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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Craftwork, picture frame, c1900
Early settlers were very skilled craft workers and made and decorated ornaments, photo frames, cards etc to brighten their homesA small, hand made glass picture frame, hand decorated with chips of mother of pearl shell, a paper mache backing and a metal stand with clips. Enclosing a circular photo of an unnamed lady moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, jewellery, craftwork, photographs -
National Vietnam Veterans Museum (NVVM)
Manual, Australian Army, Australian Army: Manual Of Land Warfare, Part Two, Infantry Training Vol 6, Pamphlet No: 1, Short Range Anti-Armour Weapon 66 mm L1A2 F1 (All Corps), 1980
A blue covered manual two punch holes down the left hand side. On the top right hand side reads: 7610-66-100-8541. At the bottom of the page reads 1980australia - armed forces - service manuals, short range anti-armour weapon 66mm l1a2 f1, infantry training -
Tatura Irrigation & Wartime Camps Museum
Calendar, 1942
Calendar made by internee at Camp 3 Tatura. January sketch is of the ship Queen Elizabeth; February - December sketches are scenes at the campHandmade notepad type calendar featuring pen and ink drawing or sketch above every date/month. Has a black cotton tie at top for handing. Hand written information on backcalendars, queen elizabeth, internee calendars, internee hand crafts, gudrun gallong -
Melbourne Tram Museum
Document - Envelope/s, c1950
Envelope, light fawn paper, with the MMTB address in the bottom right hand corner and on the rear flap, the MMTB's name. The flap is on the short edge, right hand side looking from the rear.trams, tramways, mmtb, envelopes, stationery -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Rivers, Dorothy, Tangled web, 1946
A tale of romance and deception.188 p. : green cover, section of original dust jacket pasted to front, image of a woman cupping her face with her hands. Title and author's name hand printed on spine.fictionA tale of romance and deception.dorothy rivers, fiction, romance -
Flagstaff Hill Maritime Museum and Village
Domestic object - Can Opener
It took 15 years to invent the can. It took 100 more to invent a standard way to open it. In the 19th century, decades after the invention of canning, there were virtually no can openers. Canned food, such as sardines, came with its own "key" to peel back the tin lid. Birth of the can One of the oddest things about the can opener is that the can predates it by almost 150 years. Though common today, cans were once military-grade technology. In 1795, Napoleon, to whom the phrase "an army marches on its stomach" is attributed, offered 12,000 francs to anyone who could find a way to preserve food. Without any knowledge of bacteria or their role in food spoilage, scientists didn't even know where to begin. It took 15 years before a chef named Nicholas Appert claimed the prize after successfully jarring food. Soon after that, his countryman Philippe de Girard came up with a variant on Appert's method—metal tins—and sold the idea to the British. Spoiled food, and the sickness it caused, was a widespread problem. The public would have benefited from canned food, but for decades cans were almost exclusively for the army and the navy. The canning process, with its hours of boiling and steaming, its scrupulous cleanliness, its heated metal, and its need for a great deal of disposable material, made canned food far too expensive for anyone but the military. No can openers were needed or even possible. The metal of early cans was too thick to make openers practical. Soldiers and sailors had plenty of sharp objects on hand and made ample use of them when they wanted to eat. During the 19th century, the process of canning was refined and mechanised, and the metal wall of the average can slimmed down enough that a civilian could get it open—if that civilian had the right tool. No one had that tool yet, so early cans had to open themselves. In other words, they came with built-in openers. The result was a confusing but pleasing free-for-all, in terms of product engineering. Each type of food came with its own kind of can, and each kind of can came with its own kind of opener. Tinned fish and meat were often sold in rectangular cans. These cans were fitted with a "key" that would roll down the top of the can. Coffee, beans, and other types of meat were packaged in cylinders with metal strips that could be peeled back with their own kinds of built-in keys. Cans of milk, which didn't need to be completely opened, came with puncture devices. As tinned food became more common, its containers became more regular. A nice cylindrical can became the norm, and, as these cans filled kitchens, more engineers put their minds to finding a convenient way to open all of them. The first standalone can opener worked on a simple principle: point, stab, and pull. From the mid-19th century to the end of World War I, the typical can opener looked roughly like a wrench, if the lower 'jaw' of the wrench were replaced with a blade. People used the blade to puncture the top of the can near its edge, push the upper jaw against the side of the can, and drag the blade through the metal along the rim. Because meat was the first and most popular canned substance, these can openers were often shaped to look like cows and given the nickname 'bully beef can openers'. The bully beef can opener, popular in the mid-19th century, resulted in many lost fingers. Bully beef can openers were so common, effective, and sturdy that they are still frequently available on collectors' sites. Some are advertised as “still working,” and every last one of them is, without a doubt, soaked in the blood of our ancestors. Dragging a sharp blade along the edge of a can is certain to cause injury sooner or later. So once people got a reliable can shape and a reliable way to get the can open, the search was on for a reliable way to get a can open without the possibility of losing a finger. The answer came in 1925, from the Star Can Opener Company of San Francisco. This is probably the first can opener that resembles the one people have in their kitchens today. Instead of using a blade to pry open a metal can, buyers could clamp the edge of the can between two wheels and twist the handle of one of the wheels to move the blade around the lip. The Star can openers weren't perfect. Compared to the bully beef model, they were flimsy and breakable, but they probably prevented a few injuries. Six short years after the Star model came to market, the first electric can opener was invented. It was patented in 1931 by the Bunker Clancey Company of Kansas City, who had already been sued by the Star Can Opener Company for trying sell a double-wheeled can opener like the Star model (the case was dismissed). The electric can opener must have seemed like the wave of the future and a sure-fire seller, but it proved to be too far ahead of its time. In 1931 not that many households had electricity, and those that did weren't interested in buying can openers. The Bunker Clancey Company was subsequently bought by the Rival Company, which still makes small appliances like can openers today. It took another 25 years for electrically powered can openers to become practical. In the 1950s, Walter Hess Bodle and his daughter, Elizabeth Bodle, developed an electric can opener in the family garage. Walter came up with the opener's blades and motor, and Elizabeth sculpted the outside. Their can opener was a free-standing unit that could sit on the kitchen counter. The Udico brand of the Union Die Casting Company put it on the market in time for Christmas in 1956 and had great success with it. Over the next few years it came out in different styles and colours, and, like the bully beef can opener, has become a collector's item. Also like the bully beef model, Udico can openers often still work. They don't make 'em like they used to. Although there have been some design changes and refinements over the last sixty years, there have yet to be any more leaps forward in can opener technology. If you're resentfully opening a can, you are almost certainly doing it using the Star design, manually forcing the can between two wheels, or the Bodle design, clamping the can into a free-standing electrical opener. Whether or not you enjoy your holiday meals, at least you can be happy that you are not getting poisoned by your own food or cutting open your hand with the blade you use to get at it. That's something, right?The can opener is still a very important and essential item in most kitchens.Can opener, right handed, metal, upper blade section serrated, inscription 'Peerless Pat.Feb 11-90'.Peerless Pat.Feb 11-90flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, cannning, can opener, kitchen equipment -
National Wool Museum
Textile - Green Wheat Bag Wagga, Percy Perkins, 1945
Mr Perkins joined the police force in his early twenties and apart from an 18-month posting in Melbourne, spent the rest of his career serving communities in country Victoria. He was a keen fisherman and hunter- his first love was sitting on the banks of the Murray River with a fishing rod in his hand. Family camping trips were spent by the river where everyone slept on stretchers with several army blankets underneath and a wheat bag wagga on top. The green colour of this wagga is from "Dekkol" a preservative which Mr Perkins used to protect his cotton fishing nets from rotting.Quilt made of two standard size jute wheat bags (a bushel = 150lbs) split and hand bound along seams.It is an example of the basic type of wagga made by shearers, farmers or swagmen. The green colour results from the application of "Dekkol" a preservative used for cotton fishing nets.quilting history, running stitch group, running stitch collection, highlights of the national wool museum: from waggas to the wool quilt prize - exhibition (22/09/2001 - 02/12/2001), perkins, mr percy, quilting - history -
Bendigo Military Museum
Accessory - PEN & PENCIL SET, Onoto
Pen and pencil set presented to Flight Lieutenant Ian A. Lyons by Eaglehawk RSL on 14.11.1951. Part of the Flight Lieutenant Ian A. 'Joe' Lyons MBE Collection. See Catalogue No. 5374P for his service record..1) Blue coloured hinged presentation box with cream coloured padded lining. Brass hinges and clasp. .2) Navy blue bakelite fountain pen with gold coloured nib and cap. .3) Navy blue propelling pencil with gold coloured tip and cap..1) Printed in brown on inside lining: 'Onoto'. .2) Printed on navy blue shaft in red: ' M 9in a circle)'. Stamped on cap clip: 'TCR' Engraved on cap: 'To Ian from Ehk RSL 14.11.51" .3) Engraved on cap: 'To Ian from Ehk RSL'accessories, writing equipment, flight lieutenant ian a. lyons, memorabilia -
Warrnambool and District Historical Society Inc.
Small Hand Drill, Late19th century
This tool is one of a collection of tools that are believed to have belonged to the Warrnambool carpenter and businessman, Henry Phillips. English-born Henry Phillips (1821-1896) came to Australia with his wife Elizabeth in 1849. They lived for some time in Port Fairy and came to Warrnambool where Henry formed a partnership with Christopher Beattie to establish the undertaking firm of Beattie and Phillips. This business continued after the deaths of the two founders and lasted until the year 2000. In Warrnambool Henry Phillips was involved with the management of the Mechanics Institute. This tool is of interest, firstly because it is a good example of a vintage tool and secondly because it is a memento of the Warrnambool carpenter and businessman, Henry Phillips. This is a small hand drill with a metal piece containing a composite material handle at one end (for one hand) and a metal piece at the other end for the insertion of a drill. Attached to the main metal piece is a circular piece of metal with spokes and a wooden turning handle (for the other hand). The handle is attached to the circular spool by a metal screw. vintage tools, henry phillips, warrnambool, history of warrnambool -
Nhill Aviation Heritage Centre
Memorabilia - Wall Clock, c. 1940
Following the closure of the RAAF Air Base after the Second World War an auction sale was held. Mr Goldsworthy, mechanic and garage owner of Kaniva purchased the clock and hung it on the wall of the garage where it remained when the business was sold to Mr Eddy Rowe of Kaniva. The clock remained in action until the 17th October 2009 when Mr Rowe disconnected the power supply to the clock, and donated it to the Nhill Aviation Heritage Centre (NAHC) to be kept as memorabilia of the Second World War. On completion of the building of a new hangar/exhibition centre at the Nhill Aerodrome, the clock will be hung on the wall and once again connected to the power supply.Clock was used at the air school at Nhill during WW224 hour electric wall clock with Telechron brand on face. It has a pair of hour hands, one red one black and a black minute hand and second hand. A domed shaped Perspex front. The clock face has 24 hour markings. The glass and clock face are set within a steel frame.The clock has Telechron and twenty-four hour numbers written on the clock face. Pasted on the back side is "instructions for setting the clock which is marked WARREN TELECHRON COMPANY/Ashland Mass. U.S.A world war two, clock, electric clock,twenty four hour clock, nhill aerodrome, raaf air base, warren telechron, goldsworthy, eddy rowe -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1900s
This is a photo of a woodchopping competition, a popular event at this time. The location is unknown, but it may have been the recreation area in Halls Gap.This is an oval photo (printed on rectangular paper). The photo shows ten men standing on wood blocks, axes in hand, waiting to commence the event. There is a man standing on the right with a paper in one hand and the other hand on his hip. All are looking towards the camera. Spectators can be seen behind a wire fence in the background.recreation, woodchopping competition -
Bendigo Historical Society Inc.
Document - COHN BROTHERS COLLECTION: SHARE TRANSFERS 1893
Cohn Bros Share Transfers & Acceptance from Robert Neave of Fitzroy dated 15th November 1893. Rectangular red Wood & McNair Share Broker Beehive Bendigo hand stamp. Blue oval William Noall hand stamp. Cohns Co hand stamp. One Pennty Duty Stamp attached.bendigo, industry, cohn bros brewery, robert neave. wood & mcnair, bendigo beehive. william noall. -
Bendigo Historical Society Inc.
Document - COHN BROTHERS COLLECTION: SHARE TRANSFER CERTIFICATE 1894
Cohn Bros share Transfer & Acceptance from Robert Neave of Fitzroy to H J Bouteau dated 15th November 1893. Cohns Co hand stamp. Blue oval William Noall hand stamp. Blue oval Clarke & Co Melbourne hand stamp. One Penny Duty Stamp attached.bendigo, industry, cohn bros brewery, robert neave. madame hortense j bouteau -
Ithacan Historical Society
Photograph, Embroidered Blouse
The blouse was made in Greece about 1945. The method used to create this fine embroidery was to copy a design from a cross stitch embroidery book guided by fine white tapestry threads tacked onto the yolk; when the design was finished, the embroiderer would pull out each fine white tapestry thread until only the embroidery remained around the yolk of the blouse.Throughout the centuries and up until the 1970s-80s, the women of Ithaca spun, wove, embroidered and knitted. Mothers prepared their daughters' 'glory boxes' trousseau (prikia), weaving bedspreads, rag mats (koureloudes) for everyday use, finer wool rugs for formal use, as well as linen sheets, pillowcases, blankets, towels and tablecloths. Linen was also woven to make the mattress that the young brides would take to their future homes. Mothers also wove and embroidered the fabric for their daughters' underwear and petticoats, nightgowns, etc. Sewing of the garments was also done by hand. The girls embroidered handicrafts using various stitches, they crocheted lace, netted pillows and even linen carpets. The handicrafts were usually embroidered by hand in cross-stitch using linen and cotton fabric. At the time there were merchants who travelled to the villages to sell machine made goods for the trousseaus, but most of the dowries consisted of the beautifully crafted work of the women. In the 30's the SINGER Company came to Ithaca and taught the girls sewing on the machine. A handwoven silk blouse. Colour - ecru. Hand embroidered, hand sewn, very fine white tapestry was tacked round the yolk; a gusset was sewn under each short puff sleeve at the armpit; two-tone hand made silk thread cords were passed through the hollow border of the sleeves and neckline. -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Gondwana Trees in the Ballarat Botanical Gardens, Categories and Common Features, Unknown
Part of an attempt to to categorise and identify common features of the wide range of trees in the Ballarat Botanic Gardens.This material deals with the history of Gondwana trees and those represented in Australia today that relate to plants found in the Ballarat Botanical Gardens.4 pages. p.1 Map of Pangaea (Continents) left hand 2nd half of page. p2. Map, left hand top of page and 2 photographs of foliage, 2nd half of page. p 3. 5 small photographs down left hand side of page. p.4 no photographs or maps. none.john garner, doctor, ballarat botanical gardens, gondwana trees in the ballarat botanical gardens, pangaea, trees., john garner collection, gardens, ballarat -
Glen Eira Historical Society
Ephemera - Caulfield Evangelical Methodist Church
This folder contains documents about some celebrations held by this Church: 1/Silver Jubilee flyers dated 2002 for Caulfield Evangelical Methodist Church noting that the Presbyterian Church is their host church. The celebratory events were held on 16-30/06/2002. 2/Notices leaflet for the Silver Jubilee dated 23/06/2012. 3/Undated colour photograph of Harvest Festival table, photographer unknown. 4/Letter from Mrs Gwen Simmons, typewritten, dated 02/11/2012 accompanying these donated items, in her capacity as Secretary. 5/One page laminated scan of four coloured photographs of Caulfield Evangelical Methodist Church's Christmas Services at Alexandra Nursing Home on 16/12/2007. 6/Laminatd scan of coloured brochure with five coloured photographs of Caulfield Evangleical Methodist Church Service at Alexandra Nursing Home on 21/12/2008.caulfield evangelical methodist church, caulfield continuing methodist church, simmons gwen mrs, glenhuntly road, caulfield, fellowship of evangelical churches of australia, presbyterian church, alexandra nursing home, festivals and celebrations, religious festivals, christmas, nursing homes -
Warrnambool and District Historical Society Inc.
Milk Stool, Early 20th century
This stool appears to have been home-made. It was used in the days (first half of the 20th century) when cows were mostly milked by hand. It was most likely to have been used to milk a house cow, perhaps in Warrnambool or a nearby town. The cow would have been kept during the day time on the town common and brought back to the home for milking and returned to the common the next day. The production of milk, cheese and butter has been an important industry in the Warrnambool district since the second half of the 19th century, with the Warrnambool Cheese and Butter Factory at Allansford being established in 1888. It is the oldest surviving dairy company in Australia. This stool is of considerable interest as an example of the stools used when cows were hand milked and when many households in the towns and outer areas had a house cow to supply milk for the household. This is a hand-made wooden milking stool with a rectangular piece of wood for the seat and four rounded legs that taper slightly outwards. The legs have been inserted into four holes on the top seating part. The seat has a small circular hole in the middle. The stool is well-worn. dairying in western victoria -
Federation University Historical Collection
Container - Promotional packs of badges, Products of Choice, 2004
Promotional pack created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2004. "Products of Choice" is how the graduands "collectively believed represented who they are and what they are striving to be." Each of the 24 graduating students designed and produced a suite of 10 badges (240 unique 35mm badges in total), hand assembled on the faculty badge making machine. One of each student's badges was then hand packed into a foam mount within a plastic case. Ie. All 24 students are represented in each limited edition case. Their original corresponding order is outlined on the reverse of the pack. (Note, it is possible badges may have been reordered prior to entering the collection.) Recipients were encouraged to choose and wear the badges. Lecturing staff (third year): Helmut Stenzel, Leigh Whetter, Nic Wai. Students listed: Judd Madden, Bonnie Van De Ven, Andrew Jones, Ben Potter, Arindel Searby, Catherine Martin, Lou Bryan, Zara Costello, Emily French, Agnes Ostrozka, Clare Simons, Daniel Frawley, Angelika Gorna, Elizabeth Walcott, George Bush, Mark Bickerdike, Stacey Dekker, Petreen D'Costa, Nick Oeldrich, Matt Deutscher, Narelle Craven, Sonia James, Alistair Burn, Thomas Jolly.Three cases of a limited edition run of 240 packs, each containing 24 badges. Limited edition pack numbers 217, 221 and 104. Badges printed full colour laserprinted. Pack cover, printed red with edition number hand written in black marker. Back cover in printed black.university of ballarat, federation university, graphic design, multimedia, judd madden, bonnie van de ven, andrew jones, ben potter, arindel searby, catherine martin, lou bryan, zara costello, emily french, agnes ostrozka, clare simons, daniel frawley, angelika gorna, elizabeth walcott, george bush, mark bickerdike, stacey dekker, petreen d'costa, nick oeldrich, matt deutscher, narelle craven, sonia james, alistair burn, thomas jolly., helmut stenzel, leigh whetter, nic wai. -
Bendigo Military Museum
Poster - POSTER - FRAMED, Aust Govt, Department of Veteran's Affairs, 2016
Acknowledgment of Centenary of ANZAC Day. "Almost 300.000 Australians served on the Western Front in France and Flanders, taking part in every major British offensive between 1916 and the Armistice in 1918. More than 46,000 lost their lives of whom some 18,000 have no known grave. Behind the front line they took every opportunity to rest and recover, including these three men of the 1st Division, photographed in Vignacourt, France.Poster - Sepia coloured. Cream coloured border, dark brown plastic material frame. Glass protection.“ANZAC DAY 25 April 2016” “Centenary of the Somme”, “Three Men of the 1 Division". poster, centenary of the somme -
Greensborough Historical Society
Newspaper clipping, Jim had his own jubilee, 1971_
Tells the story of the 50th Anniversary celebrations of the Diamond Valley Football League. In particular it centres on Jim Medhurst the only former player present from the Greensborough team that won the inaugural 1921 premiership. Jim Medhurst's ancestors were a pioneering family in the district. His father played football for the Old Brittanias, a fore runner of the Collingwood Football Club.A photocopy of a newspaper clipping, a coloured photograph of the Medhursts c 1971 and a gilt and blue coloured metal badge.Some pencil markings in photocopy.greensborough football club, diamond valley football league, golden jubilee, jim medhurst, joe poulter, dvfl, 1921, 1926 -
Glenelg Shire Council Cultural Collection
Slide - Slide - Cashmore Airport, Portland, 1980s
Coloured slide. Only thing visible are two light-coloured triangles bottom left and right corners.portland airport, cashmore -
Glenelg Shire Council Cultural Collection
Photograph - Photograph- Syd Cuffe, Town Crier, n.d
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Coloured photo. Syd Cuffe in Town Crier's regalia delivering a cry, outdoors, coloured bunting in background. -
Learmonth and District Historical Society Inc.
Photo, Shire of Ballarat Commemorative Meeting Monday 2nd May,1994
Photo depicts members of the Ballarat Shire Council in 1994 at the Commemorative Meeting Prior to Amalgamation with City Of Ballarat. Front row (L to R) Mr. I. R. Cowie. Deputy Shire Engineer ; Mr. R. W. Hayles, Shire Engineer; Cr. D. N. Vendy, Shire President; Mr. J.W.M. Johnson, Shire Secretary; Mr T.J. Barrington, Deputy Shire Secretary. Back Row (L to R ) Cr. R. Kinnersley, Cr. A. Cormick, Cr. D. A. Baird, Cr.G.H. Spittle, Cr. J.D.White, Cr. G.M.Caldwell, Cr. M.F.Beaumont. Cr. W. M. Flynn, Cr. R.A. McDonald, Cr. R.J. Fewster, and Cr. B.L.Hughes.To commemorate the final council meeting of the Shire of Ballarat prior Council Amalgamation with the City of Ballarat.Coloured Photo on cream coloured mount with Shire of Ballarat Crest and title above photo and names at the bottom.SHIRE OF BALLARAT COMMEMORATIVE MEETING. MONDAY 2ND MAY 1994.shire commemorative meeting 1994.last ballarat shire councilors. -
Wangaratta RSL Sub Branch
Framed print, Menin Gate at Midnight
The original art piece was painted by Australian artist Will Longstaff after he attended the unveiling ceremony of the Menin Gate memorial at the entrance of the Belgian town of Ypres in 1927. The memorial is inscribed with the names of 54,000 British and Commonwealth soldiers killed in Flanders with no known grave. More than 6000 are Australians. It was purchased in 1928 for 2000 guineas and presented to the Australia Government by British Philanthropist Lord WoolavingtonThe image commemorates those soldiers with no marked graves who died on the Western Front during the First World War.Dark wooden frame of a dark blue coloured print with large cream coloured arched monument in distance.MENIN GATE AT MIDNIGHT by Will Longstaff Presented by Lord Woolavingtonmenin gate, will longstaff, lord woolavington, ww1 -
Tatura Irrigation & Wartime Camps Museum
Book, Service of Prisoners of War
"Gerhard Ernst Neumann Briefe Ohne Datum" A book in the possession of G E Neumann and used during his internment in WW2 in Tatura.Dark tan coloured light cardboard cover with fawn coloured pages inside. Tied together with a ribbonfront cover Frau G E Neumann, and an addressgerhard ernst neumann, briefe ohne datum, german internee, ww2 internee -
Ballarat Heritage Services
Book, Ballarat: The Garden City, c1951
Coloured soft cover with photograph of Wallace Statue in the Botanical Gardens. Numerous coloured images of Ballarat locatons. ballarat, eureka stockade memorial, lake wendouree, sturt street, ballarat town hall, ballarat botanical gardens glashouse, st andrew;s kirk, ballarat, st peter's anglican church, ballarat, ballarat botanical gardens, statues, ballarat post office, ballarat orphanage -
Ballarat Heritage Services
Coloured Photographs, Ballarat & district Genealogical Society 20th Anniversary Luncheon, 1 November 1998
BDGS were formed in 1978 and Lois Reynolds was one of the founding members. 2 folders , one with two coloured photos and typed names and the other with one coloured photo and names.Ballarat & district Genealogical Society - 1978-1998 - 20th Anniversary Luncheon BDGS logo Sunday November 1st 1998 at "Alexander on Lydiard"bdgs, ballarat, ballarat & district genealogical society, 1998, -
Kew Historical Society Inc
Clothing - Quilted Satin Infant's Cape, 19th century
Originally designated as part of a wedding ensemble, the item has since been identified as a baby's cape.The item has always been identified as part of the Coombs Collection which was donated to KHS by Mabel Isola Grattan in 1961. Mrs Grattan (nee Younger) was a descendant of the pioneering Coombs family of Studley Park. The item is well provenanced and representative of the period.Cream coloured woollen baby’s cape with extensive use of same-coloured satin quilting of the same colour.infants' clothing, capes -
Canterbury History Group
Photograph - Close up view of the tiles outside shop No. 82 Maling Road, Jan Pigot, 27/03/1993 12:00:00 AM
Coloured photograph of a close up of coloured tiles outside the Bennet's Butcher shop at no. 82 Maling Roadcanterbury, maling road, shops, edwardian wall tiles -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Tram returns to Ballarat", "Sebastopol home for tram", 11/08/1977 12:00:00 AM
Newspaper cuttings from The Courier, Ballarat, August 11 1977 with photos of SEC tram No. 11 returning to Ballarat from Sebastopol. 1112.1 - from the page with the Editorial, has a photo (large portion from the bottom left hand corner missing of the rear of the crane) being unloaded at Sebastopol for storage with a column of text detailing the story of the tram and the BTPS plans. Also refers to another photo on page 15. 1112.2 - from page 15 of the Courier, with Jack Chadwick standing on the front step of the tram, outside the entry to the Smythes Road, Sebastopol storage building. Has an inset item on the story. See Reg Item 3827 for a print of the actual photograph.1112.2 - in central right hand side in brackets in blue ink (page(15) and on rear top edge "11/Aug. 1977." in blue ink.trams, tramways, btps, sebastopol, 11, daylesford, tramcar acquisition