Black and white photograph of Gainsborough House, showing guests on the veranda of an attractive guest house, iron roof, single brick chimney centre rear of roof ridge. Building is of concrete construction. White painted rail fence, wire lace single gate. Lakes Entrance Victoriaguesthouses, architecture, tourism, people

The Boroondara General Cemetery is registered by Heritage Victoria. The Henty's were some of the earliest settlers in Victoria.From Heritage Victoria Statement of Significance Last updated on - December 15, 2005 What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. The Springthorpe Memorial (VHR 522) set at the entrance to the burial ground commemorates Annie Springthorpe, and was erected between 1897 and 1907 by her husband Dr John Springthorpe. It was the work of the sculptor Bertram Mackennal, architect Harold Desbrowe Annear, landscape designer and Director of the Melbourne Bortanic Gardens, W.R. Guilfoyle, with considerable input from Dr Springthorpe The memorial is in the form of a small temple in a primitive Doric style. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures in Carrara marble. Twelve columns of deep green granite from Scotland support a Harcourt granite superstructure. The roof by Brooks Robinson is a coloured glass dome, which sits within the rectangular form and behind the pediments. The sculptural group raised on a dais, consists of the deceased woman lying on a sarcophagus with an attending angel and mourner. The figure of Grief crouches at the foot of the bier and an angel places a wreath over Annie's head, symbolising the triumph of immortal life over death. The body of the deceased was placed in a vault below. The bronze work is by Marriots of Melbourne. Professor Tucker of the University of Melbourne composed appropriate inscriptions in English and archaic Greek lettering.. The floor is a geometric mosaic and the glass dome roof is of Tiffany style lead lighting in hues of reds and pinks in a radiating pattern. The memorial originally stood in a landscape triangular garden of about one acre near the entrance to the cemetery. However, after Dr Springthorpe's death in 1933 it was found that transactions for the land had not been fully completed so most of it was regained by the cemetery. A sundial and seat remain. The building is almost completely intact. The only alteration has been the removal of a glass canopy over the statuary and missing chains between posts. The Argus (26 March 1933) considered the memorial to be the most beautiful work of its kind in Australia. No comparable buildings are known. The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Arthur Peck is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. The Cussen Memorial (VHR 2036) was constructed in 1912-13 by Sir Leo Cussen in memory of his young son Hubert. Sir Leo Finn Bernard Cussen (1859-1933), judge and member of the Victorian Supreme Court in 1906. was buried here. The family memorial is one of the larger and more impressive memorials in the cemetery and is an interesting example of the 1930s Gothic Revival style architecture. It takes the form of a small chapel with carvings, diamond shaped roof tiles and decorated ridge embellishing the exterior. By the 1890s, the Boroondara Cemetery was a popular destination for visitors and locals admiring the beauty of the grounds and the splendid monuments. The edge of suburban settlement had reached the cemetery in the previous decade. Its Victorian garden design with sweeping curved drives, hill top views and high maintenance made it attractive. In its Victorian Garden Cemetery design, Boroondara was following an international trend. The picturesque Romanticism of the Pere la Chaise garden cemetery established in Paris in 1804 provided a prototype for great metropolitan cemeteries such as Kensal Green (1883) and Highgate (1839) in London and the Glasgow Necropolis (1831). Boroondara Cemetery was important in establishing this trend in Australia. The cemetery's beauty peaked with the progressive completion of the spectacular Springthorpe Memorial between 1899 and 1907. From about the turn of the century, the trustees encroached on the original design, having repeatedly failed in attempts to gain more land. The wide plantations around road boundaries, grassy verges around clusters of graves in each denomination, and most of the landscaped surround to the Springthorpe memorial are now gone. Some of the original road and path space were resumed for burial purposes. The post war period saw an increased use of the Cemetery by newer migrant groups. The mid- to late- twentieth century monuments were often placed on the grassed edges of the various sections and encroached on the roadways as the cemetery had reached the potential foreseen by its design. These were well tended in comparison with Victorian monuments which have generally been left to fall into a state of neglect. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii') Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. Why is it significant? The Boroondara Cemetery is of historical and aesthetic significance as an outstanding example of a Victorian garden cemetery. The Boroondara Cemetery is of historical significance as a record of Victorian life from the 1850s, and the early settlement of Kew. It is also significant for its ability to demonstrate, through the design and location of the cemetery, attitudes towards burial, health concerns and the importance placed on religion, at the time of its establishment. The Boroondara Cemetery is of architectural significance for the design of the gatehouse or sexton's lodge and cemetery office (built in stages from 1860 to 1899), the ornamental brick perimeter fence and elegant cemetery shelter to the design of prominent Melbourne architects, Charles Vickers (for the original 1860 cottage) and Albert Purchas, cemetery architect and secretary from 1864 to his death in 1907. The Boroondara Cemetery has considerable aesthetic significance which is principally derived from its tranquil, picturesque setting; its impressive memorials and monuments; its landmark features such as the prominent clocktower of the sexton's lodge and office, the mature exotic plantings, the decorative brick fence and the entrance gates; its defined views; and its curving paths. The Springthorpe Memorial (VHR 522), the Syme Memorial and the Cussen Memorial (VHR 2036), all contained within the Boroondara Cemetery, are of aesthetic and architectural significance for their creative and artistic achievement. The Boroondara Cemetery is of scientific (botanical) significance for its collection of rare mature exotic plantings. The Golden Funeral Cypress, (Chamaecyparis funebris 'Aurea') is the only known example in Victoria. The Boroondara Cemetery is of historical significance for the graves, monuments and epitaphs of a number of individuals whose activities have played a major part in Australia's history. They include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas.Digital imagescemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial, henty, james henty

Colour photograph of double storey brick building, Glenara Motel, viewing platform accessed by external stairway, low fence of variegated brick on Esplanade. Illuminated sign Glenara above viewing platform. Lakes Entrance Victoriamotels, entertainment, rsl clubs, architecture, fences, rsl clubs

This is a photograph of some of the buildings at the Sunbury Asylum. There are three women dressed in nurses uniforms of the early 1900s. A tramline which carried goods around the complex is visible in the image. A black and white photograph of a group of brick buildings with a view of the slate roofs, chimneys and high picket fences. Unmounted.sunbury asylum, nurses, fences, uniforms, george evans collection

Charlton Post Office, High St, December 1891, built in 1879 to replace the original Post Office built in Camp St in 1878.Copy of Charlton Post Office High Street 1891 taken from the lithographs of Rider & Mercer. Possibly hand coloured. Brick building with three arched doorways and a clock above the central arch. Picket fence. One person standing in front of the building, a man walking past and a couple walking past a gate. Ruler showing in lower part of photo with KODAK Colour Control Patches written on it.Post Office. This picture presented by J. G. Reily, Esq., Postmastercharlton, charlton post office, business, industry, lithograph

VIEW OF POWDER MAGAZINE USED IN MINING DAYS TO STORE EXPLOSIVES. BUILDING MATERIALS - SOLID BRICKPOWDER MAGAZINE USE TO STORE EXPLOSIVES DURING THE DEEP LEAD GOLD MININGCOLOURED PHOTOGRAPH OF POWDER MAGAZINE EXTERIOR. SITUATED IN A PADDOCK ON SMEATON ROAD APPROX. 2 KM. FROM TOWNSHIP ON LEFT HAND SIDE. IRON POST AND WIRE FENCE IN FOREGROUND.powder magazine, photograph, local history

Motel originally known as Tween Lakes started by Johnny Kostantinidis, Rosemary Kavadis' fatherColour photograph of a brick building on Esplanade recently in business as Pelican Motel showing it closed surrounded by security fence with two large notices seeking expression of interest from tenants or investors Lakes Entrance Victoria roads and streets, township, motels, businesses

Colour photograph of R S L Anzac site in Barkes Avenue showing small brick building and cleared grounds enclosed by security fence site of earlier guesthouse Lakes Entrance Victoria. Also a colour photograph of Telstra building enclosed by security fence and shrubs Barkes Avenue 04283.1 size 10 x 15 cmbusinesses, township, roads and streets

The former Sunbury Library was demolished and the empty site is ready for the construction of the new library. The existing building housed the George Evans Museum. A more modern Global Learning Centre is planned to be built on the site.A coloured photograph of a fenced site with a flat-roofed cream brick building adjacent to an area that has a been cleared in preparation for construction. A demolition sign is attached to the wire fence. Gum trees are growing in three background.libraries, global learning centre, sunbury, hume city council, macedon street, sunbury library

"Waiting to meet the Boat". Cowes Post Office, corner Main Street and The Esplanade. A brick building with corrugated iron roof, two brick chimneys, a porch extending across front verandah, wooden posts, awning roof striped. Fencing across with free access above four steps. Ten figures on verandah and in front with hats, bags and jackets. Women with long skirts and dresses. In foreground a small fenced area.9 women and 1 man, elegantly dressed, standing outside a brick building with 2 verandahs. This is the first Cowes Post Office, on the corner of the Esplanade and Thompson Ave, Cowes.local history, photographs, buildings - historic, post office, black & white photograph, mary robb

Charlton Post Office High Street built 1879 to replace the original small post office built in Camp St in 1878. Possibly copied from a photograph in the Weekly Times or the Leader c. 1910Poor quality copy of photograph. Brick building with three arched doorways. Woman in long frock carrying an umbrella standing in central doorway. White picket fence and lamp on footpath. Two posts on footpath. Possibly a clock above the central doorway.charlton post office, charlton, business, industry

BHS Collection12 photocopied pages. Page four has acknowledgements, Page five mentions Pen-Portraist by Raly Wallace and Kevin Vallence, Page 14 mentions some rich areas: White Hills, Red Hill (now Virginia Hill), Eaglehawk, Golden Gully, New Chum Gully, Long Gully, Spring Gully, Derwent Gully, California Gully, Sailors Gully and Peg Leg Gully. There are two sketches on the page: Windless, by W. Ralston, Australasian Sketcher 20/12/1879 (D O'Hoy Collection) and a sketch of some miners in a tent with some mining equipment in front of it. There are two men in front of a fire at the front of the tent. Page 16 has a sketch of an old brick house with iron lace on the veranda and a picket fence at the front. Page 17 mentions the school and some Friendly Societies and Church. Page 22 mentions Quartz Mining. There is a Lithograph of a Quartz outcrop, New Chum Gully 1852 by George Rowe and a View of Surface Workings 1861, a Batchelder Photo. Page 23 mentions Edward Nucella Emmett, a pioneer gold digger who became involved in many important public issues. Page 25 mentions Company Mining and Crushing. It has a sketch of a Primitive Quart Crusher. Page 37 Mentions Richard Pope, a Miner who tramped from job to job in Bendigo and eventually followed the rush to Broken Hill. Page 38 mentions the Eaglehawk Brass Band and Friendly Societies in Eaglehawk. Page 39 is headed Miner's Cottage. It mentions stone miners' cottages. Page 40 has a sketch of a Georgian Style Sandstone Cottage Harvey Town. Page 41 mentions men sweeping the road to get gold, Bull Family grocery shop and a blacksmith. Page 42 is headed St. Augustine's. Page 43 has a sketch of St. Augustine's Church. Page 59 is headed Bendigo Amalgamated Goldfields (B.A.G.) Edward Clarence Dyason was largely behind a new company set up in 1917 to work the Bendigo field in an entirely new way. (B.A.G.) wished to take over all existing mining companies, and place them under a single management structure.bendigo, history, long gully history group, the long gully history group - some historical information, mr l hooley, mr l bennetts, mr w watson, mr w heraud, mr d m davies, mr w perry, mr h harvey, mr a llewellyn, mr e oates, chook temple by mr alan llewellyn, mr f cusack, tracey ipsen, ray wallace, bendigo field naturalists' club, eaglehawk tree lovers' society, bendigo historical society, university of melbourne, kevin vallence, monash university, bendigo technical college, south australian writer's fellowship, windlass, w ralston, australasian sketcher 20.12.1879, d o'hoy, mechanics institute, california gully school, bell topper hill, i.o.r. (rechabites), cobden tent, refuge tent, sutton tent, m.u.i.o.o.f.'s loyal darling, bible christian church, california hill wesleyan methodist church, saint jude's anglican church, quartz mining, e n emmett, jonathan harris, haris' claim, j hustler, george rowe, batchelder, la trobe library, cave, amos, new chum line of reef, edward nucella emmett, bendigo city council, all saints, william westgarth, latham and watson, hustler's line of reef, bell and irons, ballerstedt and son, young and company, nicholas and bassit, ensor, thomas carpenter, quartz crusher, goldfields and mineral districts of victoria, richard pope, daniel webster mine, isaac dyason, old chum mine, north old chum mine, young chum mine, george lansell, lazarus, silicosis of the lungs, eaglehawk brass band, victoria hotel, mr williams, eaglehawk branch of the australian natives association, loyal catherine lodge, mr james, odd fellows in the loyal catherine lodge branch no 4935, richard harvey, thomas harvey, moonta copper mines, harvey town, national trust of australia, eaglehawk tree lovers society, saint mungo's methodist church, clark's beehive battery, world war 1, kee-young, lady barkly hotel, prankhurst, bull family, cousin jack, st augustine's, myers, nicholls, john o'brien, around the boree log, the rev dean hayes, st kilian's, bendigo amalgamated goldfields (b.a.g.), edward clarence dyason, r h s abbott, hercules and energetic, south new moon, new chum goldfields, central red white and blue consolidated, brown john, the life and times of long gully, bendigo press, val white, megan snoop

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 6 Lusk Dve., Vermont This property is listed as having sold for $136,000 in 1995 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a single story brick house with a path up to the front door from the footpath in the foreground. On the left is a front lawn, and on the left is a timber fence enclosing the other half of the property frontage. There are two hole punch holes just below centre of the upper edge5 Manhattan Square., Vermont Margaret Picken - 95 Woodards - Balwynwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 1 Paranda Crt., Vermont. This property is listed as having sold for $149,400 in 1994 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a single story brick house with veranda across the frontage, on the left it forms a carport in front of the connected garage. In the foreground on the left is the driveway, while on the right is a front garden enclosed by a wrought iron fence. There are two hole punch holes centered along the upper edge1 Paranda Crt., Vermont Marg. Picken - 94 Woodards - Boxhillwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 45 Nurlendi Rd., Vermont. This property is listed as having sold for $171,500 in 1988 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a single story brick house with veranda across the frontage, on the left it forms a carport in front of the connected garage. In the foreground on the left is the driveway, while on the right is a front garden enclosed by a wrought iron fence.45 Nurlendi Rd., Vermont Marg. Picken '88 Woodards - Boxhillwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 6 Lusk Dve., Vermont This property is listed as having sold for $270,000 in 2004 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a single story brick house. On the left is a driveway leading to a gated garage in the background. While in the right foreground is a low stone fence enclosing a front yard with hedging. There are two hole punch holes just below centre of the upper edge6 Lusk Dve., Vermont Margaret Picken © 2002 Realatorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 125 Jolimont Rd., Vermont This property is listed as having sold for $351,000 in 2003 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house, with steps from the footpath leading up to a raised porch. In the foreground is a stone retaining fence enclosing a front yard with garden bed edging. There are two hole punch holes just below centre of the upper edge125 Jolimont Rd., Vermont Picken © 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, vermont, vermont south

A property illustration by Margaret Picken Commissioned by a real estate agency for the purpose of advertising 254 Springfield Rd., Nunawading This property is listed as having sold for $220,000 in 2001 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story brick house with a sloping roof. On the left is a driveway leading to an connected garage. In the foreground isa horizontal timber fence, which is enclosing a front garden on right.245 Springfield Rd., Nunawading Margaret Picken © 2001 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

Ascot Denominational School in Ascot opened in 1859 for the Presbyterian Free Church with 26 students, which quickly grew to 96. In 1866 the local Board of Managers offered the school to the Board of Education if it would pay the 200 pound building debt, but the offer was rejected. In 1873 Ascot Primary School (No. 16) opened. A new site was purchased in 1981 forcing the closure of School 16. Ascot State School (No. 2507) opened in February 1883..1) Twenty three children stand in from on a brick building with corrugated iron roof. They are students of Ascot Primary School. .2) Twelve males students of Ascot Primary School stand in front of a timber post and rail fence. They are the same boys as depicted in the .1) Ascot Primary School photo. Members of the Chatham family were educated at Ascot Primary School and are thought to be in these photographs. In the late 1950s and 60s the children of Phillip and Elizabeth Chatham nee Holmes also attended Ascot State School along with the children of Bill and Margaret Holmes.Verso in blue ballpoint pen "Chatham Ascot"chatham family collection, ascot, ascot primary school, ascot state school, post and rail, elizabeth holmes, bill holmes

St. Matthew’s Presbyterian Church Stawell. Now United Church. This landmark of Stawell was opened on 11th April 1869. The tower and spire, overall height of 148 feet, cost 1352 pounds and was paid for by an early mine owner. In March 1869, a month before the Church was opened, the local paper reported that a large red flag on the top of the Presbyterian Spire meant that the last brick had been laid and the massive gilt ball and cross had been placed in position. The Church has some fine stained-glass windows. Two identical side views of a church with a tall steeple. These photos were taken from the original Post Cards in Album 13, p.41. The photo shows a Tennis Courts in foreground with a picket fence around the church. Presbyterian Church, Stawell written on the front of the post card and June' 09 Stawell written in pencil on the back. Post cards printed in Germany.stawell religion

Salvation Army Barracks Main Street Stawell. Weatherboard building part roof corrugated iron - remainder wooden shingles. Picket fence in foreground. Large group of people standing and seated on the footpath. The original Salvation Army Barracks is now at the rear of the present Citadel a red brick building. Stawell Corps was opened in the year 1884 in the month of May. The first meeting was conducted in a Church but afterwards the old market (area present Library) was secured for meetings. Captain Furbur and Lieutenant Quick were the first officers appointed. Photograph of a weatherboard building with a group of people standing and sitting in front of a picket fence. Part of the roof of the building is corrugated iron - remainder wooden shingles. The group of people standing and seated on the footpath, are a mixture of adults and children, some in uniforms, women in long dresses. Salvation army Barracks above the building door. Written in handwriting Stawell Barracks Mrs. R.J. Reeve.stawell religion

This is the fifth house that Anthi Chilianis lived in before she was married. It was in Royal Parade, opposite the University of Melbourne. A coloured photograph of a lady standing outside a two story Federation style read brick house, which has a cream picket fence. Two cars are parked in the street in front of the house.chillianis

The photograph is taken at an Ithacan Club barbeque at the home of Jim and Leah Kandiliotis. Jim is pictured wearing the hat together with friends Des Kostopoulos (left), and to the right Taki Anagnostou and Niko Vlassopoulos. A coloured photograph of four men at a backyard barbecue. They are standing in front of a brick barbecue which is near a fence.

Constantine and Toula Black (Mavrokefalos) and their five children, Nina, John, Ellie, Rita and Olga lived in this house which was in Royal Parade in Parkville.A black and white photograph of a two storey Federation style brick house with a white picket fence which has been built on a corner block.

MONUMENT BUILT AND ERECTED ON SITE OF FIRST GOLD DISCOVERY IN VICTORIA 1851. PORT PHILLIP MINE.BLACK AND WHITE POSTCARD OF THE BRICK MONUMENT ON SCENIC DRIVE, SURROUNDED BY WOOD AND WIRE MESH FENCE WITH CAMP PARADE AND MOUNT BECKWORTH IN BACKGROUND. PLAQUE ON CEMENT BASE OF BRICK PILLAR.MONUMENT AT CLUNES. GOLD WAS FIRST DISCOVERED HERE IN VICTORIA 1851.photography, monuments, memorials& mining

GOLD MONUMENT ERECTED ON SITE OF FIRST GOLD DISCOVERY IN VICTORIA 1851BRICK MONUMENT, SURROUNDED BY MESH FENCE WITH WOODEN POSTS. GRASS GROWING AROUND MONUMENT, MULLOCK HEAPS IN BACKGROUND, HOME ON CAMP PARADE.GOLD MONUMENT CLUNESphotographs, mining civic momentoes, gold monument