Silver dress clip dress clips

White dress jacket

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This 1930s evening dress is one of a number of items donated by Teresa Mayer.Deep rust coloured three-quarter length crepe dress featuring extensive ruching on the bodice and to the short sleeves. A bow of the same fabric with hanging laces (sic) is attached at the neck. The garment has been dated to the 1930s.women's clothing, australian fashion - 1930s, day wear, day dresses

Made by a Mrs Harris for daughter Norma in 1920 (Norma Poxon)Cream silk smocked baby's dress, embroidered collar and yoke, smocked sleeves. Embroidered hem of dress. Back of dress also smocked and embroidered and fastened with four pearl buttons.nonecostume, children's

Probably a Christening Gown.White lawn infant's dress with bobbin lace on neck, bodice, hem of sleeves and dress . Insert of lace near hem of dress. Pink ribbon threaded through eyelet lace.costume, infants', handcrafts, lacemaking

This was the wedding dress worn by Mrs Jessie McKinnon (nee Campbell). It has been made for riding side-saddle. Only highly-skilled tailors could produce the complex skirt required for riding side-saddle. It had to curve neatly over the rider’s knees.This dress reflects the fashion of the early 20th century as well as the needlecraft skills of the women at that time.A hand-made, long-sleeved wedding dress of beige satin. It is tapered at the waist and covered buttons from the collar to the waist. There are bows on the wrist. There is fringing at the waist and it is ankle length. There is a huge pocket on the left hand side. There are box pleats at ankle length and a frill of chiffon at the bottom.costume-female handcrafts-dressmaking dress-wedding

Wedding dress worn by Mary Monica Fleck Turner on her marriage to Albert Smith in 1926. Turner CollectionClothing associated with early Kilmore families.Cream silk "Flapper" knee length sleeveless dress with plain scooped neck. Neck & armholes bound with same fabric. Curved low waist seam. Hem finished with same bias binding. Evidence of machine stitching on both sides altering bodice from underarm for 26cm. Formerly had sash with bow - both missing. Small faint stain on back of skirt and ?watermarks on bodice. In excellent condition otherwise.wedding dress, turner collection, smith

Dress worn by Bette Jones sister. Petticoat probably made 60's to 80's as zip dates from this eraCream machine lace long sleeved wedding dress with faggotted collar from 1930s. Thirty eight covered buttons down front from collar to thigh. Three covered buttons on each wrist. Front buttoned opening and wrists bound in georgette. Short train. Petticoat probably made between 60's and 80's judging by zip at back. Straps over shoulders. (see NP2502)costume, female ceremonial

This photograph shows the wharf in the 1980's. It is the early days of tourism, and shows Helen Coulson, dressed in period costume guiding the tourists. The sign shows distances from Echuca to significant sites on the Murray River in miles, as that was the way distance was calculated in the 1870's. The sign is no longer there.This photograph shows Helen Coulson as a tour guide. Helen was the first Manager of the Port of Echuca from the mid 1970's. The tourism industry was still in it's infancy and Helen was a strong supporter of the Port. The photograph also shows the structure of the wharf as the photograph is taken on the lower level.3 black and white photographs of tourists under the wharf with Helen Coulson, dressed in period costume, as a tour guide. The structure of the wharf can be clearly seen. Also a sign with towns showing their distance from Echuca, in miles, can clearly be seen. The three photographs are identical. There are no inscriptions or markings.helen coulson, echuca wharf., tourism, murray river, rosel, mike

This item is part of the Di Reidie collection. Diane Reidie was a much loved volunteer and President of Brighton Historical Society from 1999 until 2016. Originally from New Zealand, Di and her family lived in Male Street, Brighton for many years. A vibrant and energetic person with a zest for life and a gift for bringing people together, Di was a friend to many in the Bayside community and active in local community organisations. Her tireless work as President of BHS saw her named Bayside Citizen of the Year in 2008. As a seller and collector of vintage clothing, she was passionate about fashion history; one of her many enduring contributions to BHS was her extensive work in preserving, developing and promoting the Society's costume collection. In 2018-19, Di donated more than one hundred items from her personal vintage clothing collection to the Society. The collection, which includes clothing, hats, handbags and shoes from local and international designers, is representative of Di's wide-ranging interests, colourful personality, creativity, humour and love of fashion and travel. Di purchased this 1930s dress in 1983 to wear to her sister's Registry Office wedding in William Street, Melbourne. It was the first vintage clothing item she ever purchased and was the starting point of a lifelong love of collecting, preserving and promoting historical clothing. She subsequently wore the dress to a great number of events and considered it an important piece in her wardrobe. c1930s black cotton filet net dress with white cotton embroidered flowers. The dress fastens centre front with three hook and eyes, eleven black silk covered buttons and finished with black acetate ribbon band pussy bow at the neck , is slim fitting and finishes at approximately knee length. The head of the sleeve is gathered with a small shoulder band and finishes above the elbow with a black silk band. filet net, 1930s, di reidie, vintage clothing

Donated by Bass Valley Historical SocietyBlack & White portrait of David McHaffie as a young child leaning on the arm of a chair - dressed in a dress and boots.On back: "David McHaffie"mchaffie family, david mchaffie, phillip island, bass valley historical society

This Uniform was worn by members of the Australian Army circa 1950 - 1980?This uniform was used by 3/92813 K Walters a National Serviceman circa 1950.Battle Dress Blouse - Khaki. Battle Dress Trousers with Map Pocket - Khaki and Yellow Lanyard (RAASC) Blouse - D D Made in Australia 1956, M. TX Size 7. Trousers -Regimental No 3/92813 Name K Walters M. TX Size 7.uniform, k walters, battle dress, australian army, national service

Fabiola - Roman Matron - Romans developed an organized medical system and study of hygiene. Roman women pre Christianity were independent owned property and wealth. Fabiola daughter of a great roman family converted to Christianity and became devoted to charitable work among the sick and the poor. Miniature 30cm doll dressed in long light blue sarong type dress with matching blue headwareName tag - Roman Matronnursing history, nursing uniforms, northern district school of nursing, miniature dolls

Group Portrait of Stawell Fire Brigade Members in Dress Uniform 1955 Framed: Back Row: (L to R) E. Walsh, E. Dickens, A. Smith, J. Miatke, A. Oliver, J.Hall, H. Dunn, C. Prosser, A. Parsons. Centre Row: J. Grainger, C. Richardson, F. Crouch, H. Chapman, R. Maddocks, R. Ledgar, A. Dunn, K. Floyd. Front Row: R. Phillips, S. WHelan, F.Court, G. Huse, R.Chapman, P. Fenwick, I. O'Neil, R. Rickard B.Thompson.B/W Photo: Three rows of males in dress uniforms; mix of navy and red uniforms with caps: Backrow standing in front of curtain and end wall, remaining two rows seatedStawell Fire Brigade 1955 Chapman's Studios Stawellstawell

Netta Fuller and her husband Alec were long-term residents of Kew. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations.Two piece black silk evening dress, comprising sleeveless bodice and full-length skirt with inset panels on both pieces of guipure lace on tulle.australian fashion - 1950s, evening dresses, evening wear, netta fuller

This is number 22 of 27 items in the Daisy Vickers collection of World War One memorabilia. These items were sent or given to Daisy Ogier (nee Vickers) during World War One by Corporal Arthur Anderson who enlisted from Warrnambool in 1915 at the age of 21. He served in Egypt and France and returned to Australia in 1919. Daisy Ogier (1907-1987) was a student and then a teacher at Warrnambool Technical School with her early teaching years there from 1925 to 1936 and in 1949. She became the head mistress from 1950 to 1963 and in 1968. She officially retired in 1976. Daisy Vickers was one of the best loved and dedicated teachers that the school ever had. She married the Reverend Fred Ogier and continued her association with the school after her husband's death. This card is interesting because of its association with World War One and with two local people: Daisy Vickers and Arthur Anderson. This is a coloured postcard with a sketch of three children dressed in military outfits. The child dressed as a nurse is giving a piece of fruit to a child dressed as a wounded soldier. On the back it has space for correspondence and an address.Les Grenadesdaisy vickers, warrnambool, world war one post card, postcard ww1

Christmas gift to donor as a child in 1945Childhood doll of Rosalie Whalen (nee Schwerkolt) Doll, whose name was Janet was given to Rosalie Schwerkolt Whalen as a child in 1945 with a lemon voile dress and matching bonnet and a patterned voile dress.Voile dolls costume dress with floral pattern and lace inserts, on collar, bodice, short sleeves down the front. Dress to fit doll named Janet - NA5163. Other dress NA5165doll, 1940s

Percy Alfred William (1910- ), Stanley Bertram (1912-1996) and Jessie Eleanor (1915-2008) were the children of Percy Henry (Harry) Pledger (1884-1954) and Eleanor Elizabeth George (1888-1963). Percy was a tailor in Barnet, Middlesex and the family migrated to Australia in 1923, arriving in Brisbane on 11 December 1923. They settled in Surrey Hills. Percy had a tailoring and later knitwear business at 418 Canterbury Road, almost opposite Alexandra Avenue (? also at another time in Hansen's Terrace in Canterbury Road). The family was musical. After leaving school son Percy joined the staff at Allan’s Music House and rose to become their chief accountant. He also taught and played the violin in a number of orchestras. (See individual entry for him - SH1207) Jessie married Arthur John Marston Bate (1906-1994) in 1941; he was born in Birmingham and his father was also a tailor. Arthur gained BA and MA from the University of New Zealand. He was also primarily a musician, but worked in theatre, broadcasting and teaching in New Zealand and at the State Theatre in Melbourne and the ABC. He was a pilot during WW2 (SERN 255363), rising to the rank of Flight Lieutenant and also a RAAF Chaplain. Jessie and Arthur lived in Hawthorn, Ashwood and Mount Waverley. They are buried in Box Hill Cemetery (CE-213-0029) along with daughter Christine Elizabeth. In the 1920s Stanley Bertram Pledger, along with Harold Sydserf, assisted Stan's brother Percy to establish the Surrey Hills Musical Club. It soon increased to 12 or 15 members, giving 4 concerts a year. They combined with the Surrey Hills Dramatic Society to produce operettas. In time the group expanded to a total of 30 players and became the Camberwell Symphony Orchestra. Stanley Bertram Pledger (1912-1996) is listed in electoral rolls at a number of addresses around Surrey Hills: 1927 - 36 Suffolk Road; 1940s - Essex Road; 1977 - Burwood. All entries consistently give his occupation as manufacturer and it is assumed that this was with the family business. He retired to Kiama, NSW.A black and white photograph of two young men and a young lady standing in a garden setting. The men are dressed in suits whilst the lady is dressed in a short sleeved, knee length summer dress.canterbury road, surrey hills, pledger's knitwear, alexandra avenue, canterbury, victorian symphony orchestra, violinist, clothing and dress, mr percy alfred william pledger, mr stanley bertram pledger, miss jessie eleanor pledger, mrs jessie eleanor bate, mr arthur john marston bate, surrey hills music club

Junior Legatees Judy Bishop (on the left) and Jeanine Shinners (nee Hunt) dressed for an Annual Demonstration performance. They were taught by Miss E. Domec-Carre and went on to become soloists and then assistants at Girls' Classes. Jeanine later became an active Legatee with SE Group. This photo provides just one example of the beautiful costumes worn by Junior Legacy girls for Legacy's Annual Demonstrations at the Melbourne Town Hall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the late 1970's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Whilst the cost to Legacy was very small, the quality of the work produced was truly professional.This photograph is of historical and social significance as it serves as photographic evidence of the work that the Legacy Wives' Association and Junior Legacy Mothers' Club produced over the years.Black and white photo of Judith Bishop and Janine Hunt standing side-by-side wearing very elaborate floor-length dresses.junior legatee, annual demonstration, costumes

Standard issue battle dress pants, issued by defense department. Khaki Pattern 1949 Battle Dress trousers. Four hidden buttons in front closure. Nine exposed buttons around circumference of waistband. Seven internal plastic buttons around inner waist. Two large back pockets with hidden button under flap of each pocket. One large pocket with flap and hidden button on side of left leg/thigh. Bottom of pants hemmed with extra brown fabric attached on inner of each leg hem. Regular side pockets at front of each leg. At rim of each side of the pants there is a buckle feature. Sewn patch with faded illegible subscription. No. 18 visible. Regimental No. ...................... Name_______________ Stamp on inner waist band - 'D ^ D'.military uniforms, army, battle pants

Three men dressed in suits and ties posing with two women, one dressed in a dress with a scarf down the front standing, the other woman is sitting nursing a baby dressed in a layette . Two other children are in the photo, a girl standing with an older boy standing beside her.

During the reign of Queen Victoria, whose long and conspicuous grief over the death of her husband, Prince Albert, appropriate dress for men and women for the period of mourning was strictly prescribed and rigidly adhered to. Widows were expected to wear special clothes to indicate that they were in mourning for up to four years after the death, although a widow could choose to wear such attire for the rest of her life. To change the costume earlier was considered disrespectful to the deceased and, if the widow was still young and attractive, suggestive of potential sexual promiscuity. Those subject to the rules were slowly allowed to re-introduce conventional clothing at specific time periods; such stages were known by such terms as "full mourning", "half mourning", and similar descriptions. For half mourning, muted colours such as lilac, grey and lavender could be introduced.. Special caps and bonnets, usually in black or other dark colours, went with these ensembles. There was special mourning jewellery, often made of jet. By the late 20th century, this no longer applied, and black had been widely adopted by women in cities as a fashionable colour. A lady's full length black fine wool dress with pleated bodice and skirt. A beaded detachable collar sits over the dress forming a V shape back and front and is attached by hooks and eyes on right shoulder . Centre front from neck to point is a row of small black circular sequins. clothing, dressmaking, craftwork, cheltenham, market gardeners, pioneers, early settlers, moorabbin, bentleigh

Photograph shows a young Ivy Child, possibly 5 or 6 years old posing for a photograph in the bush. Ivy is very well dressed and groomed. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Ivy married Henry William Burgess (1906 – 1968) in 1944.Black and white photograph of a young girl with long hair posed beside a tree in a bush setting. The girl is wearing a long sleeved velvet dress with a white collar and cuffs.ivy child, ivy may child, bush

This dress belonged to Bernice Overend, a longtime Brighton resident. Bernice Adelaide Emily Lawn was born in Ballarat in 1911. In 1938 she married Acheson Best Overend (1909-1977), an early modernist architect in Melbourne whose notable designs include the heritage-listed Cairo Flats apartment building in Fitzroy. Bernice and Best made a home together in Brighton, raising their family at 80 Were Street. Their son Darren followed in Best's footsteps, becoming an architect, and in 1979 he and his wife Jenny bought a property just down the road from his childhood home - the heritage-listed 1881 Victorian mansion 'Chevy Chase' at 203 Were Street. Bernice lived in the house with with Darren, Jenny and their three children.White cotton high-waisted maxi dress printed with black spots and trimmed with red rickrack. Elbow length sleeves. Fastens with centre back zip.Label, printed black on white acetate, centre back: JILLIAN / OF / MELBOURNE1970s fashion, maxi dress, bernice overend, overend family, chevy chase, brighton, melbourne designers, jillian of melbourne

Catalogue card reads, 'City celebrations, 1960. Men in fancy dress taking part in procession'. Chinese dragon.

Catalogue card reads, 'City celebrations, 1960. Men in fancy dress taking part in procession'. Chinese dragon.

Photocopy of photo: 4 women dressed in suits, dresses. On rear of sheet, 4 women dressed in suits and hats. In pencil 1962 popular girls ??? Appear to be the same group in photo on front of sheet.bendigo, bendigo easter fair, 1962 popular girl competition

Abbess- Nuns were permitted to travel and wore apparel reflecting fashion of the era. This brought criticism which led to uniformity. The veil symbolizes obedience humility and service. In the modern nurse the veil is a symbol of service to mankindMiniature Doll 30cm tall. Dressed in fawn coloured fitted dress with beaded belt falling the length of the dress with cross emblem. Doll is wearing fawn coloured head type veil/scarf. Name tag - Abbessnursing uniforms, nursing history, northern district school of nursing, miniature doll

Slide. ST.PATS PROCESSION MELBOURNE 1961, Girls School Vaucluse Richmond. Dressed in Burnt Orange /white dresses.slide, st.pats procession melbourne 1961, st.pats procession melbourne 1961

Black and white photograph of five soliders in dress uniform and slouch hats meeting an officer dressed in jungle greensphotograph, officer