The original owner of the beautiful wardrobe was William Swinton Jr. (1860-1929) and was later given to a friend of the Giles family. It is part of the Giles Collection. William Swinton Jnr. was a Warrnambool Councilor 1903-20 and Mayor 1917-19, during which time Warrnambool declared a City (1918). William's father, William Swinton Snr. (c.1831-1901) arrived in Warrnambool in 1854 from Edinburgh, Scotland. He established the Swinton store in Timor Street in 1865 where it is still located. William Snr's grand-daughter, Doris Swinton (1904-1986) was one of Australia's most highly decorated nurses of World War 2 and for 16 years matron of the Warrnambool and District Base Hospital. There is a street in Warrnambool named after the Swinton family. The Giles Collection: There are many 19th century items of furniture, linen, and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the "Giles Collection". These items mostly came from the simple home of Vera's parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor's Flat State School where she was also a student teacher before, as a family legend has it, she became a governess at "Injemiara" where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940. The wardrobe is also significant for its association with early Warrnambool history, being owned by William Swinton Jnr. who was a Warrnambool Councilor and Warrnambools first Mayor (1917-19) the son of an early colonial family, arriving in Warrnambool in 1854. The Giles family collection also has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Maritime Museum was established.Wardrobe, colonial, made of cedar wood. The doors of the wardrobe have a mirrored door between them and there are two large drawers below the doors, each drawer has two round wooden handles. The wardrobe was once owned by a William Swinton Jnr. It is now part of the Giles Collection.Noneflagstaff hill, warrnambool, shipwrecked-coast, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wardrobe, bedroom furniture, domestic furniture, william swinton jnr., warrnambool's first mayor, warrnambool mayor, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century furniture, doris swinton, swinton street warrnambool

Document : red print on buff paper. Colonial Mutual Fire Insurance Company Limited, fire insurance for T.J. Connelly and G.H. Tatchell, property described in proposal dated 15th. June, 1888, on building Williamson St., Sandhurst.The top left corner has a Company Emblembusiness, legal, connelly, tatchell & dunlop:, connelly, tatchell & dunlop:

Small dark green fabric softcover cheap edition of Astronomy for Young Australians by James Bonwick, F.R.G.S., for use by teachers in Australian Public Schools. The front cover is blank with the title printed on the inside title page. At the back is list of Reviews of Mr Bonwick's Colonial Works. 13p.non-fictionA cheap edition for teachers of Astronomy for Young Australians having been desired to meet the requirements of Public Schools of the colonies. It is written in a captivating narrative style that was well received at the time for assisting young students to understand the solar system.astronomy, solar system, planets

Digitised video (2.84GB). Duration: 43 minutes. Recorded October, 2019 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presenter: Don Garden, OAM FFAHS, FRHSV, historian and author, examins the history of climate in Australia as researched for his book "Droughts, Floods & Cyclones - El Ninos that Shaped our Colonial Past".

This Carte-de-viste (CdV) previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. It is unclear; however, whether or not the man depicted in the photograph is Daniel Mullins or a different police officer. The Police Station at Glenrowan depicted in this CdV stood during the events of the Kelly gang's siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak. This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Items pertaining to the Kelly gang, including photographs like this one which depicts a police officer standing outside of the Glenrowan Police Station, are of great historical significance. Photographs like this can provide valuable information on the architecture, lifestyle and dress of colonial Australia. When studied, photographs have the ability to shed more light on the events of the Kelly gang and colonial Australia. This photograph is also of artistic significance because of the popularity of the CdV during the nineteenth century.A sepia toned photograph mounted on grey card with rounded corners. The image has been captured by an unknown photographer and depicts the outside the Glenrowan Police Station. In front of the Station stands an unidentified policeman and lying on the ground behind the policeman is a medium sized dog with dark colouring. The Police Station depicted in this photograph is a classic example of Australian country colonial architecture typically seen dating to the nineteenth century. It has the typical features of an Australian colonial 'miners' cottage' with the gable roof and a skillion at rear. A white picket fence is stands between the Station and the policeman. A small building is located at the rear of the Station which may have served as a lockup.BMM 8083kelly album, glenrowan, police, police station, photograph, ned kelly, australia, colonial australia, victoria, james bray, william e barnes, daniel mullins

“FIFTY YEARS OF SILENCE” The extraordinary memoir of a war rape survivor “ from Dutch colonial Melanesia during ww2 Soft cover book Soft cover- cardboard, red white and cream print on front, spine and back. Front cover illustration black and white photograph of a woman, background red and white flag 214 pages, paper, cut, plain, off white. Illustrated black and white and colour photographs, maps and sketches books, autobiography, prisoners, ww 2

who are enjoying the colonial day. Some have had their faces painted while others are wearing party hats.A coloured photograph of nine students from Bulla Primary School in various styles of dance dress and face-painting.

Built as the Colonial Bank of Australasia in 1889 at Meeniyan, it became the National Bank in 1914. It was moved to Old Gippstown in 1968.High local historic significance on account of integrity.A large rectangular-shaped timber bank building with a gabled corrugated iron roof. The front has a mock stonework design on the timber. The ceilings inside are of pressed tin. The interior display features a collection of old National Bank furniture and banking items.bank, meeniyan, southern gippsland shire, old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, coal mine, victorian era, moe, historical village, banking, national bank, pressed tin ceiling, old gippstown heritage park, latrobe valley, latrobe city council

This set of glossy black and white photographs is a set of images of Glenample Homestead circa late 1960s to early 1970s. They were taken by John Chance and are part of the John Chance Collection. The Colonial Georgian style Glenample Homestead was built from 1866 to 1869 from locally quarried sandstone. In is built on the top of a hill amongst trees. There are paddocks below and around the building. The building is basically a rectangular shape with a recessed room on the right side of the front. The pitched roof is covered in corrugated iron. The veranda, added in 1886, also has a corrugated iron room and is supported by square posts with decorative tops. It shelters three sides of the building. The edge of the veranda is decorated with scalloped shapes along the front and left side of the building. On the right is a brick wall incorporating a chimney. Another chimney on the left is contained within the building. The four-panelled outside doors are visible in some of the photos, as are the 12-paned glass windows, which are framed in contrasting stone. The veranda is trimmed with scalloped metal work on two sides and had some enclosed corners. There appears to be a cubical water tank on the roof line. Out-buildings include a toilet built against the house's brick wall. Another building appears to have two rooms with outside doors, perhaps for workers. There is the remains of a two-wheeled cart under a shelter. GLENAMPLE & the LOCH ARD Glenample Homestead became famous after the disastrous wreck of the sailing ship Loch Ard on June 1, 1878. The owners, Hugh Hamilton Gibson and Peter McArthur, were involved in the rescue and recovery of the only two survivors, as well as overseeing the salvage of items from the shipwreck and the burial of those who lost their lives. Glenample Homestead is on the Great Ocean Road at Princetown. Originally the land was part of Kennan’s Station lease, one of the district’s early settlements, circa 1847. James Murray bought Kerman’s land in 1856-57, combined it with nearby land, and named it Glenample Homestead. The ruins of huts Murray built on the property were still there until recently. Glenample was sold in 1866 to the partnership of Gibson and McArthur, who built a Georgian style house there using local sandstone, completing it by 1869. On 1st June 1878 the Loch Ard was wrecked at what is now called Loch Ard Gorge. Apprentice crewman Tom Pearce and eighteen year old passenger Eva Carmichael were the only survivors. Pearce had brought Eva ashore and sheltered her in a cave, reviving her with whiskey found amongst items washed up from the wreck. He climbed the cliffs and came across two riders from Glenample. No other survivors were found and sadly, Eva’s family members were amongst those who drowned. Hugh and Lavinia Gibson cared for Pearce and Eva at Glenample and extended their hospitality to Eva, who stayed on for about six weeks as she recovered from the ordeal physically and emotionally. Mrs Gibson introduced Eva to Jane Shields and the young ladies became lifelong friends. Years after Eva had returned to England, Jane’s daughter visited her. Eva handed her a blue china tea set to pass onto her mother as a gift. A descendant of Jane’s donated part of the tea set to Flagstaff Hill Maritime Village while another descendant donated her inherited share of the tea set to the Warrnambool and District Historical Society. In 1886 Glenample Homestead was updated to include a veranda on three sides. In 1887 Gibson sold his share to partner Peter McArthur. McArthur’s son Ernest inherited the property in 1897. Ernest established the Glenample Cheese Factory in around 1911. It was closed due to the World War and reopened in 1929 by McArthur’s sons, Robert and Colin, when they took control. In 1945 they sold Glenample and several owners followed but it was left unoccupied and became dilapidated. It was during this time that John Chance visited the property and photographed the buildings. In the 1980s the National Parks Service acquired the Glenample Homestead and began a restoration program. Work began in 1989 by Cathedral Stone, which was established in 1989 by James Charlwood, a specialist stonemason and son of maritime author Don Charlwood. This set of photographs are significant as a record of Glenample Homestead as it was from around the late 1860s to the late 1960s. The photographs are also significant as they were taken by John Chance, a diver from the wreck of the Loch Ard in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The photographs are significant as a link between Glenample, the vessel Loch Ard, and the only survivors of the Loch Ard. Glenample Homestead is of historical, social and architectural significance to the State of Victoria and is listed on the Victorian Heritage Register (VHR H0392). It is a historical example of early settlement and development of a run in the coastal land of South West Victoria, and it is constructed from locally quarried sandstone but doesn’t take away from its Georgian design. Glenample Homestead is of State significance through its unique connection with the wreck of the ship Loch Ard and the connection to its owners, Hugh and Lavinia Gibson and Peter McArthur, played a historically and socially significant role in the rescue and care of the survivors, the salvage of goods and the burial of those who lost their lives. The shipwreck of the Loch Ard itself is of significance for Victoria and is registered on the Victorian Heritage Register (S417). The set of ten rectangular black and white photographs of the Glenample Homestead, taken in the late 1960s or early 1970s, give san overview of the Glenample property. The views include the front, back and one side of the building, three outbuildings, and the situation of the homestead on the property. The details on the photographs show the materials used and the Colonial Georgian style. The photographs are also a record of the deterioration of the property over the years it was unoccupied.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, kennans station, glenample homestead, georgian homestead, loch ard, princetown, victoria, james murray, hugh hamilton gibson, lavinia gibson, jane shields, eva carmichael, tom pearce, blue china tea set, peter mcarthur, ernest mcarthur, robert mcarthur, colin mcarthur, glenample cheese factory, cathedral stone, don charlwood, james charlwood, antique door key, glenample photographs, john chance, victorian heritage database 392

Three colour photographs of Heritage Week featuring the brickwork of the former Police Residence and current home of Eltham District Historical Society at 728 Main Road, Eltham. Highlights the use of 'English Bond' on headers and stretchers alternatively and 'Colonial Bond' on one course of headers and three courses of stretchers.heritage week, eltham, courthouse, brick laying, wall, sign, activities

Tells of the Aboriginal Protectorate System in Colonial Victoria during the period 1838 to 1852. The system was designed to be a buffer between the original inhabitants and the influx of white squatters. That the system failed is of little wonder. This story traces the times of Edward Stone Parker, Assistant Aboriginal Protector in the Loddon region of Victoria.maps, b&w photograph, colour photographs

The Sands and McDougall directories are amongst the most comprehensive. You can find out more details about places in which people lived, the other residents in the area, the services available in the region...all of which help to paint a picture of your ancestors' life. Apart from the Street,Alphabetical, Trade and Professional directories, this volume also contains Government and Official, Ecclesiastical, Legal, Municipal, Colonial, Societies and Institutions directories. This compendium of Sands and McDougall's directories covers 1916-1920. Each is very comprehensive containing the following sub-directories: city streets Directory: with a street index, and street by street listings of all houses and the householder at each address. Country directory: that lists people alphabetically for each town and their occupation. Alphabetical Directory: covering the whole of Victoria. Melbourne and Suburban Professional & Trade Directory: listing people by their trade. Country Professional & Trade Directory: complements the Melbourne list to give coverage of all Victoria. It also includes Agriculture and Pastoral; Government and Official; Legal and Judicial including Justices of the Peace; Ecclesiastical.The Sands and McDougall directories are amongst the most comprehensive. You can find out more details about places in which people lived, the other residents in the area, the services available in the region...all of which help to paint a picture of your ancestors' life. Apart from the Street,Alphabetical, Trade and Professional directories, this volume also contains Government and Official, Ecclesiastical, Legal, Municipal, Colonial, Societies and Institutions directories. This directory is divided into five main sections: City Strets Directory; Country Towns Directory; alphabetical Directory covering whole of Victoria; Melbourne and Suburban Professional and Trade Directory- listing people by their trade; Country Professional and Trade Directory which complements the Melbourne list togive coverage of all Victoria.streets, trade, agriculture, government, legal, ecclesiastical, farmers, farm workers, clergy

Murray Comrie Collection. This image depicts stores in the main street of Tarnagulla, including the two-storey bank building being used as a licensed general store. The bank building was used first by the Colonial Bank of Australasia (from 1866 to 1888) and then by the Union Bank (from 1888 to 1942). The two-storey bank building was built in 1866 by the Colonial Bank of Australasia. Before this, the site had been occupied by Foo's shop. Whilst it was being built, the Colonial Bank operated from Company's Hotel (later known as Burstall Hall and the Council Chambers). The new double-storey building was used by the Colonial Bank from 1866 until 21st February, 1888. The premises were sold to the Union Bank for £2500. The Union Bank moved in and commenced operations on 6th June 1888, continuing until 1942. The building was later used as a general store until the 1990s. It is a now private residence. Probably taken by Murray Comrie in the late 1960s. Monochrome photograph depicting a section of Commercial Road, Tarnagulla at the intersection with Poverty Street, including two stores - one a bakery/milk-bar and the other a general store operating in the former Bank building. tarnagulla, banks, banking, commerce, stores, shopping, shops, food, groceries, buildings, commercial road

This book contains stories behind some of the names on Victorian War Memorials.Includes stories from colonial times to the present day.The stories within this book bring to life the names contained on war memorials across Victoria.Hard cover book. 308 pages, colour illustrations. Book jacket has photo of "Cobbers", the Australian memorial at Fromelles.war memorials, soldiers, world war 1, victoria

In July of 1880, Ann Jones' successful hotel in Glenrowan burnt to the ground during the Kelly siege. She had opened her business in the year prior having been unsuccessful in her attempt to run a tea-room business in Wangaratta. The first building on this particular site was the home Ann Jones had built for herself and her family. Two years later she converted the home and added the hotel to the rear of the structure. One year later it was burnt to the ground. This image depicts the streetscape of Glenrowan in 1883, three years after the siege. Importantly, it reveals the appearance of several buildings which can reveal information for how Glenrowan (as a small town) might have stood during the siege. These buildings are of typical Australian colonial "miner's cottage" style. On what would have been the site of Ann Jones' hotel, to the far left of the photograph, a police station stands. This police station was built before April 1883. This image was captured by an unknown photographer. This Carte-de-viste (CdV) previously belonged to the donor's grandfather, Daniel Mullins who was a Police Officer stationed at Glenrowan soon after the Kelly gang siege. Today, the siege has become an important part of Australian culture and Ned Kelly and the Kelly Gang (comprising of Ned Kelly, Dan Kelly, Steve Hart and Joe Byrne) has become ingrained in Australian history and mythology. A CdV is a sepia toned photograph mounted on card and is generally of a small size. This particular style was first patented by Andre Adolphe Eugene Disdéri (1819-1889) in 1854. In 1857, the CdV was introduced to England and after photographs of Queen Victoria, Prince Albert and their family were taken using CdV in 1860 the popularity of this method reached a peak.This photograph is part of the Burke Museum "Kelly album" which includes a significant collection of photographs and artefacts connected to Ned Kelly and the Kelly Gang. Ned Kelly and his gang have become ingrained in Australian popular culture and thus many museums, art galleries and private collections house material connected to the Kelly story which allows the events and people to be researched and interpreted. Artefacts and photographs pertaining to the Kelly gang are particularly valuable for Australian museums. This particular photograph is significant for its connection to the Glenrowan Siege and Ann Jones' Hotel which burnt down during the siege in June 1880. Taken in 1883, this photograph (taken by an unidentified photographer) has the opportunity to provide information about the townscape of Glenrowan shortly after the siege. It also provides important insight into the architecture and layout of the town. To the far right of the image, the photograph depicts the police station which was built on the site of Ann Jones' Hotel which can provide important information for the Kelly story and how the town evolved following 1880. It is also interesting to emphasise that the police station was built on the site of Ned Kelly and the Kelly gang's last stand.This photograph is a sepia image of the Glenrowan streetscape depicting several buildings. The newly built police station (in 1883) stands on the far right of the image on the site of the former Ann Jones Hotel. On the left are several buildings built in typical 'miner's cottage' Australian colonial style. This includes the gable roof with the skillion at rear. An unidentifiable individual stands next to the chimney of the front left building. Numerous paddocks appear in the image, particularly in the front right and the rear of the houses contain many trees. To the rear of the image, there is a mountain. A street runs through the centre of the photograph.Glenrowan / taken 1.4.83 ... / BMM 8086kelly album, ned kelly, glenrowan, police history, police, australian architecture, streetscape, glenrowan 1883, 1883, dan kelly, steve hart, joe byrne, carte-de-viste, james bray, daniel mullins, william e barnes, colonial australia, police station, photograph

Born: Yorkshire, England 1850; Arrived Australia: before 1874; Died: 1908RealismLedger Gift, 1975Rural landscape setting with horse, dogs and a figure heading towards a house. Gold brushed grey painted frame.Recto: Signed “J A Turner / 1889” in black paint l.l.c of composition; Not titledlandscape, figure, animals, house, colonial, trees, australian art

Born: London, Middlesex, England 1813; Arrived: Sydney, New South Wales, Australia 1832; Died: Sydney, New South Wales 1895VictorianBennett Bequest, 1999 Oil on canvas depicting portrait of seated Henry Johnson in black suit and bowtie. Polished timber frame with gold gesso inlayRecto: Not signed, not dated, not titled painting, portrait, colonial, man, face, hands, figure

Good quality framed photograph of founder of Victorian Military Forces, Colonel Tom Price.Framed photograph of Colonel Tom Price in uniform of Victorian Mounted Rifles.victorian mounted rifles, vmr, price, uniform, hat, military, colonial

Tait collection: item 26 of 62 This is a 1905 document containing information on the Will and Probate of Elizabeth Bright, a widow from Ellerslie in Victoria. She died in April 1905 and left real estate to the value of £540 and personal estate to the value of £412. The main beneficiary was her daughter-in-law, Ann Gibson, the wife of William Gibson, a dairyman from Ellerslie. No other information has been found on Elizabeth Bright. The lawyer concerned with the document was Edward Backhouse of Terang. He came to Victoria with his family in 1871 and was educated at Wesley College and Melbourne University. He was the founder and Head Teacher of the Alma Road Grammar School in St. Kilda and later was the Head Teacher of the St. Kilda Grammar School. He also was the Classics teacher at Geelong Grammar School. He practised law at Terang and Yea. This document is of some interest as it gives details on the Will and Probate of Elizabeth Bright who lived at Ellerslie, an area with some associations with Warrnambool at the time. This is white sheet of paper folded in two with hand written material on the four sides detailing the Will and Probate of Elizabeth Bright of Ellerslie, 1905. The pages have printed red lines on three sides. The document has one hand-drawn stamp of the Colonial Bank of Australia of Terang. The written material is legible. In the Supreme Court of Victoria; In the Probate Jurisdiction; In the Will of Elizabeth Bright late of Ellerslie in the State of Victoria Widow deceased.elizabeth bright, edward backhouse, warrnambool, ellerslie, tait collection

Photograph taken from the corner of King Street and Bell Streets Yarra Glen with a view of buildings on the western side of Bell Street from Scott & Allen's General Store to the Colonial Bank building. Other buildings include the house of Charles Bath and the Grand Hotel. Tree guards line the street.grand hotel, bell street, tree guards, charles bath, general store, scott allen s general store, colonial bank, bank building, hotels

The Victorian Volunteer Force on the central Victorian Goldfields 1858-1883, MA Thesis. Publisher: Latrobe University, Bendigo. Produced post 2003. Imperial and Colonial defence, Volunteers of Victoria's defences, British army's role, social structure, changing of the guard on the goldfields. Photographs, illustrations & graphs. 144 pages.Bob Marmiongold, goldfields, volunteer force, victoria, history victoria goldfields, victorian volunteer force, victorian defence forces, bendigo and district history

Negative of tram 644 at tram stop in Collins St at Elizabeth St. Several buildings appear in the background in Elizabeth St which are still there. Construction site of Colonial Mutual Life building in background. Tram has destination East Preston - Bell St and route 9A and is flying an Australian flag.Paper folder that contained the negative had "NR53A" in red ink, "M8" in pencil, 43A in blue ink, date stamp "28 Sep 1961" on front, and on rear date stamps "26 Sep 1962" and "6 Oct 1962"trams, tramways, sw2 class, collins st, tram 644

Construction date of house depicted1845-1855 for Stonemason Benjamin Bowyer. Style Colonial Georgian. Representative of workman's cottage of the 1850'sOil painting by Jean WilsonPainting signed by Jean Wilson 1 William Street Port Fairy on reverse To the Port Fairy History Group from Phillip Ritchie, past owner of 1 William Streetdwelling, housing

Until the arrival of 'specialist' dentists in the mid-nineteenth century, dental care was provided by the medical profession and druggists, who were eventually registered under two British Acts, the Colonial Medical Act (1858) and the Colonial Dentists Act (1878). Many isolated communities had problems gaining access to dentists, and were often served by dentists on a part-time basis, mainly providing extraction and denture servicesThis item is an example of early dentistry equipment.Portable dentist's chair from around 1900's. Leather headrest and seat, wood frame, with metal bolts to allow chair to recline.chair furniture-commercial dentistry

B+W photo on cardboard. 21 males in football uniforms, 13 males in suits, some with hats. Young boy and L.F. Trophies displayed - mantel clock. Silver at with lid + silver teapot. Foot lap with 'Young Colonials Premiers 1902 & 3' held at C.F. Names written on image. Arranged in 4 rows. Backdrop of decorated room at R. Inscription: in Image printed on Football 'Young/Colonials/Premiers/1902&3'. On Back, 'Royal Historical Society of Victoria/Bendigo Branch' stamp. In image, hand written in pencil + ball point pen, 'Burt Newell. Steve Williams, Ern Cox, - Kemp, - Temby, - Stirton, ---Forbes, Nobby Nixon, Corbett Roberts'organization, club/society, young colonials football club, prev. acc. no. 'gp82'

Murray Comrie Collection. This two-storey building was built in 1866 by the Colonial Bank of Australasia. Before this, the site had been occupied by Foo's shop. Whilst it was being built, the Colonial Bank operated from Company's Hotel (later known as Burstall Hall and the Council Chambers). The double-storey building in this image was used by the Colonial Bank from 1866 until 21st February, 1888. The premises were sold to the Union Bank for £2500. The Union Bank moved in and commenced operations on 6th June 1888, continuing until 1942. The building was later used as a general store until the 1990s. It is now a private residence. This is a reasonable copy of an older original. Copy probably made by Murray Comrie in the 1960s.Monochrome photograph of the double-storey bank in Tarnagulla. tarnagulla, banks, union bank, buildings