Showing 758 items
matching motifs
-
Mission to Seafarers Victoria
Ceremonial object - Thurible, 1940-1990
Thurible located in the Anglican chapel of St Peter of the Mission to Seafarers.This is one of the many objects used for religious services in the chapel of the Mission.Cone shaped brass incense burner with relief religious motif of madonna and child and cut-out cross-shaped holes, suspended from chains at three points from the top rim. Suspended by rings underneath is swinging brass cross.religious objects, incense burner, religious icons, thurible, mission to seafarers, st peter chapel, sanctuary lamp -
Glenelg Shire Council Cultural Collection
Programme - Programme - Upwelling Festival, 2012, c. 2012
Programme for Upwelling Festival 3rd November 2012, at Portland. Presented by Rotary Club of Portland Bay Inc. White, blue and green motifs and print, folds out, information one side, map with programme and location of events/displays on the other.marine ecology, upwelling festival, whales -
Glenelg Shire Council Cultural Collection
Flag - Flag - Portland's 150th Anniversary, 1834-1984, 1984
Portland Sesquicentenary celebrations.White flag bering words "PORTLAND'S / 1834 1984 / 150TH ANNIVERSARY" around a central motif of a whale in a black triangle. Blue and green wavy lines fill in lower section of whale. Lettering in black. Wooden dowel attached to flag.Front: (see above description)portland 150th anniversary, 1984, 1834, flag -
Bendigo Historical Society Inc.
Clothing - LENGTH OF FABRIC
Length of fabric. Royal motifs- Grenadier Guards; Three Lions; Golden Carriage; Beefeaters. Pattern printed onto fabric. Possibly a synthetic or silk mixture. Possibly produced to mark the Coronation of Queen Elizabeth 2. Old Box 85. -
Bendigo Military Museum
Uniform - JACKET, MESS DRESS, Carbone Apparel Vic
Refers to service of WO2 Rod Hosking RACT.Black Woollen Jacket (lined). Four front pockets. Epaulettes have a brass button each, Motif is R.A.C.T. There are no buttons on the pockets or sleeves. There are tailor's dots where buttons should be sewn. It has a white detachable collar attached to neck.Inside on label - 0730 Hosking.uniforms, passchendaele barracks trust -
National Wool Museum
Booklet - Australiana 4, Cleckheaton, 1980s - 1990s
Eight page fold out knitting pattern booklet featuring four colour images of women wearing jumpers with Australian animal motifs, including a pelican, cockatoo, emu and wombat. Four pages featured text and graphics in black and white.front: [printed] BOOKLET NO. 690 / Cleckheaton / Australiana 4knitting, pattern, fashion, knitwear, cleckheaton, sophie lee, australiana, wombat, emu, cockatoo, pelican, animals -
Creswick Campus Historical Collection - University of Melbourne
Artwork, other - Lithograph, Acacia Longifolia (c1880) Artist, Rosa Fiveash, Acacia Longifolia, 1882-1890
Acacia Longifolia (Willdenow) (Labillardiere). The Maritime long-leaved Wattle C1880. Artist- Rosa Fiveash (1854 � 1938). Drawn on stone by H.B. (H. Barratt) Lithographed by E. Spillar. Lithograph printed in colour, from multiple stones on paper. Mounted in wooden frame with Acorn engraved motif.Early museum photographs. Documents from Parks Victoria.. In 1882 Rosa was invited to illustrate The Forest Flora of South Australia by John Ednie Brown. Nine parts of this work, which was never completed, were published in 1882-90. Each one contained five attractive lithographs of native plants and Rosa drew 32 of the 45 published; they were drawn as specimens came to hand, in no particular botanical order(second. http://adb.anu.edu.au/biography/fiveash-rosa-catherine-6184Lithograph -
Bendigo Historical Society Inc.
Domestic object - Commode Insert
1950's era could also be used as a chamber pot. Hoffman's Brick and Tile Company was established in 1862 in Brunswick. They began making pottery in the 1930''s but after WW2 the focus shifted back to bricks and tiles. They were best known for their ranges of Art pottery with Australian motifs. A circular cream coloured ceramic object. It's 14 centimetres high and 27centimetres in diameter at the top. The base is 18 centimetres in diameter extending up 12 centimeters to a 20 centimetre diameter. There is a two centimetre wide and one centimetre deep grove extending out with a one centimetre wide and 2.5 centimetre high rim. There are two half centimetre wide holes opposite each other in the rim for handles, which are missing. v26302 Hoffman Pottery AUSTRALIAchamber pot, commode, hoffman pottery -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, spectacle case expanding, c1900
A pressed metal spectacle case with brass hinges and clasp and lined with blue moire taffeta. The lid is decorated with an inlaid floral motif and inside each section is a 1/2 pocket . Both top and bottom expand by 1cm with concertina folded materialfloral design inlaid on lidspectacles, optomotrists, moorabbin, cheltenham, bentleigh, early settlers -
Whitehorse Historical Society Inc.
Clothing - Bloomers, c1920
Made by Anna Helena Zerbe ( Girlie) for her trousseau for her marriage to Clarence PrattPart of a Trousseau Set - see NA2736 nightgown and boudoir jacket and NA2738 petticoat. Two pairs of cream silk bloomers. Cream silk motif embroidered on leg - different pattern on both pairs. There has been elastic at waist and bottom of leg.costume, female underwear -
Parks Victoria - Cape Nelson Lightstation
Furniture - Desk
The desk was used by the head keeper and supplied by the Public Works Department, and possibly dates to when the lightstation commenced operations in 1884. Closer inspection of the wood may reveal the Crown motif and PWD monogram on the side or underpart of the furnishing. The PWD operated in Victoria from 1855 to 1987 and was responsible for the design of Victoria’s major public buildings and infrastructure as well as the supply of stores, furniture and equipment. The desk is identical to the large example remaining at Point Hicks. A smaller version, which is at Cape Schanck, has two sides stamped with the crown motif and PWD monogram. Another of the smaller desks formerly at Cape Schanck is now missing. Gabo Island has a small cedar desk or table in the same style, but with one drawer. There are also c.mid‐twentieth century desks remaining in the collections at Wilsons Promontory and Gabo Island. The Cape Nelson desk has first level contributory significance for its provenance and historical value as a government issued furnishing that is original to lightstation’s head keeper’s office.The large, late nineteenth century cedar desk has two drawers, leather inset top and sturdy turned legs. The drawers each have a pair of wooden knob pulls. -
Creswick Campus Historical Collection - University of Melbourne
Artwork, other - Lithograph, Eucalyptus Leucoxylon Artist Rosa Fiveash (c1880), Eucalyptus Leucoxylon, 1882-1890
Eucalyptus Leucoxylon. Eucalyptus Leucoxylon var. pauperita (Mueller). The Scrubby Blue Gum C1880. Artist- Rosa Fiveash (1854 � 1938). Drawn on stone by H.B. (H. Barratt) Lithographed by E. Spillar. Lithograph printed in colour, from multiple stones on paper. Mounted in wooden frame with Acorn engraved motif.Early museum photographs. Documents from Parks Victoria.. In 1882 Rosa was invited to illustrate The Forest Flora of South Australia by John Ednie Brown. Nine parts of this work, which was never completed, were published in 1882-90. Each one contained five attractive lithographs of native plants and Rosa drew 32 of the 45 published; they were drawn as specimens came to hand, in no particular botanical order. http://adb.anu.edu.au/biography/fiveash-rosa-catherine-6184Lithograph -
Ringwood and District Historical Society
Sewing Box, Nestles Orchid Box and plastic contains with seed beads. Also Engraved Needle Box. Belonged to Maggs Family, Ringwood. C1900, c. 1900
Belonged to the Maggs family and used for decorative beading work.1. Box with floral motif on the front: orchids on a blue background. Nestles Orchid Box.; 2. Two plastic containers, one red lid, one grey containing seed beads.; 3. Artistic cylindrical engraved needle box with removable head.Nestles - Orchid Box -
Ringwood and District Historical Society
Pennant, Screencraft, FJ6510, Ringwood High School Pennant c1960, c.1960
Given to the Society by Gordon Hoskin who attended Ringwood High.Green felt pennant with red felt edge and loops. Circular motif in cream with Ringwood High School culture and service in cream lettering and red lamp with flame in centre. Ringwood High is written towards the tapering end. +Additional Keywords: Hoskin, Gordon -
Bendigo Military Museum
Souvenir - PENNANT, C.WW2
Pennant, brown felt, triangular rising sun motif = painted in gold red with inscriptions, 2 corps patches green over gold. made of felt & sewn on black over Green, two pairs of felt strips on LHS for suspending pennat on display.in blue paint "armoured/ division "Armed REGT"flags - military, pennants, armd corp -
Montmorency/Eltham RSL Sub Branch
Medal - Commemorative Medallion
In November 2001 Australian SAS troops joined the war in Afghanistan under the operation name "Operation Slipper." Australia's military contribution to the International Security Assistance Force mission in Afghanistan ended in 2014, making Operation Slipper Australia's longest running operation.This commemorative medallion features the tri-service colours, navy, red and light blue, representing the Australian Defence Force, and a golden bounding kangaroo to represent non-combatant contributions. Commemorative text encircles the kangaroo motif and Coat of Arms on the front and back, respectively.On front of medallion, "Operation Slipper", "Commemorating Australia's Operation/Afghanistan and the Middle East" On reverse, "Operation Slipper" and "2001 - 2014" and the Australian Coat of Arms.commemoration, operation slipper, afghanistan, australian army, middle east, international security assistance force -
Flagstaff Hill Maritime Museum and Village
Domestic object - Doily Case, Daisy Dale, before 1922
In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” The purpose of a doily case was to hold embroidered or crocheted doilies or small mats, which were used on plates to serve cakes and similar items. This case was designed and made by Daisy Elvena Dale, born on 27 October 1899, the youngest child of Ellis and Anne (nee Lees) Dale, of Latrigg, Wangoom, Warrnambool. The doilies in the case are a mixed collection sewn by children, which my mother collected over the years. Daisy Dale made this doily case before her marriage in 1922; it was a tradition for brides to have a 'glory box' containing linen and embroidered articles to take to their new home. A skilled dressmaker, Daisy began her apprenticeship at two shillings and sixpence per week at Miss A. E. Emery's dressmaking establishment at 150-152 Liebig Street, Warrnambool. Considered to be the leading house of fashion in Warrnambool, Miss Emery employed about eight young women who worked long hours to sew elaborate gowns for clients, including wives of graziers who would attend the race carnivals and social functions in Warrnambool. (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doily Case made by Daisy Dale. Two green fabric-covered circles with white cord edge trip. The front has a motif of a tulip flower and bud embroidered on it. The circles are secured shut by a knot and loop. From the 'Chamberlain Dale Lees Collection'.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, daisy dale, wangoom, dressmaker, fashion, 1920's, doily, miss a. e. emery, glory box, embroidery, handmade, needlework, doily case -
Flagstaff Hill Maritime Museum and Village
Bottle
Bottle green glass wine inscribed with words "Abbaye d'Acey" with motif (see symbol). Bottle corked and label indicating contents as "Liquer d'Acey" made by Trap Piste monks. Taped paper label "From the Cellars of Dr Geo Hayden's Father"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Port Melbourne Historical & Preservation Society
Badge - RSL Anzac appeal, Swann Hudson
Sold each April in Bay Street by the Sub-branch. Donated to the Society by the RSL Port Melbourne Branch on their closure in May of 1998.From group of RSL Anzac tokens pinned on cards: gold, with enamelled red or green to denote amount of contribution (red $1, Green 50c). Single $1 red plasticised token, diamond motif; appeal target detailed on card. Year unknown.societies clubs unions and other organisations, charities and appeals, returned services league, rsl -
Port Melbourne Historical & Preservation Society
Badge - RSL Anzac appeal, Swann Hudson
Sold each April in Bay Street by the Sub-branch. Donated to the Society by the RSL Port Melbourne Branch on their closure in May of 1998.From group of RSL Anzac tokens pinned on cards: gold, with enamelled red or green to denote amount of contribution (red $1, Green 50c). Original $1 red plasticised token plus 50c green token, crown motif. Year unknown.societies clubs unions and other organisations, charities and appeals, returned services league, rsl -
Bendigo Historical Society Inc.
Slide - ALLAN BUDGE COLLECTION: SLIDE HOUSE, MITCHELL STREET, 1988
Slide, Allan Budge Slide Collection: house, Mitchell Street. Gables and Lacework. Rising sun motifs and good brickwork, backed by fine lacework (Note: This house is being restored to something like its original state, after past attempts at 'modernisation'.)house, public, allan budge slide collection:, allan budge slide collection: -
Villa Alba Museum
Decorative object - Nursery wallpaper sample, Nursery Rhymes, c.1900–c.1920
A wallpaper sample donated to the collection by Frances Alexandra (Frankie) Derham (1894–1987). Derham was an Australian artist and educator. A lecturer in art at the Melbourne Kindergarten Training College (1928-64) , she later taught at the Associated Teacher Training Institution (1949-61). Her commitment to `child art’ developed after 1935 when she accepted an invitation from Margaret Lyttle to teach at Preshil school. Frances Derham's collection of nearly ten thousand children’s drawings and paintings was acquired by the Australian National Gallery in 1976. Her interest in art for and by children is reflected in her donation to the Villa Alba Museum of an important and rare collection of early wallpapers designed for children's rooms. Nursery rhyme wallpaper pattern. Green wallpaper square with various nursery rhyme motifs. "Mrs Rebe Rigg 10 West St New York" written on back. Originally donated by Frances Derham to Villa Alba Museum via Terry Lane..Verso: "Mrs Rebe Rigg 10 West St New York"decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- children's, frances derham -
Whitehorse Historical Society Inc.
Accessory - Fan
Donated by Barbara Keene to whose mother, Mrs Osborne, the fan had belongedLadies' wooden folding fan made of 24 leaf. The fan is painted to resemble a black lacquered surface with gilded curlicue decoration and a hand painted motif of a pink floral bouquet. Small paper label on back of end stick reading: Made in SpainMade in Spaincostume accessories, female, handcrafts, woodwork -
Ballarat RSL Sub-Branch Inc.
Badge - Past President RAAF
This object relates to Hugh Forrester BETHUNE. He was born on 15/11/1924 in Sydney, NSW. Hugh Forrester served in the RAAF (430155) enlisting on, 01/01/1943 in Unknown before being discharged from duties with the 9 AIRCREW HOLDING UNIT as a RAAF Non-Commissioned Warrant Officer (WOFF) on 26/02/1946. Hugh Forrester BETHUNE was not a prisoner of war. Hugh Bethune was awarded the 1939-1945 Star, Australia Service Medal 1939-1946, Defence Medal, France and Germany Star, War Medal 1939-1945.Enamel medallion in red, white and blue featuring three circes (blue outer, white inner and red centre) with text and a eagle motif; medallion attached via a ring to a bar shaped badge in similar enamel style with pin for attachment to garments on the reverse. Bar shaped badge: “PAST-PRESIDENT” Medallion: “1939-1945/ RAAF EUROPE”uniforms, ballarat rsl, ballarat -
National Wool Museum
Uniform - 1992 Barcelona Olympic Games Official Occasions Women's Scarf, Wendy Powitt, c. 1992
About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980's the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Short, cream coloured scarf printed with an Australian floral design inspired by the artist Margaret Preston. The floral design appears in red, green, white, yellow and black. Interspersed with the flowers are small motifs of Australia created through a curved cross hatching design.Label- Tee - Dee1992 barcelona olympics, sport, athletes, fashion, design, uniform -
National Wool Museum
Clothing - Christening Gown, Eliza Lynon, 19th century
19th century Irish linen Christening gown and matching petticoat donated by Ruth Starkey. The Christening gown and petticoat have been in the family for around 170 years, passed to generations. They were sewn by Eliza Lynon in Enniskillen, Northern Ireland. The following history has been provided by Ruth Starkey: • Town of origin is Enniskillen, Northern Ireland, sewn by Eliza Lynon. • The gown came to Australia with Eliza Lynon on the Red Jacket in 1855. • Eliza married Joseph Dobbyn (who was a member of the Royal Inniskilling Fusiliers Regiment) at Christ Church Geelong. • They built a home at 150 McKillop St, Geelong. Melrose was the name of the home. • Family name Dobbyn - Joseph Wilson Dobbyn b. 07/04/1844 - d 12/10/1892 and Elizabeth (Eliza b 12/03/1847 d 26/08/1934) and passed to Eliza Jane, Jessie Victoria Mary and Lucy Ellen Dobbyn (sisters). • Lucy Ellen nee Dobbyn, married Herbert Blunt, Boatbuilder Geelong at Christ Church Geelong • All lived at 150 McKillop St Geelong over the years • Passed to Marjorie May Fearn born nee Blunt who was baptized at Christ Church Geelong 29/5/1915 • Passed to Ann Rosemary Starkey nee Fearn • Passed to Ruth Norelle Starkey (me) I was baptized at Christ Church Geelong. • I am the great- great granddaughter of Joseph and Eliza and the great granddaughter of Herbert and Lucy.Irish linen Christening gown with cutwork anglais. Cutwork along hem is scalloped with a central motif going down the centre front of the body. Bodice is embroidered in a v shape at the front and has cutwork embroidered sleeves. Skirt is attached to the bodice with cartridge pleats.irish linen, christening, religion, children's clothing, ceremonial, church, geelong, red jacket ship, enniskillen, christ church geelong, northern ireland -
Kew Historical Society Inc
Photograph - 'Ellesmere', Princess Street [Kew], c.1950
A National Trust (Vic) citation records that Ellesmore [sic] was: 'A late Victorian Villa in the grand manner but completed to a meaner standard in the Edwardian Period. Notable for the mannerist porticos surmounted by a sepulchre motif: the central vestibule at the intersection of the two major axes, with lantern lighting from above: and the art nouveau woodwork of the drawing room'.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Faded monochrome snapshot of 'Ellesmere'Annotation verso: "Porch of Ellesmere"dorothy rogers, ellesmere -- princess street -- kew (vic), houses -- princess street (kew) -
Kew Historical Society Inc
Photograph - 'Ellesmere', Princess Street [Kew], c.1950
A National Trust (Vic) citation records that Ellesmore [sic] was: 'A late Victorian Villa in the grand manner but completed to a meaner standard in the Edwardian Period. Notable for the mannerist porticos surmounted by a sepulchre motif: the central vestibule at the intersection of the two major axes, with lantern lighting from above: and the art nouveau woodwork of the drawing room'.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Monochrome snapshot of the verandah of 'Ellesmere'Annotation verso: "Ellesmere. Princess Street. Now Presbyterian Girls Hostel"dorothy rogers, ellesmere -- princess street -- kew (vic), houses -- princess street (kew) -
Kew Historical Society Inc
Photograph - 'Ellesmere', Princess Street [Kew], c.1950
A National Trust (Vic) citation records that Ellesmore [sic] was: 'A late Victorian Villa in the grand manner but completed to a meaner standard in the Edwardian Period. Notable for the mannerist porticos surmounted by a sepulchre motif: the central vestibule at the intersection of the two major axes, with lantern lighting from above: and the art nouveau woodwork of the drawing room'.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Monochrome snapshot of the verandah of 'Ellesmere'Annotation verso: "Ellesmere. Princess Street. Now Presbyterian Girls Hostel"dorothy rogers, ellesmere -- princess street -- kew (vic), houses -- princess street (kew) -
Kew Historical Society Inc
Photograph - Verandah of 'Ellesmere', Princess Street (Kew), c.1950
A National Trust (Vic) citation records that Ellesmore [sic] was: 'A late Victorian Villa in the grand manner but completed to a meaner standard in the Edwardian Period. Notable for the mannerist porticos surmounted by a sepulchre motif: the central vestibule at the intersection of the two major axes, with lantern lighting from above: and the art nouveau woodwork of the drawing room'.This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Monochrome snapshot of the a section of the verandah of 'Ellesmere'Annotation verso: "Ellesmere, Princess Street (Kew)."dorothy rogers, ellesmere -- princess street -- kew (vic), houses -- princess street (kew)