and Clive Hyde are the sons of Joe and Joyce Hyde. Joe was the last Officer in charge of the Truganina Explosives Reserve. The family moved to the reserve on 11 December 1952 and continued to live there after the Reserve closed in 1962. Owen lived at the house until his early twenties. He discusses growing up at the Reserve. The voice of Joyce Hyde can also be heard during the interview. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018hobsons bay, draught horses, explosives reserve pier, myxomatosis, pine trees, queen street altona, edwardian garden, government superintendent houses, mcdonald, commonwealth bank, dr john lewin, altona, summer of the seventeenth doll, leslie george hyde, joe hyde, george grant, clive hyde, williamstown technical, mrs cronin, angus and robertson, pier fire, dutch migrants, communist party, laboratory, brass nails

C.C. Thorold in the main classrooms with the Tasmanina blackwood honour board above the door. Lines written on the black board are from Richard II, Act IV, Scene 1: Mine eyes are full of tears, I cannot see: And yet salt water blinds them not so much But they can see a sort of traitors here. Nay, if I turn mine eyes upon myself, I find myself a traitor with the rest; For I have given here my soul's consent To undeck the pompous body of a king; Made glory base and sovereignty a slave, Proud majesty a subject, state a peasant.