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Stawell Historical Society Inc
Photograph, Group of Stawell Guides some in dress up making pledge with flags
At the guide hall on corner of Layzell and Patrick Streets Ester Black, Pam Smith, ? Hollowaygroup of Girl Guides making pledge with flags A Marshall Studios Quality Prints guides -
Stawell Historical Society Inc
Photograph, Three Stawell Brownies in dress up
At guide hall on corner of Layzell and Patrick Streets Lyn Hurley, Jenny OverallThree guides or brownies in dressupA Marshall Studios Quality Prints guides -
Stawell Historical Society Inc
Photograph, Stawell Brownies in dress up in front of Guide Hall
At guide hall on corner of Layzell and Patrick StreetsGuides or brownies in dress up in front of Corrugated iron guide hallA Marshall Studios Quality Prints guides -
Stawell Historical Society Inc
Photograph, Close up of two Stawell Brownies
At guide hall on corner of Layzell and Patrick Streets One on right Jillian PertBrownies with ballonnA Marshall Studios Quality Prints guides -
Stawell Historical Society Inc
Photograph, Girl guides in dress up with flag, at guide hall with blacksmith shop and fire station in background
At guide hall on corner of Layzell and Patrick Streets Guides in dress up with flag, at guide hall corner of Layzell and Patrick Street with blacksmith shop and fire station visible in backgroundA Marshall Studios Quality Prints guides -
Stawell Historical Society Inc
Photograph, Girl guides with cakes at guide hall
Hilda Pert Group of Girl Guides with cakes on table at guide hall corner of Layzell and Patrick Street A Marshall Studios Quality Prints guides -
Stawell Historical Society Inc
Photograph, Large Group of Brownies forming a circle in front of Guide Hall
Large Group of Brownies in uniform forming a circle in front of Guide Hall corner of Layzell and Patrick Street A Marshall Studios Quality Prints guides -
Stawell Historical Society Inc
Photograph, Parade of Girl Guides in dress up in front of Guide Hall
Parade of Girl Guides in dress up in front of Guide Hall in Layzell StreetA Marshall Studios Quality Prints guides -
Stawell Historical Society Inc
Memorabilia, Slate writing pad
Issued to Eileen May Eskey when she started school at Stawell Primary School No 502 On February 10th 1936 Farter recorded as of Kofoed Street Dark Grey Slate with wooden surround. Two SidedNational School Slate Company Extra Special First Quality -
Yarrawonga and Mulwala Pioneer Museum
Show schedule, Yarrawonga Centenary Spring Show, Saturday October 1st, 1983, 1983
The first show was held inSept 1883 at Alexander Park on the Murray River. Two years later it was moved to the Showgrounds south of the town. Two shows have been missed, one due to WW2 and the other due to drought and a poor season. The Centenary Show was held over two days with a street parade on the Sunday.A5 size booklet Yellow card cover. Newspaper quality pages. Lists committee members,Life members, Stewards,prizes, classes and events -
National Wool Museum
Functional object - Stencil, SUPER, Unknown
This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale. SUPER is used to describe superfine wool.Wool bale export stencil - SUPERSUPERwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Functional object - Stencil, AAA, Unknown
This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale. AAA is used to describe the best quality wool.Wool bale export stencil - AAAAAAwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Functional object - Stencil, MER, Unknown
This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale. MER is an acronym to describe Merino wool.Wool bale export stencil - MERMERwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Functional object - Stencil, LMS LKS CRS, Unknown
This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale. LMS is describing Lambs Fleece, LKS is describing Locks and CRS is unknown.Wool bale export stencil - LMS LKS CRSLMS LKS CRSwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Functional object - Stencil, LAMBS, Unknown
This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale.Wool bale export stencil - LAMBSLAMBSwool - transportation, wool sales, wool class, wool classers -
National Wool Museum
Medallion, CENTENAIRE DU DELAINAGE MAZAMET, 1951
This medallion was struck to celebrate the 100th anniversary of fellmongering in Mazamet in 1951. Fellmongering - In French, ‘delainage” means, literally, ‘de-wooling'. It is the industrial process of separating wool from sheepskins. In the 19th century, the southern French town of Mazamet became the world centre of délainage and played an important part in the Australian wool industry. At one time Mazamet was reputed to be the 15th richest town in Europe, and it was said that the town’s branch of the Banque Nationale de Paris (French banking firm) was the second largest in France. At its height, Mazamet had 48 fellmongeries and imported more than 100,000 tonnes of sheepskins a year from the southern hemisphere, mostly from Australia and Argentina. It also supported numerous associated industries such as tanneries, spinning mills and clothing manufacturers. In the 1980s Mazamet’s fellmongering industry fell into decline under pressure from environmental concerns and cheap imports. The town’s last two fellmongeries closed in 2004. The town continues to have a strong relation to Australia, with street names such as, Rue de Australie, Adelaide, Brisbane, Melbourne and Sydney in recognition of a connection to the two distant lands. Today, half a century since wool importation largely ended, there remains a link to the past. Elite quality leather and woollen clothing companies such as Hermes and Chanel still source much of their stock in Mazamet. This medallion was presented to William Haughton and Co. who were one of Australia’s largest wool-buying companies of the first half of the 20th century. Wm Haughton had a major presence in Geelong and its “SKINS WOOL HIDES TALLOW etc.” signs were prominent on railways stations throughout the Western District and beyond. Haughtons had branches in all Australian capital cities, New Zealand, London and Bradford. Its agents in Mazamet were Maison Louis Maffre, an enterprise founded by M. Louis Maffre, mayor of Mazamet from 1912 to 1919. This medallion was donated to the National Wool Museum by the family of Sir Robert Southey AO CMG, former managing director of Wm Haughton & Co.Bronze medallion contained within purple case. On one side of the medallion, a mill worker is seen scraping the wool off the treated sheepskin. On the reverse the inception can be read.Wording: CRESCAM ET LUCEBO // CENTENAIRE / DU DELAINAGE / MAZAMET // 1851-1951. Smooth edge stamped with a cornucopia and the inscription BRONZEmazamet, fellmongering, délainage -
National Wool Museum
Textile - Art Quilt, Fiona Gavens, Ghost Blanket IV, 2020
Ghost Blanket IV won the 'Award for Excellence' at Ozquilt Network's biennial juried exhibition Art Quilt Australia for 2021. The quilt presented with the Award for Excellence is acquired into the National Wool Museum's Collection dating back to 2000 with the art quilt "Earth Blanket". Artist statement: In "Ghost Blanket IV", woven checked blankets are deconstructed and reimagined to create an appliquéd work with the feel of lace. It celebrates the natural colours of alpaca fleece and the qualities of felted, woven fabric.Woven black white and grey checked design appliqued onto silk organza.ozquilt, quilt, art quilt, wool -
National Wool Museum
Textile - Blanket, Godfrey Hirst and CO. Pty Ltd, The Atlantic Rug, 1930s
The Excelsior Woollen and Worsted Mills were controlled by Godfrey Hirst & Co. Pty. Ltd. The Excelsior name originated from the union in the one enterprise of two of the earliest mills established in Victoria, the Old Victorian Mill, and the Old Barwon Mill. Godfrey Hirst combined his expertise with the capital of Charles Shannon to purchase the Barwon Mill in 1890 and the Victorian Mill in 1899. They commenced production of high-quality flannels in readiness for an anticipated lifting of tariff barriers in 1901, the year of federation. These were the first flannels to be produced in Australia rather than imported from England. In April 1912 the No.2 Excelsior Mill burnt down during the installation of electricity and was rebuilt. The No.1 Excelsior Mill was closed in 1930, with most hands moving to the No.2 Mill. In 1966 the firm changed ownership and became a subsidiary of the McKendrick family and commenced manufacturing of tufted carpets. Godfrey Hirst has since emerged as Australia’s leading manufacturer of tufted carpets. It has also expanded into hard flooring, including timber, laminate, and other surfaces. In 2018, the Godfrey Hirst business was acquired by Mohawk Industries, the world’s largest flooring company. Brown blanket featuring a design of four lines of cream, and a single line of orange, spanning the blanket vertically and horizontally, to form a plaid pattern. At the vertical ends, the blanket ends in a fringe.Label. Stitched. "The Atlantic Rug / Excelsior/ Guaranteed Product / Australian Manufacture"godfrey hirst & co. pty. ltd., excelsior mill, the atlantic rug -
National Wool Museum
Tool - Knitting Pins, 1960-69
The donor (Lynn Fitzpatrick) purchased these knitting needles 20 years ago from an opportunity shop. Aero Knitting Pins are a discontinued brand that were popular in the 1960s, 70s and 80s. They are made of smooth, aircraft-quality anodized aluminium. To this day, they are a popular and sort after knitting needle. Being a long-lasting product, they are often given as heirlooms. Abel Morrall was a major needle manufacturer from Studley, a town near Redditch. In 1785, Michael Morrall who was taught the art of needle making by a maternal uncle, moved to Studley. He founded the Abel Morrall company with his brother Abel, and another unnamed brother-in-law. Within five years the company was producing 40% of the 2.5 million needles that were made each week in the Redditch area. In 1811 the company introduced the concept of creating the eyes by using a stamping press. Additional machines were invented by them throughout the 19th century leading to major improvements in the way needles were produced. Abel Morrall demonstrated their needle making machinery at the Great Exhibition of 1851 and Queen Victoria personally inspected it. The company selected the demi-griffin for its trademark in 1861, which can be seen on older products produced by the company. Set of four knitting needles stored within paper packaging. Packaging features black, red, and white ink, detailing the selling points of the Aero Knitting Pins. The packaging folds with 3 main sections, each providing different insights into the knitting needles. Examples of this are " CANNOT SOIL LIGHT WOOL", "...SPECIALLY TAPERED POINTS WHICH WILL NOT INJURE THE FINGERS" and "RUSTLESS-NON-GLITTER FINISH". As the packaging unfolds, the grey knitting needles become visible. The needles can be removed from the packaging by sliding them through small bands of paper that hold the needles secure while in transportation. The four knitting needles are a “NEUTRAL” grey colour finished in a double point style.Printed. Orange, White and Black Ink Numerous, see multimediaabel morrall, knitting needles, knitting pins, 1960s home knitting -
National Wool Museum
Tie
Neck tie, part of the outfit for the "Sheep to suit" record attempt, Melbourne School of Textiles,1982.Part of the 'Sheep to Suit' event outfit.Gary David/ highest quality/MADE IN AUSTRALIAtextile production fashion shearing weaving sewing, melbourne college of textiles, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing -
National Wool Museum
Book, Knitting, The Wool Collection - K-Mart
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. This free pattern was given away by K-Mart, the department store, in 1984 when large knitted jumpers were particularly fashionable.The / Wool Collection / FREE / PATTERN / FROM K-MART / Quality always makes its mark. / PURE NEW WOOLknitting handicrafts - history, k-mart, knitting, handicrafts - history -
National Wool Museum
Tie
Tie with wool mark logo. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.Austico / AUSTRALIAN EXPORT QUALITY / PURE NEW WOOLwool marketing, australian wool corporation austico, gunn, sir william -
National Wool Museum
Card
This card is the last in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It promotes the quality and popularity of Crusader cloth.Card no. 16 from the Crusader Mills information card set, c.1945-55. Verso of card no. 16 from the Crusader Mills information card set, c.1945-55.No. 16 An experienced tailor proudly displays the Crusader Trade Mark.australian woollen mills pty ltd stamina clothing company, cloth - worsted -
National Wool Museum
Book, Geelong Woolcombing Ltd: achieving excellence
"Geelong Wool Combing Ltd: achieving excellence" c.1997. Promotional brochure re: the operation of Geelong Wool Combing Ltd and its environmental and quality control systems which have enabled it to achieve ISO 9002 and ISO 14001 standards.wool processing, geelong wool combing ltd, combing -
National Wool Museum
Photograph - Noble Combs, Valley Worsted Mill, 1923
This photograph shows the interior of the Valley Worsted Mill in 1923. The mill was first established at this time, and the photo shows the interior after tooling up but prior to the mill actually commencing operation. This photo is one of 31 in total and shows several Noble combs. The donor worked at the Valley Mill for many years. This mill still exists in Swanston Street, Geelong and is now being used by Melba Industries (an Austrim-Nylex company) to produce Jumbuck Nylon wool packs. "These 12 machines ended their working life in 1981 when the mill switched from the Bradford system of wool combing to the Continental system, the reason being was that the cost of maintaining them became too high, also the replacement rectilinear combs production rate was far greater and achieved higher yields although it could be argued that the Noble combs quality was superior". - Greg AldridgeBlack and white image showing the interior of a textile mill with machinery. Slightly overexposed on the right side.valley worsted mill, combing, noble comb, geelong -
National Wool Museum
Book, [untitled]
List of figures in columns headed "Wool type" "Style" "Quality".wool sales wool brokering woolclassing, wool sales, wool brokering, woolclassing -
National Wool Museum
Tool - Elastrator
Elastrator. Registered trade mark - 3 parts incorporated. This is your seal of quality. For the original and genuine 'Elastrator' Marking Instrument Reg Trade Marktextile mills -
National Wool Museum
Functional object - Mending Table, c1930
Any faults in the final product can be repaired by mending. Prior to more advanced machinery, fabric was draped over a mending table and carefully inspected for faults. Quick eyes and nimble fingers were needed. Repairing faults was a highly skilled manual operation. Any knot or thickness had to be removed without affecting the quality of the fabric and mending had to be invisible. In the 1930s to make the day pass faster, popular records were played to the factory workers in the mending room. The top of the table is propped up to make it a well-lit surface over which bolts of fabric were unrolled to check for faults. Menders repaired them with invisible hand stitching. Each weaver stitched a coloured thread in the selvage to show the start of their shift, therefore if mistakes were found the company could easily find who was responsible. This table was used by Gail Morris in teh 1960s. Large wooden table with tilted top. mending table, wool processing, fabric, textile industry -
National Wool Museum
Slide, Southdown
Slide of a Southdown sheep. The Southdown produces high quality export carcasses ranging from 28 to 34 lbs. Slide printed by Audio Visual Education Centre, Education Department of Victoria. Formerly stored in presentation folder as part of "British Breeds of Sheep Set No. 448" series by the Audio Visual Education Centre, Education Department of Victoria.Slide of a Southdown sheep.BRITISH BREEDS OF SHEEP / Set No. 448 / No. 5 / Southdown VISUAL EDUCATION CENTRE / EDUCATION DEPT. OF VICTORIAsouthdown sheep, sheep, british, slide, sheep - british -
Whitehorse Historical Society Inc.
Domestic object - Photo folder
Folder for developed prints; provided Kodak, Collins Street.Yellow and black photograph print folder. Folding camera pictured at centreKodak Prints. Seal of qualityphotography, camera accessories