Correspondence between Ballarat School of Mines and Footscray Technical SchoolAdvertisements featuring photographs relating to courses at the Ballarat School of Mines. They appear to be artwork for advertisements shown at teh picture theatre as they each have a 'Val Morgan Ad.' on the lower left side. ballarat school of mines, mechanical engineers, architects, draughtsmen, vol morgan

Each year, the college yearbook reports on the people (students and staff) and events and activities that took place that year. Previous editions of this yearbook were titled "Horizon". Note: In 1989, Watsonia High School was merged with Watsonia Technical School to become Greensborough Secondary College.A permanent record of who attended Greensborough College - both student and teachers, includes photographs. Annual record of teaching staff, students and events that took place in 1994. Includes black and white and colour photos and reports. 36 Pages (approx), Cover is a collage of student photos and artwork.In pen inside front cover: "Donated by Rosie Bray"greensborough college, greensborough secondary college, yearbook, horizon, school magazines

Soft-cover book with indigenous artwork on brown cover with maps, drawings and photographs outlining the history of local indigenous people who inhabited the area which became the City of Doncaster and Templestowe.

Scrimshaw is regarded as early folk art and is associated primarily with whaling that was opened up in the Pacific at the end of the eighteenth century by sailors mainly from American, English and French vessels. As a result, some of the best scrimshaw from Pacific whales can be found in collections in these countries. Even though sailors must have had plenty of spare time between periods of whaling scrimshaw on whale teeth seems a rarity before the 1830s. One reason may have been the high price paid for whale teeth ivory in this period making scrimshaw on teeth popular only after the market was saturated and the price dropped. The earliest identified engraver of whale teeth is the English whaling master Captain J. S. King who was active between 1817 and 1823. There have been six ships called the Hero in the Royal Navy and this ship was the fourth named Hero, it was a screw-propelled 91-gun and second-rate. In the rating system of the British Royal Navy, this term is used to categorise sailing warships, a second-rate was a ship of the line which by the start of the 18th century mounted 90 to 98 guns on three gun decks. Earlier 17th-century second rates had fewer guns and were originally two-deckers or had only partially armed third gun decks. The Hero was launched in 1858 and sold in 1971. On July 1860 the Prince of Wales embarked onboard HMS Hero, Albert Edward Prince of Wales, was the eldest son of Queen Victoria, and the future King Edward VII, at the time he was then nineteen years of age, and on route to Newfoundland, Canada and the United States on his first state tour. He was the first member of the British royal family to visit North America. In 1860 the Queen had intended to pay a visit to Canada however stress prevented her from travelling. The then Prime Minister Lord Palmerston suggested that “Bertie” the prince of Wales could represent the Queen and on July 10th 1860, Bertie boarded HMS Hero for a tour of Canada and the USA. On July 23rd the ship arrived at Terranova. By the second week of August, the HMS Hero had sailed up the St. Lawrence River and anchored at Quebec. The Prince was successful with Canadian society visiting Quebec and Montreal during his stay. He went on to visit the United States following an invitation by President James Buchanan. His American journey was regarded as a great success. President Buchanan wrote to Queen Victoria: "He “Bertie” has faced a very difficult task for a person his age and his behaviour in all this has been that of his age and position. He has shown himself honourable, Frank and affable and he won the respect of the sensible and wise people". The scrimshaw is believed to be a modern reproduction of a typical scrimshaw scene and engraved very crudely onto a synthetic substance. Scrimshaw art carved into non-natural material in the shape of a whale tooth. The line artwork images of a three-masted, fully rigged ship and an anchor are coloured black. Inscription is engraved into tooth.Engraved "Hero 1870"warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, scrimshaw, plastic, resin, replica, prince of wales, british navy vessel, whaling, hms hero, reproduction, carving, engraving

Single page of hand drawn examples of tickets for State Electricity Commission of Victoria Electricity Supply Dept. Provincial Tramways with connotations. All of the artwork has been drawn and written in pencil.person, individual, basil miller

Homes in the Hills. Historic glimpses of Barongarook, Gellibrand, Banool and Carlisle River. Norman Houghton. Soft cover. iv, 48 p.; illus, map, diagram. Artwork and layout: Desktop Dymanics. otway ranges; norman houghton; barongarook; gellibrand; banool; carlisle river; agriculture; mining; sport; homes; hills;

Colour photograph. In the dining area in the annex on the ground level of the QVWC building. Three unidentified women in frame sitting down. Taken facing south east. Black and white artwork on the wall. cafe, historic buildings, art exhibitions

Jessie STEINFORT Steinfort was Studied Graphic Design at the University of Ballarat (later Federation University) After 12 years of working in design studios and advertising agencies, Steinfort is now a Senior Designer at Ogilvy Melbourne. And previously, he has been responsible for work on BMW & Mini, Carlton Football club, Melbourne Convention and Exhibition Centre, Melbourne Food & Wine Festival, AAMI, Yarra Valley Water, and Arts Centre Melbourne. From 2008 to 2011 Steinfort was lead designer and front-end web developer at clickDM (now HARDWIRE). Where he worked with such clients as HOSTPLUS, GSK, UniSuper and Swann Insurance. From 2000 to 2008 Steinfort was a designer at Mediation Communications working on print and interactive projects for; City of Melbourne, City of Greater Geelong, City of Port Phillip, Mentor Education, and ACMA. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed photograph of three mushrooms in a black background. This work was won the 1998 Student Acquisition Award. If you can provide information on this artist or artwork please use the email link below. photography, foto, mushrooms, food, close up, macro, colour, photo, jessie steinfort, alumni, available

A typical example of art work for printing and plastic diary cover. TBCAn example of how embossing was prepared and that Legacy Handbooks were printed with the torch and laurel logo.Navy blue Legacy diary, with the metal art work block used to emboss the words "Melbourne Legacy" onto the cover, also graph paper on cardboard used to mock up the artwork.Manilla Envelope, in black texta Melbourne Legacy Diary/H/Book Cover Art White paper adhered to envelope with the word in red HIOTECH words in brown graphics 50 Cremorne Street, Richmond Victoria 3121 (03) 428 1925 A.C.N. 005313155., between two horizontal brown lines. Thin brown horizontal line at bottom of paper. Handwrittenin black ink, J.D.Harris. Diary cover Legacy logo, MELBOURNE LEGACY in gold. Cover Block, handwritten in gold ink (very faded) between Legacy logo and Melbourne Legacy. Cardboard graph, Legacy logo, MELBOURNE LEGACY, handwritten in blue ink SLS. Metal block, Legacy logo. MELBOURNE LEGACY written backwards. White glossy paper, Legacy logo and MELBOURNE LEGACY stamped onto the paper. handbook, logo

Artwork by Leonhard Adam, internee at Tatura.Romanticismleonhard adam, charisse masculesti-morile, tatura internee, dunera

This artwork was purchased by Patricia Davies (previously Boyd). Nine frames of boats on the sea in blues and brown tones. Signed and dated DOROTHY BRAUND '74 in lower right.dorothy braund, patricia boyd, robin boyd, walsh st artwork, ohm2022, ohm2022_36

Artwork features streets from Portland Victoria.Black and white linocut print. Image based on Julia Street Portland Victoria showing the Street and buildings looking toward the ocean. Foreground right an up close replicate of the sign pole of the middle of the roundabout between Percy and Julia Street, raised road crossings, road signs, Norfolk Island tree, ocean is visable with various Port structures. Sky is lined with clouds shaded black underneath.Along the bottom of the print written in grey lead 4/5 Julia Street, Portland Bob Stone 2007portand, julia street portland, linocut

GIDGET was written by Frederick Kohner the father of the real Gidget, Kathy Kohner Zuckerman. The book is based on Kathy's experiences as a 15 year old girl at Malibu Beach, Southern California during the summer of 1957 discovering Moondoggie, the Big Kahuna and surfing. The book was made into a highly succesful feature film of the same name, released in 1959 with Sandra Dee playing the star role of Gidget.GIDGET is socially and culturally significant because it was one of the first mainstream books to explore the surfing sub-culture of Southern California. The book was made into a feature film which played a significant role in popularising the surfing sub-culture around the world.Soft cover book, aqua wash artwork featuring colour photograph of Kathy Kohnner Zuckerman (aka the real Gidget) wearing an orange one piece swimsuit holding a malibu surfboard on cover.Main title GIDGET on cover. One line testimonials at the top of the book cover. Publishers logo on spine. Barcode on back of book. Inside cover personally signed by Kathy Kohner Zuckerman.gidget, kathy kohner zuckerman, frederick kohner, moondoggie, the big kahuna, malibu beach, surfing, sandra dee,

The ship “Ellis” started life as the Clementina, launched in America in 1781. The vessel was first listed in Lloyd's Register in 1784 and under this name began serving as a slave ship sailing out of Liverpool. A Lloyd’s database records of slave-trading voyages by vessels from Liverpool makes it clear that Clementina was a slave trader. The next year Captain J. Elworthy sailed her to West Central Africa and St Helena. He transported his slaves to South Carolina. Then in 1785 Elworthy gathered slaves in the Bight of Biafra and the Gulf of Guinea Islands for delivery to Jamaica. In 1786 Bent & Co. purchased the Clementina and renamed her Ellis, presumably after the then owner Ellis Bent. She remained in the slave trade and In 1788 Captain John Ford sailed the now renamed Ellis to the Bight of Biafra and the Gulf of Guinea to gather slaves. He delivered this batch of slaves to the island of Grenada. The next year, 1789 the Ellis was almost completely rebuilt, and from the change in subsequent reports of her cargo loading or (burthen), she was enlarged. In 1791, Captain Joseph Matthews became master and sailed the Ellis to the Gold Coast then delivering his consignment of slaves to the island of St Vincent. During this voyage, some misfortune may have befallen Matthews because records show the Ellis command was transferred to Thomas Given. In 1792, Given sailed to the Bight of Biafra and the Islands in the Gulf of Guinea, again collecting slaves for delivery to Jamaica. There is a parallel record, also for 1793, that the Ellis under the command of Thomas Heart, undertook the same journey and with the same itinerary and cargo. In 1793, Bent & Co. decided to use the Ellis as a privateer with John Levingston as the master. After receiving a letter of "marque” on the 3rd of June 1793, that allowed any armed vessel to commit acts on the high seas which would otherwise have constituted piracy. Thus the Ellis began to operate as a combat ship under the endorsement of the British navy. The Ellis was three times captured first by the French frigate Gracieuse, under the command of Captain Chevillard on 22 July 1793. The French took her into service and renamed her as ”Elise”. Later that summer the Spanish captured her and in November ownership returned to the French who then renamed her the “Esperance”. On the 8th of June 1794, Esperance arrived in Jacmel, Saint-Domingue (present-day Haiti), from France with the official proclamation of the abolition of slavery. Leger-Felicite Sonthonax was one of the Civil Commissioners of Saint-Domingue and he had already unilaterally proclaimed the island for the French colony the year before amid a slave rebellion and attacks from British and Spanish forces. Ironically, Esperance also brought the news to the Civil Commissioners that the National Convention of France had impeached them on 16th July 1793 and ordered them to return promptly to France. On 8 January 1795, HMS Argonaut, under the command of Captain Alexander John Ball, captured Esperance while she was on the North America station. At this time the Esperance was armed with 22 guns (4 and 6-pounders) and had a crew of 130 men. She was under the command of Lieutenant de vaisseau De St. Laurent and had been out at sea for 56 days from Rochfort, bound for the American Chesapeake Bay area.  The French ambassador to the United States registered a complaint with the President of the United States that Argonaut, by stating that by entering Lynnhaven bay, either before she captured Esperance or shortly thereafter, had violated a treaty between France and the United States. The French also accused the British of having brought the Esperance into Lynnhaven for refitting for a cruise. The British Consul replied that the capture had taken place some 10 leagues offshore as the bad weather had forced Argonaut and her prize to shelter within the Chesapeake area for some days, but that they had left as soon as practicable. Furthermore, Argonaut had paroled her French prisoners on arrival at Lynnhaven, and if she had entered American territorial waters solely to parole her French prisoners no one would have thought that objectionable. Royal Navy Service: Because the Esperance was captured in good order and sailed well, Rear Admiral George Murray, the British commander in chief of the North American station, put a British crew aboard and sent the Esperance out on patrol with HMS Lynx, under the command of John Poo Beresford, on 31st January. On 1st March the two vessels captured the Cocarde Nationale (or National Cockade), a privateer from Charleston, South Carolina, of 14 guns, six swivel cannons and a crew of 80 men. Esperance and the lynx went on to recaptured the ship Norfolk, of Belfast, and the brig George, of  Workington. On 20 July, Esperance, in company with frigates Thetis and Hussar, intercepted the American vessel Cincinnatus, of Wilmington, sailing from Ireland to Wilmington. They pressed many men on board into service, narrowly missing the Irish revolutionary Wolfe Tone, who was on his way to Philadelphia. Esperance was formally commissioned in 1795 into the Royal Navy in August under the Command of Jonas Rose. On 4 May 1796 Esperance was sailing in company with HMS Spencer and Bonetta when they sighted a suspicious vessel. Spencer set off in chase while shortly thereafter Esperance saw two vessels, a schooner and a sloop, and she and Bonetta set off after them. Spencer sailed south by south-east and the other two British vessels sailed south-west by west, with the result that they lost sight of each other. Spencer captured the French gun-brig Volcan, while Bonetta and Esperance captured the French schooner Poisson Volant.   The Esperance eventually arrived at Portsmouth on the 3rd of November 1797, the crew was paid off and on 31st May 1798 the Admiralty listed the Esperance for sale and she was sold in June 1798 for £600.The subject scrimshaw is a modern reproduction crudely done of a historic vessel and the scene is believed to be engraved onto a synthetic substance. Scrimshaw art crudely carved into non-natural material in the shape of a tooth. The line artwork is an image of a three-masted sailing ship with a poop deck, and anchors, are coloured black. Inscription is engraved into tooth.Engraved "Man o War Ellis" warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, scrimshaw, ellis, esperance, clementina, elise, hms ship, man of war, leter of marque, privateer, slave ship, slavery, ellis bent, american war of inderpendance, marine art, marine artifact, whale tooth, ivory tooth, resin, plastic, craft, engraving, carving

Sub title: A Children's Drawing Book. Soft covered book containing a combination of blank pages, hand-drawn artwork and creative activity suggestions compiled for schools in Ringwood area, Victoria, Australia.Foreword By Kevin K. Speer, District Inspector of Schools. Introduction by Kate Hart, C/o Maroondah Region - "This book is merely a starting point. It allows Children to "color-in" but it also challenges them to produce their own ideas. There is no limit to the "starting points" you can give children. Children themselves will produce more for you." First Print May 1981, Reprint June 1982, Reprint December, 1984.

Brochure from Australia Post showcasing stamps relating to the Anzac Centenary 1914 - 1918. gold artwork, two soldiers in uniform standing in front of trench. Issue No 333/March-April 2015event, war, post office stamp booklet, anzac, world war 1

The Boer War Memorial was created by sculptor James White in honour of Australian Soldiers who fought in the South African War (1899-1902). White used the electrolytic copper deposit method to produce this large statue, which is sometimes mistaken for a cast bronze work. The Foundation stone was laid on 18 May 1901 by H.R.H The Duke of York (George V). The sculpture was unveiled on the 1st November 1906 by His Excellency Baron Northcote G.C.I.E., C.B. Governor General of Australia and then Mayor of Ballarat, J. J. Brokenshire. Bravery and mateship are beautifully captured in depiction of a scene taken straight from the battlegrounds. Today the memorial is a much-photographed tribute and exploration of the friendships and struggles of men at war. A proud cavalry horse bears the weight of two men in the chaos of the battlefield. The Boer War in Africa was an early example of the Australian Colonies sacrificing men and equipment for Britain to defend it’s Empire against colonial insurgence. The memorial is of historical and aesthetic significance to the people of Ballarat.Horse and figures, bronze mounted on bluestone base and granite plinth, plaques list the war dead. The artwork depicts two soldiers and a horse. A British soldier is being succoured by an Australian mounted rifleman. In honour of Australian Soldiers who fought in South Africa 1899-1902. Foundation stone laid 18th May 1901 by H.R.H The Duke of York (George V). Unveiled 1st November 1906 by His Excellency Baron Northcote G.C.I.E., C.B. Governor General of Australia. J. H. Barker Chairman. J. J. Brokenshire Mayorboer war, south africa monument

Caption details for photo of Peter Minko artwork ''Tarnagulla'' - presentation to the City of Greater Bendigo from AB to mark the 150 Years of Gold Celebrations and the 31 years of AB arts activities in the community.

Colour photograph. Ind the dining area of the cafe ground floor of the QVWC building. Groups of unidentified women in frame. Black and white artwork on the wall. Taken from the building looking east into the annex. art exhibitions, cafe, historic buildings

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed black and white photograph depicting two deaf foxes and a hen hanging on a fence. If you can provide information on this artist or artwork please contact us via the email link below art, artwork, karyl nichols, photograph, nude, landscape, horsham campus art collection

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A colour photograph of a balancing rock at Wilson's Promontory mounted on green card in a temporary timber frame. If you are able to assist with information on this artist or artwork please email using the link below right.art, artwork, photography, wilson's promontory, available

Part of a collection of four photographs depicting wool sales and auction rooms.Black and white photograph mounted on grey card. Photograph depicts an interior view showing men in suits and hats seated at rows of trestle tables and standing along the walls of a room adorned with artwork.Embossed on photograph: A. G. Salmon / Temple Court Bldgs. / Albury.albury, temple court buildings, wool auction, wool sales, a. g. salmon, art gallery, artwork, wool industry

One of the platters in this photograph is a part of the Federation University Art Collection. Black and white photograph of a man sitting behind a table with two ceramic platters. Written on back: "Associate Diploma of Arts (Ceramics) student Geoff Phillips with his artwork commemorating different phases of the moon and times for planting vegetables. " Ceramics Exhibition 12-11-92ceramics, pottery, geoff phillips, moon, vegetables

This artwork was a finalist in the 1987 Shire of Eltham Art Awards. The materials Cowcher has chosen constitute different transformations of earth - stone, sand (fired into glass), bamboo and dried grass. The work is a sign of the artist's passion in working with these materials and 'packaging' them into an aesthetic composition that connect and dance with one another.Three purple glass objects in the form of pine cones, held together by raffia, resting on a large slab of white stone. N/A

Wraparound artwork on yellow van used at Maroochydore office. 3 digital images taken of yellow van with VA logo and Seeing Eye dog in harnessvision australia, seeing eye dogs australia

Owner and donor details - see Cat No. 5836.3.Hard cover book with dust cover. Cover - cardboard, with yellow buckram. Gold print on spine. Dust cover - paper, cream colour print on front and spine. Illustrated in black and white, a collection of ten photographs and artwork. 323 pages - cut, plain, white paper, Illustrated - colour and black and white photographs, posters, drawings and artwork. Front and back end papers - illustrated sepia tones photograph of troops and barbed wire in silhouette. Front end paper - handwritten name.Front end paper - handwritten blue ink signature "Ron Bollard".books, military history, pictorial books

“The painted works are very intricate to make as I work in various sized brush strokes to make the images appear hand-drawn" This artwork by artwork by Briony Galligan was installed from Friday 20th November 2020 to 1 November 2021. Open Every Door consists of two wall paintings, each will remain at the site for 6 months, and a website publication. In April 2021 Briony installed the second artwork A Lover not a Fighter. Each abstract wall painting references queer histories and art makers, as well as abstract drawings made by Deakin’s Spiritualist contemporaries, such as Georgiana Haughton (1814-1884). The work was part of a City of Ballarat annual commission program to create temporary public artworks in Alfred Deakin Place, Ballarat. The artwork featured on a prominent site near the Art Gallery of Ballarat Annex. Currently a destination for art lovers and students from Federation University’s Arts Academy, Alfred Deakin Place is actively programmed as a space for new and innovative, contemporary public art. painted wall

Plaque, Silver coloured art work 23 x 15 mm affixed to 18 x 25 mm rectangular wooden board./ Artwork de[picts badge of 1 NZ Scottish RegimentMakers label on backplaque, plaque