Showing 3657 items
matching landscapes
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Dutch Australian Heritage Centre Victoria
Tapestry Dutch national costumes, 1971
Martijntje van Dooren created the tapestry in 1971. She migrated to Australia in 1952 from Rotterdam.Dutch cultural piece, accurate depiction national costumes. Used in DAHC displays. Rectangular log landscape shaped wooden framed tapestry, glass front.Dutch National Costumes. MvD'71 -
Moorabbin Air Museum
Book (item) - Dart Herald Performance Data - Handley Page Marketing Product
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Moorabbin Air Museum
Document - Government Aircraft Factories (GAF) Company Outline and Information Booklet - GAF History, Government Aircraft Factories - Melbourne - Victoria - Australia
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Benalla Art Gallery
Painting, Charles BRYANT, Fishing fleet at sunset, Not dated
Born: Enmore, New South Wales, Australia 1883; Died:1937ImpressionismLedger Gift, 1980Seaside landscape with sailing boats and lighthouse. Gold painted timber frame.Recto: Signed “CHARLES BRYANT.” in brown paint l.l.c of composition; Not dated; Not titledseascape, boats, building, marine, sunset, australian art -
Benalla Art Gallery
Painting, Frederick MCCUBBIN, Towards Hanging Rock, from Mount Macedon, c. 1911
Born: Melbourne, Victoria, Australia 1855; Died: 1917Heidelberg SchoolLedger Gift, 1980Landscape with house, golden hills and trees. Painted bronze gesso frame.Recto: Signed “F McCubbin” in brown paint in l.r.c of composition; Not dated; Not titledlandscape, rock, house, australian art -
Benalla Art Gallery
Drawing, Conrad MARTENS, Aborigines at Port Stephens, 1845
Born: London, Middlesex, England 1801; Arrived: Sydney, New South Wales, Australia 1835; Died: Sydney, New South Wales, Australia 1878ColonialGift of Sir Thomas Ramsay, 1975Figures and animal in colonial landscape with tents. Gold leaf on timber frame.Recto: Signed "C Martens" in black pencil, l.l.c of sheet; Titled and dated "Aborigines, Port Stephens – 1845" in black pencil in l.r.c of sheetdrawing, landscape, figures, dog, trees, tents -
Benalla Art Gallery
Watercolour, Penleigh BOYD, Edge of the forest, 1919
Born: Westbury, Wiltshire, England 1890; Arrived: Melbourne, Victoria, Australia 1893; Died: Warragul, Victoria, Australia 1923InterwarGift of Wooleen Pty Ltd.,1980Misty forest landscape with large gum tree. Limed timber frame.Recto: Signed "Penleigh Boyd" in brown watercolour in l.r.c of composition; Not dated; Not titledwatercolour, tree, landscape -
Benalla Art Gallery
Painting, Rupert BUNNY, Landscape near Toulon, c. 1930
Born: St Kilda, Victoria, Australia 1864; Died:1947; Worked in Europe 1893-1933 ImpressionismGift of Wooleen Pty Ltd.,1980Rural landscape with trees, rocky hills and clouds in sky. Timber frame.Recto: Signed "RB" in blue grey oil in l.r.c of composition; Not dated; Not titledpainting, landscape, hills, trees, mountains -
Clunes Museum
Artwork, other - PASTEL LANDSCAPE
Mountainous landscape in pastel. Framed in varnished brown wooden frame with glassSticker "29"pastel, landscape -
Robin Boyd Foundation
Slide, Robin Boyd, 1971
In April-May 1971, Robin and Patricia Boyd travelled to Honolulu, east coast USA and London. In London he was one of the judges for the Commonwealth-wide entries for the redevelopment of Whitehall and the Palace of Westminster. He was also researching overseas libraries, as background for plans for a new State Library of Victoria.Colour slide in a mount. Landscape, unknown location, probably Hawaii, USAInscribed Made in Australia / 5 / AUG 71M1slide, robin boyd -
University of Melbourne, Burnley Campus Archives
Article, The University of Melbourne Landscape, 1980
Reprint from August 1980 issue of "Landscape Australia". 17 pp.university of melbourne, landscaping, australia -
Clunes Museum
Photograph
PHOTOCOPY - CLUNES LANDSCAPE TAKEN FROM CAMP STREET AND CAMP PARADElocal history, photography, photographs, clunes landscape, buildings -
Wangaratta Art Gallery
Painting, Neville Connor, South of Gapsted, c.1982
Rural City of Wangaratta Collection, Wangaratta Art Prize 1982.A watercolour landscape painting of a pastoral scene in shades of brown, green, and blue.Obverse: NEVILLE CONNOR/ (bottom left corner)wangaratta art gallery, neville connor, landscape, watercolour painting, gapsted, pastoral -
Wangaratta Art Gallery
Painting, Herman Pekel, As the Evening Sets, 1988
Rural City of Wangaratta Collection, Wangaratta Art Prize 1988.A coastal landscape painted in watercolour using shades of blue, green, and brown.Obverse: HERMAN/ REKEL/ (bottom left corner) WANGARATTA ART SHOW - 1988/ 150th CELEBRATION SPECIAL AWARD/ GRAND WINNER - WATERCOLOUR/ (plaque mounted on frame)wangaratta art gallery, herman pekel, coastal, landscape, painting -
Wangaratta Art Gallery
Painting, Mary Watson, The Buckland River, 1988
Rural City of Wangaratta Collection. Gift of the Wangaratta Y's Men's Club.A river landscape painted with oils in shades of green, blue, brown, and grey.Obverse: MARY WATSON/ (bottom right corner) WINNER - PAIR SMALL PAINTINGS/ 1988 WANGARATTA ART SHOW/ Presented By WANGARATTA Y'S MEN'S CLUB/ (plaque mounted on frame)wangaratta art gallery, mary watson, painting, landscape, buckland river -
Wangaratta Art Gallery
Painting, Mary Watson, The Ovens River, 1988
Rural City of Wangaratta Collection. Gift of the Wangaratta Y's Men's Club.A river landscape painted with oils in shades of green, blue, brown, and grey.Obverse: MARY WATSON/ (bottom right corner) WINNER - PAIR SMALL PAINTINGS/ 1988 WANGARATTA ART SHOW/ Presented By WANGARATTA Y'S MEN'S CLUB/ (plaque mounted on frame)wangaratta art gallery, mary watson, landscape, painting, ovens river -
Nillumbik Shire Council
Print: (archival inkjet): Jessie IMAM, Jessie Imam, Ground Cover, 2017
Imam is represented in the Nillumbik Shire Art Collection and was the winner of the 2015 Nillumbik Prize for her work "Diagram of sentiment #1" (judged by Linden New Art Director Melinda Martin). She was also a finalist in the Nillumbik Prize 2016, 2015, 2013 and 2010. Imam completed a residency at Laughing Waters in 2011. Imam works within photography, the moving image and installation to create works centred on themes of embodiment and the female perspective. In this work she participates in a dialogue between her body and the Finnish Archipelagos in order to develop a relationship with the islands as both a place and an organic body [of land] where flux and change occurs. Photograph of the artist immersed from the waist down in green moss (landscape).N/Afinnish, archipelago, inkjet, print, photographic, body, island, moss -
Stawell Historical Society Inc
Photograph, Fancy Dress -- Studio Portrait
B/W Landscape: Children in Fancy Dress. Studio Group PortraitStawell Photgraph Co. Main Street Close Railway. C. Hewitt Manager -
Stawell Historical Society Inc
Photograph - Aunde Album 29, Empty Spools on Racks, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: empty storage, Empty large spools on racksindustry, aunde -
Stawell Historical Society Inc
Photograph - Aunde Album 29, Attaching Yarns to warping spool, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Male Employee loading a group of yarns to warperWarpingindustry, aunde -
Stawell Historical Society Inc
Photograph - Aunde Album 29, Watching Yarn wind onto Warper, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Employee watching yarn load onto warperindustry, aunde -
Stawell Historical Society Inc
Photograph - Aunde Album 29, Examing Lower spool, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: 2 Male Employees examining lower spoolindustry, aunde -
Stawell Historical Society Inc
Photograph - Aunde Album 29, Office Work, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: office - Woman working on computer with full desk.industry, aunde -
Stawell Historical Society Inc
Photograph - Aunde Album 29, Textile locations AUNDE, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: AUNDE Plants, countries, Flags AUNDE WorlideAunde Textile locations: Germany, Luxemburg, U.K, Spain, Portugal, Italy, Turkey, India, South Africa, Mexico, Brazil, Argentina, Australia, USA.industry, aunde -
Stawell Historical Society Inc
Photograph - Aunde Album 29, Textile Plants, 2002
Aunde / Norwellan Textiles North Western Woolen Mills became Norwellan Textiles then AUNDEColour landscape photo: Map of the world dots of locations and countries maps.Textile AUNDE logo 19 Plants, 14 Countries.industry, aunde -
The 69 Collective
Photograph, Jenny Gibson, Towards Braidwood, 2011
This artwork is part of 69Fifteen, the book published in 2013 celebrating 69 Smith Street Gallery’s 15th year in operation as an artist-run space.Blurred vision of a tree against brown landscape and blue/grey sky.jenny gibson, 69 smith street gallery, artist-run initiative, artist-run space, photography, landscape, melbourne art galleries, colour photography, digital photography -
National Wool Museum
Photograph, Geographia Ltd, Unknown
Aerial photograph of a factory in the UK.Black and white aerial photograph of a factory with townhouses in the background in a landscape format.Front bottom right corner - Geographia Ltd, 167 Fleet Street, London, EC4. Back stamped - Neg. No. 3658 Date Subject Bides (?) 631wool, woollen mills, wool manufacture -
Hume City Civic Collection
Photograph, Emu Bottom Homestead
The photograph was taken from the rear of the Emu Bottom Homestead and its outbuildings in front of the home paddock. George Evans, one of the district's earliest European settlers built the original homestead from Silurian sandstone removed from the surrounding hillsides in the 1830s.A black and white landscape photograph with a cream border of a farm house and outbuildingsemu bottom homestead, homesteads, george evans, jackson creek, sunbury -
Tatura Irrigation & Wartime Camps Museum
Painting - Oil Painting, 5 Trees and a River
1 of 2 Oil painting by Charlotte Rippert which were given to Otto Lobert and his wife on the wedding Camp 3 1946.landscape scene with a hill in background and five tall trees and a river in the foregroundBack: 'Oil Painting by ??Charlotte Rippert?? Wedding Gift - in Camp 3. DONOR: Otto Lobert (One of pair C3502) Nov. 1993)charlotte rippert, otto lobert, mrs lobert, camp 3 weddings, oil paintings, internment camp art work -
Moorabbin Air Museum
Administrative record (item) - GAF Nomad Production Assembly Sheets, 112 to 215