Photo showing Rear Workshop of Rob's Cycles, 12 Blackburn Road, Blackburn.robinson, george, rob's cycle and sports, blackburn road, blackburn, no.12

Photo showing Rear Workshop of Rob's Cycles, 12 Blackburn Road, Blackburn.robinson, george, blackburn road, blackburn, no. 12, rob's cycle and sports

Photo showing Storage Shed at the rear of shop, 12 Blackburn Road, Blackburn.robinson, george, blackburn road, blackburn, no. 12, rob's cycle and sports

Photo showing Workshop Room at the rear of Shop, 12 Blackburn Road, Blackburn.robinson, george, blackburn road, blackburn, no. 12, rob's cycle and sports

Weatherboard house for auction, 12 December 1998 at 102 Brunswick Road, Mitcham.auctions, brunswick road, mitcham, no 102

Portraits in first section of book photographed by Jack Dooley, Stills Photographer, of Ealing Studios, father of Maureen Jepson of Rutherglen.Booklet advertising the film 'The Overlanders' containing photos and description of the film. 12 pages"A Romance in Film Making, "The Overlanders" Echoing the Heartbeat of Australia's Greatness. One Shilling." "An Ealing Studios Production, Distributed Throughout Australia and New Zealand by British Empire Films Pty. Ltd."films, cinema, jack dooley, maureen jepson, ealing studios

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.14 individual black and white photographs of nurses in uniform, School 12, 1952. ndsn, lister house, pts12

Magazine - SEC News May 1972 No. 157. Has an article, Bendigo "Trammies Rode into history", on the Trammies of Bendigo following the closure of that system in April 1972 and an article about what was believed to be the last gas lit house in Sebastopol, that was converted to electricity. Features photographs of Bendigo trammies, Jack Hogan, Harold Tueno, Alec Moss, Steve Rowe, Phil Knight, Barry Hopgood, Keith Townsend. Article notes those with over 30 years service with the SEC. The item, "End of the Gaslight Era" about the connection of electricity to a house in Sebastopol features photos of Minnie and Pansy Carnegie, SEC Mechanic Peter McCutcheon and Home Services advisor Gloria Reilly.Yields information about the closure of the Bendigo tram system and the last gas lit house in Ballarat.Magazine - 12 pages, black and white photographs and news items, centre stapled.sec news, secv, bendigo, closure, gas lights, electrical equipment, electricity supply, ballarat, trammie

Photo of 12 inch Gun on road between Baileul & Armentieres Part of COL046photo, ww1, army

Colour photo of two men and two women. 12/94 written on the back.photo, group, mixed group, peter ellis collection

Document. Minutes of meeting Shire of Huntly 12 June 1957. 2 pages.

Michel lipsticks were created by an American company led by Georgette Michel which regularly advertised their products in women's magazines in the 1940s and 1950s. The lipsticks were manufactured [under licence?] by DHA Laboratories (Drug Houses Australia) Pty Ltd which had been established In 1930, as a holding company combining Bickford's with a number of similar Australian companies representing all states except Tasmania. Most items produced by DHA Laboratories were pharmaceuticals. It is not known whether the holding company manufactured other cosmetics apart from the Michel line.Intact, and unused packet of Australian produced lipsticks produced in the 1940s or 1950sPack of Michel lipsticks, containing 10 of the 12 original lipsticks. The colour is cyclamen. Exterior of packet: "Michel Lipstick / Stays on longer / Manufactured by D.H.A. Laboratories Pty Ltd, Melbourne | Regd Users of Trademark / One dozen Popular size"cosmetics, lipsticks, michel - dha laboratories pty ltd

[Kew, Vic.] : E. Mackie, c1981 12, [1] leaves ; 30 cm. non-fictionartists -- kew (vic.), artists -- victoria -- kew., elizabeth mackie

Volume 12-13 of Pastime magazines from 1889. Materials: Paper, Inktennis

pamphlet as a summary for annual report. 12 pages. colour images and text throughoutpamphlets

12 inch folding wooden ruler, with brass ends, and brass connecting screw.Rabone No. 1150folding rules

Second class, Paper pass No. 39076, E.J.Jackson, issued 1/12/1923victorian railways, travel pass

Newletter published by National Express Melbourne, the operators of M>Tram, M>Train and V/line at the time. Gives details of their companies branding, "Moving Melbourne" for trams and trains, the visit of driver Hugh Waldron to the UK and driving trams in Birmingham, visit of Melbourne staff to Siemens to see the new trams being built for Melbourne and a Q&A, railway news and listing of new staff. Yields information about National Express in Melbourne and their work at the time.Newsletter - 12 pages, full colour centre stapled, printed on gloss paper.national express, hugh waldron, newsletters, tramways, new trams, combino, germany, siemens, railways, branding

Newspaper Supplement 12 Pages with Coloured Cover. Featuring Easter GIft WinnerProduced by Stawell Industrial development Committee Easter 1987.sport, tourism

Report using a photo on the joining up of the cable tram lines at Clifton Hill to enable the running of cable trams from the City to Northcote without needing to change trams. Notes that the work will be completed in a fortnight's time.Demonstrates a Sun photo and story about cable trams.Photograph of part of page 12, The Sun News Pictorial 19/2/1925tramways, cable trams, track laying, northcote, clifton hill

Written as part of "Favourite Memories of Port Melbourne' project 2016.Single page story entitled 'One of my Favourite Memories of Port Melbourne is Saint Joseph's Catholic Church. It was the KILPATRICK, JAGO & PHILLPS family church with the author' parents being married there in 1943 as was she in1968.religion - roman catholic church (st josephs), kilpatrick family, jago familt, phillips family.

Arthur Woodley who donated the photographs, was a friend of Jimmy Clarke, who was Captain of the Killarra Ferry and lived at Narabeen Guesthouse in Cowes, Phillip Island. The family lived at San Remo - father was George Clarke. 325-01 - Sepia photo/postcard of 7 WWI soldiers - Jimmy Clarke on right at back and Jack Clarke on left at back. 325-02 - Sepia portrait of Jimmy Clarke in Army uniform. 325-03. Sepia photo/postcard of 3 WWI soldiers in uniform. 325-04. Sepia photograph of 4 WWI soldiers. Jimmy Clarke 3rd from left and Jack on the right. 325-05. Small sepia photograph on black cardboard of 8 WWI soldiers in France. Jimmy & Jack Clarke in the front. 325-06. Sepia photograph of a large group of WWI soldiers in France. Jack & Jimmy Clarke standing at left.325-01 - Letter on postcard: "Dear Dick, This is our gun team with Corporal, Lance Corporal M. Medal, Jim on your right and your humble on your left. Kind love to all. From Jack. Rec'd your letter dated Feb 24th. France 15/5/1918." 325-03. "Either Jimmy or Jack Clarke standing" 325-04. "Taken at Tannery, St. Aubin, Floreunes. A. R. Joyce, R. R. Godden, Jim & I. French Mortar Crew. First World War 1914-18. 325-05. "Jimmy" & Jack Clarke front in France WWI. 325-06. "Balance of Battery "Apre le Geurre" France 1919. wwi soldiers, jimmy clarke, jack clarke, arthur woodley

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MILLS / DISPENSARY / MARCUSE 83 / YACKANDANDAH Reverse: Y 12 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program, yackandandah