Showing 1423 items
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Tatura Irrigation & Wartime Camps Museum
Plaque, Dhurringile, 1940
Made by POW at Dhurringile Internment Camp, Tatura.Green painted plaster cast wall hanging of Dhurringile (mansion) Internment Camp Tatura. Shows the mansion, a hand to the left and trees on right. wording on bottom.Kdhurringile, plaque, pow -
Hume City Civic Collection
Bust-bodice
Provenance unknownWoman's bust-bodice in white cotton. Fastens at back with ten pairs of hooks and eyes. Has metal hook on elastic hanging from left back.Satin ribbon label printed with blue ink "Venus Maiden Shape" next to fastening. Stamped inside left back in black ink "12548".costume, george evans collection -
Whitehorse Historical Society Inc.
Book - The Royal Catalogue of Ladies Fashions
Part of the till collection from NA4003Book with grey cover 'The Royal Catalogue of Ladies Fashions' Summer 1930'. Cover features an archway with a lantern hanging-also a design on one side of cover.books, catalogues -
Bendigo Historical Society Inc.
Badge - Ribbon with badge
The United Order of Druids split from the Ancient Order and was more democratic and socially conscientious. Their motto was "United to Serve".A red grosgrain ribbon hanging from brass bar behind badge with inscribed mott "United To Assist" folded over a metallic holder and self-attached"United To Assist"ceremonial badge with ribbon, united order of druids -
Kew Historical Society Inc
Badge - Identification Badge, Kew Bowling Club, Secretary, Kew Bowling Club, 1980-1998
Secretary's medallion belonging to Saul Spielmann donated to the Society's by his wife Shirley.Pendant medallion hanging from a blue enamel bar with the title 'SECRETARY' The medallion is in green, red, black and gold enamel, the colours of the Kew Bowling Club.. SECRETARY / KEW BOWLING CLUBsaul spielmann, kew bowling club -
Kew Historical Society Inc
Photograph, Kew Arts Festival Exhibition, 1944-1951
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.arists - kew (vic), art exhibitions - kew (vic), alma figuerola -
Kew Historical Society Inc
Photograph, Kew Arts Festival Exhibition, 1944-1951
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.alma figuerola album, arists - kew (vic), art exhibitions - kew (vic) -
Kew Historical Society Inc
Photograph, The Age, Kew Arts Festival Exhibition, 1944-1951
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.arists - kew (vic), art exhibitions - kew (vic), alma figuerola -
Kew Historical Society Inc
Photograph, The Age, Kew Arts Festival Exhibition, 1944-1951
The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.An undated photograph of Alma Figuerola and an as yet unidentified man hanging paintings for an art exhibition at one of the Kew Arts Festivals held between 1944-51.On reverse, handwritten "4583 Alma Figuerola" Photographer stamp" Copy Right This photograph may not be reproduced without permission in writing from the Editor of "The Age", *** Collins Street, Melbourne, and Pitt Street, Sydney"alma figuerola album, arists - kew (vic), art exhibitions - kew (vic) -
Melbourne Tram Museum
Photograph - framed, Siemens, Centennial tram D2 5006 passing Luna Park, 2006
Framed photo of D2 class tram 5006 passing Luna Park St Kilda, celebrating 100 years of electric trams in Melbourne. See item 864 for the associated pamphlet.Yields information about tram 5006 decorated for the celebration of 100 years of Electric Trams in Melbourne.Framed photo with white window mat, black wood framed and glazed with a gold engraved lable or plaque, with brown paper backing and a wire hanging strip.Engraved lable - "The Centenary Art Tram - Luna Park - Celebrating 100 years of Electric Trams in Melbourne, Proudly sponsored by Yarra Trams & Siemens, 2006"100 years of electric trams, d2 class, tram 5006, luna park, siemens, yarra trams, decorated trams -
Bendigo Military Museum
Uniform - BELT, LEATHER, c.1915
17th Light Horse Regiment, Bendigo possibly.Leather belt, Sam Browne, dark brown, stitched metal, brass buckles (double fastener) & loops, 1 length of leather hanging from belt.“Hector E Baston”costume accessories - belt accessories, trades-leatherworking, passchendaele barracks trust -
Whitehorse Historical Society Inc.
Banner - Pennant, c.1970
See Ref. No. 43621. Red rayon pennant denoting house colour and name of school house. Yellow writing, fringe and cord for hanging. 2. Purple rayon pennant, yellow writing Lawson House. Gold fringe and cord for hanging. 3. Gold rayon pennant with black writing MacKellar House.|4. Dark green rayon, yellow writing Sturt House (Blackburn East Primary School)trophies & awards, education -
Orbost & District Historical Society
black and white photograph, 1918
A black / white photograph of a motor vehicle which has a large sheet, with a cross on it, hanging on the side. A young boy is behind the vehicle that is travelling down a residential street.on front caption - 1st Prize 1918red-cross -
Phillip Island and District Historical Society Inc.
Photograph - Post Card, 1926
Donated by Stan McFee from the Keith McIlwraith CollectionSepia postcard. Group of cars, horses and buggies assembled for Back to Cowes gathering. A line of flags hanging between trees. Crowd of people on the Cowes Jetty in the background.On back: "Back to Cowes Mar 1926"back to cowes gathering 1926, phillip island, cowes jetty, stan mcfee, keith mcilwraith collection -
Glenelg Shire Council Cultural Collection
Print - Reduction Linocut, Bob Stone, Working Tug II, c. 2015
Reduction linocut, blue, grey, white, red, green, black; white mount, blondewood frame, reflective glasss. Hanging wire across width of frame, on backFront: '1/7 linocut Working Tug II Bob Stone 2015 Back: Holland's Picture Framing, black stamp, lower left corner -
Glenelg Shire Council Cultural Collection
Medal - Medal, Royal Visit of Queen Elizabeth II, c. 1954
Commemorative medal commissioned by the Victorian state government as a souvenir of the Royal Visit by Queen Elizabeth II and the Duke of Edinburgh to Victoria in 1954. The medal was presented to all Victorian school children. It was struck by Stokes & Sons of Melbourne. The Queen and Prince Philip visited Victoria from 24 February to 9 March 1954. The first reigning monarch to tour Australia, she arrived in Sydney on 3 February 1954 and departed the country from Fremantle on 1 April 1954. The Royal party visited all the capital cities apart from Darwin, and over 70 country towns.Bronze medal, hanging from a rectangular bar. The obverse of the medal features profile portraits of the Queen and Prince Philip. Presented to children of Victoria on Royal Visit, 1954Obverse: bust of Elizabeth II and Duke of Edinburgh Reverse: E II R Royal Visit/ 1954/ Victoriamedal, queen elizabeth ii, 1954, royal visit, victoria, numismatics, celebrations, schools -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Library, May-97
Coloured photo. Floral arrangement on floor in front of information counter at Portland library, coloured streamers, hanging from ceiling. Two women at work behind counter.Front: '97 5 1'portland library, community, services -
Geelong RSL Sub Branch
Flag, 1985
Union Jack made in 1985 and possibly once in the possession of Peter Wilson.A Union Jack that was once in the possession of Peter Wilson.Union Jack, oblong red white and blue, cloth, three metal eyelets on the white edge band, two brass toggles for hanging the flag onto a flagpost.On the white edge band the makers name, stock number 8834-99-5714529 6BDTH 1985, an upwards arrow in a circle and in black ink the name Peter Wilson.flag, union jack, united kingdom. -
Glenelg Shire Council Cultural Collection
Souvenir - Bannerette, Apex Club of Healsville Screenprinting Service, c. 1970
Yellow bannerette, black lettering; on wooden hanger with plastic ends; black hanging cord and fringe. Apex logo, with spouting whale beneath 'Portland' written on whale.Front: 'Greetings from Portland Apex Club Inc. Club 139 Glenelg District Zone 1 'Birthplace of Victoria' ' -
Kiewa Valley Historical Society
Scales - Grocer, Merchant, Household
Scales and weights were used by merchants, grocers and households to weigh goods especially food.Used by resident of the Kiewa Valley eg. grocer, household, merchantMetal Scales with dish shaped oval tray and 7 six sided weights. It has two thin metal pieces hanging from the bottom. It is well worn.Weights have the amount 'g' embossed into surface. 1 kg, 500 g (x2), 200 g (x 2)scales and weights, household, grocer -
Ringwood and District Historical Society
Plaque, Southwood Primary School House Sports
Used for three years house sports at SouthwoodRectanglular wooden board with 30 metal plaques 24 blank rectangular plaque with Southwood Primary School House Sports inscribed on it on top.. Wire on back for hanging.Southwood Primary School House Sports -
Flagstaff Hill Maritime Museum and Village
Functional object - Marine Kerosene Lamp, W T George & Co, 1941 +
WT George & Co of Sherlock Street Birmingham were makers of ships lanterns under the trade name “Meteorite”. In 1941 Thomas George writer assumes a relative of WT George was granted a patent number GB546575 relating to improvements to his lamps. After this date a plate was affixed with this number. What's confusing with the companies records is that they show that in Birmingham three companies are listed making lamps together and the writer is assuming under a partnership agreement. First in 1983 W T George & Co with William Harvie & Co went into liquidation with G Bocock & Co, together, then in 1992 George Bocock and Harvie Ltd were in liquidation. Although these companies seem to have different addresses in Birmingham they were linked together given they were all liquidated at the same time for two of them. They all appear to have been partners in some way making marine lamps under the William Harvie banner. William Harvie & Co. Ltd advertised as being electric light and power engineers, and patent ship lamp manufacturers, as early as 1901-1902, as listed in the Post Office annual Glasgow Directory 1901-1902.An item made by a company that was an innovator of significant improvements in the manufacture of marine signal and navigation lamps during the late 19th and 20th centuries. Lamps made by this manufacturer are now sought after collector's items that are of significant value. Lamp, round ship's copper lamp with clear glass, handle at top, fitted with hinged and catch section at top to service lamp. Bracket at back for hanging lamp. Stamped "Meteorite 110560" Bottom stamped "Patent no GB546575 and others pending".warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lamp, round ship's lamp, kerosene marine lamp, w t george & co, william harvie & co, george bocock & co -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Marina, Lee Breakwater, 05/12/1991
Port of Portland Authority ArchivesBack: Bottom right corner '5-12-91'port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Ship Fittings, n.d
Port of Portland Authority ArchivesBack: 'Portside? officers cabin' - blue biroport of portland archives -
Bendigo Historical Society Inc.
Photograph - ALBERT RICHARDSON COLLECTION: INTERNAL ROOM FORTUNA
Black and white photograph of the furniture, paintings, statuettes, hanging light with small chandelier, jars/urns, chair with decorative pillow, indicating the extravagance of an internal room at Fortuna.buildings, house, fortuna villa, internal room at fortuna. -
Bendigo Historical Society Inc.
Photograph - ELAINE SWANSON COLLECTION: ANZAC DAWN SERVICE 2015 RSL BENDIGO
RSL Memorial Hall, Bendigo, poppy banners hanging from top of building. Image taken following dawn service 2015, commemorating 100 years of Anzac.bendigo, institutions, rsl memorial hall 2015 -
Dutch Australian Heritage Centre Victoria
Decorative plate in Delft blue (Delftsblauw sierbordje)
Round plate with two holes at back through which metal wire has been looped for hanging. Floral Delfts blue decorations around, bouquet in centre. On underside, Royal Delfts Blauw Handwerk, crown. -
National Wool Museum
Wall Hanging, The Honourable Walrus, MP
Made by Sonya Carrington in 1986-88. The weaving depicts characters from Alice in Wonderland. Sonya was married to George Wlodek ZakrzewskiLarge rectangular weaving depicting alice in wonderland characters. Woven on a loom, made of silk, linen and wool. Is attached to a wooden rod. Hanging is entitled The Honorable Walrusweaving textile art, spinning - hand, spinning wheels, carrington-zakrzewska, mrs sonya carrington, mrs lois carrington, mr george, weaving, textile art -
Ballarat Tramway Museum
Artwork, other - Framed photos of 8 Melbourne Art trams, Yarra Trams, Melbourne Art Trams Oct 2013 - Apr 2014, 2013
Features 8 Melbourne Art trams of Oct. 2013. This was the reinvention of the Transport Art programme of 1978 to 1993. Image 2 gives the sponsors details - Arts Victoria, Transport Victoria, Melbourne Festival and Yarra Trams. Artists featured are - SW6 925 - Jon Campbell, Z3 183 Freya Pitt, Z3 209 - Luke Cornish (ELK), Z3 151 - Rose Nolan, Z3 259 Joining Forces, D1 3509 - Brook Andrew, B2 2002 - David Wadelton, C3008 - Bindi Cole.Provides a framed set of photos of Art Trams that were presented to the public in 2013 - 2014.Wood frame, containing 8 photographic prints, label, text regarding the trams, framed with perspex card backing, paper, tape and fitted on the rear with a hanging cord.transporting art, art trams, decorated trams, melbourne, trams, tramways, tram 925, tram 183, tram 209, tram 151, tram 3509, tram259, tram 2002, tram 3008, sw6 class, z3 class, c1 class, d1 class, b2 class, jon campbell, freya pitt, luke cornish (elk), rose nolan, joining forces, brook andrew, david wadelton, bindi cole -
Tennis Australia
Magazine clipping, 29-May-29
A cartoon from 'Punch' magazine, featuring a 'new member' of a tennis club hanging his coat during a mixed doubles match. Materials: Paper, Ink, Cardboardtennis