Originally known as the Melbourne Cash Stores the general merchandise business of Younger and Co. was a dominant one in Liebig Street, Warrnambool from 1888 with the arrival in town of John Younger through to the store closure in 1983. John Younger was the director of the Warrnambool Woollen Mills in1903, the Mayor of Warrnambool in 1910 serving two terms and an elder of the Presbyterian Church. These labels are of importance as the John Younger store was a prominent business in Warrnambool for over ninety years..1 Rectangular cream and dark blue label with text. It is adhered to a piece of white paper. The label is damaged so that some of the text is obliterated. . .2 Rectangular thin card cream label with red text and a decorative border. .3 Cream rectangular label with a symbol of a Y and CO intertwined, other small decorations and text all in gold colour..1 MELBOURNE ( OBLITERATED) STORES FROM YOUNGER & CO. Dressmaking Millinery Drapery LIEBIG ST., WARRNAMBOOL.( In pencil and handwritten) Mrs. J Younger Darling Street .2 MANUFACTURED BY Y AND CO. WARRNAMBOOL SIZE.... .3 Modes de Paris YOUNGER & CO. 1900 ( in pencil ) ..younger and company, warrnambool

Willcox and Gibbs: Serial No. 158679.|The Willcox& Gibbs Sewing Machine Company was founded in 1857 by James E. A. Gibbs and James Willcox and opened its London Office in 1859 at 135 Regent Street . By 1871 the Company's Chief Office for Europe was at 150 Cheapside, London, this office was later moved (post 1885) to 94 - 96 Wigmore Street, then 37 & 39 Moorgate Street (by 1891 to post 1907) and later 20 Fore Street, London .Right from the initial production the manufacturing of the Company's single thread, chain stitch machine was undertaken by Brown & Sharpe, Rhode Island and this continued up until 1948.|A special hand crank mechanism was produced in England for the European market, but the general design of the Willcox& Gibbs remained essentially the same throughout its production. The only major improvement was in 1875 when the glass tension discs were replaced with an automatic tension device which ensured the machine could not get out of adjustment.|In addition to the domestic hand and treadle machines the company produced a wide range of industrial models.|The Company finally closed in 1973.|This Willcox& Gibbs came complete with its wooden carry case. The machine was made in America in the late 1860's but it has the ornate hand crank produced at Coalbrookdale near Telford, England which was, in Victorian times, renown for producing high quality ornate iron castings. This machine has the glass tension discs which were used on domestic models until 1875. The Willcox& Gibbs badge is located on the rear of the base casting and it also has a deep wooden base.|The cloth plate has various American patent dates, four dating between 1857 & 1860 relating to J. E. A. Gibbs, three dating between 1860 & 1864 relating to Chas H. Willcox (son of James Willcox), the machine was also licensed under five other patents including the infamous Elias Howe patent of 1846.|There are only two English patents one for J. E. A Gibbs and the other for James Willcox.Upright sewing machine. Machine is quite small and set on wooden table. Ornate metal sides and treadle feet. One drawer. Brass name medallion on back.Willcox & Gibb Sewing Machine co, New York.|Other inscriptions are :-|London, Paris|Measures|Thread type|Needle 12 stitches to inch|Brevettees G.D.G.|En France|Eten Delgique|Under Royal Letters|Patent|James Willcox|July 4 - 71 [1871]handcrafts, equipment

Black & White studio portrait photograph. Bearded moustached male aged approx mid fifty. Head & Shoulders. Jacket & Vest. Printed on front. 7 Collins St East, J W Lindts Melbourne. Extensive Reverse Printing include. From J W Lindt's Studio above lithograph view of Melbourne. Special Publications. 'Album of Australian Aboriginals', Characteristic Australian Forest Scenery, Genre, Pictures of Bush Characters, Men of Mark and distinguished Visitors to Victoria. Gold, Silver & Bronze Medals and Diplomas. Awarded at Philadelphia, Paris, Sydney, Brisbane, Sandhurst.J W Lindt's Studiophotograph, person, male

A wooden racquet with solid, convex throat, cloth tape shoulder reinforcements, and deep grooved handle. Features early use of laminated wood strips, nailed to side of stem, and up along throat and lower head. Inscription across throat on obverse: TUNMER/"SPECIAL". Inscription across butt cover, in French: A.A. TUNMER/& CO.//PARIS/A GARDER SOUS PRESSE. On the throat on reverse, is inscription in French and Latin: MARQUE DE FABRIQUE/DEPOSEE/ATA/IN HOC SIGNO VINCES. Materials: Wood, Gut, Cloth tape, Ink, Glue, Lacquer, Leather, Metal, Painttennis

CINEMARECORD ISSUE 97 March 218 ARTICLES IN THIS EDITION Life Memberships Awards Errata CinemaRecord # 96 Fire at the Mentone Theatre Proserpine’s Eldorado Theatres The Astra, Ascot Park, SA Cinemas of Orange NSW Happy Days at Hoyts Movies Gulgong’s Prince of Wales Opera House My Fair Lady Theatre, Adelaide Plaza Theatre / Paris Theatre, Perth Prince of Wales, Hobart Then and Now - Prospect SA When CinemaScope came to Australia Smoke Gets in Your Eyes Looking Back … The Regent and Plaza, Melbourne Perth Theatre Advertising 1982

" A Classified Catalogue, giving particulars of upwards of 1000 volumes published by Messrs Cassell & Company ranging in price from 3 pence to 25 guineas will be sent on request post free to any address by Cassell & Company Ltd: La Belle Sauvage, Ludgate Hill, London; Rue Bleu 10 Paris; 739-741 Broadway New York; 2 Russell St Melbourne " Early settlers could obtain literary works for their enjoyment and educational pursuits.This catalogue of books available from Cassell's & Co. Ltd allowed early settlers to purchase literary works for their enjoyment and educational benefitA pocket sized brochure with price list of Cassell's Red LibraryPrinted brochurecassell & co ltd; publishers, printers, london, paris, new york, library books, stevenson r.l., dickens c, austen j; mechanics institute cheltenham, market gardeners, pioneers, cheltenham, moorabbin, bentleigh, bent thomas, charman stephen,

The Milton Shield was given to the College in 1968 by the eminent Sydney surgeon Conrad Blakemore (1898-1976), whose family had owned it for almost 100 years. There are three known examples of this Shield in Australia. They are electrotype reproductions made by Elkington & Co. of an original created by Léonard Morel-Ladeuil between 1864 and 1866, and exhibited in Paris at the Exposition Universelle of 1867. The original is made of silver and damascened iron, measures 880mm by 630mm, and is now in the Victoria & Albert Museum in London.There are three known examples of this Shield in Australia. They are electrotype reproductions made by Elkington & Co. of an original created by Léonard Morel-Ladeuil between 1864 and 1866, and exhibited in Paris at the Exposition Universelle of 1867. The original is made of silver and damascened iron, measures 880mm by 630mm, and is now in the Victoria & Albert Museum in London.The Shield is oval in shape, and is divided into several fields, each of which shows a different scene. The entire surface is covered in floral and animal decoration, and patterns. A cable moulding runs around the outer edge. The College’s Shield is set in a heavy timber frame bordered with red velvet and glazed.The central area is circular, depicting the archangel Raphael telling the story of the war in Heaven to Adam and Eve in the Garden of Eden. Immediately below this is the figure of the archangel Michael trampling on the defeated Satan. At the bottom of the shield are two figures representing Sin and Death. On either side of the central circle is a kidney-shaped field, the one on the left showing the army of the rebel angels assaulting Heaven, and on the right the fall of the rebel angels. At the top of the Shield are figures of cherubim and seraphim. The name of the Shield derives from the scenes on it, illustrating episodes from Paradise Lost by John Milton (1608-1674). Presented by Conrad Blackmoremilton shield, conrad blakemore, 1968, léonard morel-ladeuil

Staff and Pleasant Creek 502 Common School. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. The education of children in the early years was at the hands of various denominations and attendance was not compulsory. So it was at Pleasant Creek, where prior to 1858, no real effort had been made by any of the nominations to establish schools. In 1864 the denominational system was abolished and school became known as the ‘common school’, such as pictured. stawell education

J. Miners was a cash draper and outfitter in Koroit Street , succeeding Thomas Nayler. The shop sold millinery in the "Elite Millinery' department . The known date for this business is 1907. The delivery docket tells us that delivery costs were covered for an item costing over one pound. .These labels are of some significance as little is known about this store..1, White rectangular label on adhesive paper with white and dark blue text and space for writing. Some of the text is contained in the borders. It is damaged. .2 Identical to .1 but undamaged .3 Identical to .1 and stained .4 Identical to .1 but undamaged and stained .5 Identical to .4. .6 Identical to .1 .7 Identical to .1 .8 Identical to .1 .9 Identical to .2 .10 Cream rectangular folded card with gold coloured text and a decorative border of leaves. .1,.2,.3,.4,.5,.6,.7,.8,.9.. From J. Miners KOROIT STREET DRAPER, WARRNAMBOOL ELITE MILLINERY. MEN'S CLOTHING. BOOTS AND SHOES Carriage Paid on all Parcels from ( one pound ) upwards. .10 Elite Millinery MODES DE PARIS No.........j miners, draper

The extensive fashion and design collection of the Kew Historical Society has been assembled over a number of decades. One subsection of this collection is shoes, designed and manufactured for Australian women by Australian and European designers. Many of the shoes, while often mass-produced, were generally constructed by skilled artisans using traditional shoe-making techniques. The shoes date from the 1890s to the 1980s. These shoes were owned, worn and donated to the collection by Annie McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Black satin and velvet evening shoes, by Enrico Coveri. The shoes were purchased by Annie McIntyre and worn with her Martin Grant outfit in 1985 at her 21st birthday party. The shoes, donated by Annie McIntyre, form part of the McIntyre family collection.A note by Dione McIntyre, describing the outfit, of which this item is a part reads: "Martin Grant outfit, including black satin and velvet shoes. Martin Grant was originally from Melbourne, now internationally and renowned and designing and living in Paris. The outfit was worn by Annie McIntyre on her 21st birthday, 1985"mcintyre collection, enrico coveri, international fashion - footwear - 1980s, women's shoes

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the nineteenth and twentieth centuries.These were produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. The McIntyre Collection forms one of the largest single donations to our Fashion & Design collection. It includes clothing worn by women in the Cohen and McIntyre families. The collection is significant historically and aesthetically, demonstrating changing tastes in fashion over an 80-year period. It includes the work of a large number of Melbourne designers from the 1950s to the 1980s. Dark green coloured taffeta and organza short evening culottes with separate black velvet evening jacket. The outfit, confidently dated to 1985, is from one of the earliest ready-to-wear collections by Martin Grant, who began his career in Melbourne at the age of 16.A note by Dione McIntyre, describing the outfit, of which this item is a part reads: "Martin Grant outfit, including black satin and velvet shoes. Martin Grant was originally from Melbourne, now internationally and renowned and designing and living in Paris. The outfit was worn by Annie McIntyre on her 21st birthday, 1985"martin grant, women's clothing, australian fashion -- 1980s

Paris Panel Photo Eden Studios Photographer, Melbourne and Sydney George Frederick Harless, son of Christina (nee Key) and William George Harless, born 1894 (Carlton Vic. 27661/1894), died 25 Oct 1907 and was buried Boroondara General Cemetery, Kew, Victoria, Australia Eden Studios was big in Sydney from 1895 through 1927+ but only appears to have operated in Melbourne at 284 Collins Street from 1896-1900 and 149 Swanston Street 1904-1906.Inscibed on back in pencil George Frederick Harless 1898eden photo studios photographer, paris panel photo, george frederick harless, pam thoonen (nee ingram) collection

Monsieur Charles Auguste Albert Racinet was born in Paris on July 20th, 1825. His job was representative of a group of 19th-century industrial draughtsmen, teachers of technical drawing and factory studio manager. He helped in spreading the most significant design of the decorative arts of the time. Racinet learned his trade from his father. He was trained by neo-classical artists in the ambit of Percier and Fontaine. August Racinet was influenced by the Schinkel tendency and supported by architects such as Hittorf and Voillet-le-Duc.Book. Large red leather cover. Title written in gold on spine. Illustrations (black & white), 100 of chromolithographic plates in gold, silver and colours. Various styles of ancient, oriental and medieval art including the Renaissance, the 17th, and the 18th centuries. Subjects are arranged in historical order. Text translated from the original French. The book includes a table of contents, a list of plates, a classified index and an introduction.A book plate inside front cover with a heading "Ballarat School of Art Library No. R/171. Stamped with "Reference","Education Department" and "Ballarat School of Art Library"art, paintings, textile, designs, decoration and craft, ornaments, ballarat technical art school library, bookplate

This is a postcard from Patricia Boyd, Robin Boyd's wife, from London to her parents 'Gram and Poppa'. It details a family trip with children Suzy and Penleigh in Paris, Athens, Rome (with a visit to Martin Boyd) and now in London (to see Arthur and Yvonne Boyd). It tells of running into Hatton Beck (Lucy Boyd's husband) at the National Gallery. The postcard, written in Cadogan Hotel, is from the National Gallery depicting Jan van Eyck's 'The Marriage of Giovanni Arnolfini and Giovanna Cenami'.martin boyd, arthur boyd, hatton beck, van eyck

Wooden Catholic Church Reefs built about 1865. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. This wooden building was built about 1865 on a site held by minors right, near the present Stawell Courthouse. It was situated on a track later to become Patrick St. The present St Patricks church is built of granite, quarried in the nearby Black Range with facings of Grampians Freestone and was opened in 1873. Wooden Church with large bell tower with door at front. The edge slope of Big Hill can be seen at right.stawell religion

Presbyterian Church Reefs Pleasant Creek. Built 1860. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell in 1866 for the Inter-colonial and Paris Exhibition in Melbourne in 1866. This first Presbyterian church was built in Church Street and was of a modest design as it was to be only a temporary house of worship. The first services were held here on Sunday, August the 23rd, 1860. The present church, St Matthews Uniting Church is situated in Scallon Street and the first service were held there in 1869. House on left with picket fence and striped verandah roofing. Wooden Church Building on right.stawell religion

Grampians Hall’s Gap (Chautauqua Peak). Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. It is recorded in the history of the Presbyterian Church of Stawell, that one fine piece of organisation by Rev. E.C. Tennant in the early 1890’s was a Chautauqua, or religious conference at the Grampians. Many of the religious leaders of Victoria gathered for the purpose of discussion, conference and spiritual enrichment. So great was the impression made, that a peak in the Grampians was named Chautauqua Peak. stawell

Grampians Halls Gap (Wonderland Range). Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. Although little is known of the lifestyle of the Grampians, Aborigines. Evidence of their thousands of years occupation exists in the form of campsites and Ochre and Pipeclay drawings on the smooth surfaces of rock shelters. There are 40 or more aboriginal art galleries known to be in the Grampians, most of which have been discovered in the past 25 years. Some of these shelters are accessible to visitors. stawell

This instrument was manufactured in 1969 to a design developed in 1905. It was used in private practice in the eastern suburbs of Melbourne. It was donated to the Optometry museum in August 2000. The instrument's inventor, Hjalmar August Schioetz (1850-1927) was born in Stavanger, Norway. He graduated in Medicine in 1877 in Kristiania. He studied ophthalmology in Vienna and in Paris. He was appointed professor of medicine with the obligation of teaching eye medicine in Kristiania in 1901. He demonstrated his tonometer in 1905 and for the next half century it was generally accepted as a reliable means of measuring intraocular pressure.Many examples of Schiotz tonometers can be found in near-mint condition as they were superseded in the latter half of the twentieth century. Although this example is in fine condition it is not historically significantCased stainless steel instrument to measure intra-ocular pressure. Grey leatherette case lined with grey satin and felt. Case contains stainless steel spring balance tonometer, convex test block and two calibration weights. Slipped within upper lining of case are a yellow card of instructions and a greencertificate of accuracy.Case cover imprinted "Schioetz-Tonometer Improved". Tonometer engraved "6988" and logo of "JJW". One weight engraved "7,5", other "10"tonometer schiotz pressure optometry ophthalmology

Long coffee coloured wool lace evening gown with long sleeves and train. According to the donor (see correspondence in supp. file), this gown was made from Australian wool woven in Bradford and made up in Paris. It was given to the Melbourne Legacy Wives Association by Mr Ken Clarke (former head of the Wool Board and a Legatee) for use in a parade of garments by the Legacy Wives Association. This particular gown won an award (Wool Award/Gown of the Year?) in c.1957 and was on display in the window of the Georges department store in Melbourne.Long coffee coloured wool lace evening gown with long sleeves and train. Slip under coffee coloured lace dress. Detail of bodice of coffee coloured lace dress. Photograph from C of A: Ministry of Post War Construction Report c1945 "Wool"AC / AUST WOOL BOARDfashion, australian wool board, lace

Mokebilla Station. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. Charles Browning Hall was at the station for a short period in about 1840-41. Horatio Wils purchased Lexington from C.B. Hall in 1842. To this he added the stations of Larose and Mokebilla. Part of the property still remains along the Halls Gap Rd, by the bridge over the Mount William Creek. Note that the spelling has changed over the years and it is currently known as Mokepilly. Looking across water to Homestead and outbuildings behind large Gum Trees.stawell

Wimmera Falls Glenorchy. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. The fact that there was ever a natural waterfall in the Wimmer River would probably be a surprise to anyone who has known the river at all. There are many man-made weirs across it in several places today, one of them at Glenorchy is thought to hide the original falls. A Stawell Paper dated 21st August 1888, refers to them being a mile below the Township. View of river amongst gum trees with shallow falls at centre of photograph.stawell

The Sister Rocks Pleasant Creek. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. sailing ship and landed at Port Ferry. They came to Stawell from the port by bullock wagon laden with goods for the goldfield and camped at the Sister Rocks and so they were named. Later the girls married. One became Mrs Hodge and lived on the Western Highway, another became Mrs D’Arcy of the Shamrock Hotel Stawell West. The third was Mrs Moore of Levithan East Stawell. Large Granite boulders with no visible Graffiti. Log on left of photo. stawell tourism

Pleasant Creek Stawell from Church Hill. Shire Hall at left under construction. Pleasant Creek Court House visible at centre. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866 This is a photo of what was known as Pleasant Creek but was officially Stawell 1866. It is taken from Church Hill in front of the then Church of England. This would have been at what is now about 27 Seaby Street. Note: the Pleasant Creek Courthouse about centre of the picture. Buildings at centre distance with bare ground and a few trees in foreground. Pleasant Creek Courthouse at centre of image.stawell

Russell Mockridge b1928 d1958 was described 'as the greatest cyclist of all time'. He died during a race in collision with a bus that also claimed the lives of two fellow riders and a spectator. Mockridge started in 1946 by winning his first race of 40km with the Geelong Amateur Cycling Club. His wins soon earned him the nickname of the Geelong Flyer. He represented Australia at the London Olympic Games in 1948 and the Helsinki Games in 1952. He also represented Australia in the 1950 British Empire Games in Auckland where he took gold in the 1000 sprint and the 1000m time trial and silver in the 4000m pursuit. In Paris 1952 he won the Amateur Grand Prix and the following day the Open Grand Prix, beating world professional champion Reg Harris. Later that year he won Manchester Wheelers Club Muratti Cup again beating Reg Harris. He turned professional a year later and teamed with Sid Patterson and Roger Arnold to win the Paris 6 day race in 1955. Mockridge was one of 60 of 150 entrants to finish the 1955 Tour de France. He won 12 consecutive Australian championships. Mockridge was married and had a daughter, Melinda (1955)Russell Mockridge was described 'as the greatest cyclist of all time'. He achieved international notoriety as a cyclist from the mid 1940s until his death in 1958, representing Australia in the Olympic games, the Commonwealth Games, The Tour de France and other international high profile cycling events.Framed print of Russell Mockridge in cycling attire. Head and shoulders depiction. Mockeridge is wearing a leather cycling helmut and white cycling shirt typical of cycling gear of that era. The frame is wooden with gold mount and has a wire hanger on the reverse side.geelong cycling club; geelong amateur cycling club; geelong west cycling club; geelong flyer; russell mockridge; olympic games; tour de france;

Michael O’Connell (1898-1976) arrived in Melbourne in 1920 with no professional training apart from that of a soldier on the Western Front. During the 1920s however he discovered a talent for design and, returning from a visit home to England via France and Italy in 1929, focussed on textile design with his wife Ella. This fragment of a wall hanging shows clear indebtedness to the School of Paris, Matisse in particular, and other designs from the early 1930s indicate that O’Connell was familiar with the work of Raoul Dufy who had created some successful and popular fabric designs for Paul Poiret.Textile piece featuring women and geometric patterntextile design, rmit design archives, mid-century modern

Henry Sebire returned to Guernsey on the "Caledonian" in 1888. He came back to Australia via sailing ship to Jersey and then to the coast of France. Travelled by train to Paris and Marseilles, and left for Australia on "Oceania". Arrived in Melbourne in December 1888. The "Caledonian" was built in France in 1882 - 4140 tons, 413 feet long. Lost in the Mediterranean to enemy action on 30/6/1917. On loan from Alvan Sebire - Great Grandson of Henry and Martha Sebire. Notes relating to description and details of the ship researched and recorded by Alvan Sebire are in the drawer of sideboard in diningroom.Framed photograph of the passenger ship "Caledonian" in an unnamed port. Has cream mount and dark brown patterned frame."The Caledonian" written in ink on photo mount. Two illegible marks on the photograph.caledonian, ships, henry sebire, guernsey, oceania

Henry Sebire returned to Guernsey on the "Caledonian" in 1888. He came back to Australia via sailing ship to Jersey and then to the coast of France. Travelled by train to Paris and Marseilles, and left for Australia on "Oceania". Arrived in Melbourne in December 1888. The "Oceania" was built in France in 1884 - 4162 tons, barque rigged, 415 feet long, 585 HP. Sank in the English Channel on 24th September 1916. On loan from Alvan Sebire - Great Grandson of Henry and Martha Sebire. Notes relating to description and details of the ship researched and recorded by Alvan Sebire are in the drawer of sideboard in diningroom.Photograph of passenger ship "Oceania" passing through the Suez Canal. Cream mount in dark brown frame."The Oceania" written in ink on photo mount "No. 37" and illegible writing on bottom right hand corner.oceania, ships, guernsey, henry sebire, caledonian

Christ Church. Church of England on Church Hill Stawell. Built 1862. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell in 1866 for the Inter-colonial and Paris Exhibition in Melbourne in 1866. This was the first brick church in Stawell, the Christ Church, Stawell West, and was built on Church Hill off Seaby Street in approximately 1862. Opposite the original Manse in Seaby Street it was used for services in 1863. The present Church of England the Holy Trinity is situated in Main Street and was opened and dedicated on Trinity Sunday, May the 26th, 1872. Brick Church with small bell tower. Gum trees in front and at left.stawell religion

Grampians Entrance to Halls Gap. Part of a collection of Photographs by Mr. O.G. Armstrong as commissioned by the Shire of Stawell for the Inter-colonial and Paris Exhibition in Melbourne in 1866. Halls Gap is named after Charles Browning Hall. In his letter to Joseph Latrobe he gives no clue about his early life except that he was a stock herder as early as 1837. He held two runs in the Wimmer district, that of La Rose and Mokebila in the Grampians (1841 to 1842). He then moved to the Clunes area in 1851. He was a member of the Carisbrook Magistrates Bench. stawell