Moving on from refugee campLeaving the refugee camp for a new startBlack and White photo of a group of Slovenians waving goodbye to camp Latina prior to moving on to Australia. . . . Lojze Markic, Karlo Strancar, . . Rudi Koloini.celebration, immigration, refugee

A group of Slovenian friends on a sightseeing trip from refugee camp Latina to the eternal city of ROMERefugees to Italy, Slovenian riends exploring RomeBlack and white photo of a group of Slovenian refugees from Latina on a visit to Rome. Miro Krsevan, Alojz Markic, Franc Savle, Rudi Koloini, Karlo Strancar, Florijan Vidmar , Darjo Ziberna and Ivo Miheljslovenians visiting rome, slovenian association melbourne

Artwork by Bruno Simon, Dunera internee 1941-1943, 8th Employment Company A.M.F 1943-1945Grey card folio containing cream coloured folder with 6 listed Bruno Simon artwork prints and 1 single typed page/frontispiece. Interleaved with tissue paper.Bruno Simon To Philipp Simon in remembrance of the common experience.bruno simon, dunera, artwork

Next step Slovenian refugees moving on from refugee camp in Latina to a new start in Australia end of September 1960 with the ship FlaminiaSlovenian refugees ready to leave Latina camp, ItalyBlack and white photo of a group of Slovenian refugeesslovenian refugees in italy, slovenian association melbourne

Slovenians on the move to a new countryMoving onBlack and white photoimmigration

Tall clear glass bottle for stopper, rectangular in section, impressed panels on three sides and on base with embossed text in the panels and on base.Front 'SCOTTS EMULSION'. Sides ' COD LIVER OIL', 'WITH LIME & SODA'. On base : '6 (?)24' in a triangle.cod liver oil, lime & soda, scotts emulsion, scott & browne

105mm L5 Pack Howitzer: field artillery piece.nilhowitzers, field gun, artillery, pack howitzer, l5

A plastic model of a M108 Howitzer, an American self-propelled 105mm howitzerATALERI No.6518m108, howitzer gun, model m108 howitzer 105mm

Silver, blue and green knitted lurex evening outfit comprising maxi dress (.1) and short blue lurex jacket (.2) with short sleeves. Sleeveless high-necked dress with bold seaweed design. Fastens centre back with long metal zip. Jacket and dress fully lined with dark blue lining.Label, woven black on white acetate centre back jacket: Tricó / ROMAevening outfit, 1970s, lurex

The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers

Rebekah was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. White marble statue of a woman standing with left arm raised to her head and draped in cloth to form a robe tied at the front.Rebekah

Similar pieces are now in the Boston Museum and Metropolitan Museum.Framed Assisi band with continuous narrow image with geometrical and floral forms. Stitches used are tent stitch and long-armed cross stitch worked on linen using red thread. The stitches are worked over 3 threads. No Holbein or double running stitch outlines.assisi

Fine lace used as costume trimmingFine needle lace edging

Use: Domestic. Household trimmingBobbin lace edging

Use: Domestic. Household trimmingBobbin lace border

Use: Domestic. Household trimmingBobbin lace edging

Use: Domestic. Household trimmingBobbin lace edging

Use: Domestic: Household trimmingNeedle lace edging

Use: Domestic: Household trimmingNeedle lace edging

Use: Domestic. FashionMachine lace insertion

Gold stand, with hanging bannerBanner named ALITALIA

This was the first work de Clario painted during his Australia Council residency in Paretaio, Arthur Boyd's studio in Tuscany. It was painted in an old stable with a vaulted ceiling that reminded de Clario of a cenacolo or supper room. Domenico de Clario has an international reputation, gained particularly through his installation work and collaboration with composers and musicians. De Clario made many irregular shaped, un-stretched paintings during this period. He was involved with Arte Povera, a socialist based art movement where the 'poverty' was reflected in the choice and use of materials. This work was entered into the 1986 Shire of Eltham Art Awards. Painting: oil on canvas mounted on stretched canvas. Semi abstract painting containing out of focus objects within a room.de clario, painting, semi abstract, expressive, painterly, personal, arte povera, paretaio

A very small number of these Gilera 100 three wheeled motorcycles were purchased by Ambulance Victoria so that paramedics could negotiate traffic in built up areas and attend patients more quickly. Unfortunately, the paramedics using these vehicles did not feel they were safe to drive and they were soon withdrawn from service and replaced by conventional BWM motorcycles. This vehicle has only around 4500 kilometres usage on its speedometer. Source Chas Martin curator AHSVMotorcycle with twin front wheels.1E-SUD 7362paramedic, gilera

Red leather bookmark, gold line all around. Rampant lion and a fluer-de-lea with two thistles, and wording Barry Dobyn, Chemists, Mitcham North.Barry Dobyn, Chemists, Mitcham North.books, bookmark, commerce, advertising

Child's Birthday postcard with photo of curly haired child in green jumper on frontmessage written to Colin from aunts, uncle and grandmotherdocuments, cards

Elizabth Nan Warner was a retired schoolteacher who travelled with her husband Max to Europe and China. Joined Lace Making Group 1970, 1980's. Lappet(collar) Brussels Duchess lace with needle lace insertselizabeth nan warner, lace collector/maker

Elizabeth Nan Warner was a retired schoolteacher who travelled with her husband Max to Europe and China. Joined lace Making Group 1970, 1980's.Mid 19th century mixed lace collar with "V" centre panel. Handmade. Cream with grey lining at neck. Metal supports. Press studs. Muslin lined. elizabeth nan warner, lace collector/maker

Brass shoulder badge - ArtilleryHas symbol of crossed canons and flaming bomb with a small sword on either side.

Red binder containing coloured magazines on WW11 Published in WW11 Printed text containing coloured and black and white photographs

50th Anniversary Commerative Edition World War 2. 400 black and white printed pages containing photographs and maps. Author Ivor Matanley.From Belinda, Adam and Kate 2/ 9 / 1990