Gold frame with linen mounting coloured oil on canvas, depicting four Huey helicopters in Vietnam, two landing and two on the ground in a valley with surrounding hillspainting, oil, hueys, 9 squadron raaf, raymond charles watts

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, oil on masonite, painting

From information Book - "Readers Digest/Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300. Framed print. Print - colour print on paper. Copy of an oil painting, depicting colour, the dawn landing of Australian and New Zealand troops at Anzac Cove. Frame - black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "CHARLES EDWARD DIXON (1872-1934). The Landing at Anzac. April 25th 1915". 1915. Successful British Maritime Painter.framed accessories, prints, ww1, gallipoli, centenary

The sitter, Associate Professor Peter D Livingstone, was the Inaugural President of the newly established ANZCA, February 1992. The portrait was later unveiled at the Council Meeting [17-18 Feb 1994] followed by the official opening of Ulimaroa on 19 February 1994. Further information about Professor Livingstone is found on Lives of the Fellows; http://anzca.online-exhibition.net/fellows/fellows-1992/peter-david-livingstone/ The artist Graham Inson is represented in many major public and private art collections. A finalist in the 1990 and 1992 Doug Moran Portrait Prize, he has painted numerous official portraits of politicians, academics and for many of Australia's largest Companies. Oil painting on canvas of Associate Professor Peter Livingstone, seated at an angle facing left, wearing the College gown and tie with a dark plain background. Mounted on a fabric backing in a gold leaf frame with a small brass plaque affixed to the lower center of the frame.[brass plaque] ASSOCIATE PROFESSOR / PETER D LIVINGSTONE / INAUGURAL PRESIDENT / 1992 / PRESENTED BY THE / AUSTRALIAN SOCIETY OF ANAESTHETISTSpainting, livingstone, peter, anzca president, inson, graham

Painting of Yarran Dheren by Barbara Rogalski, a member of Whitehorse Historical Society. Painting is one of a set of 4.Oil Painting of bush setting with water course and yellow wattle in flower and pink blossom tree in centre. Mounted in beige cotton fabric with inner beige plastic frame. Outer frame of brown wood with gold trim. Painted at Yarran Dheren, Mitcham.Signed by Barbara Rogalskipainting, yarran dheren reserve

The right honourable Lieutenant-Colonel Arthur Tennyson Somers Cocks, was born in Herefordshire. Served with distinction in the Army and was twice decorated with bravery, before being appointed as Governor of Victoria. This portrait of Lord Somers is the only one in which a Grand Master is not in masonic regalia. Lord Somers insisted he not be seen dressed in a manner which could give offence to any other organization, with which he was associated in Public Life or Private Life. He was deeply involved in the Scouting Movement and was Chief Scout in Victoria and succeeded Baden-Powell as Chief Scout of the British Commonwealth.The portrait of Lord Somers holds great significance as it is the only painting within the Library and Museum collection of a Grand Master without his masonic regalia. Lord Somers stands beside his hat and is in uniform, no apron or other freemason regalia. Freemason Victoria coat of arms in upper left corner.Framed oil painting on canvas with stretcher/strainer. Wood/metal composite brackets used to fix painting to wall. 'Compo' ornamented gilt frame with running designs. Metal placque with two screws holding it to frame. portrait, painting, freemasons victoria, freemasonry, victoria, grand master

This work is one of a number of artworks by Ballarat School of Mines Students produced for the opening of the new Mount Helen Campus. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Oil and acrylic painting showing a scene in a gymnasium. art, artwork, domenico micich, milivoj micich, micich, gym, gymnasium, oil and acrylic on canvas, available, alumni, sport

Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Large painting in oil.wes walters, artist, artwork, woman

Colour acrylic or oil painting of a signals radio room. The painting depicts an operator facing the artist whilst tuning in a frequency.The operator is in a Green uniform with two bars and two chevrons on his sleeve is a Raeme Lad - Ziggy. The painting is set in an ornate Gold frame.Donated to the N.V.V.M. Phillip Island. In memorry of Dr. Zygmunt A Gizyckide Gozdawa. MDDS ( Poznan - Poland B.D Sc (Melb) L.D.S. (Vic) By Gizycki De Gozdawa Family Heritage Foundation Ziggy @ Raeme Lad Radio Wksp. 7 BN RAR 1st Tour NUI DAT.1967.painting, signals, gizycki

Original drawing was Indian ink on paper by Alfred George Reynolds (1906-1996) who was Vicar of St Lukes Vermont from 1947-1952. Alfred George Reynolds was a noted Australian artist in the mediums of oil painting, etching and pen and ink drawing.Black and white cutting from a newspaper of St. Lukes Anglican Church, VermontA G Reynoldsst. lukes anglican church, vermont

Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Untitled Oil painting depicting an old miner's cottage. The cottage has two wooden doors the one on the left is open and a window can be seen at the other end. The second door is closed. On the right hand side there is another building. A large tree and a tree stump on the foreground.The signature of the artist at the bottom right hand side landscape, miner's cottage

Used for decoration in the home.A small rectangular badly damaged oil painting of a clipper ship sailing in calm waters with seabirds in the background. It has a decorative leaf patterned cream painted wooden frame with rusted wire at the back for hanging. It is backed by a wooden board secured by four small nails and a layer of paper.oil paintings, paintings, artworks, objects

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. This work was purchased from the University of Ballarat 'Goodbye Helen' end of year exhibition.Oil on canvas painting featuring blue, orange and yellow. art, artwork, churchill, gippsland campus, school of business collection, janelle vaughan

Softcover Book, 442 Pages, Apps 1-9, Bibliography and Index, by Paul W Simpson. Front cover depicts the vessel in question in rough seas (oil painting), wide blue horizontal bands above and below the picture. Back covers is portion of a period photograph of the Loch Soy.non-fiction“The Loch Soy was built for Aitken, Liburn & Co of Glasgow. She sailed between Britain and Australia for more than twenty years. In that time she established a reputation as a crack wool clipper. … The clipper lasted twenty one years before coming to grief on the jagged shore of Kangaroo Island during the predawn hours of April 24th 1899 ...”--Back cover. Contains biographical information. Includes bibliographical references (pages 407-420) and index.clipper, loch, jammer, shipwreck, simpson, kangaroo island, loch sloy ship, wool, transportation

Dr Michael Hodgson was apppointed ANZCA President in 1992 until 1993. The painting, undertaken in 1995, was later unveiled in 1996 with Dr. Hodgson present. Further information about Dr. Hodgson can be found on The Lives of the Fellows, http://anzca.online-exhibition.net/fellows/fellows-1992/michael-john-hind-hodgson/ Oil painting on canvas of Dr Michael J H Hodgson seated in front of blue-grey drapery and a window showing Ulimaroa in the distance. The subject is wearing the Presidential gown but not the Presidential badge. Framed in a plain grey and gold frame with a brass plaque affixed on bottom center front of frame. [plaque] Dr Michael J H Hodgson / President 1992 - 1993 [Artist's signature lower right corner] Audrey Wilson / 1995hodgson, michael, anzca president, ulimaroa

This colour photograph of a gum leaf painting shows one of the many landscapes done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by Alfred Eustace. Landscape featuring a deep creek surrounded by thick bushland displayed against dark brown backing paper which has a gilt oval surround to highlight the painting. Under glass, in a gold and dark brown metal frame.Sticker on back: 189. (the original registration number)alfred eustace, gum leaf painting, landscape

Framed oil painting seascape titled: "Mahers Landing" by Adrian Johnson. A Fish Creek Acquisitive Art Show Prize 1991.Set in cream card window mount with gold painted woood frame. Small brass engraved plaque affixed to lower edge. Details of artist on reverse.

William Abendigo Thompson was English bare-knuckle boxer born in Nottingham, 1811- 1880 and whose name is (allegedly) borne by the City of Greater Bendigo. One of 21 children he started fighting aged 18 and began prizefighting aged 21. His career spanned from 1832–50, and is said to have lost only one fight. Later in life, after spending time in prison he became a Methodist evangelist preacher. While the artist and date of production of this work are unknown the initials JJLh (or n?) are just legible lower right on canvas. Other clues for an approximate date of creation include the similarity in composition of this painting to a popular aquatint of Bendigo by Charles Hunt Senior (1803 - 77). Based on the markings on the back of the canvas for Rowney and Co and the address given, we can ascertain that the canvas itself was manufactured between 1884 - 1896. The painting also includes an extract of the Conan Doyle poem 'Bendigo's Sermon' which was written in 1911. Given these three factors, a date for the painting can be surmised as post 1911. Stretched made by George Rowney’s is one of very few artists’ supply businesses with origins in the 18th century still trading today, as Daler-Rowney, albeit no longer in family hands. The business has been a significant supplier of canvases and panels from the 1810s. Naive, Primitive, British0348.1 Framed oil painting of the bare fisted knuckle fighter William Abendigo Thompson painted in a naïve style. Depicts Thompson, bare chested in an outdoor fighting ring with his fists raised with a water bucket at this feet. 0348.2 Typed note re the history of the naming of the City of Bendigo.Top centre front of painting; You didn’t know of Bendigo? That knocks me out! Who’s your board school teacher? What’s he about? Chock a block with fairy tales – full of useless cram And haven’t heard o' Bendigo the pride of Nothin’ All sing along together lower centre painting; William Abendigo Thompson centre Inner wooden frame; bendigo back of canvas; Geo. Rowney & Co 64 Oxford Street and Princes Ball Piccadilly London W sticker lower centre back of frame; donors name and address. Initials illegible lower right.city of greater bendigo sport

A black and white photograph taken at Nui Dat July 1967. War artist Lt Bruce Fletcher puts the finishing touches to his oil painting of Pte Jim Moloney. Lt Fletcher was accidently wounded in the foot when a captured enemy weapon discharged while being stacked.photograph, nui dat, war artist, lt bruce fletcher, pte jim maloney, gibbons collection catalogue

Colour print of an oil painting in a gold frame with cream mat.The painting depicts a scene where army personnel lay cables in an erea where an aerial is up. On the horizon Helicopters come in, including a chiook, with supplies for the growing base.Signals operations being set up /run from back of APC'S'Signals in Vietnam' 1965 -1972 By Ken Mc Fadyen.print, helicopters, ken mcfadyen

Photographic/Print of HM King George V in uniform of 2nd Btn King's Regt (Liverpool). King George V regimental oil painting - commissioned by 2nd Btn King's Regt (Liverpool) - One of three identical portraits King sat on 28 Feb 1931 - in gilt/timber frame.

From Information book; "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an oil painting with pencil on wood. Depicts a cove with sea, sand and hills. Ruined buildings and structures visible on the beach. Horse eating grass in the foreground. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink; " GEORGE W LAMBERT (1873-1930) Anzac Cove, 1919" “GEORGE W LAMBERT, unable to enlist in the Australian Imperial Force in London, joined Voluntary Training Corps". Appointed an official Australia War Artist, Australian Imperial Force 1917. framed accessories, prints, ww1, gallipoli, centenary

Framed Chinese glass oil painting on stand. The painting features a Chinese fishing boat and two fish, one is a large gold fish jumping out of the water and the second is a small black fish. Brown laquered wood frame set in a decorative carved wood stand. Chinese writing on the sails of the boat.

William Charles Vahland (1828-1915) was born in Germany and came to Bendigo in 1854. He married Jane Barrow in 1859. He was an architect responsible for over 200 building, both public and private, in the Bendigo area. These included the Town Hall, Shamrock hotel, and Fortuna Villa. He was a director and committee member of many Bendigo institutions.Oil painting, in ornate gold frame, of W.C. Vahland. On bottom of frame is a brass plaque on which is engraved written 'W.C. Vahland, Pioneer Bendigo Architect' Painting by Ruth Ellis. Donated to BHS by Licensee of Shamrock Hotel. Given to Jim Evans. No paperwork. The painting was originally hanging in the Shamrock Hotel. Deframed

David Armfield studied at the National Gallery School in the 1940s and turned to full time painting in 1965. RMIT printamking. He has won several art awards, including the Ramsay Prize - NGV School, the Redcliffe and in 1980 the Eltham Prize. Armfield is represented in the National Gallery collection, Art Gallery of NSW, Tasmanian Art Gallery, several regional art galleries across Australia as well as private collections. David Armfield first came to Eltham in the late 1903s on painting trips and used to camp on the banks of the Diamond Creed. He returned to Eltham in 1957 with his wife Joan who has subsequently become one of the district's potters, and built a mud brick house and studio in John Street on land adjoining Peter Glass. He has painted many landscapes in the district including intimate studies of the bush floor and the aftermath of bush fires.Oil on canvas painting depicting a Panton Hill bush scape.Signed: D. Armfield in lower right hand corner. Not dated.david armfield, eltham art prize, panton hill

From information book - "Reader's Digest/ Gallipoli/ 25th April 1915 - 9th January 1916/ Centenary Commemorative Prints". Collection of 20 prints. Refer Cat No. 7300.Framed print. Print - colour print on paper. Copy of an original oil painting on canvas. Depicts a soldier leaning against a wall structure with a second soldier in more muted tones in the background within an earth trench. Frame - Black plastic framing with glass front and MDF board backing with adhered black paper.Details below print - in black ink. "GEORGE COURTNEY BENSON (1886-1960) Infantryman c 1919-1920". GEORGE BENSON " Enlisted in the Australian Imperial Force in September 1914 with the 3rd Field Artillery Brigade". "Commissioned as an official artist in April 1918".framed accessories, prints, ww1, gallipoli, centenary

Painting of Aircraft 1914 Geoffrey Lea, Aviation artist from the North of England, specialised in Aviation oil paintings. Geoff lea has been painting for over 35 years and his aviation art has featured in many aviation books and a number of sought after aviation art prints. Geoff now resides in Australia,Print "War Dance" Watercolour R.A.A.F. 3 Sqn. Bf110 Alemein Nov.20 1914War Dance by Geoff Leabf110 3squadron raaf

Butchers Slaughter Yard cnr. Clifton Avenue and Ormston Road which belonged to Chaponnel family. These yards are now demolished. The land being sold for housing. 0099.2 is a photograph copy of an original oil painting titled "The Old Timer" by Reg Capon Nov. 1979. Painting owned by Mr. Phillip Nicholson Clifton Ave. Stawell.Two black and white photographs of a scene depicting a neglected timber building, with corrugated iron roof and brick chimney. Timber fence and race surround the stock yards. The painting (0099.2) is by Reg Capon called "The old Timer" Nov 1979.stawell business

This is a portrait of Dr. Richard Willis, formally ANZCA President [2002-2004]. ANZCA commissioned the portrait which was unveiled to Dr. Willis on 23 February 2007. Oil painting on canvas of former ANZCA President Dr. Richard Willis seated face on with hands crossed on his lap. He is wearing surgical scrubs with the College gown on a plain hanger behind him and the President's medal hanging off the back of the chair. Plain light blue background mounted in a plain brown frame.[Lower Left Hand Side] V SERELIS SEPT 2006painting, president, willis, richard, serelis, vytas