Colour Photo taken from slide

Has a strong association with event following the Sebastopol horse tram depot fire of 1909, where ESCo obtained further horse trams from the Adelaide trams. Copies of letters.Photocopies of a set of copy letters from the State Records of South Australia, Reference GRG 22/31/Vol. D. Copy of letters between Benjamin Deakin, Engineer and Manger ESCo and the Chief Engineer and General Manager of the Adelaide Metropolitan Tramways Trust regarding the purchase of horse trams harness and other equipment following the Sebastopol depot fire. Correspondence dated Oct. 1909. Has a header sheet - see image file.trams, tramways, horse trams, adelaide, sebastopol, fire, esco

Set of three A3 size photocopies of a drawing held by the Public Records Office Victoria of the Ballarat ESCo Tramway Depot, dated 2/8/1912. Drawn at a scale of 1/16" = 1', shows building layout, track layout, overall dimensions, a proposed extension to hold eleven trailers, a front elevation showing pits, extension (drawn at 1/8" = 1'). On the current tracks, shows the individual track capacities - 26 trams. Drawings copied by Alan Bradley for archives and research.trams, tramways, ballarat, esco, depot, drawings

Set of four A3 size photocopies of a drawing VB4/8709c held by the Public Records Office Victoria of the Ballarat SEC Tramway Depot, dated 5/11/1971, Revision C 22/11/1971. Drawn at a scale of 1" = 20', shows building layout, track layout, overall dimensions, tree locations, pit details, rooms, paint shop, reduced levels, streets, toilets, steps to pits, tennis court and datum point. Drawn after the closure of the tramways, possibly to enable planning for the redevelopment and sale of the property. Drawings copied by Alan Bradley for archives and research.trams, tramways, ballarat, sec, depot, drawings

Colour photograph, printed on a postcard back format of SEC Ballarat of No. 34? in bound in Lydiard St North about to cross the railway level crossing, with the Ballarat Railway Station and signals in the background. Note the very dirty end of the station canopy.trams, tramways, lydiard st nth, railway station, railway crossing, tram 33

Newspaper clipping from the Geelong Advertiser, 30/3/1956, advertising 21 tram bodies for Sale by the SEC Geelong. Provides details of the dimensions of the tramcars and of the tank. Offers closure 4/4/1956. Contained originally within Reg Item 5623 at the front of this note book. For items see btm5623 loose items list.pdf.has date "30 March 56 in ink on right hand side.geelong, closure, sale of trams

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.A print made by/for Dorothy Rogers in the 1960s from an original in the La Trobe Library (State Library of Victoria) showing one of the trains on the Outer Circle Railway."Train used on Outer Circle Railway 1893. Only ones available supplied by La Trobe Library"outer circle railway, rowan car, dorothy rogers

Newspaper excerpt from The Sunday Age. Page 5 and a smaller introduction probably from the front page. Smaller excerpt colour photo of blue-stone and cast-iron wall which was to be demolished. Larger excerpt, a black and white aerial view of QVWC and the block where it is situated. building construction, building permits, historic building

tim jones, printmaking, gippsland campis, artwork, artist

ROSE SERIES P. CROSSROADS, WONGA PARK, VIC.

Unknown year

Ill, p.10.non-fictionA pictorial review of Brisbane tramcarstramways - brisbane, urban transportation - brisbane

Ill, p.11.non-fictionA pictorial and descriptive account of the Sydney "R" class : bogie corridor cartramways - sydney, tramways - rolling stock - sydney.

Ill, p.11.non-fictionA pictorial and descriptive account of the Sydney "K" class : single truck crossbench cartramways - sydney, tramways - rolling stock - sydney.

Ill, p.11.non-fictionA pictorial and descriptive account of the Sydney & Newcastle "L/P" class : bogie crossbench cartramways - sydney, tramways - rolling stock - sydney., tramway rolling stock - newcastle

Ill, p.11.non-fictionA pictorial and descriptive account of the Sydney "F" class bogie combination cartramways - sydney, tramways - rolling stock - sydney.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Diana Jones (1939-2009) was President of the Association for the Blind from 1985 until 1992. In her 8 years as President a great deal was accomplished. New centres were opened or extended throughout Victoria and the Metropolitan area, volunteer services expanded and the Vision Resource Centre at Kooyong was built into which 3RPH radio was relocated. A Vision Information hotline, audiology services and the National Centre for Ageing and Sensory Loss were established, the Braille and Talking Book libraries was incorporated into the Association and the Charlie Bradley Cricket Pavilion opened at Kooyong. In 1990 Diana Jones became a member of the first Board of Directors of the newly incorporated Association for the Blind Ltd which ushered in a new era, requiring strict observance of financial and accounting methods in order to ensure continued Government funding. Mrs Jones was highly regarded by clients, volunteers and staff as a capable hard-working leader. Her services to the Association and over many years to the wider community, were recognised in her appointment as a Member of the Order of Australia in the 1993 Queen's Birthday Honours. In these images she wears a pinstripe, double breasted jacket, patterned blouse, gold curb chain necklace and round earrings. As well as a proof sheet, the album also contains transparencies of the same photo shoot (not scanned).Diana Jones in a pinstripe, double breasted jacket, patterned blouse, gold curb chain necklace and round earringsDi Jones 4/7/91diana jones, association for the blind

This series of SS0380 photos are part of the "Eastland Litigation" launched in 1962 by the Whitehorse Traders Co-operative Association (WTCA), against the Ringwood Council's Interim Development Order of 1960. WTCA sought "orders from the Supreme Court of Victoria that the planning scheme was invalid" - See "The Eastland Litigation" chapter in "From Horse Shoes to High Heels - Ringwood Shopping Centre and Eastland 1858-2008" by Richard Carter, Bounce Books 2009.Black and white photograph (2 copies) Written on back of photograph: "Photo of one of the noticeboards relating to parking on the Oval" Stamp on photograph, 'Edwin G. Adamson...May 63'.

daisy ball, george ball, billy barling, m. (nee wellington) missen, harold barling

VINTAGE CHEVROLET DELIVERY VAN OWNED BY MR. LOU ROBERTS. THIS VAN SERVED AS LOCAL TAXI AND DELIVERY VAN.BLACK AND WHITE PHOTOGRAPH OF CHEVROLET - VINTAGE DELIVERY VAN PARKED IN FRONT OF METHODIST PARSONAGE CLUNES.ARTHUR LELEAN. CLUNES PRIOR TO DRIVING TENNIS TEAM OUT TO TOURELLO TO REG KINNERSLY'S HOUSE IN CHEVROLET. CIRCA 1946-47motor vehicle., chevrolet vitage

car crash, st georges road