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Glenelg Shire Council Cultural Collection
Booklet - Catalogue - Portland Trade Fair, 1967, Aug-67
Catalogue produced for Portland's 2nd annual trade fair, Aug 3,4,5 1967. Red and black covers, photos from 1st trade fair, white print,. 60 pages, black print, black and white photos, advertising exhibitors at Trade Fair.portland trade fair, programme, catalogue -
National Wool Museum
Newspaper - Dalgety N.Z.L., Merchandise Bulletin, July 1966, Dalgety N.Z.L, July 1966
Eight page product catalogue with printed blue and black text, graphics and photographs. front: [printed] DALGETY-N.Z.L. / JULY 1966 ISSUE / MERCHANDISE BULLETIN / ALL THE PRODUCTS CATALOGUED ARE OBTAINABLE AT / DALGETY-N.Z.L. BRANCHES AT STATE PRICES F.O.R. MELBOURNEagriculture, animal management, sheep, rural industry, dalgety, product catalogue, merchandise bulletin -
National Wool Museum
Quilt, Sure as night follows day
The quilt was purchased from the Wool Quilt exhibition held at the National Wool Museum in 1995. It was subsequently exhibited in the Expressions 2000: The Wool Quilt Prize exhibition in the 'Invited exhibitors' section of the show. (Jan Irvine wrote the catalogue essay for this exhibition.) The quilt is part of the "Running Stitch" Collection. This quilt is titled "Sure as Night follows Day" and was made by Jan Irvine from worn and recycled woollen blankets with wool batting. The quilt has been crazy pieced, air brush dyed and hand quilted. The quilt was exhibited in the Running Stitch Contemporary Wool Quilt Exhibition held at the National Wool Museum in 1995 and was purchased for $1800 from this exhibition. The quilt was catalogue entry no. 18. It was later exhibited in "Expressions 2000: the wool quilt prize" from 16 Sept. to 3 Dec. 2000 (extended until 2/2/2001, catalogue entry no. 26).Catalogue entry from "Expressions 2000" Catalogue, held 16th September to 3 December 2000. Introduction to exhibition "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery. Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 6 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 7 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 8 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 9 Essay by Glenda King from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 10 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 1 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 2 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 3 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 4 Biographical notes from exhibition catalogue "fragility & endurance - textiles by Jan Irvine-Nealie", held at The Queen Victoria Museum and Art Gallery, page 5SURE AS NIGHT FOLLOWS DAY DESIGNER + MAKER: JAN IRVINE NSW AUSTRALIA MADE:1995...quilting, handicrafts, textile art, running stitch group, blankets, running stitch collection, irvine-nealie, ms jan -
Peterborough History Group
Book, Art gallery of Ballarat, The Inimitable Mr Meek, 2015
Mr Meek was the first person to build a house in Peterborough prior to 1858. Born in England in 1815 and came to Australia in 1838. this catalogue showcases his artistic skill. The art exhibition was curated by Joan Luxemburg as part of her PHD.Mr Meek is credited with building the first house in Peterborough. He was an artist and had a varied and interesting life and this book mentions the dates he was in Peterborough (Curdies Inlet, as it was then known) and his activities in Peterborough. 85 page soft cover catalogue of an exhibition held at the Art Gallery of Ballarat in 2015mr james mckain archibald john meek, calligraphy, calligraphic works, graphic arts, joan luxemburg, peterborough, curdies inlet -
Whitehorse Historical Society Inc.
Document - Myer Catalogue, 1952
The Myer Emporium has had a history of over 100 years, and was first started by Sidney Myer trading his wares from door to door.Catalogue representing the store's latest goods to the purchaser, ranging from fashion, house furniture, garden and small farm equipment, kitchen ware, books, typewriters, childrens wear, shoes, men's wear, etc.The Myer Emporium Limited, Spring and Summer Catalogue, 1952books, catalogues -
Tatura Irrigation & Wartime Camps Museum
Document, Feu Nos Peres, 2006
This is a copy of the english translation of a catalogue of an exhibition of Mutsumi Tsuda in New Caledonia held in September, 2006Loose page document, stapled together in upper left hand corner. Translation of book (catalogue) of the same title into English (C1917)feu nos peres, tsuda, mutsumi, camp 4, tatura, ww2 camps -
Whitehorse Historical Society Inc.
Document, Stanley Titan Pty. Ltd
Collection of articles, catalogues, brochures and other documents. Collection of articles, catalogues, brochures and other documents relating to the Stanley Works, Turner Industries and Stanley Titan. List in box.Collection of articles, catalogues, brochures and other documents relating to the Stanley Works, Turner Industries and Stanley Titan. List in box.Collection of articles, catalogues, brochures and other documents. Collection of articles, catalogues, brochures and other documents relating to the Stanley Works, Turner Industries and Stanley Titan. List in box.stanley works pty. ltd., stanley titan pty. ltd., turner industries ltd. -
National Wool Museum
Book, Finishing Machinery
"Finishing Machinery" - James Bailey, Textile Machine Maker, Huddersfield, c. 1926. Catalogue of machinery for fulling, scouring, carbonising, dyeing and finishing woollen and worsted and other types of textiles.Catalogue of textile finishing machinery from James Bailey, textile machine maker, Huddersfield, c.1926.textile machinery textile finishing, james bailey, textile machine maker, milling, scouring, carbonising, dyeing, raising, textile machinery, textile finishing -
Bendigo Historical Society Inc.
Magazine - HANRO COLLECTION: HANRO AUTUMN WINTER CATALOGUE 1961, 1961
Hanro Autumn - Winter Catalogue 1961: The front cover is of a white and pink card background is a sketch in black ink of a lady wearing a matching night dress and dressing gown. To the right top is a sketch of a cuckoo clock. A black banner with Hanro in Pink is also to the right and across the bottom is *Swiss-inspired Lingerie . Catalogue Autumn - Winter 1961*. Inside the cover is advertising and the Index. The Catalogue consists of sketches of ladies wearing a variety of lingerie with the items number, description, material, size, quantity and colours available on gloss paper. The last page is of yellow paper and is the suggested retail selling prices, Style, item number, sizes. On the back is Trade Price List, Style, Size Range and price. On the back of the catalogue on pink and white card is a scene of pink sky with white clouds, sketched in black ink is the Swiss Alps with a Swiss Chalet, trees, flowers and a cow. In a box with a black border on a white background is *Hanro (Aust) Knitting Mills Limited. 163 Hargreaves Street, Bendigo, Victoria. 3024. Sales Offices, addresses and phone numbers of Melbourne, Sydney, Brisbane, Perth, Adelaide and Hobart. There is a sketch in black on a pink background of the Hanro factory in Switzerland *The home of World-Famous Hanro in Liestal, Switzerland*book, magazine, catalogue, hanro. catalogue -
Bendigo Historical Society Inc.
Book - STATIONERY COLLECTION: JAMES SPICER AND SONS
Light cardboard cover, red. Price list of James Spicer & Sons' specialities in fancy papers.50, Upper Thames Street & Queenhithe Dock, London, E.C. Full catalogue of items and prices produce by this company. Inside front cover gives locations in Australia, 119, Swanston Street, Melbourne and 48, Clarence Street Sydney.book, magazine, catalogue -
National Wool Museum
Book, Wool Catalogues 1946-1947 No.s 1-16 Wool & Produce Manager
Wool catalogues produced by the woolbrokers Goldsborough Mort, titled: Wool Catalogues 1946-1947 No.s 1-16 Wool and Produce Manager.WOOL / CATALOGUES / 1946-1947 / No.s 1-16 / WOOL & / PRODUCE / MANAGERgoldsbrough, mort and company limited -
National Wool Museum
Book, Wool Catalogues 1947-1948 No.s 1-14 Wool & Produce Manager
Wool catalogues produced by the woolbrokers Goldsborough Mort, titled: Wool Catalogues 1947-1948 No.s 1-14 Wool and Produce Manager.WOOL / CATALOGUES / 1947-1948 / No.s 1-14 / WOOL & / PRODUCE / MANAGERgoldsbrough, mort and company limited -
National Wool Museum
Book, Wool Catalogues 1948-1949 No.s 1-14 Wool & Produce Manager
Wool catalogues produced by the woolbrokers Goldsborough Mort, titled: Wool Catalogues 1948-1949 No.s 1-14 Wool and Produce Manager.WOOL / CATALOGUES / 1948-1949 / No.s 1-14 / WOOL & / PRODUCE / MANAGERgoldsbrough, mort and company limited -
National Wool Museum
Book, Wool Catalogues 1949-1950 No.s 1-13 Wool & Produce Manager
Wool catalogues produced by the woolbrokers Goldsborough Mort, titled: Wool Catalogues 1949-1950 No.s 1-13 Wool and Produce Manager.WOOL / CATALOGUES / 1949-1950 / No.s 1-13 / WOOL & / PRODUCE / MANAGERgoldsbrough, mort and company limited -
Marysville & District Historical Society
Booklet (Item) - Artshow Catalogue, Victorian Artists Society, Australian Landscape Paintings by Wykeham Perry, 1974
A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the Victorian Artists Society in 1974.A copy of a catalogue from an art show of paintings by Wykeham Perry that was held at the Victorian Artists Society in 1974. Wykeham Lindley Perry grew up near Marysville in Victoria and painted local scenes from a very early age. wykeham lindley perry, victorian artists society, marysville, victoria -
National Wool Museum
Book, Wool Catalogues 1947-1948 No.s 1-14 Official No. 2 Wool Valuer
Wool catalogues produced by the woolbrokers Goldsborough Mort, titled: Wool Catalogues 1947-1948 No.s 1-14 Official No.2 Wool Valuer.WOOL / CATALOGUES / 1947-1948 / No.s 1-14 / OFFICIAL / No. 2 / WOOL / VALUERgoldsbrough, mort and company limited -
National Wool Museum
Book, Wool Catalogues 1948-1949 No.s 1-14 Official No. 2 Wool Valuer
Wool catalogues produced by the woolbrokers Goldsborough Mort, titled: Wool Catalogues 1948-1949 No.s 1-14 Official No.2 Wool Valuer.WOOL / CATALOGUES / 1948-1949 / No.s 1-14 / OFFICIAL / No. 2 / WOOL / VALUERgoldsbrough, mort and company limited -
Bendigo Historical Society Inc.
Magazine - HANRO COLLECTION: HANRO AUTUMN WINTER CATALOGUE 1962, 1962
Hanro Autumn-Winter Catalogue 1962: The cover is of card with a white background with a large H in blue to the right. Sketched in black pen is a lady with a cardigan buttoned up with six buttons, long sleeves and a collar. To the right in white is *Hanro* under that in black print is *Catalogue Autumn-Winter 1962 Swiss Inspired Knitwear* Inside the cover is advertising. Attached with cello tape is a green sheet of paper with a sketch of a lady wearing a sweater with long sleeves and collar and bow. To the right is a medal, circular in shape with *Fashion Award Australian wool bureau* under that is Hanro, Gold Medal Winner 1962 Wool Fashion Awards*, a description of the garment, size and colour. Look better in a Hanro Sweater!* The catalogue is on gloss paper with sketched so ladies modelling Pullovers, cardigans, twin sets and jackets. Each item has its garment number description, sizes and colour. The back page is white with a large H to the left with *Hanro* in white and (Aust) Knitting Mills Limited* to the right is a box with a black border with the Sales offices addresses and phone numbers. At the bottom is *The Quality Is A Proud Tradition*.book, magazine, catalogue, hanro. catalogue. -
National Wool Museum
Book, Wool Catalogues 1946-1947 No.s 1-16 Official No. 1 Chief Wool Valuer
Wool catalogues produced by the woolbrokers Goldsborough Mort, titled: Wool Catalogues 1946-1947 No.s 1-16 Official No.1 Chief Wool Valuer.WOOL / CATALOGUES / 1946-1947 / No.s 1-16 / OFFICIAL / No. 1 / CHIEF / WOOL / VALUERgoldsbrough, mort and company limited -
National Wool Museum
Book, Wool Catalogues 1947-1948 No.s 1-14 Official No. 1 Chief Wool Valuer
Wool catalogues produced by the woolbrokers Goldsborough Mort, titled: Wool Catalogues 1947-1948 No.s 1-14 Official No. 1 Chief Wool Valuer.WOOL / CATALOGUES / 1947-1948 / No.s 1-14 / OFFICIAL / No. 1 / CHIEF / WOOL / VALUERgoldsbrough, mort and company limited -
National Wool Museum
Book, Wool Catalogues 1948-1949 No.s 1-14 Official No. 1 Chief Wool Valuer
Wool catalogues produced by the woolbrokers Goldsborough Mort, titled: Wool Catalogues 1948-1949 No.s 1-14 Official No.1 Chief Wool Valuer.WOOL / CATALOGUES / 1948-1949 / No.s 1-14 / OFFICIAL / No. 1 / CHIEF / WOOL / VALUERgoldsbrough, mort and company limited -
National Wool Museum
Book, Wool Catalogues 1949-1950 No.s 1-13 Official No. 1 Chief Wool Valuer
Wool catalogues produced by the woolbrokers Goldsborough Mort, titled: Wool Catalogues 1949-1950 No.s 1-13 Official No.1 Chief Wool Valuer.WOOL / CATALOGUES / 1949-1950 / No.s 1-13 / OFFICIAL / No.1 / CHIEF / WOOL / VALUERgoldsbrough, mort and company limited -
National Wool Museum
Book, Wool Catalogues 1950-1951 No.s 1-63 Official No. 1 Chief Wool Valuer
Wool catalogues produced by the woolbrokers Goldsborough Mort, titled: Wool Catalogues 1950-1951 No.s 1-63 Official No.1 Chief Wool Valuer.WOOL / CATALOGUES / 1950-1951 / No.s 1-63 / OFFICIAL / No. 1 / CHIEF / WOOL / VALUERgoldsbrough, mort and company limited -
Bendigo Historical Society Inc.
Magazine - HANRO COLLECTION: HANRO AUTUMN-WINTER CATALOGUE 1963, 1963
Hanro Autumn-Winter Catalogue 1963: On card with a lime green background and in black ink is white autumn leaves scattered across the page. Off to the left is a sketch of a lady in a dressing gown that has long sleeves with ruffled edges, draw in the waist with a ribbon decorative bodice with flowers and a collar. On the left in a star shaped banner printed in white on a black back ground is *Hanro*. On the right is *1963 Autumn-Winter Catalogue. Swiss Inspired Lingerie. The catalogue is of gloss paper with advertising inside the first page. Each page has sketches of ladies in nightgowns, night dressers, Pyjamas, Vests, Panties, Spencers and Children's wear. Each item has an item number, description, size and colour. On the back cover of lime green back ground is white autumn leaves scattered around. In a white star shaped banner is *Hanro in black print and to the side (Aust) Knitting Mills Ltd. Underneath is the sales offices addressed and phone numbers in each state.. At the bottom is *The Quality is a Proud Tradition*. Box 116ACambridge Press, Bendigobook, magazine, catalogue, hanro. catalogue. cambridge press, bendigo -
University of Melbourne, Burnley Campus Archives
Document, Irises; Gladioli, 1950-1959
Catalogues of Errey Bros. , Camperdown, Vic. 4 cataloguesflowers, catalogues, errey bros, camperdown -
Ringwood and District Historical Society
Photographs / Album Pages, Hill's Dairy, Canterbury Road, Ringwood 1989-collection of photographs, 6/07/1989
3 slip in album pages with 22 photos of Hill's Old Dairy, Canterbury Rd, Ringwood, taken 6/7/1989 by unknown. Subsequently demolished, land is now part of Ringwood Golf Course. See individual Catalogue entries for the 22 photos in this collection. Each photo has description on the reverse.See individual catalogue entries for each photo (6502-nnn) -
Whitehorse Historical Society Inc.
Article, Library boost
Nunawading's library service to be allocated $406,695 by the Victorian Government in 1993.Nunawading's library service to be allocated $406,695 by the Victorian Government in 1993. Arts Victoria has granted $20,000 to fund cataloguing Nunawading's music collection known as Music! Music! Music! Opus II.Nunawading's library service to be allocated $406,695 by the Victorian Government in 1993. music, nunawading library, music! music! music! opus ii, arts victoria -
The Beechworth Burke Museum
Animal specimen - Eastern Spinebill, Trustees of the Australian Museum, 1860-1880
The Eastern Spinebill is found along the eastern coast of Australia, from Queensland to South Australia. It lives in wooded areas. It is an insectivore and also eats nectar, which is why its beak is a long slender shape. Females and males have slight aesthetic differences; the males have more distinct markings on the head. The female birds build nests and incubate eggs, but both parent birds will feed the young. The Eastern Spinebill has a bright rust coloured belly and throat, with black wings, crown and tail. Its back is light brown. There is a white stripe on its chest which stretches up underneath its eyes. The eyes are red. This taxidermy specimen is not a good representation of the live bird because it is considerably faded and their feathers are very ruffled. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.There are two birds on a wooden stand. One has its beak in the air and the catalogue tag attached to its foot (main bird). It has some minor pest damage around its eye. The opposite bird looks straight ahead. The birds are placed next to each other, facing opposite directions. They are faded and have some ruffled feathers. 60a/ Spine Bill / See catalogue, page 18taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, eastern spinebill -
Robin Boyd Foundation
Book, Stegbar Limited, Stegbar
In 1952-53, Robin Boyd designed the Stegbar ‘Windowall’ - a prefabricated, structural framing/glazing system - to create a wall of windows. These ‘Windowalls’ were used extensively in domestic architecture across Australia from the 1950s to the 1970s. Boyd also designed the factory and showrooms for Stegbar Limited. The Walsh Street Archive holds exterior and interior perspectives of the building. Cataloguestegbar, windows, walsh st library, windowall, ohm2022, ohm2022_35 -
Robin Boyd Foundation
Book, David Davies: The Expatriate Period, 1978
CatalogueJohn Davieswalsh st library