3 workers in trench with a machine laying large pipe. ladder at the end of the trench, red fuel can on ground to left of the pipe. The alignment machine is moving along a pre laid track.Kodakorganisation, industry, gas and fuel

By 1904 Mr E R McMartin was the manager and licensee of the Shamrock Hotel including the Shamrock Tobacconist that had previously been owned and run by Mr Karl Van Damme.Dark brown pipe cover in shape of pipe, leather exterior and textured cream fabric interior, with hinge at smoke exit end of pipe and small metal latch at bottom of pipe tube. Red sticker on inside of cover reads "Shamrock tobacco Store E.R. McMartir Bendigo" in black ink Pipe made of plastic mouthpiece joined halfway along tube to wooden tube and smoke outlet by a fancy metal (Hallmarked as silver in Chester, England 1912)surround. Ash contained in smoke outlet/exit. Top of smoke outlet has an approximately 1.5cm crack.tools, smokers acoutrement

Items created for the anniversary of the wreck of the Schomberg and displayed in the Peterborough Hall as part of the anniversary celebrations. Sea Shanty lyrics include a reference to Bully Forbes, Captain. All Schomberg information pertains to display and presentation at the time of the anniversary of the shipwreck celebration in 2015.Plastic zipped satchel containing collected information about the wreck of the Schomberg, created for the 160 year anniversary of the wreck of the Schomberg. Items included are: transcription of the diary of James Hopkins journey on the Schomberg; transcription of the diary of Thomas Angove, passenger on the Clipper ship the Schomberg; 14 large print pages summarising the story of the Schomberg and including lyrics of Blow Boys, Blow, a halyard sea shanty; Ron Cashmore's input.James Hopkins original diary held in the UK, this copy for display by he Peterborough Residents Association, Peterborough History Group. Thomas Angove original diary held in the UK, this copy for display by he Peterborough Residents Association, Peterborough History Group.rex mathieson, ron cashmore, bully forbes, schomberg rock, peterborough 3270, the schomberg, schomberg-shipwreck, shipwreck, sea shanty, captain bully forbes

This is the cutting bit on the end of a drilling rod. It would have been used to drill holes into rock for placing explosives, for installing steel rock anchors, etc. In hard rock the bits need to be replaced regularly. Compressed air is blown through the holes near the tip of the bit to blow rock fragments out of the drill hole. The main drilling unit would have been powered by compressed air (Pneumatic). Rotary Air Blast Drilling. This drill bit was used by workers in the SEC Vic. Kiewa Hydro Electricity Scheme. This type of bit although strong needed replacing frequently when the rock composition (type of rock) was extremely compact. The configuration of the tip bit (four star like pattern) was to provide the "teeth" to tear into the rock. This bit was manufactured in 1949 however drilling for rock cores, in the Kiewa Valley and the Victorian Alps, was carried out from the late 1920's.This particular drill bit would have been used by construction workers to drill holes into rock for either explosives or for installing steel anchor points into the rock. The use of compressed air was not only for waste extraction but also for running the main drilling unit.This four star rotary air balst (RAB) drill bit has a central "blow" hole (compressed air outlet to remove the ground rock particles through four extraction holes). There are four raised cutting/grinding lugs which allows the air compression hole(incoming) to always have a clear unblock opening. Extracted ground material is "blown" out from the drill head via the larger hole created by the steel bit.Stamped on the bottom outside shank "FAGERSTA SECO SWEDEN" and below this "102 7041 01 05 049".sec vic kiewa hydro scheme, alternate energy supplies, drilling into rocks in alpine regions

Kerosene irons were used c1930 - 1950 especially where electricity wasn't available. Shelite was another fuel that could be used instead of kerosene. The advantage of the kerosene iron was that it didn't require a stove to be lit (especially in summer) to heat the iron and it didn't require electricity.Residents in the Kiewa Valley used kerosene irons.This black iron is made of cast iron with a steel base and a black wooden handle. This Comfort iron has a ball shaped container with a screw-on lid to hold the fuel (kerosene or Shelite). At the bottom of this ball is a pipe going down then meeting another pipe at right angles to it leading into the iron. At the pipe junction there is a handle on a screw to limit the amount of fuel. The Kerosene would flow through this pipe. There is a filler plug air stem on top. This is a self-heating iron.Comfort iron / Self Heating Comfort Iron MFD by / National Stamping and Electric Works / made in U.S.A. Chicago iron, domestic, laundry, pressing clothes, household, kerosene, shelite

This brown glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. The base may have been part of the dip mould, otherwise, a 'ponty' tool would have been used to flatten the base. A tool would have been used to cut off the bottle from the blowpipe. A piece of soft glass would be added to the mouth, then the double collar would be formed. Bottles like this would usually be sealed with a cork, which may have been held in place with wax or wire and tape. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, brown glass, rough surface, uneven colour. Crude, applied mouth with double collar; wide straight upper, ring lower. Slightly bulbous neck. Shoulder seam. Body tapers inward towards base and has smooth ripples. Shallow base with wide heel. No obvious pontil mark. Sediment inside bottle. Glass is scratched in places. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, brown glass, ale bottle, beverage bottle

This brown glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. The base may have been part of the dip mould, otherwise, a 'ponty' tool would have been used to flatten the base. A tool would have been used to cut off the bottle from the blowpipe and a piece of soft glass would be added to the mouth to then formed into the double collar lip. Bottles like this would usually be sealed with a cork, which may have been held in place with wax or wire and tape. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, brown glass, wide body, cork-top style. Applied double collar, straight upper, flared lower. Short bulbous neck, wide shoulder with seam, body tapers inward to base. Shallow base with wide uneven heel. Bubbles, disculouration and creases in glass. Sediment in bottle. Inscription in base.Embossed in base [indecipherable]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, ale bottle, beverage bottle, brown glass

This green glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. The base may have been part of the dip mould, otherwise, a 'ponty' tool would have been used to flatten the base. A tool would have been used to cut off the bottle from the blowpipe and a piece of soft glass would be added to the mouth to then formed into the double collar lip. Bottles like this would usually be sealed with a cork, which may have been held in place with wax or wire and tape. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, green glass, cork-top style. Applied mouth, lip has double collar; wide upper and flared lower. Vertical bubble in bulbous neck. Long diagonal discolouration along neck. Body has ripples around it and no seams. Heel is thick, base is shallow, has bubbles and is very uneven on a flat surface.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, ale bottle, beverage bottle, green glass bottle

This green glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. The base may have been part of the dip mould, otherwise, a 'ponty' tool would have been used to flatten the base. A tool would have been used to cut off the bottle from the blowpipe and a piece of soft glass would be added to the mouth to then formed into the double collar lip. Bottles like this would usually be sealed with a cork, which may have been held in place with wax or wire and tape. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, dark green glass, matt surface, cork-top style. Applied double lip: straight upper and flared lower. Slight bulbous neck, shoulder seam, body tapers inwards towards base and has a rippled surface. The uneven base has a thick heel and is concave with small pontil mark.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, ale bottle, beverage bottle, green glass bottle

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.2 Black and white photographs of the head and torso of a man dressed in a suit and tie, which is blowing to the side in the breeze. In the background are the trees of a large park. The man is Frank Wright.frank wright, park, trees, composer, brass bands

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Earthenware bowl in a terracotta colour. Part of an opium pipe used by the Chinese.Chinese maker's stamp on side.chinese, pipe, goldfields, gios, buckland, earthenware, terracotta, opium

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Earthenware bowl in a terracotta colour. Part of an opium pipe used by the Chinese.Chinese maker's stamp on side.chinese, pipe, goldfields, gios, earthenware, terracotta, opium

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Earthenware bowl in a terracotta colour. Part of an opium pipe used by the Chinese.Chinese writing etched on side.chinese, pipe, goldfields, gios, earthenware, terracotta, opium

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Earthenware bowl in a terracotta colour. Part of an opium pipe used by the Chinese.Chinese maker's stamp on outside.chinese, pipe, goldfields, gios, earthenware, harrietville, terracotta, opium

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Earthenware bowl in a terracotta colour. Part of an opium pipe used by the Chinese.Chinese maker's stamp on sidechinese, pipe, goldfields, gios, earthenware, harrietville, terracotta, opium

Ink on tracing paper of a student's technical drawing of Hydraulic pipe bending technical drawing, mechanical engineering, len fox

Slide. BENDIGO EASTER PROCESSION.Highland Pipe Band eith floats following.slide, bendigo, bendigo easter procession., bendigo easter procession.

Slide. Bendigo Trams. A Pipe band marching away from the fountain.slide, bendigo, bendigo trams., bendigo trams.

Slide. Bendigo Trams. No.25 tram following massed pipe bands.slide, bendigo, bendigo trams., bendigo trams.

Canvas portable water bag with rope handles and water pipe with sealC/E 31 Sup Bn. Evan-Evanswater bag

SMOKER'S PIPE, BROWN BOWL & BLACK STEM, WITH A WIND SHIELD ATTACHED.ALBEC ON METAL WIND SHIELD:- PAT.NO 16395/11 ST. CLEAR LONDON MADE PAT.NO 18198/10 MOTOR 26 LONDON MADElocal history, personal effects, smoking accessories

Pipe in the Ground - High Street Bridge G/A - 01/03/1990Polaroidorganisation, industry, gas and fuel

Pipe in the ground - High St. Bridge G/A01/03/1990Polaroidorganisation, industry, gas and fuel

Pipe in the ground - High Street Bridge GIA 01/03/1990Polaroidorganisation, industry, gas and fuel

Pipe in the ground - High Street Bridge GIA 01/03/1990Polaroidorganisation, industry, gas and fuel, pipe in the ground - high street bridge gia 01/03/1990