8663.1 - Blue leather bound book with orange print on cover.- The Home Nurse - V. A. Wawn MPSA

White boot with flowers - gold, blue, pink, yellow and orange.Made In Germany - bottom of shoe

Advertising carnival to be held on 8-13th December at Luna Park to aid Australian Red Cross and Comfort FundsPaper, brightly coloured (orange, yellow, green) printed in blackvictorian red cross, luna park, australian comforts fund, wwi fund-raising

Breast Pump - brand ContiMed - from c.1950s era.Orange rubber bulb with glass attachment. In original cardboard box. breast pump, pump, 1950s, contimed, mother, baby, midwifery

Collector says: I adore these bright blankets with their labels depicting summer times. For most blanketeers, the Laconia Mexicana is a bit of a holy grail - for the label just as much as the blanket. Laconia made the Mexicana in 1964 and I suspect the Waverley and Onkaparinga came afterwards.Collector says: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from.Queen sized checked blanket, red, blue, orange, yellow. An Onkaparinga 100% pure wool production. In emblem: Made in Australia. Name tag sewn below label: R M. Shiltonwool, blanket, blanket fever, onkapringa

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Plaid travel rug, double-sided , fringed , brown and orangeThe Seal of Quality/"Onkaparinga" /Pure Wool/Manufactured in Australia by Onkaparinga Woollen Co.Ltd/Owner___wool, blanket, blanket fever, travel rug, onkaparinga

see No 359Border Tile - Orange with one black end and black centreceramics, earthenware

Metal plane painted orange. Two fixed black wheelsB14/Mitsubishi Zero/Made in Hong Kongtoys, general

Orange paper ticket for 1/- for the Melbourne and Metropolitan Tramways Board.1-11 Melb & Metropolitan--- This ticket ----- 1/- D L 801029|REVERSE Ask for Stamina --- Shall He Reap.documents, tickets

Wooden orange chair with rounded back suitable for doll's house.toys, doll's furniture

Donated to the Society by Mayor, Cr. Helen, Buckingham on behalf of the City of Nunawading.White ceramic mug with City of Whitehorse logo in orange and green.civic mementoes, souvenirs

Donated by Mrs Mercer, MaryWhite baby powder tin with orange trim and blue lettering"Johnson's Baby Powder. Economy Size, purest protection. Johnson & Johnson"

WW2 manual.Orange card cover Book no AP1081 320 pages with illustrations.No 419768 R. W. McLeod

Made to distribute to advertise seminars hosted and created by QVWCCardboard flyer. orange, navy blue and white colour theme.

Carbon copy of a 1955 Letter from D.C.Gallagher to Legatee R. Foskett, disagreeing with the appointment of an additional Assistant Matron and detailing his reasons. Reveals considerable dissension and refers to the Holmbush minutes for 5 May 1955 (Item 00279).A good example of the democratic way in which Legacy was run, as well as indicating contemporary social parameters.Two foolscap sheets, orange copy paper, carbon printHandwritten correctionsholmbush, staff, foskett

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.The V&A's history of fashion describes 1930s dresses as characterised by '... a slinky femininity... Parisian couturiers introduced the bias-cut into their designs, which caused the fabric to skim over the body's curves. Long, simple and clinging evening gowns, made of satin were popular. Often the dresses had low scooping backs'. This dress was made for an aunt of the donor, who was the daughter and sister of well-known male Melbourne architects in the Smart family.Long cream and orange floral crepe georgette evening dresswomen's clothing, australian fashion - 1930s, fashion and textiles collection, rosemary smart

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This brocade top was made and worn by Thea Sartori.Brocade evening top highlighted with flowers of orange, blue and purple. evening wear, evening tops, australian fashion -- 1960s, thea sartori

The Adult Deaf and Dumb Society of Victoria, now known as Vicdeaf, (the Victorian Deaf Society), was founded in 1884 as the Victorian Society for Promoting the Spiritual and Temporal Welfare of the Adult Deaf and Dumb. The provisional committee being Mr W Bates, Mr J M Bruce, Mr J D Gowan, Mr Edwin Newbiggin, Mr C M Officer, M. L, A., and the Rev. W. Moss. The Adult Deaf and Dumb Mission's objects were: 1. To provide the means for religious worship and instruction for the adult deaf and dumb of Victoria 2. To visit the deaf and dumb in their homes, especially when sick or in distress 3. To assist the deaf and dumb of good character in obtaining suitable employment 4. To provide technical and other education for the adult and dumb 5. To give pecuniary assistance to adult deaf and dumb who are in needThe Annual Reports of the Adult Deaf and Dumb Society are historically significant providing insight into the history of the evolving Deaf Community in Victoria. They are a annual 'snapshot' of the year with references not only to the progress of the Society but also to the significant people and events within the Deaf Community.Orange Cover, Size 21.5Hx13.5W, 76 pages (Poor Condition)thomas david gibson carmichael, f. s. grimwade, e. r. peacock, harold kent, h. sumner martin, m. l. miller, h. w. h. adeney, w. a. dickens, f. e. frewin, john m. griffiths, rev j. j. halley, s. mauger, g. g. mercy, m. l. miller, j. e. muir, f. j. rose, f. tudor, henry weedon, ernest j. d. abraham, mrs e. j. d. abraham, miss i. foster, miss a. foster, mrs f. e. frewin, mrs h. sumner martin, mrs j. e. muir, mrs r. r. paterson, mrs w. a. paterson, mrs a. wilson. mrs samuel luke, w. j. craig, john cronin, alex williamson, s. moss, m. g. b mortimer, captain olden, incorporation, blackburn, messrs ward and carleton, r. l. phillips, box hill, edward newbigin, our monthly letter, mrs w. a. paterson, e. fletcher, w. w. bass, d. robertson, w. walker, w. scott, horace reynolds,

City of Stawell Diesel Engine 3. Diesel Rail Engine City of Stawell N467 and three carriages in cutting 4, Close up of Diesel Engine City of Stawell N467 drivers cabin window 5. Diesel Rail Engine City of Stawell N467 pulled up at Stawell StationSix Colour photographs of Orange coloured diesel rail engine stawell

Rosalind LAWSON (11 January 1948 - ) Born Ballarat, Victoria Rosalind Lawson has spent much of her career working in rural environements, in Australia and Ireland. She has exhibited widely, and in 1997 won the Broken Hill Outback Art Prize. She holds a Master of Fine Art from R.M.I.T. (1995), a Diploma of Fine Art from R.M.I.T, A Diploma of Physical Education, from the University of Melbourne, and a Trained Teachers' Certificate from Melbourne Secondary Teachers' College . Between 1989 and 2012 Ros Lawson Lecturered in painting, drawing, papermaking, and was a tutor in Art History, at the University of Ballarat Arts Academy (now Federation University). Her studio practice includes painting, drawing and paper art using handmade paper. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed stencilled and cut handmade paper in grey, black and orange.art, artwork, rosalind lawson, paper, papermaking, lawson, hand made paper, abstract

The Optacon OPtical-to-TActile-CONverter is a compact, portable reading aid for the blind. It is about the size of a textbook, and weighs less than 2kg. It works by converting a printed image into a tactile image that a blind person can feel with one finger. After a period of training and practice, a blind person can use the Optacon to read ordinary books, magazines, newspapers, and other printed materials. The Optacon was developed after intensive research at Standford University, California, USA and was trialed by clients of the Royal Victorian Institute for the Blind (now part of Vision Australia) in 1973. It has three main sections: 1 a miniature camera, 2 an electronics section, and 3 a tactile stimulator array. The miniature camera, about the size of a pocket knife, is mounted in a housing that has rollers for easy movement along a line of print. The camera is connected to the electronics section by a lightweight cable. The electronics section and the tactile stimulator array are in the main chassis. The array consists of 144 tiny metal rods arranged in six vertical columns and 24 horizontal rows. Each of the rods can vibrate independently. The tips of these rods protrude through holes in a concave finger plate where the index finger is placed flat in order to read. These three components act together to convert the image of a printed letter or other shape into a pattern of vibrating rods, a tactile image of the letter or shape. The letter shape is tactually perceived as an image that moves from right to left on the finger, showing the left or leading edge of the letter first. Letters are felt sequentially rather than all at once, and the image should be kept moving. The Optacon converts a printed O into a tactile form that resembles a crater with a vibrating rim -- a completed circle. C would have a gap or opening on the right side of the curve. The letter F would be felt, sequentially, as a vertical line with two trailing horizontal lines. Because it can convert any ordinary printed image into a corresponding tactile image, the Optacon is not restricted to any special typestyle or language. The camera has a zoom lens that compensates for differences in the size of type. The standard Optacon lens can accommodate type sizes from 6 point to 20 point. With the optional F4A magnifier lens, type sizes as small as 4 point can be read. Powered by a rechargeable battery, and comes with its own battery charger. The battery is contained within the main chassis, and is not removable by the user. There are four basic controls on the Optacon: the Magnification Adjustment zoom button located on the camera section on the side opposite the rollers; and the On-Off switch, the Stimulator Intensity Adjustment knob, and the Threshold Adjustment knob located on the right side of the front panel. The Circuit Breaker protrudes from the right-hand wall inside the chassis compartment. From left to right when the back panel is facing you, are located: the jack for connecting the battery charger; the Battery Check button; the Normal-Invert switch; and the Input/Output I/O connector for use with the Visual Display, when using the Repeater Cable to connect two Optacons to one another or with other accessories. Designed not be removed from the leather case during normal operation, the On-Off switch is a slide switch located on the right side of the front panel. It slides up and snaps into place in the on position. 1 black with orange front, rectangular device in leather case assistive devices, audio equipment

Since their Australian introduction in the early 20th century, public telephones have undergone several design iterations; diversifying methods of payment from coin to card, incorporating solar charging, mobile charging and Wi-fi access and of course, mitigation against vandalism. This model, a coin-operated Gold Phone, replaced the easily pilfered Red Phone and was succeeded by the Blue Phone in the 1990s. Although the prevalence of public telephones has decreased alongside the increase in mobile phone usage, public telephones remain under Telstra’s universal service obligation as vital communications infrastructure for low-income citizens and those needing to communicate in disasters. According to the Conversation, 13 million calls are made annually from public payphones, 200,000 of which are to triple zero.Orange plastic cased public payphone with button dials on face.public telephone, payphone, public services, telecom