Index, ill (b/w)non-fictionThe best selling biography of Neil Davis, one of the worlds greatest cinecameramen and an extraordinary Australianjournalists - australia - biography, vietnamese conflict - 1961-1975

Built at DHA Mascot and taken on RAAF charge as A17-80 in September 1940. It was allotted to 4 EFTS at Mascot. After a short spell at 11 EFTS at Benalla and an overhaul by Ansett in mid-1942, it was allocated to 7 EFTS at Western Junction. Sold in 1946 and registered VH-AUA on 20 June 1947.A man stands beside a yellow biplane standing on dry grass, and surrounded by other aircraft. biplane, tigermoth, aeroplane, flight, airport

Photos during the 75th Anniversary event for Legacy at the Shrine of Remembrance on 4th October 1998. One is of the Eternal Flame, another the Legacy flag, also a flypast of RAAF planes and 4 ADF personnel. Part of a group of 20 photos stored together with a post-it note says "Photos by Sally Anne Brownbill".A record of a ceremony at the Shrine for the 75th Anniversary in 1998.Colour photo x 4 during the event for the Legacy 75th Anniversary ceremony.Printing on the back "PETE.H 022" which is the film number, then image numbers 2a, 33a, 19 and 33.75th anniversary, shrine, flypast, planes

Minutes of the meeting held on 20 June 1974 to discuss the in-depth study authorised by the Board of Management. Items considered included the development of plans, forward planning, and funding of the project to look at options for Blamey House, Stanhope and Harelands. See also Cat Nos. 01689 and 01690. Further investigations were called for. Gives an insight into Legacy thinking about the way in which the residences should be used.White foolscap photocopy, with black type. Two holes punched for filing. Double sided.Page 2: 'L/tee H.C.G. Rodgers' hand written in blue biro.residences, review, blamey house, harelands, stanhope

In the 2000s Legacy released a range of Legacy Bears to expand the merchandise available for sale during Legacy Week and at other fundraising opportunities during the year. This bear is in an Australian Naval black uniform and white cap. Sometimes special editions of the bears were produced. In 2021 the price was increased to $20 per bear.An example of the type of products sold along with Legacy Badges for fundraising in the 2010-2020s.Legacy bear dressed in naval uniform with a printed cardboard tag.Printed tag gives the price as $15.legacy appeal, fundraising, legacy bear

Guide to services provided by Shire of Diamond Valley. The Shire of Diamond Valley was a Local Government Area located about 20 kilometres northeast of Melbourne. The shire covered an area of 74.38 square kilometres and existed from 1964 until 1994. Cover illustration of aerial view of Greensborough shopping area and environs.Annual guide to services in Shire of Diamond Valley32 pages, col illus., maps. 2 copies.shire of diamond valley, greensborough, handbooks

Photograph of "indoor" staff, Shire of Diamond Valley, on their last day at work for the Shire.The Shire of Diamond Valley was a Local Government Area located about 20 kilometres northeast of Melbourne. The shire covered an area of 74.38 square kilometres and existed from 30/09/1964 until 14/12/1994.Large colour photograph in timber frame.shire of diamond valley

Valentine's postcard titled "Post Office, Elizabeth Street, Melbourne", Number 2331, looking south from Little Bourke Street towards Flinders Street Railway Station. In the view is W5 class tram 762 (Coburg, Route 20), the Post Office and London Stores are on the left with many cars and pedestrians.Yields information about Elizabeth St, during the late 1930s.Postcard - printed, unused, Valentine Seriestrams, tramways, w5 class, tram 762, route 20, elizabeth st

Official M&MTB photograph shows front on view of Garford KB 27.3 H.P petrol chassis with a Cable Tram Workshop body. Seated 20. Bus No.49. One of four buses in the fleet (Nos. 47 to 50.) Entered service 1925. Retired by 1933 when the chassis was converted into a truck. Yields information about M&MTB early bus fleet Black and white print without notes.official m&mtb, garford bus, cable tram workshop body, 47 to 50

Artist Vida Pearson of Ross Creek; given to school by the family of Old Collegian Andrew Craig Noonan. Andrew attended the school 1983 - 1989. Works titled 'Proteaceae' and Butterflies and Angels'. Modern ArtGift of the family of Andrew Craig Noonanlarge framed works of art; hand coloured linocuthandwritten on reverse: In loving memory of / Andrew Craig Noonan (died 21/7/1992) / and in grateful and sincere thanks / for the love, care and support / given to us by the staff of / Ballarat and Clarendon College / Ron, Pam and Damien 20/2/1993andrew craig noonan, wildlife art society of australasia, wildlife artist of the year

This glass milk bottle was manufactured and used mid to late 1900's (1834 Victorian dairy industry was founded), until the time that cheaper containers were invented(plastic bottles and polyethylene plastic lined cardboard cartons). In 1909 the supply of pure bottled milk was required for babies to overcome infant mortality due to unhygienic milk sources (unclean containers and unpasteurized milk). Due to the volume of milk being processed and hand milking could not keep up with demand, dairy farms introduced milking machines in the late 1930's. The great increases in dairy herds from the average of 18 cows per heard in 1950's to 142 cows per herd in 1996 required milk tankers to pick up the regions milk supply. This bottle was so constructed to be easily moved within the milk processing plants from the delivery vats/holding tanks to the final corking/sealing of the bottles for eventual distribution. From 1958 the milk bottle slowly became phased out of production. At this point in time Melbourne was drawing 160,000 bottles per week from the two major glass bottle works companies, e.g. Melbourne Glass Bottle Works Co.Victoria was the major state supplier of cows milk in the history of Australian milk production from the early 1800's. The Kiewa Valley and its region was a major contributor to meet that demand. Each bottle was "branded" during manufacturing to show the contents (pasteurized milk) and where it originated from (region and supplier). This method of recycling the bottles back to specific dairy farms was a good control method but an uneconomical "on cost" which was replaced by the "throw away" less costly plastic and cardboard containers. Kiewa Valley dairy herds had marked bottles bearing "90/9", "6/18", "6/33", "6/35" and "6/36" Found under the house at 1 Beauty Ave., Mt BeautyThis heavy gauged glass milk bottle has a rim and a distinctive head at the top. This head has been manufactured to facilitate the movement of the bottled along the milk production line. The method of pouring milk into the bottle has been part of the "production line". This bottle has a one pint capacity and is made from "light green" coloured glass(a protection against light penetration). There are other milk bottles that do not have a "green" tint in them. This thick glass bottle, to contain milk, required its thickness because of the extensive handling (man and machine) before final consumption. Milk was delivered by the "milk man" direct to the homes of consumers. During this period delivery to homes in cities and towns was made initially by horse and cart and later by truck.On the bottom end of this bottle is a circle within it "6/35" and next to this "MILK" and opposite "ONE PINT". Below this "THIS BOTTLE BELONGS TO MILK BOTTLE RECOVERY LTD" and below this "AND CANNOT BE USED WITHOUT WRITTEN PERMISSION" on the base "M" underneath this "20"milk, dairy, glass bottle

MASONIC JEWELL PRESENTED TO PAST MASTER OF LODGE OF THE GOLDEN FLEECE..1 & .2 BLACK AND WHITE PHOTOGRAPHS OF MASONIC JEWEL (OBVERSE AND REVERSE) .3 LETTER OF VERIFICATION FROM DONOR (UNDATED BUT RECIEVED AT THE MUSEUM ABOUT JUNE 1974)ON OBVERSE: ORDER OF ST. ANDREW NEMO ME IMPUNE LACESSIT ON REVERSE: ENGRAVED: "PRESENTED TO BRO. JOHN LATIMER WORSHIPFUL MASTER CLUNES LODGE O.S.A, S.C BY HIS BRETHREN 20 JANUARY 1875" "WE ARE BRITHERS AYE FOR A'THAT"local history, photography, photographs, lodge - freemason

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets (man asleep in bed) Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros mills, physician, advertisement, australian women's weekly, geelong

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets -(mother and child)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, collins bros, physician, geelong, advertisement, australian women's weekly

Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. Physician - years-of-bliss blankets - (woman on telephone in bed under red blanket)Physician - years-of-bliss blankets - just feel the difference!/Wonderfully warm, without weight…soft and fluffy after countless washings…made from the most luxurious wool in the world….and guaranteed for 20 years/Physician/Luxurious Woollen Blanketsblanket, blanket fever, wool, physician, collins bros, geelong, advertisement, australian women's weekly

(Ms) Berres Hoddle Colville is a local Surrey Hills resident and is a descendant of Robert Hoddle. Robert Hoddle was the first Surveyor General of Victoria. He arrived in Australia in 1823 and was one of the very earliest surveyors to explore, measure and map large areas of this vast, varied and difficult countryside, in a burgeoning era of pastoral settlement. 1837 saw him appointed Surveyor in Charge of the Port Phillip District. This book is based firmly on substantial extracts from Hoddle's own diary and other writings. Includes black and white sketches, maps and colour pages.Robert Hoddle was the first Surveyor General of Victoria. He arrived in Australia in 1823 and was one of the very earliest surveyors to explore, measure and map large areas of this vast, varied and difficult countryside, in a burgeoning era of pastoral settlement. 1837 saw him appointed Surveyor in Charge of the Port Phillip District. This book is based firmly on substantial extracts from Hoddle's own diary and other writings. Includes black and white sketches, maps and colour pages.Front endpaper: SURREY HILLS HISTORICAL / SOCIETY / PURCHASED FROM / THE AUTHOR ON THE OCCASION / OF HER TALK ON ROBERT HODDLE / TO THIS SOCIETY ON 17-10-[20]05 Title page: signed by the author: Berres Hoddle Colville / 17 October 2005 /(mr) robert hoddle, surveyors, (ms) berres hoddle colville

Colour slide of a legatees in overalls in the bush to collect firewood having a break near a table of food. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of a group of men beside a semi trailer loaded with wood in Eildon during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Handwritten 'Lunch picnic, Howqua / Mansfield group' and '20' in blue pen. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, legatees

Book is a training manual for the Standing Orders for Vehicle Operation & Servicing 1961 used by the RAASC School for Training Purposes.Metal bound book, brown in colour with dark blue edging on front and back covers. 93 pages inside covering Procedures and Processes for Vehicle Operations and Servicing.On top front, SGT A.K. Teale (or Seale) ? and No. 20 in pencil. Inside says "RAASC School - This copy belongs to school Headquarters Library". Cover says "Restricted", "Australian Military Forces" & "Standing Orders for Vehicle Operation and Servicing 1961".passchendaele barracks trust collection, training manual, raasc

CEMA Art Collection. Part of "A Community View: 150 years in Portland Screenprint Exhibition". Part of Angela Gee residency 1983 and 1984.Screenprint of torso and head of a woman. The woman is wearing a long-sleeved top, a large necklace, and a brown hat with large feathers. The background is yellow wit light brown wallpapered patterning. No Matt. Wooden frame with gold edging and glass glazing.Front: 1834 1984 Portland Commemorative Print (lower left, stamp) 1/20 A Gee The Organist (lower centre) John Cain (lower right) (signature, brown ink) Premier of Victoria (black ink stamp) Back: (no inscriptions)

Newspaper clipping and photograph provides two stories about Ballarat Tramways following the last tram on 19/9/1971: 1 - "Start on the removal of the tram lines" - with a photo of welder K Drever of the CRB cutting rails in Sturt St. 2 - A piece, headed "Ballarat to blame for loss of trams?" quoting Mr N R White, SEC Chairman about the lack of willingness for Ballarat residents to use the trams, at the civic reception the previous day. Also quotes Cr. Chisholm, Mayor of Ballarat and Cr. Donald, President of the Borough of Sebastopol.Yields information about the commencement of track removal in Ballarat and the SECV Commissioners view of the tramway closure.Newspaper clipping from The Courier 21/9/1971Has the newspaper source in ink along the top edge.tramways, tramcars, secv, closure, tram track removal

Photograph belonged to Gerald Graham No. R53703 RAN. Rank Mechanician 2nd Class. HMAS SYDNEY 14-08-65 - 20-10-65 HMAS SYDNEY 22-04-66 - 18-05-66 HMAS SYDNEY 25-05-66 - 11-06-66 Troop Transports to Vietnam and return.Photograph - photographic paper, enlarged colour photograph of an RAN vessel - number "21" painted on ship bridge of an aircraft carrier - "HMAS MELBOURNE". Sea in foreground, sky in background. Mount - dark blue colour cardboard. Frame - timber with light brown varnish and decorative moulding. Glass front and MDF Board with brown paper backing.framed accessories, photographs, ran, hmas melbourne

The letter is to “Lena RICHARDSON” from "William Irwin PHAIR", born Bendigo, enlisted 21.10.1915 age 20 years in the 15th Reinforcements 7th Bn AIF, Regt No 4873, embarked for England 7.3.1916, transfers to 1st Pioneer Bn, returned to Aust 25.1.1919. Refer Cat No 3996P re “Lena” and other cards. Post card, coloured showing a street scene with buildings, people walking and a Trolley car. Extensive letter on the back written in pencil to “Dear Lena”.post card, 7th, wiliam irwin phair, lena

Wilhelmena, born 1856 on the ship "Wilhelmena" en route to Australia. Parents Robert and Margaret Anderson. Glen Isla was built in 1868 (added to in 1887-88) to become a Boarding House, run by Wilhelmena. Married James Young, became first Sewing Mistress at the Phillip Island School. died 20/09/1938.Wilhelmena Young seated in cane chair, covered with shawl. Home Glen Isla in background, shortly before her death.local history, photography, photographs, slides, film, wilhelmena young nee anderson, black & white photograph, mrs emma anderson jacobs

Memo sent to school committee declining a subsidy on a pound for pound basis, for improvement works at the Halls Gap school. The reason given being that it had been necessary to discontinue the granting of all subsidies due to the condition of the finances of the State. The letter also requests a balance sheet for an entertainment held on 20 March 1931.Memo to Mr. L.S. Watten School Committee No. 3058 from M.H. Bottoms, Secretary of education Dept, Public Offices, Treasury Place, Melbourne.education, schools, halls gap

L.Cpl. Harold Pearson PREST 1334 served with the 37th Infantry Battalion in World War 1 and was awarded the Military Medal for gallantry action on October 4th 1917 at Ypres. He enlisted at Wangaratta and records indicate he resided at that time in Roy Street Wangaratta. Harold returned to Australia on 20/12/1917. Brown timber frame containing photograph of male in civilian attire wearing World War 1 RAS Badge and Military Medal.Noneharold pearson prest, 37th infantry battalion

Print of No. 20 (Mt Pleasant) and No. 26 (Gardens) crossing at the Grant St loop in Barkly St, Mt Pleasant. held gives details on the rear - Football grand final 3-10-1953. Wal notes that it was the first time he had seen trams crossing at the loop. See item 7865 for a negative.Yields information about the Grant St loop on the Mt Pleasant line.Photograph, black and white - plain black with Wal Jack's note on rearWal Jack number stamp and number T56PC.tramways, trams, grant st, barkly st, mt pleasant, tram 20, tram 26

Photos of the official party that attended the 75th Anniversary event for Legacy at the Shrine of Remembrance on 4th October 1998. Including Legacy President T. G. Butcher and the Governor of Victoria, Sir James Gobbo, and their wives. Part of a group of 20 photos stored together with a post-it note says "Photos by Sally Anne Brownbill".A record of a ceremony at the Shrine for the 75th Anniversary in 1998.Colour photo x 3 of the official party at the Legacy ceremony at the Shrine for the 75th Anniversary.Printing on the back "PETE.H 022" which is the film number, then image numbers 20a and 18a.75th anniversary, shrine, governor of victoria, tom butcher

Photograph shows a group of 20 traffic staff and two managers at the Richmond Cable Car depot c1910. Conductor Stephen Simpson stands third from the left - see item 8295 and reference. Interestingly the conductors have removed their trip slip safety pins. See item 8298 for another part of this photo.Yields information about MTOCo Conductor Stephen Simpson and the Richmond car house crews.Photograph - Black and White - with notes on the rear. Mounted on heavy card.on rear in ink "Melb & Metro Tramways, taken about 1910 and age about 44 years"cable trams, richmond, conductors, uniforms, tram crews