Black and white photograph of the SECV Wendouree Parade depot with tram 30 and another single trucker sitting outside the building - a worker with a bicycle is hiding the number. Note the SECV Electricity Supply Department plaque on the brick wall at the front of the depot. Tram 30 is in the 1930s colour scheme - photo late 1930s or early 1940s. Photographer unknown.Yields information about the SEC Depot late 1930sBlack and white photograph on plain paper.trams, tramways, depot, secv, tram 30

The Greek Orthodox Community with the support of the Ithacan Community in Melbourne established a Greek Language School in the early 1930s. The teaching of the Greek language to the Australian born children of Greek parents ensured that the language and culture was maintained within the Greek community. A sepia photograph mounted on grey board of the children and teachers at the Greek language school. The people are standing and seated in five rows in front of a stage.

All Early History of the Kiewa Valley. 1. Photo clear but no date. Men named and are residents selecting a site for a bridge at Keegans Crossing 2. Department of Crown Lands letter - 1841 Tawonga pastoral run - Mr James Roberts and Mullindollingong pastoral run 1846 - Mr Patrick Reynolds 3. An account of the Bogong High Plains by W. F. Waters from the late 1890s to 1930s. Published article in the Schuss magazine. August 1958 History of Keegan's Crossing, Kiewa Valley and surrounding residents with names and photos. Early pastoral runs in the Kiewa Valley and Early activities on the Bogong High Plalns..1.The photo includes a listing of residents selecting a site for a bridge at Keegans Crossing. 2. A letter from the Department of Victorian Lands and Survey re early settlers 3. History written in Schuss magaine, Aug. 1958. "In 1896 ... erection of snow poles from Rocky Valley to Tawonga Hut. keegan's crossing, w.f. waters, tawonga and mullindollongong pastoral runs

Murray Comrie Collection. A newspaper clipping in two fragments (unknown publication & date) with title: 'A Happy & Gorgeous _______ - Renewal of Old Friendships'. Discusses a week of celebrations by Old Tarnagullians probably the Back To Tarnagulla of 1930s. Describes several events, special train arriving, singing in the Hall, shooting melons, war veterans march, costume competition, procession by Dunolly-Tarnagulla Brass Band to the Rec Reserve and Maryborough Band playing at the Rec Reserve, a Back to School event on the Monday at which C. Bock took photos.tarnagulla, back to tarnagulla, old tarnagullians, community celebrations, community events, reunions, school, recreation reserve, public hall

Congues and Mowlam families Images of two families who lived in Cruikshank Street from the 1930s to 1950s. .07 - John (Johnnie) Congues in full army uniform. John was awarded the Military Medal in 1916.families, congues family, mowlam family, john (johnnie) congues

Round metal badge with Red, yellow and black enameled decoration on the front and a hook clasp on the back, presented to form captains at Williamstown High School in the 1930s. This badge worn by Peg Bonwick (nee Clark).On front 'Form Captain' Makers mark on mark: K.C. Lunes Melbwilliamstown high school, 1930s, form captain, badge, peg bonwick, peg clark

Date made February 2005Colour photograph of the Central Hotel, during redevelopment. Left hand side glimpse of Georges Cafe completed. Scaffolding around the 1930s tower and frontage being updated to blend with renovation. Lakes Entrance Victoriahotels, architecture

Nornie GUDE (1915-2002) Eleanor Constance (Nornie) Gude was the daughter of Walter Gude, a leading musician, and highly regarded teacher. She grew up in Ballarat and was educated at Loreto College. From 1931 to 1936 Nornie Gude attended the Ballarat Technical Art School, a division of the Ballarat School of Mines. She was accepted into the School at the age of 15 because she was so advanced in painting. Nornie Gude studied at Ballarat for five years before progressing to Melbourne’s National Gallery of Victoria School. In 1936 Nornie Gude was studying at the Ballarat Technical Art School, and the National Gallery Drawing School in Melbourne. She won many art competitions, including first prize at the 1936 Melbourne Royal Agricultural Show for still life drawing, and in 1941 became the first woman to win the National Gallery Students Travelling Scholarship. In the 1936 Ballarat School of Mines Annual Report it was stated: "It is my pleasure to report a most successful year in the Technical Art School. I the Annual Poster Competition for Technical Schools, organised by Wiltshires Pty Limited, 16 prized valued at 33 pounds 8 shillings - out of 23 prizes valued at 56 pounds - were won by our students. As an artist Nornie Gude held no theories and was once heard to say, “You spend your first 20 years learning technique and the next 20 years losing it”. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.commercial artA large, original goauche poster produced for one of the regular poster competitions held during the 1930s (the exhibition stickers are still evident on the lower left hand side). It depicts a scene in the Ballarat Botanical Gardens. Written verso "Nornie Gude Technical Art School Ballarat" Exhibition Sticker "Exhibit NO 8545 Class No 1736art, artwork, gude, nornie gude, eleanor constance gude, ballarat, ballarat botanical gardens, statue, ballarat technical art school, alumni

This photograph shows the Marshall family, early 1930s with Doris (centre back) and Loris, aged 4 (centre front).Digital copy of black and white photograph. No caption on this photo.charles marshall, world war 1, marshall family

St Kilda Baths in the late 1930s; swimmers in water body surfing small wave, walkway and pylons behindblack and white photograph, original, unmounted, good condition

The aircraft KYEEMA, a Douglas DC-2, crashed into the western face of Mt Dandenong in thick cloud on 25th October 1938. All 18 occupants on board were killed. The aircraft overshot Essendon Airport by 20 miles. The subsequent findings triggered the beginning of air traffic control and the establishment of the Department of Civil Aviation. This photograph was taken in 1938 by First Constable Carl Tepper of Russell Street Police Station. Carl Tepper was a cousin of Frank Child, grandson of Ted Child. They were related through the Dorey family.Sepia photograph showing the wreckage of an aeroplane spread in the forest amongst trees. Sunlight is streaming through a gap in the trees.On reverse: Wreckage of plane crash in Dandenongs flying daily from Adelaide to Melbourne 1930s. No survivors. Taken by late First Constable Carl Tepper Russell Street Police Station.kyeema, carl tepper, frank child, aircraft, aeroplane, crash site, crash, tepper

Owned by Charles Mc Gregor in 1866, Pyramid Rock Road. Donated by G W GliddonNeedlework. Cross stitch bookmark on perforated board. Black stitches-possibly human hair- with red border. Enclosed in carboard and plasticForget me not "words on the bookmark are made with human hair according to Jessie's story, which is doubtless correct. The writer remembers similar things being done with hair inthe 1890s" JWG [ J W Gliddon] 1970charles mcgregor, needlework, j w gliddon

Advertisement from "Selected recipes from "The Leader" small corner books" (1930s). This advertisement is for McAlpin's Self Raising Flour.An example of early 20th century advertisingDigital copy of advertisement from a bookhistoric advertisements, "the leader" small corner books, mcalpins self raising flour

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In this view of Studley Park Road, looking northeast to the Junction, the photographer invites the viewer to participate in a point-of-view that emphasises the elevated, tranquil vantage point of the hill in contrast to the bustling commercial area in the distance. The view emphasises the exclusiveness of Studley Park, with its high fences behind which a number of significant Kew mansions were concealed. Contemporary advertisements for the sale of mansions in Studley Park Road often included fulsome descriptions of their elaborate formal gardens, as well as paddocks for grazing, stabling and dairies. None can be seen here. The use of high, protective wooden pickets to surround the newly planted avenue of elms on the south side of the road appears to be typical of the period. Similar examples can be seen in early photographs of Wellington and Princess Streets.The horse and carriage, selected as a central focus of the view, reinforces the residential, exclusive nature of this part of Kew in the early 1890s. Studley Park Roadkew illustrated, kew where we live, photographic books, henry kellett

Bendigo Advertiser '' The way we were'' from 2002. A thriving market: local and overseas buyers attend the F. A. Hill & Co. pig market in Charing Cross, Bendigo, during the late 1930s. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Various Girl Guide materials of Merle Bush dated 1920s and 1930s - Guide Law; various rally and camp materials; magazines and gazettes; reports; ''History of the Girl Guides in Victoria''; various Guide printed ephemeramagazine, organization, the girl guides

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Full length black lace evening dress with a fitted black silk lining. The ‘v’ necked gown has a very full skirt. The lace has an abstract floral pattern. The garment was previously dated to the 1930s.costumes, evening dresses, fashion - 1930s, fashion design

Arthur and Bill Packham were the sons of William George and Bertha Packham. The family farm was at Woodstock. Arthur (1921-1941) and Bill (1920-2015) were both born at Inglewood.Bendigo Advertiser ''The way we were'' from 2002. To market: Horses Bob and Daddy with a wagon-load of chaff. Arthur Packham is standing at the front while Bill Packham is at the back. Believed to be 1930s. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Pokerwork was a popular home craft in the 1930s. This small domestic piece using plywood is typical of objects made at home or school in that period.One of two matching circular pieces of ply, Incised, painted and lacquered with holes top and bottom for ties with image of Kookaburra and leaves. Incised to lower centre of cover 'd'oyleys'.painted and lacquered with image of Kookaburra and leaves and Incised to lower centre of cover 'd'oyleys'.mary burke, donald, taffe, ballarat, pokerwork, craft

Owned by Miss M. Howell (Nurse), 1890s of Barrakee.Pink coloured glass (embossed) & silver scent atomiser.barrakee, howell, atomiser

This Bible belonged to Thomas Wong Ch(e)ong who was the catechist at the Warrnambool Chinese Church in Ryot Street, Warrnambool. In 1892 Thomas Wong Cheong was appointed by the Foreign Missions Committee of the General Assembly of the Presbyterian Church of Victoria as the catechist to the Chinese community in Warrnambool and district. The Chinese Church in Ryot Street was established in the early 1890s and continued until the late 1920s when the numbers of the local Chinese community had declined. Thomas Wong Cheong and his wife worked tirelessly in the Warrnambool district until his death in 1923. No information has been found on James Yee Keet. This is a book of high significance because it belonged to Thomas Wong Cheong who holds an important place in Warrnambool’s history because of his work with the Warrnambool Chinese community over a period of 30 years. This is a leather-covered book with four gold Chinese characters on the spine and the back cover (the front cover for Chinese readers). The leather on the cover extends over the pages and folds inwards to almost enclose the pages. The pages are gilt-edged. The inscription is handwritten in blue ink. The book contains a fold-out map of the Mediterranean Sea area and all the text is in printed Chinese characters. The cover is somewhat scuffed and there is some silverfish damage on the inside cover. ‘Presented to Christian friend Mr Thos. Wong Chong Missionary at Warnambool (sic) by his sincere friend James Yee Keet Great Western Augt.1st 1895’ chinese in warrnambool, thomas wong cheong, chinese church, ryot street, warrnambool

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Single storey, block-fronted Victorian villa. Built c.1890s. Pen and ink architectural drawing on drafting film by Margaret Picken in 1997. By 2020 the house had acquired a large rear and two storey extension. The single garage in the illustration was subsequently removed and a double garage created at the rear of the property68 MARY ST., KEW / MARGARET PICKEN ~97 / WOODARDS ~ HAWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 68 mary street - kew (vic)

Item donated anonymously to a teacher of the Australian Lace Guild. The lady who was about 80 years old said the lace originally belonged to her aunt who worked in a dressmakers in Flinders Lane in the 1930s where she acquired the pieces of lace.Cream square tablecloth edged in hand made tape lace with hand crocheted edge. Centre fabric has been replaced with fine organza and lace has been attached by hand. Design is flowers around centre and leaves around the outside.handcrafts, lacemaking

Copy of black and white photograph mounted on board. Comes with caption.Farewll to Mr Gerrity, Williamstown Town Hall in the 1930s. Mr Dunstan, Member of Parliament, making the presentations. Mr Gerrity was a famous teacher who taught at the original Williamstown Grammar School.williamstown high school, mr gerrity, 1930s