MMBW plan of part of central Greensborough, Main Street and surrounds, from sports ovals in North to Grimshaw Street in South.Map shows buildings and topography for the area.MMBW plan, black and colour ink on beige parchment, 2 copies."Scale:160 feet to 1 inch"melbourne and metropolitan board of works, mmbw, greensborough

MMBW plan of part of central Greensborough, from Plenty River in North to Grimshaw Street in South, Sellars Street in West to Kerr Street in East.Map shows buildings and topography for the area.MMBW plan, black and colour ink on beige parchment, 4 copies."Scale:160 feet to 1 inch"melbourne and metropolitan board of works, mmbw, greensborough

The political and personal controversy over our involvement in the Vietnam war still rages. Only those who were there can tell the story.australia. army. topographical survey troop, 1st, military topography - vietnam, nui dat

The political and personal controversy over our involvement in the Vietnam war still rages. Only those who were there can tell the story. military topography - vietnam, 1st topographical survey troop, nui dat

1996 Nillumbik Art in Public Places Award (installed late 1997). A biennial program that ceased in 2007. The program commissioned artists to make and install public art in various sites around the Shire. Award judges that year were Tony Trembath and artist Peter D. Cole. Susie Kumar has a Bachelor of Landscape Architecture degree from RMIT and Naomi Kumar has a Bachelor of Fine Art in photography degree from VCA. The Kumar sisters designed the sixty meter gently curving bench in response to the topography of the site, Conventry Oval. The sculpture is designed to describe the boundary between the formal oval and the natural creek bank and a considered relationship to the bike track and the river. It forms a link between the activities and aesthetics of its environment. The work is a comical interpretation of the utilitarian public bench. From a distance the bright red runners (the colour of the local football team's stripe) appear to float about the surrounding green. One end of the work is straight and finished. The other remains 'unfinished' hence allowing for the concept of unlimited extension. The 'legs' (steel hurdles) are arranged with a sense of movement and rhythm in sympathy with the activities happening around the work and with the stands of trees in he background. 'Benchmark' also serves as a functional purpose; providing a choice of places to sit to watch action on the oval. Stainless steel, timber (Victorian Ash) and red enamel paint. Sixty meter long red bench that gently curves in response to Conventry Oval. Bolted on top of evenly spaced stainless steel hurdles, four rows of timber runners are joined to provide unbroken continuous lengths. The bench stands on a framed bed of crushed rock (Lilydale topping).N/Abench, sport, wood, victorian ash, stainless steel, public art, ekphrasis2017

Original photograph by William Bardwell, with the original image held by the State Library of Victoria. Edited by Richard Conn. Purchased by the Museum.Provides information about the appearance of Armstrong St from the Town Hall. Shows the topography of the area, along with many buildings, including W Milne & Cp and J N Healy in the Hall of Commerce and Doig & Co, Plumbers and Gasfitters.Black & White copy photograph aerial view A4 size, titled ""Ballarat looking north west from the Town Hall ca 1872" looking along Armstrong St. Original photo by William Bardwell.ballarat, armstrong st, w milne & co, doig&co, j n healy

Original photograph by William Bardwell, with the original image held by the State Library of Victoria. Edited by Richard Conn. Purchased by the Museum.Provides information about the appearance of Sturt St Ballarat, looking from the Town Hall. Shows the topography of the area, along with many buildings, including the London Chartered Bank of Australia (later the Commonwealth Bank), the Unicorn Hotel, J. Dodds Bucks Head Hotel, road works in Bridge St, Albion House Drapery, Bryce & Chalmers Produced Merchants, a fenced central median strip and two horse-drawn carriages parked in Lydiard St.Black & White copy photograph aerial view A4 size, titled ""Ballarat looking east from the Town Hall ca 1872" looking along Sturt St towards Grenville St. Original photo by William Bardwell.ballarat, sturt st, grenville st, lydiard st, bucks head hotel, bryce & chalmers, london chartered bank, albion house, bridge st

Quamby was built in 1898. From 1900/1903-1924 it was the home of Andrew Sherar and family. From 1924-1960s it operated as Mosgiel Hospital under the direction of Matron Elizabeth Anderson. Until Box Hill Hospital opened most Surrey Hills children were born at Mosgiel or at Nethercourt Hospital in Wilson Street or later in Union Road when Matron Tank moved her hospital here. Mosgiel Hospital was demolished c 1975 after it was sold by Box Hill Hospital. It was replaced by units. Andrew Sherar was conductor of the Wyclif Church choir for many years and was a member of the Melbourne Liedertafel. Isie Sherar was organist at Wyclif Church and also taught piano in Union Road. Connie Sherar was in the Wyclif choir and married Ernest Swan, an elocutionist and orator. Dorothy Sherar was a pianist and accompanist. Elsie Sherar was also in the Wyclif choir and was a soloist; she later moved to Templestowe. Ken Sherar was a boy soprano at St Paul's Cathedral; he later moved to Queensland.Black and white photo looking south down Vincent Street from 'Quamby', located at 293 Mont Albert Road, Surrey Hills. In the centre foreground is a timber house with 2 chimneys and a tiled hip roof. It has a return veranda and is fenced on 2 sides by paling fences and picket fences on the other two. In the background are many more houses. A road lined with power poles runs from the right foreground to the middle distance.quamby, vincent street, edwardian style, topography, andrew sherar, isie sherar, connie sherar, dorothy sherar, ken sherar, elsie wappet