Older whiskered man with combed down hair sits as speaks to someone on his left.1 b/w photograph of seated elderly manassociation for the blind, elanora home (brighton)

Green bookplate featuring 2 cottages with a woman seated "EILEEN FAIRLEY"bookplate, eileen fairley, cottages

Porcelain ware with elaborate decoration and delicate colourings, made originally at Dresden in Germany. Part of collection of Dresden China from the collection of Misses Eva, Olive Sebire and Mrs. Annette Lord (nee Sebire). Purchased by the family in Heidelberg from 1952.Dresden China - Lady seated in chair. Pink and white.china, figures, human figures

Stawell Choral Society farewell to Mrs Gwen Reeve 1991Seven people standing and seated in front of closed drapes.stawell

Left Mrs Kemp Born England Emphenia Kemp (ne Simpson) Baby Barbara Wettenhall (married Jock Cunningham) Mother Mary (Molly) Wettenhall (ne Kemp)Three women two seated one holding a babyCarrs Plains 1910

Part of Old Lintonian Collection ; No. 135.Sepia mounted portrait of a seated man wearing suit.On back: "Mr Arthur Todd". On front: "S. Fisher Johnson, Ballarat".arthur todd, old lintonian collection, paddy todd

Gertrude Kathleen Barry was a music teacher, performer, and director of many musical productions in Linton and district, playing and teaching both piano and violin. She was the youngest of five daughters of Linton policeman/Clerk of Courts Denis Barry and his wife Ellen (née Quirk). The Barry family lived in a house they called "Listowel", which was in Cumberland Street, almost opposite the Catholic Church. As a pupil of the Sisters of Mercy in Ballarat, Gertrude passed the Musical Society of Victoria pianoforte examination in 1900. She became a music teacher shortly afterwards, teaching both privately and assisting in the music programme at Linton State School. She is first listed as a music teacher in music examination results published in 1906, and it is understood that she ran a private music school with her sister Dora from around this time until about 1915. Gertrude Barry moved to Ballarat in 1925, and was still listed as a music teacher in electoral records in 1972. She died in 1976. The bracelet Gertrude is wearing in the photograph is thought to have been presented to her in 1917 by the congregation of St Peter's Catholic Church in Linton, in appreciation of her many services to the church.Black and white portrait of a lady seated, playing a violin."Gertrude Miss Barry Linton"gertrude kathleen barry, musicians

The life and works of Robert Alexander Love 1814-1876. Stawell buildings page 80-92Card cover with a picture of a seated man facing leftRobert Alexander Love Goldfields Architect 1814-1876 Mike Buthcer Inside: Indecipherable Signature 7/4/2000stawell heritage biography

Black and white photograph of a baby seated on a small table."With love to Auntie Ada Allan Robert Wishart age 5 and a half months".alan robert wishart

Photograph of four unknown women in a formal pose having a garden party. Two of the women are seated and one is posed on the ground, the seated lady on the right of the photo has an opened book on her knee The three seated women are dressed in long frilly formal dresses, and the lady standing also wears a hat. They are seated in a fernery, there is a trellis visible in the background and a portion of a weatherboard wall on the left hand side.person, group, garden party, garden party

This librarian's chair was given to the school by the family of Joy Chapman who had died during 1948. The chair was part of a number of furnishings supplied by donation for the new library which was opened in 1949. These included blackwood shelves, tables and chairs and a new set of Encycopedia Britannica supplied by the Parents and Friend's Association, a grooved periodical table given by Old Collegians Younger Set, a librarian's desk supplied by the E M Bell estate and more than 200 books supplied by the Old Collegians. (see 'A lamp burns brightly' p. 61). This item is a significant example of the degree to which the school relied on donations from the community to develop the school during the post-war years. Solid wood chair with high solid back and solid arm rests. Carved CPLC crest attached to neck rest. Padded seat. Bronze plaque at front of seat. Plaque: In memory of / JOY CHAPMAN / 1947 - 1948 - The Gift of Her / Father, Mother & Ruthc-p-l-c, younger-set, parents-and-friends-association, clarendon-presbyterian-ladies-college, library, joy-chapman

Black and white photograph. Group of 17 students standing and seated in the Gardens. One girl is holding a chain measure. Edna Walling seated on the ground wearing a floppy hat.chain measure, student group, 1917, edna walling

Piano stool with green velour upholstered seat. Seat top also acts as the hinged lid to the storage space inside. Wooden frame with four legs in the cabriole style.No visible markingsmusical instruments, accessories, piano, stool, green velour, musical instrument, accessories.

Brought from Guernsey to Campbell's Creek, Victoria on the Brig "Lydia" by Mr. A.H. Bienvenu in 1853. Kindly given by Miss Noel Bienvenu in 1995.Brown wooden collapsible deck chair, with wooden slats attached to canvas straps for the seat. Nine (9) wooden dowling pieces on the back of the seat, and two (2) armrests.chairs, deckchairs

Maybe made during WW 2 when building materials were scarce particularly in country townsLight wooden chair made from wooden packing boxes. Stabilised with bars on the back of the chair and between the four legsUnderneath the seat can be seen impressions that were stamped on the box . The words “Starch” and “boxes” can be read

The donor, Rosemary Lade, was a member of the Q Theatre Guild for a short period in the 1970s when this photo of a performance of The Bartered Bride was taken. The Q Theatre Guild had previously evolved out of the Kew Light Opera Company that had been formed in 1953. The first performances of the Guild occurred in the Kew Recreation Hall in Wellington Street. From 1960, the Guild performed at the new Kew Civic (later City) Hall. During the 1970s, the donor participated in performances of The Bartered Bride by Bedřich Smetana, The Gypsy Baron by Johan Strauss II, and Amahl and the Night Visitors by Gian Carlo Menotti.Photograph of a performance of Smetana's Bartered Bride in the Kew City Hall in the 1970s. The performance was given by the "Q" Theatre Guild."The Bartered Bride" Smetana. Q Theatre Guild 1970s.Left Rear - Molly Stillwell (seated) Rosemary Lademolly stilwell, rosemary lade, "q" theatre guild, kew civic hall, performing arts -- kew (vic.), smetana -- the bartered bride

Image taken of the Geelong Coast Tennis Association - Womens B1 Grade Premiers for Season 1971-72.1 photograph of Premiership tennis teamStanding: Helen Chappell, Barbara Tampion, Sandra Dendle Seated: Ethel Dean (Capt.), Clare O'Haraleopold tennis club, geelong coast tennis association, helen chappell, barbara tampion, sandra dendle, ethel dean, clare o'hara

Image taken of the Geelong Coast Tennis Association - Womens B Grade Premiers for Season 1968-9.1 photograph of Premiership tennis teamStanding: J Taranto, R McCluskey, M Jinks Seated: E Dean (Capt.), D Browneleopold tennis club, geelong coast tennis association, j taranto, r mccluskey, m jinks, dorothy browne, ethel dean

This private late-nineteenth-century four-wheeled carriage has been built to transport a family or group of passengers with a coachman in the front seat. It can be pulled by one horse, or by two horses if the T-pole is attached. The button fittings along each side of the carriage indicate that a folding roof or hood was once attached. The frame across the front of the carriagewas likely to have been a ‘dashboard’ with a leather or wood covering to prevent water, mud and other particles from splashing onto the passengers. The rear step between the two side-facing bench seats is adjustable to allow for ladies’ long skirts. These rear seats appear to be removable, in which case the carriage could be converted to a wagon to transport goods and equipment. The carriage could have been illuminated by oil or carbide lamps placed into the lamp holders on the sides. The carriage was kept under cover for many years in an open-front sandstone building that also included living quarters and an area that may have been stable. It was at ‘Murweh’ a Warrnambool property at 203 Liebig Street. The home is now Heritage and National Trust Listed and described as a ‘gentleman’s residence’. It was built by James Wotton Shevill in the 1860s. Shevill was a councillor from 1875 to 1878, serving in 1878 as Mayor of the Borough of Warrnambool. Jeremiah Wade lived at Murweh there from 1879-1880. By 1915 F.B. Whitehead and his family were living there, and by 1930 the address was used by Mr T.J. Rome and his family. Thomas James Rome was still using that address in September 1973 after his 100th birthday. It is believed that one of the property’s owners had been an Obstetrician in Warrnambool. The current owner re-told the story that children used to hide in the back section of the carriage and smoke, hidden from the sight of onlookers. He had heard the story from a previous owner.The well-appointed horse-drawn four-wheeled carriage is likely to have first belonged to a local councillor and past Mayor of the town of Warrnambool, J.W. Shervill, whose 1860s city property was the carriage location for many years. The carriage is a rare local example of a town-based lifestyle befitting a prosperous personality of the late 19th century. It adds to the story of Warrnambool's development as a town influenced by the port, wealth gained from shipping and the home place of prominent local people such as the Councillor and later Mayor. The side-facing rear seating is unusual for a passenger carriage. It has the feature of removable rear bench seats, allowing for the dual purpose of a carriage or wagon.Carriage; the Victorian-era horse-drawn four-wheeled open carriage has a coachman’s bench seat across the front and two side-facing bench seats in the rear. There are steps at the front on each side and a centre adjustable step and the back. It has a hinged shaft, two lamp holders and a separate T-pole. The bench seats have padded backrests upholstered in green leather and each has padded armrests at the ends. A rectangular metal frame, likely to have been a dashboard, is mounted across the front of the carriage. It has two inner vertical bars. The carriage's body is painted dark green with crimson highlights on some of the panelling. Decorative oval panels with hand-painted motifs are mounted along the sides. The side panels of the carriage have metal fastener buttons attached. The iron-rimmed wheels have sixteen wooden spokes and copper cuffs on the outside of the hubs, and the rear wheels are higher than the front wheels. Wooden brake blocks are mounted onto the back wheels and are active by a metal lever at the front right side of the carriage. The undercarriage is fitted with leaf springs on each side, mounted from front to back axles. Included are: (1) The separate T-pole that allows two horses to be harnessed to the carriage (2) Leather horse winkers with metal hardware and oval brass plate on the side of each winkerMotif painted on an oval panel [a musical lyre within a blue floral wreath flanked by scrolls] flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, murweh, buggy, cart, carriage, wagon, horse-drawn vehicle, victorian buggy, four-wheeled carriage, coachman’s seat, bench seat, side-facing benches, upholstered seats, victorian decals, heritage vehicle decoration, antique hand painting, hand painted decals, motifs, iron-rimmed wheels, wooden brake blocks, leaf springs, t-pole shaft, rear step, equine carriage, 19th century vehicle, victorian transport, transport, gentleman’s vehicle, james wotton shevill, councillor, mayor, jeremiah wade, f.b. whitehead, thomas james rome, warrnambool obstruction, warrnambool genealogy, warrnambool pioneers, victorian carriage, one horse carriage, two horse carriage, horse drawn carriage

This came as part of a large collection of photos from Eric Boardman. Originally catalogued by R Waters on 12.02.1988. There are 3 copies of the original in black & white 20.5 cm x 25.5 cm format. According to information in the supplementary file from Bob Cahill who is the grandson of JF Cahill and son of Malachi Cahill, the identification of the photo is as follows: L to R (standing): James, John Francis (father), John, Malachi; L to R (seated): Mary / Margaret nee Ryan (mother), Polly (Mary), Michael (Mick) and ? (not specified) Margaret. NB/ Nora (Annie) who ran the Ball Court Hotel is missing from the photo. Other details: John Francis Cahill was a blacksmith & bootmaker and thought to be English; he married Mary or Margaret Ryan prior to coming to Sunbury. He built the Ball Court Hotel in 1854. (See 'Bulla Bulla'.) Nora (Annie) married a McGrath; Margaret married a Breen; James did not marry; Mary (Polly) married Justin Ford, Shire President in 1917. Malachi (born in 1878) married Mary Jane English. She was aged forty at the time of marriage & was originally from Ballarat. She worked at 'The Hill'. Malachi was a railway worker & died travelling on a train. There is also information about the Bulla Cahill family in the supplementary file.Mounted black & white photograph of the family of John Francis Cahill. It portrays 5 males and 3 females seated formally in front of a building. The photo is in sepia tonings mounted on a grey mount."Cahill Family" written in blue biro on the centre front of the mount below the photo; "Eric Boardman" handwritten in red pencil on the back of the mount.pioneers, cahill family, cahill, john francis, mary, ryan, john, malachi, polly, michael, ball court hotel, boardman, eric, ford, justin, matson & frazer, george evans collection

B&W photograph of Australian Chamber Soloists. Music Viva address label and sundry annotation. Five males of group seated on park bench looking backwards over the seat.

A long wooden spectators' bench, featuring for six seats, indicated by plastic seat number plaques along the breadth of the bench (Nos 23-28). Materials: Wood, Metal, Plastictennis

John Inglis Lothian and family at 'Tantallon', c1925. John Inglis Lothian was born in Dunbar Scotland in 1851. He married Lillias Charlotte Smith (b 1847) in 1876. They had 6 children, all but the last born in Scotland before they migrated to Australia in 1888. Children were: 1. Margaret Morrison (1879 - ) 2. Thomas Carlyle (1880 - 1974) 3. Elizabeth Inglis (1882 - 1973) 4. Lillias Smith (1883 - 1971) 5. Isabella Margaret (1885 - 1946) 6. John George (1892 - 1983). Lillias Smith Lothian (Father's name: Morrison Smith; Mother's name Margaret Inglis) died in Ringwood and is buried in Box Hill Cemetery (C-*-0138). Most of the other members of the family were cremated and their ashes scattered. The family were in York Street, Surrey Hills in 1903 but moved to Ringwood where they were orchardists, returning to 59 York Street by 1927, by which time John Inglis Lothian had retired. Thomas Carlyle Lothian lived at 33 York Street (St Abbs) and established Lothian Publishing Co Pty Ltd. He died on 19 Apr 1974 in Mont Albert. A black and white photograph of a family group of 8 adults and four children in a garden setting; some being seated in chairs and deck chairs, some seated on the grass and some standing.lothian publishing company, 1900, 'tantallon', 'st abbs', house names, york street, surrey hills, john inglis lothian

Donald Clark Collection. A photograph depicting a group of people outdoors, some seated with songbooks, one seated at a piano, and one standing. Caption incorporated into image reads 'St. David's Choir'. Copy photograph. Writing on reverse indicates the choir is from the Church of England at Llanelly, Victoria.music, choirs, churches

Part of S E Surman collection (album) page 6.Sepia photograph of an older well dressed lady wearing long sleeved long gown, seated holding a young child dressed in fancy gown with bare feet, seated on a pedestal."Aunt Simmons (Geelong) Vera Thorpe Grandma age 75 yrs Clarry age 1 year 7 mths) (never wore shoes or hat yet) 1906 love from Annie".vera thorpe, vera simmons, surman collection

Group - 6 males. 2 children J C Hutchings seated on left Dave W Mitchell seated on right.stawell

Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet a Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Amy Huxtable Memorial Committee Receipts for 1980 to 1983. ANZ passbook included and breakdown of the costs and donations for the Amy Huxtable memorial seat which is opposite the former Bendigo Advertiser office in Pall Mall, Bendigo.history, amy huxtable, bendigo, amy huxtable memorial committee

Photo relates to B G COOPER No 3/410591 in Malaya. Refer Reg No's 1722P & 1723.Photo, black / white, showing a soldier seated with 4 weapons.photograph, soldier, malaya