Black tin with gold & blue markings. Square tin with rounded corners.Wedgwood, England 1759, Fine Teas, Wedgwood Original, Net weight 125g/4.4oz., Product of India & Kenya.

China Soap Holder in the shape of a Pierrot clown. White with black markings.domestic items, ablutions

Coloured stripe on pugeree denoted different Corps. Red indicated Light Horse. Worn in period between the Wars 1920--- 1940.Khaki puggeree with red stripe. Stamped inside " 13LH " and other markings.13LH / M13th, light horse, puggeree

The bugle was used by Light Horse to relay instructions to dispersed troops. MusicBrass bugle with many minor indentations. No markings of any kind visible.bugle, light horse, music

Diggers & Mining: Bendigo. Tailings. Markings: DEC74M10. Used as a teaching aid.Kodachromeeducation, tertiary, bendigo

Diggers & Mining. Diggers and miners. At Diamond Gully, 1853. Slide; shows a miners tent. Markings on picture August 1853 Diamond Gully. Markings: 42 994:LIF I. Used as a teaching aid.hanimounteducation, tertiary, goldfields

In early 2003 bush fires covered much of North East Victoria. Submissions were requested by the 'House Select Committee' for comment on various aspects of the fire in order to help prevent bush fires in the future.Simon Paton is a local resident of the Kiewa Valley where the bush fires occurred. His report includes other residents statements on various aspects of the fire and its prevention and impact on the local area. A booklet of 45 A4 pages with clear plastic cover bounded by black plastic spine. A Submission to the House select Committee on the recent Australian bushfires 29 April 2003. Submission Convenor: Simon Paton, Callaghans Creek, VictoriaThroughout in black pen markings and notes.2003 bush fires; north east victoria

Item in collection re David Dixon RAN R112262, refer Cat No 5215.5 for his service details. Tie Clasp - Yellow metal tie clasp in the shape of a ship.Bow of ship has marking 41.accessory, tie clasp, ship, ran

These five photographs of the Komori Newkoni Printing Press were probably taken circa 1980s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. The photos are not annotated except for .4P. The Komori Newkoni Printing Press was a four-colour offset press. It was one of the replacements for the George Mann Printing Presses, however improvements to productivity were not realised as it was unreliable, was very cramped between decks and there were safety concerns for the operators. This lithographic printing machine built by Komori Printing Machinery Co., Ltd in Japan. The press was in service at the Army Svy Regt from 1975 to the 1980s.This is a set of photographs of the Newkoni Komori Printing Press operational at the Army Survey Regiment, Bendigo c1980s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1980s, Terry Winzar, Lithographic Squadron .2) - Photo, black & white, c1980s, Roy Hicks, Lithographic Squadron .3) - Photo, black & white, c1980s, L to R: unidentified, Kim Reynolds, unidentified (x3), John ‘Flash’ Anderson, Lithographic Squadron .4) - Photo, black & white, c1980s, Per Andersen, Lithographic Squadron .5) - Photo, black & white, c1980s, John ‘Flash’ Anderson, Lithographic SquadronInscriptions and markings .1 to .5 – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, printing, litho

Standard M1 helmet with liner. Photo 0188b shows inside helmet with liner removed. Photos 0188d-f show liner onlyOnly markings are as in photos 0188a & 0188c.headgear, helmet

Diamond Valley Sketchbook, written by Brian McKinlay with drawings by Graham Hawley. Cover the area surrounding the Diamond Valley from Heidelberg to Mernda.A sketch book featuring landmarks around the Diamond Valley area in 1973. Many of these no longer exist.A 63 page hard back book with a map of the area covered by the book printed in blue in the inner covers. Three copies have a dust jacket printed in blue with title details, whilst the actual book cover lacks any detail. 4 copies.Some pencil markings in the inside cover.diamond valley, griffin house, rosehill, austin hospital, banyule house, trestle bridge eltham, shillinglaw cottage, montsalvat, old england hotel, eltham primary school, sweeney's cottage, pound bend tunnel, weller's pub, the eltham barrel, hassall's gallery, st katherine's chapel, yan yean reservoir, mernda hotel

The XII Commonwealth Games were held in and around Brisbane from September 30th to October 9th 1982.This booklet shows the venues and lists the programme of events.An 8 page multi coloured booklet issued in advance for the Brisbane Commonwealth Games in 1982.Pencil markings on the top of the second page.brisbane, commonwealth games, 1982, sporting events

Three early to mid 20th century baby's nighties, purported to have been worn by Nesta Drew nee Cooper. The Cooper family lived in Tawonga for three generations.The nighties were hand-made in the 1920s when clothing was usually hand made especially in the Kiewa Valley where access to shops was limited. The Cooper family were farmers in Tawonga.Three Vyella (brushed cotton) baby's nighties. White vyella fabric with silk thread embroidery. Very well home-sewn items, with cotton lace trimming.1920s.Home-made so no marking or brandingbaby nighties, nesta drew, cooper family of tawonga

made locally circa 1910. Due to relative long distance to haberdashery stores majority of children's garments were hand made by a local talented seamstress or mother/relativeHistorical significant to the period circa 1900 to circa 1950 when fashion was dictated by long lasting durability, local manufacture, earthy colours and ease of mobility. Photos in the KVHS collection show girls from Tawonga Primary School in a dress that could be this dress which is dated 1910. Dress brown cotton with long sleeves. Dress top and sleeves lined. Back of dress is open with metal hooks for fastening. Hand stitched eyelets and decorative strip down centre front bodice and around hips. Gathered skirt is joined at hip. One pocket on left side 6cm from waist band.Decorative strip at bottom of dress with a pleated hand and machine stitched frill.no inscriptions or markings suggesting locally made.dress, clothing, girl's dress, home made

In 1902, William E Sessions and other family members purchased a controlling interest in the E.N. Welch Company, a clock manufacturer located in Forestville, Connecticut. Sessions' father owned a foundry located in the town of Bristol, Connecticut that produced cases for E.N Welch Co. On January 9, 1903, the company was reorganized and registered as The “Sessions Clock Company”. Within a few years the Sessions Clock Company was producing clock movements, cases, dials, artwork and castings for their line of mechanical clocks. Between 1903 and 1933 Sessions produced 52 models of mechanical clocks, ranging from Advertisers, large and small clocks with logos of various businesses, to wall, or regulator clocks, and shelf or mantel clocks, designed for the home. Many of the Session clocks from this period are prized by collectors. In 1930, the company expanded to produce electric clocks and timers for radios, while continuing to produce traditional brass mechanical movements. Beginning at the end of World War II Sessions W Model (electric) was widely used by various casting companies for their clocks. The dial of the W Model read Movement by Sessions. In the early 1950s Sessions begin to produce timers for television. In 1956, Sessions was absorbed by a company interested mainly in their timing devices. In 1959, William K. Sessions, grandson of William E. Sessions left the Sessions Clock Company and formed the New England Clock Company. In 1960, one of the Sessions Clock buildings was sold to the Bristol Instrument Gears Company. Kept as the Sessions Company, the new owners ran the operation until 1969 when changes in the market forced the Sessions Company into liquidation. In 1970, the remaining buildings were sold to Dabko Industries, a machine parts manufacturer.The item marks a time when clock production in America was at it’s peak producing clocks for sale in many countries, they were keenly priced, mass produced and available to all. The company had a relatively short life span life regards clock manufacture later diversifying into electric timer mechanisms. Yet it was perhaps inevitable with the advent of electricity along with stiff competition from other clock manufactures that would ultimately herald the end in 1935 of the Sessions company's ability to continue manufacturing mechanical clocks. Clock mantle type face set in a painted black case designed to represent a Greek building with gold decorative pillars. Free standing with decorative feet. No markings or inscriptions on clock case or mechanism flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, sessions, mantel clock, clock, clock industries

This lifebuoy is part of the lifesaving equipment that would be carried on vessels in the late 19th and early 20th century. The strips of cork wood have been joined together to make the ring shape. The broad arrow symbol indicates that it was once the property of the British or Australian defence force. A lifebuoy, or life-preserver, is used as a buoyancy device to keep a person afloat in the. It is usually connected by a rope to a person in a safe area such a nearby vessel or on shore. The lifebuoy is thrown to a person in distress in the water, allowing the rescuer to pull the person to safety. The lifebuoy is a made from a buoyant material such as cork or rubber and is usually covered with canvas for protection and to make it easy to grip. The first use of life saving devices in recent centuries was by the Nordic people, who used light weight wood or cork blocks to keep afloat. From the early 20th century Kapok fibre was used as a filling for buoys. Light weight balsa wood was used as a filler after WW1. In 1928 Peter Markus invented and patented the first inflatable life-preserver. By WW2 foam was combined with Kapok. Laws were passed over time that has required aeroplanes and water going-vessels to carry life-preservers on board. The lifebuoy is an example of equipment carried on vessels in the late 19th and early 20th century to help preserve life. There were many lives lost in Australia’s colonial period, particularly along the coast of South West Victoria. The lifebuoy was once the property of the British or Australian defence force.Lifebuoy, round cork object with canvas wrapped around it and rope attached to one side. Broad arrow mark and other red marks indecipherable. Painted white.Symbol of broad arrow. indecipherable markings.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, life rings, lifebuoy, safety ring, life-saving buoy, ring buoy, life preserver, personal floating device, floatation device, safety equipment, government lifebuoy, broad arrow

Letter has been composed by Mrs Hallenstein's Granddaughter Jane Helena Walters nee Shannon trainee of Alfred Hospital 1948-1951 who presented the box to the nursing achieves on 28/04/2011. Item is significant as it gives context to item 202407.006.01Buff colour paper with blank ink and blank typing at top of pageSee photograph for letter contents/markingsahnl, alfred hospital, alfred hospital nurses league, letter of donation

An illuminated address presented to James Henry Curnow, Esq., by the Committee of the Geelong Jubilee Juvenile and Industrial exhibition. Hand painted and written on card with committee members signatured, decorated with flowers and with scenes of Melbourne Exhibition building, sailing ship and bordered by a design in blue/grey.Markings - H Frank and Co, Geelong.person, individual, james henry curnow

Beazley Trade Scholarships. William Beazley was born in London in 1854 and arrived in Australia with his parents in 1855. Apprenticed as a saddlemaker he eventually became an estate agent and later local parliamentarian for Collingwood. Beazley lived all his life in Collingwood and following his death in 1912 part of his estate was bequeathed to Collingwood Technical School.Accounts from the early days of this trade scholarship. Includes names of early recipients.Black covered ledger book with dark red spine. Pasted inside cover is a printed explanation of the "W. D. Beazley Trade Scholarships for evening classes"Handwritten accounts throughout. No markings on cover.collingwood technical school, cts, accounts, w d beazley, beazley trade scholarships, account books, nmit,

A record of petty cash accounts from July 1960 to December 1971 for 'Reconstruction Training'.Original records of financial expenditure of Collingwood Technical School at this time.Red covered ledger book. Handwritten accounts throughout.Handwritten accounts throughout. No markings on covercollingwood technical school, cts, reconstruction training, petty cash, accounts, account books, nmit,

cast iron, hand tooled, with movement up and down. Originally had a strike plate. Possibly from the Athenaeum front gate when the Athenaeum was fenced. A 1930's photograph shows a picket fence with a front gate.Handmade cast iron with markings of tooling.

Lamp hanger nickel plated with 2xframes to hold shade, 1xextension fitting to fit to ceiling, 1xbrass burner with new wick.no marking. Patented design 1920-1950

Hardcover, No Dust Jacketnotes and markings inside back coverhobart, tasmania, travel, walsh st library

This work forms a pair with Untitled #4 (fox bones – pattern) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series. This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an orderly fashion according to size and shape / Beige/neutral in colour / Blonde timber frame.No signatures / no personal markings / no framers identified. digital print / fox / bones / ordered / photograph / laughing waters / birrarung / imam / death

This work forms a pair with Untitled #3 (fox bones – ordered) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series.This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - A digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an outward circular pattern. Beige/neutral in colour / Blonde timber frame. No signatures / no personal markings / no framers identified.digital print / fox / bones / pattern / photograph / laughing waters / birrarung / imam / death